Bad Gastein: The return of grandeur

Building design

With visionary projects such as the Grand Hotel Straubinger and the Hotel Badeschloss, the former glory of the spa town of Bad Gastein is being rekindled. BWM Designers & Architects, Arne Nagel - AMOA

The former glory of the glamorous spa town of Bad Gastein is returning. After decades of decay, the town is experiencing an impressive renaissance thanks to visionary hotel projects such as the Grand Hotel Straubinger and the Hotel Badeschloss. Historic buildings and new design in the signature style of BWM Designers & Architects are giving the spa town new impetus – and attracting tourists and creative types alike. The next few years will now decide whether Bad Gastein can return to its former Belle Époque days – or not. […]

The former glory of the glamorous spa town of Bad Gastein is returning. After decades of decay, the town is experiencing an impressive renaissance thanks to visionary hotel projects such as the Grand Hotel Straubinger and the Hotel Badeschloss. Historic buildings and new design in the signature style of BWM Designers & Architects are giving the spa town new impetus – and attracting tourists and creative types alike. The next few years will now decide whether Bad Gastein can return to its former Belle Époque days – or not.

Bad Gastein, once known as the “Manhattan of the Alps”, is currently experiencing a renaissance that is reviving the former splendor of the sophisticated spa town. At the center of this development is the ambitious project of the hotel ensemble on Straubingerplatz, consisting of the Grand Hotel Straubinger, the Badeschloss and the Alte Post. BWM Designers & Architects worked closely with the local conservation authorities to carefully renovate the two hotels Grand Hotel Straubinger (opening September 3023) and Hotel Badeschloss (opening December 2023) and extend them with a 35-metre-high hotel tower. The project was commissioned by the Munich-based company Hirmer Immobilien. The company invested 100 million euros in the renovation project at Straubinger Platz.

The result is a sophisticated hotel concept that goes far beyond the mere renovation of the building and gives the location a much-needed boost. At the same time, The Cōmodo, another luxury hotel, opened its doors in January 2023. These developments mark a turning point for Bad Gastein, which has struggled with economic and tourism challenges – and of course the consequences of the coronavirus pandemic – in recent decades. The massive decline in tourism since the mid-1980s had led to numerous vacant hotel buildings that were increasingly falling into disrepair. The current investments and renovations are aimed at re-establishing Bad Gastein as a first-class destination and revitalizing the town center.

Bad Gastein’s historical significance goes back a long way and is closely linked to high-profile visitors. The spa town gained international fame thanks to its healing thermal springs and impressive Alpine landscape. A particularly significant event in the history of the town was the signing of the Gastein Convention on August 14, 1865. In this agreement between Prussia and Austria, which was negotiated at the Hotel Straubinger, the major German powers regulated their joint rule over the so-called “Elbe duchies” of Schleswig, Holstein and Lauenburg. Prime Minister Otto von Bismarck, who acted as the Prussian negotiator, was one of Bad Gastein’s most prominent guests. The convention had far-reaching effects on European politics and contributed to the escalation of tensions between the two powers, which ultimately led to the German War of 1866. These historical events underline Bad Gastein’s former importance as a meeting place for the European elite and as a venue for important political decisions.

You have to explain Bad Gastein as a place, says Markus Kaplan in an interview with Baumeister. “There are people who come to Bad Gastein, who understand the place immediately and fall in love with it at the same time. And then there are the others: the people who arrive here and think: what’s this all about?”, continues BWM Partner Markus Kaplan . As a place, Bad Gastein divides opinion. Some fall in love immediately, others see the vacancy around the centrally located Haus Austria and the sad, modern congress center, and search in vain for shopping areas that might remind them of the sophisticated past. This has always been a balancing act in Bad Gastein, but the tipping point has been reached, says Markus Kaplan. The new presence of the Grand Hotel Straubinger alone has had a completely different impact on the town. However, the fact that the former upmarket resort ended up in this situation in the first place and increasingly fell into disrepair was due in particular to the communication challenges with a single person, the investor Philippe Duval, who obstructed the development of the resort for decades.

