70 years and not a bit old

Building design

BRAFA is celebrating its 70th anniversary this year. Around 130 exhibitors attract the public. Olivier Pirard

BRAFA is celebrating its 70th anniversary this year and proves that it is one of the most important fairs for art and antiques. Founded in 1956 under the name Foire des Antiquaires, the fair has constantly evolved. It appeals to collectors with around 20 collection areas – ranging from fossils and antique works of art to contemporary art. […]

BRAFA is celebrating its 70th anniversary this year and proves that it is one of the most important fairs for art and antiques. Founded in 1956 under the name Foire des Antiquaires, the fair has constantly evolved. It appeals to collectors with around 20 collection areas – ranging from fossils and antique works of art to contemporary art.

From Sunday, January 26 to February 2, BRAFA 2025 in Brussels has been attracting a wide audience with 130 exhibitors. There is a lot to discover at the anniversary fair, whose guest of honor this year is Portuguese artist Joana Vasconcelos. The artist, who is known for her monumental sculptures and immersive installations, will be showing two works of art at the fair. The two imposing sculptures from the “Valkyries” series will greet visitors as they enter the two exhibition halls at Brussels Expo. In her works, the artist explores themes such as the role of women, consumer society and cultural identity. Her works are characterized by a cheerful, ironic and colourful tone.

Galleries from a total of 16 countries also await visitors to the fair. They offer the public old master paintings, African art, antique and designer furniture, goldsmith art, carpets and textiles, rare books and jewelry, among other things. The fair has also grown, with 16 new galleries exhibiting this year. It is particularly important to the organizers to offer visitors an exceptional atmosphere and quality. Klaas Muller, Chairman of BRAFA, emphasizes: “What counts is the quality of the exhibited works and the galleries. […] The general atmosphere among the participants is positive and friendly, the exhibitors are welcoming and always ready to share their passion with the visitors.” He also explains that the fair appeals to a broad audience: art lovers, interior designers and museum curators as well as discerning collectors visit the fair. Muller adds: “BRAFA is the first major event in the art calendar and everyone looks forward to discovering our fair, which has become an unmissable event.”

BRAFA 2025 attracts international exhibitors – some of whom are long-standing participants, but new galleries are also invited. Two new countries have been added this year: Sweden and Portugal. Hoffmans Antiques from Stockholm will be offering Gustavian furniture and works of art from the 18th and early 19th centuries, while J. Baptista from Lisbon will be presenting antique jewelry and silverware by Portuguese and international silversmiths. Also new this year is COLNAGHI, based in London, New York, Madrid and Brussels. The gallery has been trading in works of art since 1760. It specializes in Old Master paintings, prints and drawings. Lovers of contemporary art can look forward to Galerie Nathalie Obadia. The gallery, based in Paris and Brussels, represents artists such as Nù Barreto and David Reed and will be exhibiting them for the first time at BRAFA 2025. The Stone Gallery from Baarn in the Netherlands will open up a new area of collecting. The gallery specializes in crystals, fossils and meteorites. At their stand, visitors can expect to see the front leg of a woolly mammoth; the two-meter-long fossil was found in the North Sea. The 180-million-year-old Ichthyosaurus, which was pregnant at the time of its death, came from Holzmaden in Germany.

Visitors can expect a journey through time at the trade fair, and there are also curious things to discover: The Marc Maison gallery has arrived with a monumental bed in the Egyptianizing style that was popular in the 19th century. The bed was created by cabinetmaker Louis Malard as part of a complete bedroom ensemble. This extraordinary piece of furniture was awarded the silver medal at the Paris World Exhibition in 1889.

If you prefer simpler furniture, you might like the rosewood desk designed by Danish artist and designer Bodil Kjaer in 1959. The so-called President’s Desk was manufactured by E. Pedersen & Son in Denmark as part of a project for the Massachusetts Institute of Technology. The purist design impresses with its clear and elegant lines and may be familiar to some from the James Bond films. Famous personalities such as the actor Michael Caine, the pianist Oscar Peterson and Prince Philip, Duke of Edinburgh, were also enthusiastic about the design. The piece can be admired and purchased at the Gokelaere & Robinson Gallery.

