The former synagogue in the Pulheim district of Stommeln serves as a place of art and remembrance. Photo: Mischa Kuball refraction house, 1994 Photographer: Hubertus Birkner
The former synagogue in the Pulheim district of Stommeln serves as a place of art and remembrance. Photo: Mischa Kuball refraction house, 1994 Photographer: Hubertus Birkner

The city of Pulheim is reorienting the renowned art project at the Stommeln Synagogue, thereby laying the groundwork for the future-oriented development of one of the region’s most significant art venues. The Stommeln district is located not far from Cologne and is therefore easily accessible from beyond the region. In early February, the city council unanimously decided to continue this flagship project and to place it on a broader organizational footing.

The synagogue, which has been used since the early 1990s as an extraordinary exhibition and memorial space for contemporary art, is to be opened more frequently and its program expanded in the future. The goal is to appeal to new target groups in addition to maintaining artistic excellence—particularly younger people who know the Shoah and the Holocaust only through media representations.

Three Pillars for the Project’s Future

The new concept rests on three pillars:
An annual artistic project in the synagogue, an accompanying program of discussions and lectures, as well as performances and artistic interventions throughout the year. This is intended to further establish the synagogue as a “temporary space for reflection.” In the past, internationally renowned artists such as Sol LeWitt, Lawrence Weiner, Daniel Buren, Maurizio Cattelan, Rosemarie Trockel, and Gregor Schneider have shaped the space with site-specific works and raised its international profile.

Broad Support from the Advisory Board and Initiative

In the future, the project will be supported by the “Initiative for Contemporary Art and Music in Pulheim” (IZKUMP) as well as a newly established art advisory board. The advisory board is composed of experts from the art and culture scene, including conceptual artist and professor Mischa Kuball, art historian Ursula Frohne, Christina Wimmer (the “Der bewohnte Garten” Foundation), Karin Lingl (the Kunstfonds Foundation), and Luzia Kilias (IZKUMP). The advisory board is intended to help further raise the synagogue’s profile and tap into additional funding opportunities, particularly through its international networks. Artistic direction remains the responsibility of the city administration.

Voices from Politics and the Arts

Mayor Frank Keppeler emphasizes the strategic importance of the reorientation: The program should not only maintain its high quality but also be purposefully expanded. The combination of exhibitions, discourse, and interventions enables the project to become firmly established in the public sphere.
Mischa Kuball, who chairs the advisory board and serves as its spokesperson, also sees this development as an important step: The synagogue should continue to serve as a temporary space for reflection and experience for internationally renowned artists, while at the same time becoming more deeply integrated into Pulheim’s urban community.

A Place Between History and the Present

The significance of the site extends far beyond its architectural form. The synagogue in the Stommeln district is one of the few in Germany that survived the November pogroms of 1938 and was not destroyed. After an eventful history—from the medieval Jewish community through persecution, loss, and displacement to its rediscovery in the 1970s—the building was reopened in 1983 following restoration. Since 1991, it has been used annually for artistic projects that seek to foster a dialogue between history, memory, and the present. With the newly approved reorientation, the city of Pulheim is consistently continuing this process—and strengthening the Stommeln Synagogue as a unique place at the intersection of remembrance culture and contemporary art.

Information

Address

Hauptstraße 85 a
50259 Pulheim-Stommeln

Visits: 
Outside of exhibition hours, by appointment only
at 02238 808 188, or -189, or -194

Read more:The traces of Jewish life in Mainz, Speyer, and Worms are part of the UNESCO World Heritage Site.

YOU MAY ALSO LIKE
The chapel and the Ensmad farm can be seen in the background. Photo: © Landesamt für Denkmalpflege im Regierungspräsidium Stuttgart / W. Weiher

The chapel and the Ensmad farm can be seen in the background. Photo: © Landesamt für Denkmalpflege im Regierungspräsidium Stuttgart / W. Weiher

The exhibition “Castles, Farmers, Burials” (until October 31, 2019) at the Heuneburg Open-Air Museum in Herbertingen-Hundersingen, Baden-Württemberg, illustrates the latest research findings and uses large-format illustrations to reconstruct scenes of life in the Hallstatt period around the Heuneburg. 2500 years ago, the oldest town north of the Alps was located here in Upper Swabia The Heuneburg, located near Sigmaringen on the upper Danube, is one of the most important […]

The exhibition “Castles, Farmers, Burials” (until October 31, 2019) at the Heuneburg Open-Air Museum in Herbertingen-Hundersingen, Baden-Württemberg, illustrates the latest research findings and uses large-format illustrations to reconstruct scenes of life in the Hallstatt period around the Heuneburg. 2500 years ago, the oldest town north of the Alps was located here in Upper Swabia

The Heuneburg, located near Sigmaringen on the upper Danube, is one of the most important sites of the Central European Iron Age and has been systematically investigated since 1950. The area surrounding the central Hallstatt site, however, remained largely unexplored until a few years ago. This changed in 2014 with a long-term project approved by the German Research Foundation. Since then, research has focused primarily on rural settlements and hill forts or castles in the vicinity of the Heuneburg. The spectacular finds from the Bettelbühl necropolis and the burial mound field near Unlingen have also provided unique insights into the structure of Iron Age society. The current investigations at fortified sites as well as in open settlements and burial areas provide new insights into the structure of the Iron Age settlement landscape and the interaction between the various sites.