Philippe Duval’s role in the revitalization of Bad Gastein is extremely controversial and has significantly influenced the development of the town over the years. In 1999, his father Franz Duval acquired five central buildings in Bad Gastein for around five million euros, including the Grandhotel Straubinger, the Badeschloss and the Alte Post. Contrary to the original expectations, however, the Duval family left these historic buildings empty and derelict for years, which led to an intensive impairment of the townscape and tourist attractiveness. After the death of Franz Duval, his son Philippe took over the properties. Despite repeated announcements, no concrete renovation measures were carried out. This situation led to growing resentment among the population and the local authorities. It was only when the state of Salzburg intervened in 2017 and bought back three of the central buildings for six million euros on the initiative of Salzburg Governor Dr. Wilfried Haslauer that things started to move. However, Philippe Duval retained ownership of two important properties in the town center: Haus Austria and the Kongresshaus from the 1970s. However, according to the Vienna STANDARD, there has been no communication with the municipality regarding his plans for these buildings, including a cable car from the Kongresshaus to the middle station of the Stubnerkogelbahn.

Despite all the communication challenges with Philippe Duval, the current approach to revitalizing Bad Gastein is focused on the development of new, high-class hotel projects that are intended to revive the former charm of the spa town. At the heart of these efforts is the Hotel Ensemble on Straubingerplatz, a project for which BWM Designers & Architects acted as general planner. The ambitious project includes not only the renovation and interior design of the existing historic buildings, but also a new building to complement the ensemble. With a total area of around 18,000 square meters, the project aims to create hotels at four-star superior and five-star level. Particularly noteworthy is the holistic approach of the concept, which goes beyond the mere buildings and redefines the entire Straubingerplatz as a lively town center. The aim was to create a space that is attractive to both guests and the local population and thus revitalize the social and economic dynamics of the place. The current downer: while the Grand Hotel Straubinger and the Hotel Badeschloss have been completely renovated as planned, the Alte Post building is still awaiting refurbishment. Due to financial bottlenecks, Hirmer Immobilien was no longer able to convert the building into a conference center as planned. In the meantime, the Munich-based company Hirmer Hospitality has sold the Travel Charme brand, which is responsible for hotel management, to DSR Hotel Holding. However, according to Travel Charme and BWM Designers & Architects to Baumeister, the plans to renovate the core of the Alte Post still exist.

The Grand Hotel Straubinger Bad Gastein, a jewel of the Belle Époque, shines in new splendor after extensive renovation. BWM Designers & Architects paid particular attention to preserving the historical substance while integrating modern elements. The exposed location directly by the waterfall and Straubingerplatz gives the hotel a unique atmosphere. Inside, an artistic flair has been created, with individually designed rooms and suites that combine the grandeur of bygone times with contemporary comfort. Highlights include the spacious dining area – in the spirit of the Belle Époque – and the Straubing Spa with infinity pool and sauna area, which transports guests back to the 18th century under bell-shaped white parasols. The first-class culinary delights in the style of classic French and Alpine cuisine underline the hotel’s ambition to build on its great tradition. The aim is even to train the next star chefs here.

The Badeschloss Bad Gastein hotel, the modern part of the revitalized ensemble on Straubingerplatz including a new 35-metre-high building, combines historical heritage with modern luxury. The architects at BWM took particular care when renovating this listed building to preserve the characteristic elements while integrating contemporary amenities. They carefully restored the façade while preserving the original elegance of the building. Inside the Badeschloss, there is a successful symbiosis of historical details and modern design. The rooms and suites are characterized by an individual design that gives the residents the feeling of residing under water. In the wellness area on the roof of the new building, the architects have created a spectacular view of the surrounding mountain landscape.

While Bad Gastein was characterized by structural stagnation for many decades, it was art and artistic interventions that really kept the town afloat. In the course of various pop-up galleries, studios and temporary exhibitions, numerous artists and creatives discovered the place for themselves. The “Rauschen & Lauschen” art fair has established itself as an annual highlight and now attracts art lovers from all over Europe. At the same time, innovative gastronomy projects and boutiques have revitalized the streets of Bad Gastein. Young entrepreneurs, often from urban centers such as Berlin or Vienna, continue to bring fresh ideas and a cosmopolitan flair to the town. This mixture of tradition and modernity, Alpine idyll and urban creativity gives Bad Gastein an atmosphere reminiscent of Berlin in the 1990s. The local population and the municipality actively support this development, leading to a fruitful symbiosis between locals and newcomers. Now the coming years and seasons will show whether this mix of architecture, art and health hype will bring Bad Gastein back to its former glory, which, despite an intense dry spell, can continue the glamorous times of the past.