Jewelry lovers will get their money’s worth at BRAFA 2025, with various exhibitors bringing jewelry from all eras. The BG Arts gallery, which specializes in works by René Lalique, will be presenting a necklace by the artist from around 1905. The “Dragonfly Pair” model, made of yellow gold, tourmalines, diamonds and enamel, captivates with its lightness and fascinates with virtuoso craftsmanship. Another highlight in the jewelry segment is a diamond tiara in the Art Deco style by Maison Chaumet from 1909. The tiara offered by Epoque Fine Jewels was made by Maison Chaumet in Paris for the wedding of the daughter of the Count and Countess de Heeren. The precious piece of jewelry is set with 2096 diamonds and made of platinum and gold with a “mille-grain” surface. At the time the tiara was made, the 19th century style was still mostly in fashion. However, the headdress from the Maison Chaumet already captivates with the geometric design language of Art Deco, which would reach its peak in the 1920s. Lovers of modern jewelry will also find what they are looking for at Epoque Fine Jewels.

BRAFA 2025 can also inspire with modern art. The Cortesi Gallery from Milan has a work by the Italian Lucio Fontana on offer. The painting “Concetto spaziale, Attese” from 1959 attracts a lot of attention with its diamond-shaped canvas. In addition to the diamond-shaped canvas, the large number of fourteen incisions is a particularly rare example of the artist’s work. The work can be seen as an anticipation of the artist’s Qunata series, created between 1959 and 1960.

The Boon Gallery in Knokke, Belgium, is presenting one of Günter Uecker’s famous nail paintings. The artist has been using nails in his artworks for six decades. The work “Wind”, created in 2005, is dominated by nails arranged in waves. The resulting dynamics fascinate the viewer and the hammered nails, together with the incident light, create an interesting play of shadows.

The works of Fred Eerdekens also offer an impressive play of shadows. At first glance, his metal works of art look like intertwined lines. Only in combination with light do they come into their own: what appears to be an intricate metal ornament turns out to be lettering when the light falls on it. The shadow cast reveals the name of the work.

Gallery owner Florian Kohlhammer from Vienna has brought several works by Georg Klimt, the youngest brother of the famous Gustav, with him to Brussels. Georg worked as an artisan and was inspired by works by artists from the Vienna Secession, the Glasgow School and Franz von Stuck. In doing so, he found his own independent formal language and left behind a diverse oeuvre that still inspires today. His reliefs, which were carved in bronze, once often adorned carpentry work.

BRAFA 2025 also announced a new partnership in its anniversary year. The KIK-IRPA (Royal Institute for Cultural Heritage), which is dedicated to researching and preserving artistic and cultural heritage, has had its own stand at the trade fair since this year. The institute will be presenting its conservation and restoration work at BRAFA 2025. During the fair, interactive workshops will be held daily between 2 and 5 pm. Visitors will have the opportunity to take a look behind the scenes of monument conservation and at the same time learn about modern scientific techniques that are used to preserve works of art. Those responsible for the fair emphasize that the preservation of cultural heritage is particularly important to them and that they are therefore very pleased to be working with KIK-IRPA. BRAFA 2025 will also be enriched by lectures such as the BRAFA Art Talks.

Read more: After more than 85 years, an important work of art has returned to the Museum Folkwang collection. The watercolor “Mild Depths” by Wassily Kandinsky from 1928 recently appeared on the art market.

YOU MAY ALSO LIKE

Supervised learning vs. unsupervised learning – methods in urban analysis applications

Building design
a-group-of-people-walking-along-a-street-next-to-tall-buildings-6Ooq3GMvYIc

A scene from everyday urban life: people walking between tall buildings - photographed by Marek Lumi.

Smarter cities through artificial intelligence? Sure, the urban future has long since arrived – but only if we ask the right questions. Supervised learning and unsupervised learning are the invisible tools that urban planners are using today to tame floods of data, recognize patterns and make better decisions. But which method really delivers urban intelligence – and where are the pitfalls?

