Alcova: The new Salone?

Building design
View into a light blue and white corridor with several people. Alcova 2022, photo: Baumeister/Fabian Peters

Alcova 2022, photo: Baumeister/Fabian Peters

The Alcova design platform has opened its doors for the fourth time during the Salone del Mobile. It is something of a sustainable counterpart to the consumer-driven Salone on the exhibition grounds. This is very popular with visitors.

The Alcova design platform has opened its doors for the fourth time during the Salone del Mobile. It is something of a sustainable counterpart to the consumer-driven Salone on the exhibition grounds. This was very well received by visitors.

No, Alcova is not an anti-Salone, emphasizes Valentina Ciuffi. The founder of the creative agency Studio Vedèt launched the event in Milan together with Joseph Grima from the architecture think tank “Space Caviar”. Nevertheless, Alcova is showcasing many solutions that are sorely lacking at the Salone del Mobile 2022. This is because the major event for the design industry at the Milan exhibition center has shelved many remarkable approaches that were developed out of necessity in 2021.

Working on binding sustainability rules

Last year, architect Stefano Boeri designed a hall architecture for the Salone in which manufacturers presented their products in a predetermined shelf structure. The idea was that this system could be dismantled after the trade fair and reused for future events. Which never happened. Instead, the organizers of this year’s Salone del Mobile are patting themselves on the back for not laying carpet in the halls. Otherwise, the battle for materials continues unabated, both for the stands and for the barely slowed flood of new products. They are working on binding sustainability rules for exhibitors, explains Maria Porro, President of the Salone. But of course no manufacturer should be overburdened.

Alcova: exhibition, educational event and networking event all in one

Alcova is not the Salone of the future, explains Joseph Grima, he just hopes that the Salone of today is not the Salone of the future. However, the success of Alcova is also inextricably linked to the appeal of the major Salone del Mobile event. In 2022, Alcova will take place for the fourth time alongside the Salone in Milan. Since then, the show, which aims to be an exhibition, educational event and networking event at the same time, has grown each time. It now occupies four buildings in a former military hospital in the west of the city. The use of vacant infrastructure is part of the concept. As a result, Alcova works in a practically resource-neutral way.

Shared interest in conserving resources

Virtually no changes were made to the buildings. The organizers of Alcova use the venue as they find it. In the case of the old military hospital, this creates a morbid charm that attracts visitors in droves. In some cases, not as many people can be allowed onto the grounds as would like to enter. Those who do get in wander through the former hospital corridors with their light blue tiled walls and find a different exhibitor in each former hospital room. These are young design studios from all over the world as well as small manufacturers, universities, research projects and artisans. They all share a pronounced interest in resource-conserving action. For the most part, they also share an attitude that rejects the design business as seen at the Salone.

Alcova as a meeting place for established companies and young designers

The audience here is much younger than at the exhibition center. Many students and young designers have made their way out to the suburb of Baggio. But the buyers who visit the Salone are missing. Instead, young designers and start-up founders, young academics and design fans meet on the old hospital grounds. It is therefore surprising that only a few established companies have recognized the opportunity to make their presence felt at Alcova. One such company is bathroom fittings manufacturer Laufen, which has always demonstrated an excellent feel for social developments in recent years. Together with Milan-based design studio NM3, Laufen is presenting the sound and video installation “Just add water” at Alcova. The designers, who have already worked with Off-White and Adidas, among others, are currently developing a product series with Laufen. “We are trying to bring established manufacturers together with young designers – also to challenge them,” says Valentina Ciuffi, describing the organizers’ principle.

In the next room, Snøhetta and the Brussels-based designers from Studio Plastique are showing their newly developed glass tile – an upcycling product made from the glass panes of discarded ovens and microwaves. The translucent tile has a kind of terrazzo look and can be used for all surfaces with the exception of floors. However, a major challenge at the moment is getting hold of the discarded ovens and microwaves, report Theresa Bastek and Archibald Godts, the founders of Studio Plastique. So far, the electrical industry has not been particularly receptive to the new product. “It would be great if that changed soon,” hopes Theresa Bastek.

A place of learning and exchange

Just as important as the projects and products on display, says Joseph Grima, are the cafés, bars and dining areas on the site. “Alcova should first and foremost be a meeting place, a place of exchange and networking.” From the very beginning, the success of Alcova was based on the fact that everyone involved used their networks to make the event a success, explains Valentina Ciuffi. Alcova is a place of learning where everyone involved, including the visitors, should expand their knowledge by exchanging ideas with each other, adds Joseph Grima. And so young students come here as well as curators from MoMA to talk to each other.

All photos: Baumeister/Fabian Peters

Impressions from Milan: Editor-in-chief Fabian Peters was on site and reports on his impressions of the Salone del Mobile 2022.

POTREBBE INTERESSARTI ANCHE

On the road at the São Bento Residences apartment hotel

Building design

The new building with 16 apartments of up to 50 square meters in the middle of Porto’s old town stands out – not only because of the old street façade made of natural stone, which is the only remnant of a long-decayed town house wrapped around its northwest façade. The real attraction is the subtly composed exposed concrete cube with its deeply cut loggias, which emerges from its […]

The new building with 16 apartments of up to 50 square meters in the middle of Porto’s old town stands out – and not just because of the old street façade made of natural stone, which is the only remnant of a long-decayed town house wrapped around its north-western façade. The real attraction is the subtly composed exposed concrete cube with its deeply recessed loggias that emerge from it.

