A ray of hope on the Danish west coast – The Esbjerg Maritime Center

Building design
Esbjerg's new architectural landmark: the maritime center by Snøhetta and WERK Arkitekter. Photo: wichmann+bendtsen photography

Esbjerg's new architectural landmark: the maritime center by Snøhetta and WERK Arkitekter. Photo: wichmann+bendtsen photography

Anyone approaching the harbor town of Esbjerg on the Danish west coast from the water has recently been attracted by a warm glow of light. This is packaged in extraordinary architecture designed by WERK Arkitekter and Snøhetta. Find out more here.

Anyone approaching the harbor town of Esbjerg on the Danish west coast from the water has recently been attracted by a warm glow of light. This is packaged in extraordinary architecture designed by WERK Arkitekter and Snøhetta. Find out more here.

Working together, they won the competition to develop a new maritime center at this prominent location back in 2019. They were looking for a design that would not only serve as a common space for water sports clubs and visitors along the harbor, but would also become an architectural landmark for Esbjerg. WERK Arkitekter and Snøhetta won the competition with their design “The Lantern”. Their concept focused on the development of a maritime place for the community.

“The maritime center has room for everyone; from the experienced diver or professional kayaker to a crab-fishing school class or a random passer-by. Maritime Center invites everyone to a peek inside the maritime life and outwards to the sea with its the endless horizon,” explains Frank D. Foray, lead architect and project manager atSnøhetta . The planners chose a circular, open design for this purpose. Visitors should be able to access the building from all sides. Inside, the Maritime Center accommodates rooms for several water sports clubs, boat storage, training rooms, a large workshop area and space for social facilities.

The comprehensive room program is spread over two floors. The rowing, kayaking, sailing, diving and triathlon clubs are housed on the upper floor of thebuilding . There are also common rooms, an education center and training facilities. The first floor, on the other hand, is taken up by boat storage and workshop rooms. A bridge connects the lower level directly to the sea, making it easy to manage the logistics for boats. The raised, publiclyaccessible terrace acts as an intermediary level between the two floors. It is connected to the second floor and is accessible via two main staircases that form a kind of amphitheater.

In addition to its sophisticated functionality, “The Lantern” is particularly impressive due to its aesthetic appeal. “The goal has been to create a unique destination that lights up the Danish West Coast, so everyone can find their way to new communities at the sea,” says Thomas Kock, Creative Director at WERK Arkitekter, explaining not only the design language and choice of materials, but also the name of the project. Large windows throughout the building façade provide plenty of daylight inside and guarantee views of the surroundings. Daylight enters the core of the first floor through roundholesin the terrace on the upper floor. A visual and social vertical connection is created. At the same time, the windows in the façade effectively stage the center for outside perception. The warm light that falls through the windows in the dark illuminates “The Lantern” like a lantern visible from afar.

For the materiality and geometry, the architects were inspiredby the craftsmanship of wooden boat building. The Esbjerg Maritime Center thus pays homage to the town’s maritime tradition and highlights the importance of the port for the town. This translation can be experienced not only in the use of wood as a building material, but is also revealed in many design details. For example, WERK Arkitekter and Snøhetta based their design on the element of water and the wave effect that is created when a stone is thrown into the water. The alignment of the individual panels is also anything but arbitrary. The resulting play of shadows is reminiscent of the shape of kayaks. The rhythmic façade also extends to the roof surfaces. Here, the planners also installed several solar cells in a belt around the upper edge.

In addition to wood, concrete is the dominant building material. The building is made of concrete up to the second floor, which was poured in one go. This allows the structure to withstand periods of flooding if the water exceeds the new surrounding dam. The wooden façade was also designed to withstandthe harsh weather conditions on site.

It was precisely this combination of poetic beauty and practical robustness that was convincing in the competition at the time and is convincing today in the execution. With “The Lantern”, WERK Arkitekter and Snøhetta seek a balance between the fascinating and incessantmovements of the sea and the practical day-to-day tasks that arise in the Maritime Center. Or, to put it in the words of the planners themselves: “A symbiosis between the beautiful and the raw, the elegant and the robust”.

Snøhetta has developed a special project on the Norwegian Lysefjord: The Bolder huts seem to float above the ground and blend in with nature.

YOU MAY ALSO LIKE

Upcycling architecture in the Future Campus

Building design

The Hammerbrooklyn Future Quarter is being built in Hamburg with the DigitalPavilion at its heart. Designed as a US pavilion for Expo 2015, it now provides space for new ideas for digital change. One of the Hanseatic city’s most important future projects is currently growing near HafenCity: the Hammerbrooklyn DigitalCampus. Initiators from politics and the private sector – the owner is […]

The Hammerbrooklyn Future Quarter is being built in Hamburg with the DigitalPavilion at its heart. Designed as a US pavilion for Expo 2015, it now provides space for new ideas for digital change.