Read more: The Norwegian Opera and Ballet in Oslo, designed by the renowned architectural firm Snøhetta, is far more than just a building – it is a living symbol of culture, architecture and urbanity.

YOU MAY ALSO LIKE
IBA Basel Specialist publication from the G+L editorial team

IBA Basel Specialist publication from the G+L editorial team

With the end of IBA Basel Expo at the beginning of June 2021, the International Building Exhibition Basel 2020 officially came to an end and with it the first effective International Building Exhibition in the border triangle between Germany, France and Switzerland. Everything you need to know about IBA Basel can be found here.

With the end of the IBA Basel Expo at the beginning of June 2021, the International Building Exhibition Basel 2020 officially came to an end and with it what was effectively the first International Building Exhibition in the border triangle between Germany, France and Switzerland. A closing film now summarizes the goals and developments of IBA Basel 2020.

The IBA Basel was the first International Building Exhibition to address the topic of spatial planning in border regions. International Building Exhibitions are a special format for urban and regional development. They are a hallmark of national building and planning culture. For more than a century, these experimental fields have brought current issues of planning and building to the forefront of national and international debate.

The origins of the IBA Basel date back to 2008, when everything began with the so-called first “draft memorandum”. This was drawn up by the Department of Construction and Transport of the Canton of Basel-Stadt together with the Trinational Eurodistict Basel TEB. In 2009, the TEB worked out the challenges and opportunities of trinational fragmentation and published these in the 2020 development strategy “A Future for Three”. In the strategy, it identified the main spatial planning objectives of “settlement development”, “transport development” and “landscape planning” as well as the “interactions with the areas of economic and population development” and “governance” and “financing of major metropolitan projects”. In 2010, the political players in the region jointly proclaimed the Basel International Building Exhibition.

2020: 20 projects with the IBA Basel label

In the ten years that followed, the IBA Basel put the shared responsibility for the agglomeration into concrete terms in projects, buildings, infrastructure and landscapes and provided impetus for a cross-border culture of cooperation, in line with the official IBA motto “Au-delà des frontières, ensemble – Growing together across borders”. Under the direction of Monica Linder-Guarnaccia, the IBA in the border triangle saw itself as an instrument of change. From 130 project proposals, the IBA team and a large number of stakeholders from the administration and interest groups launched 43 cross-border projects. A total of 20 of these were officially labeled as IBA projects in 2020.

To the memorandum of the IBA Basel

The memorandum of the IBA Expert Council describes the basis for implementing an IBA in ten recommendations. Precisely because the IBAs have no fixed regulations, their significance for building culture and urban development in a regional, national and international context must be constantly reviewed.

About the IBA Expert Council

The IBA Expert Council supports and advises the current IBAs and ensures that the developments, structures and content of the IBAs are in line with the quality criteria set out in the Memorandum. It also accompanies the preparatory phases of the IBA initiatives. The IBA Expert Council was appointed by the Federal Ministry of Building. Read more about the Expert Council here.

The initial situation of the International Building Exhibition Basel was that of a fragmented agglomeration. The central IBA task was to harmonize the different submission rights, legal bases, internal administrative processes, decision-making powers and financing models of the three participating countries and, last but not least, to build up intercultural competence. This was no easy task and without an understanding of the different mentalities and hierarchies, the implementation of real cross-border projects on an equal footing with the other party would not have been possible. In the course of the IBA in the border triangle, a paradigm shift took place in cross-border cooperation between German, French and Swiss stakeholders. The border region grew together on a political, economic and cultural level during the IBA years.

A budget of twelve million euros instead of one billion

Getting there was an adventure and many a stone had to be cleared away. The IBA in the three countries had to work with the different cultural influences of the three countries, the economic discrepancy between the flourishing economic metropolis of Basel and the agglomeration and the bilingualism – German and French. Above all, however, financing was a constant problem. Despite the support of 27 financing municipalities, the available budget remained far underfunded. The IBA Basel worked with twelve million, while the IBA Hamburg received one billion euros.
The planned three-year financing of the IBA Basel office and its project development fund placed additional demands on the ten-year project throughout its entire duration. This also became part of a recurring search for consensus, added value and return on investment.