Check in, put your suitcases down and then take a walk to the Torre dos Clérigos, just 300 meters away – if you start your stay at the hotel like this, you’re doing everything right. After all, there are no other public areas apart from the small lobby, and there is plenty of time to discover the apartment anyway. The 250-year-old Campanile is Portugal’s tallest church tower and offers a stunning panoramic view from its 75-metre-high viewing platform: Above a sea of rooftops, the endless expanse of the Atlantic Ocean can be seen to the west; to the south, the Douro can be seen, with the warehouses of the port wine cellars crowded together on its banks; and to the east, the old town, which is listed as a World Heritage Site, lies at your feet, along with the starting point of the walk.

While the exposed concrete cube of the São Bento Residences appeared defiantly contemporary and perhaps even a little unapproachable on arrival in view of the historical surroundings, from a bird’s eye view it appears amazingly well integrated into the homogeneous urban fabric. This is due to the tiled roof, the fragmentary natural stone shell and, in particular, the uniformly narrow façade openings, the proportions of which can also be found in the old houses of Porto.

These openings are actually loggias cut two meters deep into the concrete and significantly shape the spatial atmosphere in the twelve apartments facing Avenida Dom Afonso Henriques. As a kind of negative form of the loggias, they appear from the inside as a sequence of niches of different widths, which – mostly used as a seating area – offer a wonderful place to retreat. In combination with the raw concrete floor, the large-scale glazing framed in cambal wood and the restrained white kitchen units, a purist space of remarkable clarity is created, whose sensual aura is unfortunately counteracted by over-expressive furnishings.

The framed photographs above the beds and the colorful, sometimes wildly patterned fabric covers, but also the richly grained wooden furniture (all brought into play by the owner) may fit well in a stylish hygge home – here they seem out of place. But this can be overlooked because there is no question that the half-life of the interior is significantly shorter than that of the grandiose architecture by Alexandra Coutinho and Nuno Grande from Pedra Líquida. What’s more, objects that have become too outdated in terms of colors and patterns, such as sofa cushions, can be stowed away in the cupboards if necessary. But instead, you should just relax and enjoy the beautiful view of the city and the services that can be booked, such as the romantic dinner.

Apartment hotel São Bento Residences, Avenida Dom Afonso Henriques 200, Porto
www.sbentoresidences.com

Take a look at the Hotel Bayerischer Hof in Munich with its rooms redesigned by Axel Vervoordt in 2020, or the Hotel Stue Berlin in Berlin’s embassy district.

Sharing and discussing digitization experiences

Building design

The annual conference of the German Museums Association is the largest museum conference in Germany. From May 2 to 5, 2021, it will take place online on the topic of “Digital Collection Work: The Changing Museum” It has become a nice habit that the individual working groups also meet during the annual conference of the Museumsbund. Even in this year of the digitally networked […]

The annual conference of the German Museums Association is the largest museum conference in Germany. From May 2 to 5, 2021, it will take place online on the topic of “Digital Collection Work: The Museum in Transition”

It has become a nice habit that the individual working groups also meet during the Museum Association’s annual conference. Even in this year of digitally networked working at home, this has not changed. Only the word “digital” appears more frequently than ever before and the opportunities offered by digitization are being used and discussed particularly intensively. It is therefore hardly surprising that the spring conference of the German Museums Association is being held under the extremely timely heading: “Digital Collection Work: The Museum in Transition” and will be held entirely digitally.

From 2 May 2021, digital experts and museum employees from all over Germany will present their thoughts on museum work in the age of digitalization. Legal issues will be addressed as well as questions of networked research and opportunities to earn money with digital museum offerings. A questioning look at the topic of “Digitality as the ultima ratio in culture?” will conclude the three-day exchange of ideas, which will be followed by the working group meetings on the fourth day of the conference.

The speakers describe the topic of the conservation/restoration working group as follows: “We would like to discuss the benefits and limitations of the digital in conservation and look at the tools currently relevant to our fields of activity.”

In a compact, digital two-hour meeting, four areas in which digital work is possible will be presented. One lecture will deal with the mediation of restoration work using the example of Ernst Ludwig Kirchner’s “Bathers in Space” in an exhibition at the Saarland Museum. The following lectures will present “Digital tools for conservators in the museum”, “Digital courier support” and a “Handreichung Leihverkehr”. The organizing team does not claim to cover all areas that can work with digital possibilities in these two hours. The aim is to deal with topics “that the pandemic has brought to the fore”, according to the invitation.

Nobody has to miss out on meetings with speakers, networking, discussions and break-time talks during this conference from home. The Museumsbund promises digital services for all these conference-specific options.

Registration for the annual conference of the German Museums Association is possible at https://www.museumsbund.de/aktuelles/jahrestagung/. To take part “only” in the working group conference, you also need to register with the Museumsbund. An invitation to the free TEAMs meeting of the working group will then be sent out.