One of the Hanseatic city’s most important future projects is currently growing near HafenCity: the Hammerbrooklyn Digital Campus. Here, initiators from politics, the private sector – the owner is Art-Invest Real Estate – and economics have joined forces to form a non-profit foundation to create a place for research, exchange and the testing of future models. The DigitalPavilion is the central meeting point. Over 7,500 square meters of co-working and co-creation spaces, open “expedition rooms”, an auditorium and a “town hall” with catering and event areas have been created. Factory Berlin, which has been operating from Berlin as “Europe’s strongest innovation ecosystem” since 2014, was brought on board as a partner.

In addition to digitalization, the creators of Hammerbrooklyn are also focusing on sustainability. The former US pavilion at Expo 2015 in Milan serves as a flagship upcycling project. In Hamburg, the approx. 105-metre-long and 15-metre-wide building was expanded to include additional areas on various levels. Recycled or recyclable materials and energy efficiency were used for the interior design: for example, the old wooden panels from the Expo pavilion were also used, as was the steel structure for the floating “expedition room”: a 23-metre-long or The architects from SPINE ARCHITECTS chose full-surface glass walls of the Lindner Life 125 Stereo type from Lindner for the full-surface glass walls in the expedition room and for other separate office and work spaces. Lindner was also responsible for various dry construction works as well as the installation of energy-efficient ceiling sails and mobile partition walls.

More about the fit-out by Lindner.

All images © Lindner-Group.com

Switchable rooms: Rooms between functions

Building design
close-up-of-a-built-rPFgKlM7Xko

Architectural detail of a modern building, photographed by Iewek Gnos

Switchable rooms are the chameleon of architecture: they claim to be able to do everything, but what is really behind them? Between multifunctionality, digital control and the sustainable dream of a space miracle, planners, developers and users are balancing on a fine line between vision and pragmatism. How much future is there in these changeable space concepts – and how much hot air? A look at the current state of affairs in Germany, Austria and Switzerland shows: Anyone who thinks of rooms only as static containers has already lost.

  • Switchable rooms are multifunctional spaces that can change their use at lightning speed thanks to technology, architecture and digital control.
  • Germany, Austria and Switzerland are experimenting with flexible room concepts, but the big breakthrough is yet to come.
  • Digital tools, sensor technology and AI are making spaces intelligent – but also more complex and maintenance-intensive.
  • Sustainability is not a sure-fire success: only those who build material-efficiently and plan according to cycles will benefit ecologically.
  • New room concepts pose technical and organizational challenges for architects, civil engineers and operators.
  • Discussions about costs, comfort, acceptance and standardization are dominating the debate.
  • Switchable rooms reflect a paradigm shift in architecture – away from the dogma of duration and towards performative flexibility.
  • Global role models provide inspiration, but local requirements determine success or failure.
  • The topic is a burning glass for the digitalization of construction – with all its opportunities and risks.

From the gym to the hybrid room: what switchable rooms really are

Anyone who thinks of switchable rooms only in terms of folding partition walls or movable furniture is underestimating the potential – and the pitfalls. Today, the term stands for highly adaptable spaces that can be transformed into completely different usage scenarios at the touch of a button, via an app or automatically. The office becomes a seminar room, the foyer an event space and the classroom a co-working space. This is made possible not only by clever floor plans and mobile walls, but also by control technology, sensors, adaptive lighting and digital booking systems. Rooms are becoming hardware, software and service platforms at the same time. The trend is no coincidence: urban densification, rising real estate prices and the desire for sustainable use of space are driving planners and operators to innovate. What used to be seen as a stopgap solution is now part of the architectural DNA – at least on paper.

Germany, Austria and Switzerland have been experimenting with flexible space concepts for years, but they have rarely been systematically implemented. There is a lack of courage, but also a lack of know-how, standards and sometimes simply a lack of suitable clients. Many projects remain isolated solutions, prototypes or marketing promises. The classic school relies on fixation: one room, one function. But the reality has long since changed. Schools, offices, cultural centers – flexibility is on the wish list everywhere. Anyone planning rigid spaces today is also building in obsolescence. However, building regulations and funding programs are still lagging behind the trend. The regulations love the unambiguous and permanent, while switchable spaces want the opposite: Openness, change, surprise.

