A new approach to Heidelberg Castle

Building design

An architectural historian and researcher at the Karlsruhe Institute of Technology (KIT) has virtually reconstructed Heidelberg Castle. He spent five years working on the project, which is also the subject of his habilitation thesis. 1.1 million tourists are drawn to Heidelberg every year to visit the Renaissance building that towers over the old town. For centuries, it was exposed to wars, fires and environmental influences, […]

An architectural historian and researcher at the Karlsruhe Institute of Technology (KIT) has virtually reconstructed Heidelberg Castle. He spent five years working on the project, which is also the subject of his habilitation thesis.

1.1 million tourists are drawn to Heidelberg every year to visit the Renaissance building that towers over the old town. For centuries, it was exposed to wars, fires and environmental influences, so that today only remnants of the magnificent building from 1683 remain. 100 years ago, efforts were made to rebuild Heidelberg Castle. The entire building was documented and measured and hundreds of plans were drawn.

The wealth of image sources came in handy for researcher and architectural historian Julian Hanschke from the Institute of Art and Architectural History at KIT: five years ago, he dedicated himself to the task of virtually reconstructing Heidelberg Castle. The fact that the real reconstruction had never been carried out gave rise to the opportunity to recreate the splendor and originality of the castle using digital means and to bring the building’s locations to life in a virtual way. Using historical plans, views and drawings, Hanschke modeled every detail of the castle on the computer. The work is comparable to that of a game programmer of virtual worlds. The only difference is that his reconstruction is not a fantasy world, as Hanschke explains, but a scientifically accurate replica based on historical sources down to the smallest detail.

Where empty window cavities look out over the Neckar valley and ivy-covered remnants of the wall rise up into the sky, visitors to Heidelberg Castle can climb the once mighty Thick Tower, half of which was later blown away, in Hanschke’s simulation. They walk under the groined vaults of the Imperial Hall in the Ottheinrich Building. He spies the figural decoration on the façade of the Friedrich Building, which is reminiscent of a Venetian palazzo. He looks through the palace courtyard in 1683 from a 360 degree perspective.

Habilitation project

Hanschke has completed his work on the computer simulation with a 500-page publication. His habilitation thesis. In addition to the supplementary views of the castle, the volume contains many photos and historical views as well as a well-founded, extensively researched history of the castle.

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Apply now! – Textile & Craft Award is presented by the European Textile Academy

Building design
Apply now! - Textile & Craft Award is presented by the European Textile Academy. Photo: ttps://eurotextileacademy.com

Apply now! - Textile & Craft Award is presented by the European Textile Academy. Photo: ttps://eurotextileacademy.com

The European Textile Academy (Bolzano) has launched the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and arts and their connection to the world of design. Take part!

The European Textile Academy (Bolzano) has launched the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and arts and their connection to the world of design. Take part!

Consumption is increasingly taking ecological and social-ethical aspects into account – all the more so as the range of products on offer becomes more diverse, cheaper and lower-threshold. “Better instead of more” is the principle of slowing down, living and consuming more mindfully and consciously. The European Textile Academy has created the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and art professions and their connection to the world of design. The ETA Award stands for creative and trend-setting solutions in the global market.

The jury recognizes pioneering achievements in innovative products, taking sustainable criteria into account. The materials used and innovative natural fibers, aesthetic and functional design, processing quality and resources, environmentally friendly production and social and ethical aspects are key criteria for the award. The award is proof of the outstanding quality of the product and a reliable seal of quality for consumers and manufacturers. Participation is possible in award categories. Interested parties can submit their application in a category that appears to be advantageous for them.

