Art Gallery of New South Wales extended by SANAA

Building design
Aerial view of the Art Gallery of New South Wales, photos: © Iwan Baan

From the Art Gallery of New South Wales you can not only see the Sydney skyline and harbor - you can also discover the opera. Photo: © Iwan Baan

December 3, 2022 marks the beginning of a new era for one of Sydney’s most important cultural institutions. This is when the expansion of the Art Gallery of New South Wales will open. The Japanese architecture firm SANAA planned a multifunctional campus with roof gardens that doubles the museum’s exhibition space.

The Pritzker Prize winners from SANAA extended the existing 150-year-old neoclassical building with a complex of building sections stacked inside and on top of each other. The new building rises above Sydney Bay in the immediate vicinity of the Royal Botanic Garden. SANAA designed the three central parts of the extension with glass façades. Three cubic annexes have limestone façades and thus create a link to the historic main building. The organically shaped walls made of clay also refer to the old museum in terms of color. The huge glass canopy at the entrance to the new building refers to the nearby sea with its wave shape. (Incidentally, the façade of the La Samaritaine department store in Paris, designed by SANAA, features a similar motif).

A special form of conversion took place in the basement of the museum extension: a fuel tank that was built for the Australian Navy during the Second World War was converted into a 2,200 square meter exhibition space. The historic museum building was restored and converted at the same time as the new building. The main building, which was redesigned by Tonkin Zulaikha Greer, houses a library for children and the national art archive, among other things. Thanks to the construction work, the museum is now one of the most sustainable in Australia.

In the park adjacent to the museum, Joseph Beuys’ installation “7000 oaks – city forestation instead of city administration” will be shown in future. The exterior design for the Art Gallery of New South Wales is based on an expanded, biodiverse landscape concept.

The reorientation of the institution’s content is based on the intention of creating an inclusive cultural center. Part of this is that an exhibition and all opening concerts are now accessible free of charge. The fact that the institution has become more cosmopolitan is also reflected in the fact that female artists are now more frequently represented in the exhibition program. In addition, the collection is now enriched by significantly more art from Australia’s indigenous peoples.

Further information can be found on the Art Gallery website.

Also a museum for every taste: the Lindt & Sprüngli Chocolate Museum on Lake Zurich, designed by Basel-based Christ & Gantenbein.

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Criticism

Building design
President of the Association of Restorers (VDR) Photo: private

President of the Association of Restorers (VDR) Photo: private

The Association of Conservators speaks out against a confusing game with university titles for journeymen and master craftsmen. President Professor Jan Raue calls for work to be done on strengthening the specific training content, conditions and skills of both craftsmen and academics The proposals recently made by Education Minister Anja Karliczek (CDU) on Deutschlandfunk radio were met with both approval and vehement rejection […].

The Association of Conservators speaks out against a confusing game with university titles for journeymen and master craftsmen. President Professor Jan Raue calls for work to be done to strengthen the specific training content, conditions and skills of both craftspeople and academics

The proposals recently made by Education Minister Anja Karliczek (CDU) on Deutschlandfunk radio were met with both approval and vehement rejection. The declared aim of the Federal Ministry of Education is to clarify the equivalence of university studies and vocational training and to encourage more school leavers to take up vocational training. The minister therefore proposed the creation of a so-called “vocational bachelor’s” and “vocational master’s” based on university degrees.

The Association of Conservators criticized this proposal and spoke out “against a game of confusion with university titles for journeymen and master craftsmen”: “Instead of underlining the ‘equivalence’ of craft and academic degrees, the almost identical job titles suggest a ‘similarity’ of completely different professional skills,” VDR President Prof. Dr. Jan Raue criticized the plans of the Federal Minister of Education. He advocates not working on newly invented job titles, but on strengthening the specific training content, conditions and skills of both the skilled trades and academic players. “We can only support the demand that the terms ‘Master’ and ‘Bachelor’ should be reserved for universities. Applied to the field of conservation and restoration of our cultural heritage, the new regulation would mean that in future it will be even more difficult for consumers to recognize genuine qualifications and not be confused by a multitude of similar-sounding titles.”

Art lovers and institutions wishing to place their treasures in the hands of restorers would already have unnecessary difficulties in recognizing qualified professionals due to the lack of protection for the professional title of restorer in Germany – the new regulation would further exacerbate the existing problem. Securing the continued existence of the traditional craft in Germany is a concern that the Association of Conservators also supports. According to Raue, however, the new designations are more likely to achieve the opposite. Established designations such as ‘master craftsman’ would be devalued and the quality of advanced craft qualifications would increasingly be defined by a desired proximity to academic traditions. “This is highly counterproductive for all sides,” says President Raue.