The triad “Castles, Farmers, Burials” illustrates the latest results of this research in an exhibition (until October 31, 2019) and reconstructs scenes of life in the Hallstatt period in the vicinity of the Heuneburg using large-format illustrations. State Secretary Katrin Schütz opened this exhibition at the Heuneburg Open-Air Museum in Herbertingen-Hundersingen at the beginning of June 2019, presenting new research and excavation results from the State Office for the Preservation of Monuments in the area surrounding the early Celtic Heuneburg. “The current investigations underline the central position and outstanding importance of Heuneburg Castle during the Central European Iron Age”, said the State Secretary.

The research and excavations are being funded by the DFG as part of a long-term project. Although systematic investigations of the early Iron Age castle and its immediate surroundings have been carried out repeatedly since the 1950s, the wider surroundings of the Heuneburg, with its contemporaneous settlement and burial sites, remained largely unexplored until a few years ago. This is where the research of the DFG project set up in 2014 comes in. Since then, research has focused on the surrounding area of the central village with the associated farms and hamlets as well as other known hill forts.

Added to this are the excavations in the surrounding necropolises, which have yielded outstanding finds. The exhibition provides an insight into the rich finds landscape of the early Celtic princely seat of Heuneburg. The hill fortifications in the surrounding area, among which the cult site at the Old Castle near Langenenslingen stands out in particular, and their relationship to Heuneburg Castle are discussed, as are the rural settlements of the early Iron Age with a view to the life and activities of the common people. Spectacular burials in the Danube plain and near the Bussen mountain provide information about the burial rituals of socially higher-ranking members of society. In addition to the new archaeological discoveries, a panel exhibition in the outdoor area of the museum will also present vivid large-format illustrations of early Celtic life.

This is a special exhibition organized by the State Office for the Preservation of Monuments in the Stuttgart Regional Council in cooperation with the Society for Archaeology in Württemberg and Hohenzollern.

Big Stuff community launches webinar series

Building design
The machine hall at the Zollern colliery in Dortmund was renovated over a period of nine years. Photo: Wikimedia Commons/Rainer Halama

The machine hall at the Zollern colliery in Dortmund was renovated over a period of nine years. Photo: Wikimedia Commons/Rainer Halama

On April 12, 2021, the first webinar of the Big Stuff community for technology preservation starts. Big Stuff restorer Eva Wentland will introduce the topic of coatings for industrial heritage The Big Stuff community for technology preservation is launching a series of webinars. The community brings together people from different backgrounds to share their knowledge and passion for the preservation of […]

On April 12, 2021, the first webinar of the Big Stuff community for technology preservation will begin. Big Stuff restorer Eva Wentland will introduce the topic of coatings for industrial heritage

The Big Stuff community for technology preservation is launching a series of webinars. The community brings together people from diverse backgrounds to share their knowledge and passion for big tech preservation. Big tech heritage is valued, recognized and preserved as an asset that promotes well-being, generates economic value and supports community cohesion and growth. Big Stuff encourages interdisciplinary and cross-group thinking and action and welcomes ideas from academics, professionals, volunteers and private owners. While the core areas include material conservation and science, engineering, mechanical crafts, curatorial studies, architecture and urban planning, Big Stuff also welcomes the inclusion of people and ideas from other disciplines and communities.

The first of two webinars per year will start on April 12 at 1:00 pm. To kick off this first seminar, Eva Wentland, an aspiring Big Stuff conservator, will introduce the controversial topic of coatings for industrial heritage, with a focus on heritage exposed outdoors. The basis for this session is the goal of preserving historic coatings as primary sources of information and connection, either visibly through the use of transparent coatings or invisibly by overcoating with pigmented systems – all while providing corrosion protection.

As always, there is never one right way, especially in heritage conservation, where we always have to develop individual solutions for each property. However, we can learn from past case studies and from the behavior and (in)stability of the materials that are applied to objects for conservation purposes. The aim is to exchange experiences: Which coatings are used? How can their performance be assessed after long-term exposure? How costly are subsequent maintenance measures, and are they even possible?

Registration

These webinars are designed to get interested parties talking. Short presentations introduce the current topic of the webinar. Participants then have the opportunity to share their thoughts and experiences. The webinar is open to all interested parties. To participate, please register here using the contact form. The language is English.