Art Deco in Art: Between Elegance, Modernity, and Staging

Building design
The poster for the Exposition internationale des arts décoratifs et industriels modernes uses geometric shapes, clean lines, and decorative elegance to illustrate the aesthetic ideals of early Art Deco and marks the style’s international breakthrough. Photo: Wikimedia Commons
The poster for the Exposition internationale des arts décoratifs et industriels modernes uses geometric shapes, clean lines, and decorative elegance to illustrate the aesthetic ideals of early Art Deco and marks the style’s international breakthrough. Photo: Wikimedia Commons

The Art Deco style shaped the visual culture of the interwar period like almost no other movement of the 20th century. Blending luxury, enthusiasm for technology, and stylized beauty, it gave rise to a visual language that continues to influence fashion, design, and painting to this day. Particularly within the European avant-garde, decorative sophistication was combined with a new vision of urban modernity.

The development of Art Deco coincided with an era of profound social change. After the end of World War I, artists, designers, and architects sought a design language that could express both progress and elegance. Unlike the austere functionalism of Modernism, the movement emphasized ornamental effects, high-quality materials, and a controlled aestheticization of everyday life. It achieved its international breakthrough at the 1925 Paris exhibition “Exposition internationale des arts décoratifs et industriels modernes,” whose name later became the term for the entire style.

Art Deco and the New Visual Language of Modernism

In painting, a highly stylized aesthetic emerged, characterized by clear contours, geometric compositions, and an almost sculptural depiction of the human body. This is particularly evident in the work of Tamara de Lempicka. Her portraits depict elegant female figures rendered in cool swaths of color and precisely modeled forms. The 1929 painting “Self-Portrait (Tamara in a Green Bugatti)” is still regarded today as a symbol of female self-expression during the interwar period. Speed, luxury, and individuality merge here to create a visual icon of modern urban culture. A new form of graphic reduction also emerged in poster art. Artists such as A. M. Cassandre created advertising graphics featuring monumental perspectives, dynamic lines, and highly simplified forms. His famous “Normandie” poster for the French ocean liner reflects the enthusiasm for technology and international mobility. The visual composition follows a principle of controlled clarity: surfaces appear monumental, while details are deliberately minimized.
In the decorative arts, the movement combined traditional craftsmanship with industrial production. Furniture by Émile-Jacques Ruhlmann exemplifies the luxurious standards of that era. Exotic woods, ivory inlays, and high-gloss surfaces were intended not only to serve a functional purpose but also to visibly signify social status. It is precisely this combination of everyday life and status symbolism that explains the enormous popularity of Art Deco in the cultural centers of Europe and North America.

Read more: The decorative arts and arts and crafts also played an important role in Art Nouveau.

Art Deco in Fashion, Luxury, and Cultural Self-Presentation

The movement’s cultural impact was not limited to museums or galleries. The fashion industry, in particular, embraced the new design language early on. Straight-cut dresses, geometric jewelry designs, and elegant accessories reflected the desire for modernity and social renewal. Designers such as Jeanne Lanvin and Erté developed designs that no longer romanticized the body but rather stylized it. At the same time, an aesthetic of glamorous staging emerged in film and photography. Hollywood productions of the 1930s adopted the movement’s characteristic forms for opulent interiors, staircases, and set designs. Films such as Fritz Lang’s *Metropolis* or the musical productions of American studios clearly demonstrate how closely decorative design and technical visions of the future were intertwined. Architecture, lighting, and costumes became integral parts of a comprehensive visual dramaturgy.
Reception of this style was by no means uniform. While conservative critics viewed the luxurious design as superficial, many artists saw its decorative quality as a deliberate counterpoint to austere modernism. It was precisely this controlled elegance that gave the movement its special appeal. The style offered an aesthetic of progress without completely forsaking ornament or emotional impact