The award categories are:

  • Textile Craft (textile crafts in the fields of weaving, dyeing, knitting, embroidery, upholstery, textile printing, millinery, etc.)
  • Sustainable Fashion Craft (fashion crafts, custom tailoring)
  • Sustainable Fashion & Textile Industry (sustainable industrial processing in women’s and men’s fashion and in the textile industry)
  • Textile Art (textile art, exhibition installations, etc.)
  • Textile Architecture (textile constructions, architecture of buildings of all kinds (public buildings, sports facilities, industrial and corporate buildings, residential buildings, museums, hotels, etc.)
  • Textile shading systems (textile shading systems, tent constructions, etc.)
  • Architecture with Natural Fibres (contemporary architecture with fibers, e.g. hemp, flax, straw, bamboo, willow, bark and renewable plant fibers)
  • Interior (home fabrics and carpets, upholstered furniture, upholstered beds and home accessories, textile printing, indoor and outdoor)
  • Hospitality (the award recognizes hotels, inns, etc. that have recognized the quality of textile furnishings in all guest areas for their competitiveness)
  • Museums, Collections & Archives (the aim of this award is to recognize outstanding museum, collection and archive activities and the quality of museum presentation and mediation work as well as the efforts to preserve “textile” in all its areas as a cultural asset and make it accessible to a broad public)
  • Other (Textile topics not included in the above categories, application on request).

The award-winning projects and products will be exhibited at the Int. Festival of Textile Craft, Textile Art & Design from March 15 to 17, 2024 at Maretsch Castle in Bolzano. An award at the European Textile & Craft Award generates attention and increases visibility. The ETA AWARD 2024 is proof of the outstanding quality of the product and a reliable seal of quality for manufacturers and customers.

Registration and submission: within October 21, 2023

Jury meeting: November 9 and 10, 2023

Publication of the award winners: December 2023

Gala award ceremony: Friday, January 12, 2024 at the Waltherhaus in Bolzano

The European Textile & Craft Award is decided by an independent international jury of experts made up of representatives from colleges, universities, crafts and industry, art and culture. The members of the jury include couturier Gaetano Aloisio, Moritz Dörstelmann, Professor of Digital Design and Communication at KIT Karlsruhe, art historian Ursula Schnitzer and Aurora Magni, President of Blumine srl, a research and consulting company active in the field of sustainable textiles and fashion since 2010, as well as Dr. Ute Strimmer (Editor in Chief Restauro).

The jury will select “Award” winners in each category, as well as an appropriate number of “Silver” winners. In addition, “Special Mention” awards are presented for particularly noteworthy achievements. The evaluation criteria are: Overall concept, aesthetic and functional design, processing quality, processed material or fibers, sustainability, materials used and innovative natural fibers, aesthetic and functional design, processing quality and resources, environmentally friendly production as well as social-ethical aspects are essential criteria for awarding the award. The manufacturing industry, designers, craftspeople, artists, architects, universities and research institutions, museums, collectors, archives, hotels and restaurants are all eligible.

Registration for the award takes place exclusively via the registration portal of the European Textile Academy (www.eurotextileacademy.com)

Balancing act

Building design

Two countries connected by a streetcar: the new streetcar stop by J.MAYER.H.

Two countries connected by a streetcar. A streetcar runs from Kehl across the Rhine – all the way to Strasbourg. A direct connection to the European capital that crosses borders. The new terminus in Kehl by J.MAYER.H can be a little more unusual. The French counterpart by Zaha Hadid Architects was built in 2001 and is in no way inferior.

Public transport stops are part of the urban infrastructure that we city dwellers take for granted. They hardly get any attention. The new streetcar stop on Rathausplatz in Kehl by J.MAYER.H. is quite different. Light-colored exposed concrete panels define its striking structure, inspired by the Rhine pebbles typical of the area. The sculpture expresses dynamism and balance, instability and mobility. A certain symbolism? After all, the stop connects Kehl in Germany with Strasbourg in France along six kilometers of track. A connection that was hardly conceivable just a few years ago, but which even today has to be fought for time and again – in a positive sense. The streetcar stop on the other side can keep up with the design by J.MAYER.H. Zaha Hadid Architects designed the station in Strasbourg. Two unique terminal stops from the pens of major architectural firms – and border traffic commutes between them every day.

This article appeared in G+L 07/2019. Click here to go to the store.