22.11.2024

A country house from Atelier ordinaire

Building design

The wooden house

The architecture firm Atelier ordinaire from Strasbourg built a house in the Vosges mountains that imposes strict restraint in the face of magnificent nature. Inside, wood and modern design enter into a happy liaison, creating rooms that are both homely and contemplative. “Our house is right on the edge of the forest. The open countryside begins directly behind it, through which […]

The architecture firm Atelier ordinaire from Strasbourg built a house in the Vosges mountains that imposes strict restraint in the face of magnificent nature. Inside, a lot of wood and modern design enter into a happy liaison, creating rooms that are both homely and contemplative.






 


 


The wooden house built by Atelier ordinaire in the French Vosges offers magnificent views of the mountains and Lac de Gérardmer. Almost every surface in the interior is made of pine wood. Photo: Jonathan Mauloubier






 


 


The wooden house built by Atelier ordinaire in the French Vosges mountains offers magnificent views of the mountains and Lac de Gérardmer. Almost every surface in the interior is made of pine wood. Photo: Jonathan Mauloubier






 


 


The wooden house built by Atelier ordinaire in the French Vosges mountains offers magnificent views of the mountains and Lac de Gérardmer. Almost every surface in the interior is made of pine wood. Photo: Jonathan Mauloubier

“Our house is right on the edge of the forest. The open countryside begins directly behind it, with hiking trails leading up into the mountains,” says Thomas Wagner from Strasbourg-based architecture firm Atelier ordinaire, describing the location of his latest project – a house in the hills of the Vosges, just 50 kilometers west of Colmar, that is many things at once: a home for a family of five, accommodation for a group of 16, vacation home, conference venue and pop-up office. Above all, however, it is a carefully designed building of just under 200 square meters, the area of which the architects spread over three volumes to prevent it from overwhelming the surrounding landscape. The façade cladding made of grey larch wood and the anthracite-colored steel roof are also as reserved as possible in relation to nature. The simple functionality of the entire house was inspired by the farmhouses of the Vosges.

There is hardly a surface inside the building that is not made of pine. This is because the core of the house is made of pine cross laminated timber. Unlike on the outside, this remains visible in the interior and is also used by the architects for all fixtures, cladding and floor coverings. This creates an impression of space in which formal minimalism and the irregular grain of the wood form an exciting contrast. Atelier ordinaire only had a few floors and wall sections in the bathrooms and kitchen tiled, using square tiles from French manufacturer Winckelmans.

The structure of the house displays the same well-considered simplicity as the materials: The first of the three volumes features a hallway on the entrance level, which is adjoined by the sauna, laundry room, storage rooms and the Sauma. A staircase leads to the kitchen above. The second volume alone accommodates the large, high-ceilinged living room, whose large windows offer a view of the Lac de Gérardmer below. Finally, the third volume houses five bedrooms with adjoining bathrooms and a dormitory with six beds.

Only in a few places do the interiors reveal a discreet desire for decoration. For example, the passageway between the kitchen and living room with its rounded arch. Or the small circular openings that connect the ridge-height living area with the adjoining attic. The rotary switches and sockets from Hager with their round housings are also among the elements with which the architects counter the prevailing right angles with a few curves.

Last but not least, Atelier ordinaire rounds off a corner or two when it comes to furniture. It was created in close collaboration with the German furniture manufacturer Stattmann. They produced both the fixed furnishings and the loose furniture. Among other things, the architects used the “Profile” chairs by designer Sylvain Wilenz and tables from the “Curv” series by Jörg Boner. The bedrooms not only feature the “Add” stool by Munich designer Steffen Kehrle, but also one of the first examples of his new “Snug” bed.

The versatile house in the Vosges will be available to rent in the near future. Hopefully many people seeking peace and quiet will then be inspired by its skillful modesty. However, Atelier ordinaire’s declared aim was for the star of every visit to be the natural surroundings in which the building is embedded. Or to put it in the words of architect Thomas Walter: “We were lucky enough to be able to offer the house this natural setting. Our project therefore had to remain modest and permeable: for the light, the wind and all the animals that cross the land at night.”






 


 


Most of the furnishings are permanently installed. The transportable furniture comes from Stattmann, including the bed by designer Steffen Kehrle. Hager supplied the elegant electrical components. Photo: Jonathan Mauloubier






 


 


Most of the furnishings are permanently installed. The transportable furniture comes from Stattmann, including the bed by designer Steffen Kehrle. Hager supplied the elegant electrical components. Photo: Jonathan Mauloubier






 


 


Most of the furnishings are permanently installed. The transportable furniture comes from Stattmann, including the bed by designer Steffen Kehrle. Hager supplied the elegant electrical components. Photo: Jonathan Mauloubier

14.12.2024

Competition overview February 2019 (2/2)

Building design

which was won by Franz Reschke Landschaftsarchitektur.

The most exciting competition results of the last two weeks and everything you need to know about them – from landscape architect Heike Vossen. February 2/2

Interested in the latest competition results in landscape architecture, but hardly have time to look at them properly? In the G+L competition overview, Heike Vossen provides monthly updates on the most exciting competition results.

With the “Lengerich Line”, Franz Reschke Landschaftsarchitektur won over the jury in the competition to realize the redesigned city centre. The trough and guiding strip forms the spatial and design backbone of the city center, along which the five squares are connected. The outermost squares also form the representative entrances. The line leads through the pedestrian zone and signals priority for pedestrians. The planners differentiate between the linear movement space of the street and the squares as green recreational areas, the “green breaks”: a uniform, calm paving carpet in rows defines the pedestrian zone as a unit. The individual squares – by changing to the non-directional arrangement – stand out like fitting pieces in the urban fabric. “Green inlays” of perennial plantings form the back of each square; multi-stemmed trees and fountains fitted into the squares accentuate the areas as places to linger and slow down movement.