International Influences and Artistic Heritage

The movement did not develop in isolation but absorbed numerous cultural influences. Cubist forms, Egyptian ornaments, and non-European patterns were incorporated into the designs. Following the discovery of Tutankhamun’s tomb in 1922, a veritable wave of Egyptomania swept across Europe. Solar motifs, monumental symmetries, and abstract depictions of animals found their way into jewelry, graphic art, and interior design. The sculpture of that period also demonstrates the combination of dynamism and stylization. Works by Demétre Chiparus depict dancers and stage figures in elegant, rhythmic movements. Bronze and ivory became the preferred materials because they embodied both luxury and technical precision. These figures exemplify just how strongly depictions of the human body were idealized within Art Deco.
After World War II, the movement initially lost significance as functionalist concepts increasingly dominated. Since the 1960s, however, the style has experienced an international rediscovery. Museums, collectors, and designers began once again to appreciate the combination of decorative quality and modern design language. Its influence remains visible to this day, particularly in fashion, graphic design, and pop culture. The enduring fascination with Art Deco stems primarily from its ability to reconcile opposites. The style united rationality and ornamentation, industrial modernism and artisanal exclusivity, as well as optimism about progress and aesthetic control. It is precisely in this that its cultural and historical significance lies: it created a visual world that brought the dream of urban elegance to life while remaining a precise reflection of the interwar period.

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Building design

WINNER OF THE 2016 URBAN DEVELOPMENT AWARD: WAGNISART PROJECT IN MUNICH (IMAGE: DAVID RIEK)

The 2016 German Urban Development Award was won by the Munich residential complex wagnisART by the cooperative Wagnis eG in Domagpark. An exhibition in the central public relations office of Munich’s planning department, the PlanTreff, will once again honor the award-winning projects until the beginning of February. Where, how, what, when? – Exhibition at PlanTreff, Blumenstraße 31 in Munich – open until February 9, 2017 […]

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Where, how, what, when?
– Exhibition at PlanTreff, Blumenstraße 31 in Munich
– still open until February 9, 2017
– Opening hours: Monday to Friday from 8 a.m. to 6 p.m.
– admission is free

wagnisART has created 138 cooperative apartments in five passive houses in the north of Schwabing. Arge bogevischs buero architekten & stadtplaner GmbH and SHAG Schindler Hable Architekten GbR in collaboration with Arge bauchplan and auböck/kárász planned the project.

You can find a detailed report on the winning project in the January 2017 issue of Garten + Landschaft!

Central German Natural Stone Day 2018 focuses on digitization and monuments

Building design

You can register for the Freiberg Geocompetence Centre’s symposium until 27 August – the focus is on digitization, restoration and law. The theme of the 2018 Central German Natural Stone Day is “Saxon natural stone: present and future”. The lectures on September 4 will take place on the Burgberg in Meißen. This is a location that is relevant to natural stone both historically and in terms of restoration. […]

You have until 27 August to register for the Freiberg Geocompetence Centre’s symposium, which focuses on digitization, restoration and law.

The theme of the 2018 Central German Natural Stone Day is “Saxon natural stone: present and future”. The lectures on September 4 will take place on the Burgberg in Meißen. This is a location that is relevant to natural stone both historically and in terms of restoration.

The lectures will deal with current issues in the areas of monuments, digitization, restoration and law. It starts with insights into the Saxon natural stone register. This will be followed by a field report by André Knipfer from Natursteinwerk Mittweida. He will talk about the possibilities of using regional natural stone in tendered projects.

Other topics include natural stone as a brand in Europe, digitalization in public procurement, professional training and the new building contract law. Regional stonemasons, stone sculptors and planners will present their projects using natural stone: These include the Lion Portal of the Jahnaischer Freihof Meissen, the Chemnitz Castle Church and the west portal of the Prince’s Chapel at Meissen Cathedral.

A specialist excursion will take place on the second day. The participants will visit a quarry for red granite, Dieter Vogt’s stonemasonry workshop in the historic Neidmühle and the Meissen vineyards.

The symposium aims to promote exchange between craftsmen, natural stone quarrymen and processors, restorers, planners, architects and authorities. And to disseminate knowledge in monument conservation by means of practical experience reports. Registration is still possible online until August 27.

Central German Natural Stone Day 2018
September 4-5, 2018 in Meißen (conference on 04.09.2018: 90 euros, conference and excursion from 04-05.09.2018: 130 euros)
Program and registration as PDF