  • Definition and differentiation of supervised and unsupervised learning in the context of urban analysis
  • Areas of application of both methods in urban practice: from traffic forecasts to neighborhood monitoring
  • Specific examples of use in German, Austrian and Swiss cities
  • Technical and methodological requirements for data, models and infrastructure
  • Opportunities and risks: From pattern recognition to algorithmic bias
  • Role of data quality, transparency and governance
  • Integration of machine learning into traditional planning tools
  • Outlook for the future: How AI-supported urban analysis is transforming the profession

Supervised vs. unsupervised learning: what’s behind the methods?

The buzzword “machine learning” has long since arrived in urban planning – and is at least as polarizing as the latest draft for a car-free city centre. But what exactly is behind the terms supervised learning and unsupervised learning? Both methods are sub-areas of machine learning, the discipline of artificial intelligence that extracts patterns from data and derives predictions. The fundamental difference: in supervised learning, algorithms are trained with data that has already been classified. This means that there is a suitable label for each data set – for example, the category of a building, the measured noise pollution or the number of traffic movements at certain times. The aim is to recognize rules from these examples in order to then correctly classify or predict unknown data.

Unsupervised learning, on the other hand, works entirely without these prefabricated labels. Here, large data sets – such as movement profiles in a neighborhood or energy consumption data for entire streets – are analyzed for their internal structures and patterns. The algorithm independently searches for similarities, groupings or outliers without the human defining what is “normal” or “conspicuous” beforehand. Cluster analyses and dimension reductions are typical techniques of unsupervised learning, while supervised learning is dominated by methods such as decision trees, random forests or neural networks.

In urban analysis, for example, supervised learning makes it possible to create precise traffic jam forecasts from historical traffic and weather data or to train air quality models. Unsupervised learning, on the other hand, is ideal for discovering previously unknown patterns in mobility behavior, land use or social dynamics – for example, when it comes to identifying new neighborhood types or understanding the emergence of heat islands. The two approaches are therefore not in competition, but complement each other and make urban planning more data-competent, more agile and ultimately more democratic.

It is important to note that these methods do not operate in a vacuum. They require solid data sources, clear objectives and critical reflection on their results. In planning practice in particular, it is not algorithmic elegance that is decisive, but the relevance of the analyses to real challenges: Better quality of life, less congestion, better climate adaptation. And this is precisely where the debate on the use of supervised and unsupervised learning in urban analysis comes in.

To summarize: When you say supervised learning, you mean targeted predictions and classifications based on known examples. Those who favor unsupervised learning are looking for hidden structures and correlations in complex, often confusing data sets. Both methods have a firm place in the toolbox of modern urban development – but they only develop their full potential in combination with planning intelligence and creative courage.

Applications in an urban context: from traffic control to climate analysis

The theory sounds promising, but what does the practice look like? In fact, supervised and unsupervised learning are no longer exotic gimmicks, but are being used in more and more cities in German-speaking countries. A classic example of supervised learning is traffic flow forecasting: here, historical traffic data, weather information and events such as major events are used to predict when and where traffic jams will occur. Cities such as Munich and Zurich rely on such models to dynamically control traffic light phases and make local public transport more efficient. The result: fewer emissions, shorter travel times and a data-based foundation for city-wide mobility strategies.

Another field is air quality and noise analysis. With the help of supervised learning, polluted streets can be identified from sensor data and targeted measures such as speed limits or greening programs can be planned. In Vienna, for example, the method is used to identify hotspots of particulate matter pollution at an early stage and initiate countermeasures. The prediction of heavy rainfall events and flooding risks also benefits from supervised learning methods, especially when historical water levels and weather data are used as the basis for training.

Unsupervised learning, on the other hand, shines when it comes to discovering new patterns or previously unknown correlations. In Hamburg, for example, anonymized movement data is used to identify clusters of user groups in public spaces – such as commuters, tourists or leisure users. This results in new insights into neighborhood development and land use that traditional planning methods were previously unable to map. In Zurich, unsupervised learning processes are helping to derive new typologies of buildings and households from energy consumption data, enabling the development of tailored climate protection strategies.