From a technical point of view, it is no longer just about mechanical solutions. Electronic controls, sensors for room occupancy, temperature and air quality, digital booking platforms and AI-supported scenario control are a reality – at least in pilot projects. Today, a room knows how many people are using it, what lighting mood is required and whether the partition wall is better left closed. It sounds like science fiction, but it is part of everyday life in some showcase properties. However, technology also brings new dependencies: Who maintains, who programs, who pays for updates and spare parts? The traditional roles in the construction process are being shaken up. Architects are becoming system designers, operators need to be familiar with IT and maintenance cycles. The construction industry is at the beginning of a digital space revolution – and many are still unaware of what lies ahead.

Social expectations are high, and enthusiasm is often greater than actual use. Many switchable rooms gather dust unused because operation and organization are too complex or users simply have no desire for constant change. The question of acceptance is unresolved: How much flexibility do people really want? And how much chaos can an organization tolerate? It turns out that the success of switchable rooms depends not only on the architecture, but at least as much on processes, training and operation. It is a learning field – for everyone involved.

In a global comparison, the German-speaking world is not a pioneer, but neither is it a developing country. While some radically modular buildings are being built in Asia and North America, people in this country remain cautious. The reasons are complex: legal uncertainties, the fear of additional costs, a penchant for perfection and the desire for longevity. But the pressure is increasing – and with it the interest in real, switchable solutions that are more than just an expensive gimmick.

Digital control: how AI and sensor technology make rooms really smart

Digitalization is the big game changer for switchable rooms. Without sensors, actuators and clever control software, any flexibility is stuck halfway. The new systems measure, regulate, analyze – and even learn. Lighting, climate, acoustics, furnishings, access: everything can now be networked and controlled depending on the situation. The magic words are the Internet of Things, building information modeling and artificial intelligence. Anyone who believes that this is a dream of the future has not yet been to the new office worlds or learning centers in Zurich, Vienna or Munich. Here, the room becomes a co-thinker – and sometimes a know-it-all.

But the technology has its pitfalls. The integration of different systems is challenging and interface problems are the order of the day. Anyone planning a switchable room today has to think about IT architecture, data protection and cybersecurity at the same time. The fear of blackouts, hacker attacks and system failures is real. Operators report massive maintenance costs, planners despair at proprietary solutions and a lack of standards. The industry is a patchwork of isolated solutions, with everyone cooking their own little soup. This causes frustration – and a massive market shakeout in the coming years.

At the same time, digital tools open up unimagined possibilities for usage analysis and optimization. Room occupancy can be evaluated in real time, scenarios can be simulated and space can be allocated according to demand. AI algorithms recognize patterns and suggest improvements. This sounds like efficiency and sustainability, but it also harbors risks. Who controls the algorithms, who controls the data? The power of technology can become a black box, with users losing an overview or trust. Transparency, traceability and user-friendliness remain key challenges – both technically and ethically.

The role of architects is changing fundamentally. They have to think not only spatially, but also digitally. It is no longer enough to design a beautiful floor plan. Digital twins, simulations and programming skills are required. Planners are becoming interface managers between construction, IT, operations and users. Those who don’t master this will be overrun – by software providers, facility managers or their own clients. Training is lagging behind, further training is mandatory. The digital transformation of the construction world is no longer an option, but a survival strategy.

Users are also challenged. They have to learn how to deal with the new systems, accept them – or disagree with them. The fear of surveillance, loss of control or complexity is great. The systems will only be accepted if they are self-explanatory, transparent and reliable. Otherwise, switchable rooms remain beautiful showcases for the press – and are switched off in everyday life.

Sustainability: more than just space efficiency?

Switchable rooms are often sold as a sustainability miracle: More flexibility, less space, less new construction, more use – that sounds like ecological logic. But the reality is more complex. The production of adaptive systems is resource-intensive and their operation is often more energy-intensive than that of conventional rooms. The variety of materials, wear and tear, maintenance and spare parts increase the ecological footprint. If you really want to build sustainably, you have to think about the life cycles of the systems from the outset – and not just focus on the green label.

In Germany, Austria and Switzerland, there are initial guidelines and research projects on the life cycle assessment of switchable rooms. The results are sobering: only if flexibility is actually used is the extra effort worthwhile in ecological terms. Many rooms remain oversized or are only used for one function despite all the technology. The balance deteriorates when technology becomes obsolete, software is no longer supported or spare parts are missing. The circular economy is still in its infancy and the amount of waste is increasing. Sustainability is not a sure-fire success, but the result of consistent planning, use and maintenance.

Nevertheless, there are positive examples. Adaptive space concepts enable reuse, prevent vacancies and make buildings fit for the future. The reduction in new construction and space consumption is a real benefit – provided that the spaces are actually shared and repurposed. New business models are needed here: space sharing, temporary rental, cross-use concepts. The classic ownership logic is being called into question and space is becoming a service. This is uncomfortable for many stakeholders, but is absolutely necessary if sustainability is to be more than just a marketing term.