Open space planning MediTech in Oldenburg, 1st prize chora blau landscape architecture, Hanover

chora blau impressed the jury with the idea of “guiding currents”, which divide the open space of the MediTech quarter into varied areas and create exciting spatial sequences. With this analogy, which is derived from the various currents in the human body, the planners have succeeded in developing an address-forming and atmospherically dense open space. Towards the neighborhood square, the streams open up into spacious recreational areas and green islands. Striking paving channels and cut edges accentuate the guidelines; however, the format and surface of the paving clearly delineate the areas of the district center, district axis and secondary axes. The quarter axis offers the employees of the MediTech Quarter activity areas for play and sport, including a boulder wall for climbing and giant swings. In the secondary axes, quiet recreational areas are created along larger planted areas. The slightly lowered paved surfaces temporarily collect rainwater, while an overflow leads to the neighboring planted islands.

Bahnhofplatz Süd in Karlsruhe, 1st rank bauchplan ).(, Munich, with berchtoldkrass space&options and dwd Ingenieure

The district development of the station area in the south of Karlsruhe’s main station calls for a redesigned south portal. bauchplan’s “climate watch” proclaims a sustainable square design for the southern station square – and derives the approach from the complementary juxtaposition of the north and south station squares, both functionally and atmospherically. The new square in the south connects the flow of movement of different road users and addresses the microclimatic and acoustic challenges in terms of content and design: It is a place of identification for the young modern quarter, but its southern orientation favors heat accumulation and the flanks of the high-rise buildings create whirlwind zones. The design defines the square as a sustainable multifunctional prelude that offers a high quality of stay as an urban climate-friendly oasis. A textile spans the portal on the south façade of the track as a striking element and opens up at the entrances. The perforated concrete covering allows water absorption and delayed evaporation. Clouds of mist and a water field generate cooling in microclimatic hotspots, while trees slow down the whirlwinds and shade the square.

29.11.2024

Closing the gap: Apartment building in Leipzig by KO/OK Architektur

Building design

Leipzig

An apartment building in Leipzig closes a gap in a Wilhelminian-style perimeter block development, creating a homogeneous streetscape. Read more about the architects from KO/OK Architektur BDA closing the gap here.

The gap between buildings in Leipzig-Connewitz

The architectural firm KO/OK Architektur BDA, based in Leipzig and Stuttgart, has closed a narrow gap between buildings in Leipzig-Connewitz. At the end of the Second World War, a gap was created in the otherwise completely closed, Wilhelminian-style perimeter block development in this district. The reason for this was an unextinguished fire.

In the following years, the area was mainly used as a parking lot for cars and as a storage area for equipment. This resulted in garages with no aesthetic value. At the same time, the structure around the property has remained largely intact. Both the historic structure and building style as well as the view of the green inner courtyard are still recognizable, despite renovation and redensification work over the years. Today, the entire street in Leipzig-Connewitz is a listed building.

For this reason, the new apartment building, which was developed by the architectural firm KO/OK Architektur DBA, also had to comply with the requirements of the monument protection authority. The street-side façade of the new building blends in with the Wilhelminian-style neighborhood. As a result, the streetscape remains homogeneous despite the closure of the gap.

The apartment building by KO/OK Architektur closes the gap

The façade of the new apartment building in Leipzig-Connewitz is clad in diamond-shaped concrete slabs with regional granite aggregate at the base. In this way, the architects wanted to pick up on the plinth theme of the neighborhood and implement it in a high-quality design language. The façade of the upper floors has a scratch coat in the color “quince”.

The windows of the building are floor-to-ceiling and made of wood. They are evenly distributed across the façade. Above this is the mansard roof, the pitch of which represents a certain independence in the street. This gap closure created seven residential units, each with between 50 and 135 square meters of space.

On the first floor of the building there is space for a bicycle storage room, a garbage room and three parking spaces. A covered passageway to the garden is modeled on the typical Gründerzeit structure and, according to KO/OK, is intended to offer “a certain generosity for arriving, meeting and lingering, which is otherwise rarely found in new buildings”.

Classic apartments

The apartments in the new building are located on the first to third floors. They are organized on one level as classic apartments. The entrance to the apartments leads into a central hallway with a checkroom and bathroom. The living and dining areas with balconies are openly connected to the hallway on the courtyard side. Thanks to the west-facing orientation, they are flooded with light. The bedrooms are located on the street side and face east.

The two top-floor apartments are two-storey units with internal access. There are individual rooms and bathrooms on the lower floor, while the attic space consists of a living and dining area as well as a terrace overlooking the inner courtyard. According to KO/OK, the exposed wooden roof in the shape of a mansard is expected to create a generous, cozy feeling of space. The large skylights to the east and the terrace as a roof incision to the west create a clear connection to the outside world.

The architects from KO/OK Architektur have chosen simple, sustainable and durable constructions and building materials for this gap closure. They want to construct a building for the coming decades that avoids complex and error-prone structures. In addition, the house should age appropriately and function beyond its depreciation period. Accordingly, the exterior walls are made of highly insulated bricks. The interior walls were constructed using non-insulated bricks. Only the storey ceilings and the stairwell core are made of concrete. The roof is made of stacked timber elements with wood wool insulation and standing seam cladding. The interiors feature solid oak parquet flooring, as well as exposed concrete, exposed screed, wooden windows and doors and powder-coated steel elements on balconies and in the stairwell.

Incidentally, Leipzig is also home to the Sächsische Aufbaubank, designed by London-based ACME. You can read more about the building with its grove of columns and curved glass façades here.