Unsupervised learning is also frequently used to analyze social media, for example to capture moods in certain districts. Here, text data is automatically evaluated in order to filter out topics, trends or lines of conflict – a valuable contribution to digital citizen participation and crisis management. Last but not least, unsupervised learning plays a key role in detecting anomalies: whether it is unusual heat islands during heatwaves or conspicuous changes in traffic behavior during major events – the method helps to react early to challenges that often remain hidden from classic models.

Both approaches are increasingly being integrated into urban digital twins, i.e. digital representations of entire cities. There, they ensure that simulations become more realistic, scenarios more diverse and decisions more informed. The highlight: machine learning turns data models into living planning tools that can react flexibly to new challenges – and therefore do not replace traditional methods, but complement them intelligently.

Technical and methodological challenges: Data, models and responsibilities

As promising as the new methods appear, the requirements for their implementation are just as great. After all, machine learning in urban analysis is not a sure-fire success. It starts with the database: without high-quality, up-to-date and sufficiently extensive data sets, neither supervised nor unsupervised learning will work reliably. In the municipal context in particular, data is often scattered, structured differently and of varying quality. In addition, there are legal and ethical issues, such as data protection and anonymization – particularly sensitive when mobility or health data is processed.

The selection and training of models requires not only technical expertise, but also a deep understanding of urban processes. An algorithm that is supposed to predict traffic flows must, for example, take seasonal fluctuations, roadworks and major events into account – and must not be misled by outliers in the training data. Validating the models is therefore just as important as the actual training: only if the forecasts are regularly compared with reality and readjusted will the model remain reliable and relevant.

The interpretability of the results is also a key issue. Particularly with complex models such as deep neural networks, there is a risk that even experienced planners will no longer be able to understand the decision-making logic. This can lead to acceptance problems if, for example, measures are decided on the basis of “opaque” algorithms. Transparent models, comprehensible analysis steps and open communication are therefore essential – not least to ensure the trust of politicians, administrators and the public.

Another problem area is the integration of learning methods into existing planning processes. Traditional instruments such as development plans, environmental reports or mobility concepts are often not designed for the speed and flexibility of data-driven analyses. What is needed here are interfaces, standards and a culture of experimentation so that machine learning becomes a productive component of urban development strategies. Interdisciplinary teams of planners, data scientists and IT experts are required – and not least the willingness to admit mistakes and learn from them.

Finally, the question of responsibility arises: who actually controls the algorithms? Who decides which data flows in, which models are used and which results are implemented? Without clear governance structures, there is a risk that machine learning will become a black box – or worse, an instrument of technocratic or commercial interests. The development of open, participatory and controllable systems is therefore not only a technical task for urban planning, but also a political one.

Opportunities, risks and future prospects: How AI is changing urban planning

The integration of supervised and unsupervised learning in urban analysis opens up unimagined opportunities – and at the same time presents the urban profession with new challenges. One of the greatest opportunities is the ability to grasp complex interrelationships more quickly and precisely: cities are becoming more resilient because they can react more quickly to crises on the basis of data-based early warning systems. At the same time, they benefit from a new quality of scenario building: AI-supported models can be used to run through various development options before expensive wrong decisions are made. This speeds up planning processes, saves resources and increases transparency for politicians and the public.

Another plus: machine learning opens up new ways of involving citizens. Simulations and forecasts become easier to understand because they are based on real data and can be visualized. This motivates citizens to get actively involved and makes planning processes more comprehensible – a decisive contribution to more democracy in urban development. The linking of planning, operation and control also benefits: With AI, municipal utilities, transport companies and environmental authorities can work together based on data and overcome silos.

However, as great as the potential is, the risks are also real. A key problem is the risk of algorithmic bias: if the data basis is biased or incorrect, the models reproduce existing inequalities – or create new ones. The classic example: training data that originates primarily from affluent neighborhoods leads to models that systematically disadvantage poorer neighborhoods. Critical reflection, diversity of data sources and regular audits are required here.