Politics is lagging behind developments. Funding programs still mostly reward traditional new builds or energy-efficient refurbishment, but not flexible usage concepts. Building regulations have hardly any specifications or incentives for switchable rooms. The sector is left to its own devices – and that slows down innovation. Those who are brave go ahead, but the majority wait and see. There is a lack of willingness to experiment, but also a lack of clear rules for life cycle assessment, choice of materials and dismantling. A paradigm shift is overdue here.

In the end, it is the user who decides: sustainable added value can only be created if the switchable rooms are actually used, shared and maintained. This requires education, training and, above all, a different attitude towards space and ownership. Architecture can create the framework – society must fill it.

Debates, visions and the future of switchable spaces

The discussion about switchable spaces is a reflection of the social and technological upheavals. On the one hand, there are the visionaries who dream of total flexibility: buildings as living organisms that constantly reconfigure themselves. On the other side are the skeptics who fear a loss of control, exploding costs and maintenance frustration. As always, the truth lies somewhere in between. There are successful examples, especially in educational buildings, innovation centers and new working environments. But there are also many flops that show: Not every room wants to or can be switchable.

The technical and organizational challenges are enormous. Standardization, interfaces, maintenance and operating costs are unresolved issues. The danger: switchable rooms become an expensive luxury or remain a niche topic for pilot projects. The industry must learn to make systems more robust, cost-effective and user-friendly. Digitalization is both an opportunity and a risk. Without open standards and transparent control, there is a threat of a black box in which no one can keep track of everything.

The role of architects is changing radically. They are becoming process designers, moderators and system integrators. Traditional design is no longer enough, digital skills, an understanding of operation and maintenance are required – and the ability to translate complex requirements into simple, functioning solutions. Those who do not keep up with this change will be left behind. Training must follow suit, further training is essential for survival.

Switchable spaces are also a hot topic in society. They call concepts of ownership, comfort zones and hierarchies into question. Those who share lose control – but gain opportunities. Acceptance is not a foregone conclusion, but the result of communication, participation and lived experience. The best architectural solutions fail if the users do not go along with them. Conversely, simple, robust systems can trigger real revolutions – if they meet the needs.

In an international comparison, the German-speaking world remains cautious, but capable of learning. Inspiration comes from Asia, Australia and North America – but local requirements differ massively. Climate, culture, standards and user habits are decisive. The future of switchable rooms is not global, but local. But the lesson is clear: those who think statically lose. Those who shape change win – at least the option of relevance.

Switchable spaces in a global context: architecture between duration and performance

From a global perspective, switchable spaces are a sign of a paradigm shift in architecture. While the 20th century was characterized by permanence, monumentality and clear functions, the 21st century focuses on change, process and performance. Buildings are no longer built for eternity, but for changing uses, changing scenarios and unpredictable requirements. The classic separation between design and use, between planner and operator, between architecture and technology is dissolving – at least in theory.

International examples show what is possible: In Singapore, modular school buildings are being built that reconfigure themselves depending on the time of day and requirements. In Australia, office buildings are being built whose floor plans can be adjusted in real time using an app. In the USA, start-ups are experimenting with temporary, robot-controlled interior fittings. But not all that glitters is gold: many projects are expensive, maintenance-intensive or fail due to user acceptance. The lesson: flexibility is not an end in itself, but must fit the culture, the company and the organization.

Germany, Austria and Switzerland are adopting a wait-and-see but critical attitude. The willingness to innovate is growing, but the broad impact is lacking. The reasons are cultural, legal and economic. Building regulations focus on unambiguousness, users on comfort and safety. But the debate is open: How much change can architecture tolerate? How much technology does the space need – and how much robustness?

Digitalization is the driver, but also the risk. If you automate too much, you lose sight of people. Those who dare to do too little will fall by the wayside. The art lies in striking a balance: Technology as an enabler, not a dictator. Architecture as a stage, not as a corset. Users as actors, not as disruptive factors. The global discourse is characterized by experiments, debates and – yes, even flops. But that is part of progress.

In the end, the realization remains: switchable spaces are not a panacea, but they are a powerful tool for the architecture of the future. Those who use them wisely will gain relevance, sustainability and user orientation. Those who dismiss them as a gimmick will miss out on change – and reality will catch up with them.

Conclusion: If you don’t switch, you stand still

Switchable rooms are more than just a fashionable slogan. They are an expression of a fundamental upheaval in architecture, driven by digitalization, sustainability pressure and social change. The technology is there, the challenges are great, the opportunities enormous. Anyone still thinking statically about spaces today is building the future of yesterday. The industry needs courage, expertise and staying power – because the path from prototype to everyday usability is a rocky one. But one thing is certain: if you can’t change gear, you’ll stand still. And that is not an option in a world of constant change.