BRAFA is celebrating its 70th anniversary this year and proves that it is one of the most important fairs for art and antiques. Founded in 1956 under the name Foire des Antiquaires, the fair has constantly evolved. It appeals to collectors with around 20 collection areas – ranging from fossils and antique works of art to contemporary art. […]
BRAFA is celebrating its 70th anniversary this year and proves that it is one of the most important fairs for art and antiques. Founded in 1956 under the name Foire des Antiquaires, the fair has constantly evolved. It appeals to collectors with around 20 collection areas – ranging from fossils and antique works of art to contemporary art.
From Sunday, January 26 to February 2, BRAFA 2025 in Brussels has been attracting a wide audience with 130 exhibitors. There is a lot to discover at the anniversary fair, whose guest of honor this year is Portuguese artist Joana Vasconcelos. The artist, who is known for her monumental sculptures and immersive installations, will be showing two works of art at the fair. The two imposing sculptures from the “Valkyries” series will greet visitors as they enter the two exhibition halls at Brussels Expo. In her works, the artist explores themes such as the role of women, consumer society and cultural identity. Her works are characterized by a cheerful, ironic and colourful tone.
Galleries from a total of 16 countries also await visitors to the fair. They offer the public old master paintings, African art, antique and designer furniture, goldsmith art, carpets and textiles, rare books and jewelry, among other things. The fair has also grown, with 16 new galleries exhibiting this year. It is particularly important to the organizers to offer visitors an exceptional atmosphere and quality. Klaas Muller, Chairman of BRAFA, emphasizes: “What counts is the quality of the exhibited works and the galleries. […] The general atmosphere among the participants is positive and friendly, the exhibitors are welcoming and always ready to share their passion with the visitors.” He also explains that the fair appeals to a broad audience: art lovers, interior designers and museum curators as well as discerning collectors visit the fair. Muller adds: “BRAFA is the first major event in the art calendar and everyone looks forward to discovering our fair, which has become an unmissable event.”
BRAFA 2025 attracts international exhibitors – some of whom are long-standing participants, but new galleries are also invited. Two new countries have been added this year: Sweden and Portugal. Hoffmans Antiques from Stockholm will be offering Gustavian furniture and works of art from the 18th and early 19th centuries, while J. Baptista from Lisbon will be presenting antique jewelry and silverware by Portuguese and international silversmiths. Also new this year is COLNAGHI, based in London, New York, Madrid and Brussels. The gallery has been trading in works of art since 1760. It specializes in Old Master paintings, prints and drawings. Lovers of contemporary art can look forward to Galerie Nathalie Obadia. The gallery, based in Paris and Brussels, represents artists such as Nù Barreto and David Reed and will be exhibiting them for the first time at BRAFA 2025. The Stone Gallery from Baarn in the Netherlands will open up a new area of collecting. The gallery specializes in crystals, fossils and meteorites. At their stand, visitors can expect to see the front leg of a woolly mammoth; the two-meter-long fossil was found in the North Sea. The 180-million-year-old Ichthyosaurus, which was pregnant at the time of its death, came from Holzmaden in Germany.
Visitors can expect a journey through time at the trade fair, and there are also curious things to discover: The Marc Maison gallery has arrived with a monumental bed in the Egyptianizing style that was popular in the 19th century. The bed was created by cabinetmaker Louis Malard as part of a complete bedroom ensemble. This extraordinary piece of furniture was awarded the silver medal at the Paris World Exhibition in 1889.
If you prefer simpler furniture, you might like the rosewood desk designed by Danish artist and designer Bodil Kjaer in 1959. The so-called President’s Desk was manufactured by E. Pedersen & Son in Denmark as part of a project for the Massachusetts Institute of Technology. The purist design impresses with its clear and elegant lines and may be familiar to some from the James Bond films. Famous personalities such as the actor Michael Caine, the pianist Oscar Peterson and Prince Philip, Duke of Edinburgh, were also enthusiastic about the design. The piece can be admired and purchased at the Gokelaere & Robinson Gallery.
Jewelry lovers will get their money’s worth at BRAFA 2025, with various exhibitors bringing jewelry from all eras. The BG Arts gallery, which specializes in works by René Lalique, will be presenting a necklace by the artist from around 1905. The “Dragonfly Pair” model, made of yellow gold, tourmalines, diamonds and enamel, captivates with its lightness and fascinates with virtuoso craftsmanship. Another highlight in the jewelry segment is a diamond tiara in the Art Deco style by Maison Chaumet from 1909. The tiara offered by Epoque Fine Jewels was made by Maison Chaumet in Paris for the wedding of the daughter of the Count and Countess de Heeren. The precious piece of jewelry is set with 2096 diamonds and made of platinum and gold with a “mille-grain” surface. At the time the tiara was made, the 19th century style was still mostly in fashion. However, the headdress from the Maison Chaumet already captivates with the geometric design language of Art Deco, which would reach its peak in the 1920s. Lovers of modern jewelry will also find what they are looking for at Epoque Fine Jewels.
BRAFA 2025 can also inspire with modern art. The Cortesi Gallery from Milan has a work by the Italian Lucio Fontana on offer. The painting “Concetto spaziale, Attese” from 1959 attracts a lot of attention with its diamond-shaped canvas. In addition to the diamond-shaped canvas, the large number of fourteen incisions is a particularly rare example of the artist’s work. The work can be seen as an anticipation of the artist’s Qunata series, created between 1959 and 1960.
The Boon Gallery in Knokke, Belgium, is presenting one of Günter Uecker’s famous nail paintings. The artist has been using nails in his artworks for six decades. The work “Wind”, created in 2005, is dominated by nails arranged in waves. The resulting dynamics fascinate the viewer and the hammered nails, together with the incident light, create an interesting play of shadows.
The works of Fred Eerdekens also offer an impressive play of shadows. At first glance, his metal works of art look like intertwined lines. Only in combination with light do they come into their own: what appears to be an intricate metal ornament turns out to be lettering when the light falls on it. The shadow cast reveals the name of the work.
Gallery owner Florian Kohlhammer from Vienna has brought several works by Georg Klimt, the youngest brother of the famous Gustav, with him to Brussels. Georg worked as an artisan and was inspired by works by artists from the Vienna Secession, the Glasgow School and Franz von Stuck. In doing so, he found his own independent formal language and left behind a diverse oeuvre that still inspires today. His reliefs, which were carved in bronze, once often adorned carpentry work.
BRAFA 2025 also announced a new partnership in its anniversary year. The KIK-IRPA (Royal Institute for Cultural Heritage), which is dedicated to researching and preserving artistic and cultural heritage, has had its own stand at the trade fair since this year. The institute will be presenting its conservation and restoration work at BRAFA 2025. During the fair, interactive workshops will be held daily between 2 and 5 pm. Visitors will have the opportunity to take a look behind the scenes of monument conservation and at the same time learn about modern scientific techniques that are used to preserve works of art. Those responsible for the fair emphasize that the preservation of cultural heritage is particularly important to them and that they are therefore very pleased to be working with KIK-IRPA. BRAFA 2025 will also be enriched by lectures such as the BRAFA Art Talks.