“It would be better if both professional fields presented their profiles confidently side by side. Young talent is won by clarity and openness, not by juggling titles. Peter-André Alt, President of the German Rectors’ Conference (HRK), takes a similar view: “We think this proposal is misguided. I have already urged the minister to refrain from amending the law accordingly.”

Degree designations must be “transparent and clear” and must not lead to confusion. For example, it must be clear what is meant in career guidance, the wording of job advertisements or when companies are looking for personnel. “The proposed designations “Berufsbachelor” and “Berufsmaster” achieve the opposite: completely different skills are assigned almost identical designations.” Alt said that it was a short-circuit to believe that the equivalence of vocational and higher education could be made clear with similar designations. “If you take this equivalence seriously – and I do – both areas should confidently present their different profiles and they should also be expressed in the designations.”

When asked about the criticism from professional associations that well-known terms such as “Fachwirt” or “Meister” would disappear, Karliczek said that both designations would remain. Only an additional designation would be created. The Bundestag cabinet is currently discussing the proposal to reform further training qualifications. Federal Education Minister Anja Karliczek wants to award academic degrees such as ‘Bachelor’ and ‘Master’ in a slightly modified form to skilled trades professions in future. There are to be three new designations: Journeymen, such as bakers and hairdressers, would be able to call themselves ‘vocational specialists’, master craftsmen ‘vocational bachelors’ and those with additional qualifications ‘vocational masters’. In her own words, the minister wants to highlight “the visibility of the equivalence of vocational and academic training at an international level”. However, what is supposed to provide more transparency leads to considerable and completely unnecessary confusion and therefore triggers massive resistance.

The President of the Federal Association of Liberal Professions (BFB), Wolfgang Ewert, warns against the new regulation: “The terms ‘Berufsbachelor’ and ‘Berufsmaster’ in particular pose a great risk of confusion with the degrees of the Bachelor-Master system. This is particularly irritating for young people looking for a career and for employers”. The universities also reject the introduction of the three levels of further education and the associated mandatory new job titles – precisely because of the great risk of confusion.

Architecture for the ears

Building design

Callwey-Verlag and Baumeister are conquering a new medium: our architectural expertise will also be available as an architecture podcast from September 18.

Callwey-Verlag and Baumeister are conquering a new medium: our architectural and journalistic expertise will also be available as a podcast from September 18. Two different formats are dedicated to architecture-related topics and interesting interview partners. In the first episode, Isa Fahrenholz and Vanessa Kanz talk to the artists from super+. What does the studio have to do with the Oktoberfest Wiesn? Listen for yourself.

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So far, Baumeister has mainly been a feast for the eyes: opinionated reviews, wide-ranging interviews, an unmistakable layout and striking images. This will change from September 18. Then Baumeister’s architectural expertise will also be available for the ears. This is because we are launching our own architecture podcasts as part of our young architects’ network NxtA.

Alexander Gutzmer, Editor-in-Chief of Baumeister, sees this as a great opportunity: “The world of communication is becoming increasingly digital – including in the field of architecture. The podcasts give us the opportunity to express ourselves creatively in a new format. And our content also reaches an audience that architecture criticism in the traditional format may no longer appeal to.”

Two formats give us the opportunity to bring different content closer to you. On the one hand, there is NxtA Position: the architecture essay. In it, journalists from the Baumeister environment take a stand on topics relevant to architecture.

The second format is called NxtA Dialog: the architecture talk. Our editors talk to interesting personalities from the architecture scene, but also from the world of art and culture. We want to introduce them to you and let you take part in the conversations we have with them.

super+ and the Oktoberfest

It all starts on September 18. The first NxtA Dialog: Our employees Isa Fahrenholz and Vanessa Kanz talk to the artists of the Munich studio super+. The studio will be taking part in this year’s Oktoberfest under the name “Zunft für die Künstler” with its own float in the Oktoberfest parade.

Conclusion: On the way to work, while cooking, on a walk or with a glass of wine: soon you will be able to enjoy architectural input from our studio when it suits you best. You can find the podcast on the Baumeister website and on all popular podcast platforms: Spotify, iTunes, Soundcloud.

We developed the podcasts as part of our initiative NXT A – the young architects’ network . Find out more about NXT A on our channels soon.

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