The commercialization of urban data is also a growing problem area. If private providers control central infrastructures or algorithms, urban planning is at risk of losing its sovereignty. Open standards, public platforms and transparent processes are therefore essential in order to retain control over one’s own development. And finally, enthusiasm for technical solutions must not obscure social and cultural factors: Machine learning is a tool – not a substitute for political debate, design quality and participatory processes.

A look into the future shows: The importance of supervised and unsupervised learning in urban analysis will continue to grow. Cities that build up skills in good time, remain open to experimentation and create the right governance structures will benefit most from the new opportunities. They will not only become more efficient and sustainable, but also more democratic and liveable. The others? They will eventually realize that data-based planning is no longer a luxury – but an urban reality.

Conclusion: machine learning as a game changer for urban analysis

Supervised and unsupervised learning are more than just technical buzzwords – they are the tools that will shape the urban planning of tomorrow. While supervised learning enables targeted predictions and accelerates traditional planning tasks, unsupervised learning opens the door to new insights that go beyond the usual routines. Both methods have their strengths, but both require critical, expert application – and an infrastructure that ensures quality, transparency and participation.

The challenges should not be underestimated: From data procurement to model validation and governance, many questions remain unanswered. But the benefits are obvious: better analyses, faster decisions, more citizen participation and more resilient cities are within reach. Those who combine the methods intelligently can create real added value for cities and society from the flood of data.

It remains crucial that machine learning does not become an end in itself. It must be embedded in the logic of urban development, supported by interdisciplinary teams and regularly reviewed. Only then will AI-supported analysis become a real game changer for planners, decision-makers and citizens alike. The future of the city is data-based – but it can still be shaped. And that’s a good thing.

Baumeister student competition

Building design

RWTH Aachen and TU Munich are the most successful universities in this year’s student competition organized by Baumeister and Nemetschek Allplan Systems.

RWTH Aachen and TU Munich are the most successful universities in this year’s student competition organized by Baumeister and Nemetschek Allplan Systems. A TU team won with its submission on the subject of “Three houses under one roof”, “Curia House on Roncalliplatz in Cologne” and “Diving Bunker”, the titles of the two winners from Aachen. The theme of the competition was additions to storeys, under the title “That’s the height!” 16 universities with a total of 33 entries responded to our call.

The jury could not (and did not want to) decide on an exact order this year. The projects in the final round simply excelled with too many different aspects. They agreed on three equal prizes in the categories “Housing”, “Public Building” and “Conversion”. Each prize-winning work received prize money of 1,500 euros. Three further projects were recognized and awarded prize money of 250 euros each.

All winning projects and recognitions will be published in Baumeister 7/2014 with the jury’s assessments. We would like to congratulate the winners and thank them for their fantastic entries!

The winners are:

Category “Living”

Barbara Trojer, Markus Munzig, Cosima Krubasik from the Technical University of Munich for their submission “Three houses under one roof”, prize money: 1,500 euros

Category “Public Building”

Patrick Knüppe from the Rheinisch-Westfälische Technische Hochschule Aachen for his submission “Kurienhaus am Roncalliplatz in Cologne”, prize money: 1,500 euros

Category “Conversion”:

Thomas Haber from the Rheinisch-Westfälische Technische Hochschule Aachen for his submission “Tauchbunker”, prize money: 1,500 euros

Recognition and prize money of 250 euros each:

Janna Lane and Jan Hendrik Lorenzen, Lübeck University of Applied Sciences

Felix Broer, Dortmund University of Applied Sciences and Arts

Acar and Xi Li, Berlin University of Technology

The jury:

Dr. Matthias Castorph, Götz Castorph Architekten und Stadtplaner (jury chairman)

Philipp Auer, Auer+Weber+Assoziierte

Susanna Knopp, 4architekten

Lorenz Lachauer, Nemetschek Allplan Systems

Mauritz Lüps, Atelier Lüps

Sabine Schneider, Baumeister