A look behind the facades

Building design

“Architecture endures” was this year’s motto for the 20th anniversary of Architecture Day. More than 1,500 building owners opened their doors to visitors across Germany.

“Architecture endures” was this year’s motto for the 20th anniversary of Architecture Day. More than 1,500 building owners opened their doors to visitors throughout Germany. In NRW, around 38,000 architecture enthusiasts were out and about – hundreds of them in the Lohausen district of Düsseldorf alone.


Wohnhau-Walter-Kaesbach

The former home of Walter Käsbach, the former director of the Düsseldorf Art Academy, was very popular here. Designed by architect Karl Meinhardt in 1929, the clinker brick building, which appears relatively closed from the outside, surprises on the inside: while the entire outer shell of the reddish cube is a listed building, Sigg Architekten were allowed to carry out several conversions inside the building.


Klinkerbau-Kaesbach-Duesseldorf

OLYMPUS DIGITAL CAMERA

Interior walls on the ground floor and second floor were removed and the former small rooms gave way to a flowing spatial structure. The two floors are now visually connected by the new large ceiling opening. The resulting constantly changing visual relationships make the light-flooded two-storey space an exciting experience.

The white lacquered wooden staircase in the middle of the room is also one of the transformations. But there are also original objects in the house: the entrance door, the bathroom, a mosaic and the staircase from the first to the second floor, the former salon. These room elements were not allowed to be changed, this was a requirement of the monument authority.

Another building worth seeing is documented by photographer Henrik Schipper in his pictures: These are the new offices of architects Druschke and Grosser, in the city villa from 1894/95 in Duisburg, which is also a listed building. The architects have skillfully implemented their concept of “synthesis of original plus history plus new use”.


Henrik Schipper für Girl From Paris

After a number of ruthless renovation measures, the former beauty of the villa could no longer be experienced as it originally was. However, when the retrofitted interior walls, the suspended ceilings and the old linoleum were removed, real gems were revealed: stucco-decorated ceilings, historic fish parquet flooring and colorful wall and floor tiles.


Henrik Schipper für Girl From Paris


Henrik Schipper für Girl From Paris

Lovingly restored and effectively staged, these originals now adorn the first floor once again. The original main entrance, hidden for decades by a bathroom that was added later, was rediscovered and now serves as the entrance once again. The old bathtub fitting from the former bathroom was left in place as a spolia and is an absolute eye-catcher. The same goes for the different sized “plaster quotes” on the walls, which were left out during the repainting. They are also decorative witnesses to the eventful history of the house.


Henrik Schipper für Girl From Paris

Photos urban villa: Henrik Schipper</a>; Photos EFH: Jasmin Sigg

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Stonematters

Building design

Limestone is used almost exclusively as a decorative material in Palestine – which means that know-how in the construction industry is being lost. This is why the AAU Anastas architecture firm is devoting itself to the use of limestone as a structural material: the recently constructed “Stonematters” pavilion in Jericho is a self-supporting vault. The project name is intended to imply that it is an important […]

Limestone is used almost exclusively as a decorative material in Palestine – which means that know-how in the construction industry is being lost. This is why the AAU Anastas architecture firm is focusing on the use of limestone as a structural material: the recently constructed “Stonematters” pavilion in Jericho is a self-supporting vault.

The project name is intended to imply that this is an important topic – but also to show how innovative techniques can be applied to the traditional material.

The architects from Palestine draw on the ancient principle of stereotomy: stone is used as the load-bearing building material, with the elements supporting each other. The concept goes back to the origins of construction.

The Stonematters vault has a span of seven meters and covers an area of 60 square meters. The structural elements are only twelve centimeters thick. In total, the vault consists of 300 individual parts.

Scales” research institute

AAU Anastas is conducting research into three-dimensional and parametric vaults with its “Scales” research institute together with the GSA Lab of ENSA Paris-Malaquais. The findings of the study will be used for the construction of a residential complex: “El-atlal” will be built as accommodation for artists and writers in Jericho. Stonematters is therefore a first test – and will serve as one of the roofs of the complex.

The research work also aims to ensure that limestone is used again in contemporary architecture in Palestine. The study deals with computer simulations and fabrication techniques. The aim is to use contemporary construction techniques to reflect a local and global architectural language.

Computer simulations were used to determine the loads in the construction. This made it possible to determine how best to transfer them and calculate the optimal shape of the STEIN.

The entire project was developed with the expertise of people from the Jericho region. Various companies were commissioned and knowledge was gathered. The building blocks were sawn out of the raw blocks by one company – and transported to another for the carving work.

Styrofoam elements were attached to a scaffold for assembly. They form the underside of the vault. During the step-by-step dismantling of the scaffolding, attention was paid to movements or subsidence in the vault.

Aims of the project

After completion, many residents of Jericho and other parts of Palestine came to see the pavilion. The architects wanted to create a link between the country’s historical sites and urban morphologies – and also between the latest manufacturing processes and local factories. The basic idea behind the project is simple: limestone is a material that is available in large quantities in Palestine.

KUNST AUF LAGER – Video about the funding project

Building design

The KUNST AUF LAGER alliance is dedicated to all those objects that usually end up in depots but not in exhibition spaces because museums lack the financial means. The aim is to open up, research and secure valuable cultural assets that are hidden in storage. To mark the halfway point of the Alliance, the representatives and […]

The KUNST AUF LAGER alliance is dedicated to all those objects that usually end up in depots but not in exhibition spaces because museums lack the financial means. The aim is to open up, research and secure valuable cultural assets that are hidden in storage. The representatives and partners met at the Bavarian National Museum in Munich to discuss the halfway point of the alliance. One of the funded projects was also presented here, a tapestry measuring 32 square meters and made before 1563 according to designs by the Flemish Renaissance artist Pieter Coecke van Aelst. The project was made possible by the Ernst von Siemens Foundation.

KUNST AUF LAGER takes stock at the halfway point – read the article in the upcoming issue of RESTAURO, available from September 9. Further examples of KUNST AUF LAGER funding can be found on the alliance’s website and in our RESTAURO issues from 01/2015 – in the regularly featured “Funded by” section on page 10.

A comprehensive technical article on the restoration of the tapestry will be published in the special issue of the next RESTAURO. You can find out more here.