The IBA in the border triangle is not an architectural showcase in the traditional sense and has therefore been criticized several times in the past. According to critics, the lighthouse projects traditionally built for an IBA are missing. And yes, the International Building Exhibition Basel is not characterized by building construction projects. Rather, it defines a new era for the format of the International Building Exhibition itself. The background: unlike its predecessors – such as the IBA Stadtumbau in Saxony-Anhalt, the IBA See in Lusatia or the IBA Emscher Park – the Basel International Building Exhibition is not taking place in a traditionally structurally weak area.

The IBA of processes

The Basel region has been flourishing for decades with financially strong companies such as Novartis and Roche. The IBA in the border triangle did not arise out of an emergency situation. The challenge of the International Building Exhibition Basel was to establish a tri-national planning culture between more than 64 regional authorities and numerous private stakeholders over ten IBA years and to launch outstanding cross-border projects in a rolling process. The International Building Exhibition Basel is therefore an IBA of processes. This difference has not made it easy for it. In contrast to building construction projects, process innovation is difficult to present.

Out of 130, 20 projects prevailed

An International Building Exhibition puts social, future living environments up for discussion. It must have a message and this must be significant for other regions, it must be transferable. The International Building Exhibition Basel has shown internationally how measures to strengthen and develop a border region can be implemented together. The Basel International Building Exhibition shows how beneficial it is to take the needs of the other party into account. It has shown how participation and an interdisciplinary approach can increase project quality, even if they take more time and are more complex. The 20 labeled IBA projects together with the IBA project groups and the nominated projects speak for themselves.

IBA Basel closing film

The finissage on June 4, 2021 marked the official end of the IBA Basel Expo and with it the International Building Exhibition Basel. Together with the IBA Presidium, IBA Basel Managing Director Monica Linder-Guarnaccia invited guests to reflect on the findings of ten years of the IBA process and look ahead to the future development of the region.

Spatial planning development across national borders was the focus of the International Building Exhibition Basel. No IBA before the IBA Basel had ever dealt with this topic in this way. The special focus, objectives and developments of the IBA Basel are now summarized in a closing film for the IBA Basel 2020.

Garten + Landschaft provided information online about the projects, their creators and the IBA’s goals. The findings of the first cross-border International Building Exhibition in the border triangle of Germany, France and Switzerland have resulted in the publication “IBA Basel 2020. Crossing borders together” in German and French, which is well worth reading. Find out more here.

Our colleagues at Baumeister also celebrated with a special Baumeister issue on IBA Basel 2020 in May.

Observation tower at Lake Seljord

Building design

At Lake Seljord in the Norwegian province of Telemark, home to a sea monster called Selma, landscape architects and architects planned a “sea snake tower” as part of the “Seljord and its legends” project.

Building in a picturesque landscape is a delightful task. The planners set the scene, the landscape accentuates small buildings. On October 18, a new observation tower, the “Sea Snake Tower”, was opened on Lake Seljord in Norway. It is part of the Skiensvassdraget river system and the culmination of a series of landscape-based interventions placed around the lake as part of the “Seljord and its Legends” project by Feste Landscape Architects, Rintala Eggertson Architects and Springer Kulturstudio, all from Norway. The 15-meter-high tower opens up to the surrounding landscape at different heights. Viewing platforms on the various levels offer views of the landscape. The municipality of Seljord has just under 3,000 inhabitants and is located in the Norwegian province of Telemark. A sea monster called Selma is said to have been sighted for the first time in Seljordsvatn, a lake that lies partly within the municipality, as early as 1750. This is why the coat of arms of Seljord, developed in 1989, shows a yellow sea serpent on a red background. The creature in Lake Seljord is said to be between four and 50 meters long, have a horse or crocodile-like head and appear pitch black. There is also talk of a pair of front fins and humps. The projects of “Seljord and its legends” are documented in Topos 74.Buildings in special places are also the theme of the November issue of Garten + Landschaft. The magazine presents a selection of successful buildings as well as viewing platforms, towers, footbridges and bridges.


Garten_Landschaft_Seljord_Dag_Jenssen_3

Garten_Landschaft_Seljord_Dag_Jenssen_1

Photos: Dag Jenssen