Battersea Power Station: a transformation

Building design
Battersea Power Station in London is being transformed from a traditional power station into an attractive public space. Photo: Peter Landers

Battersea Power Station in London is being transformed from a traditional power station into an attractive public space. Photo: Peter Landers

London is associated with Buckingham Palace and the Houses of Parliament, but not all visitors to the city are familiar with Battersea Power Station. But even the famous landmarks need electricity – and this is where the power station came into play for a long time: Battersea supplied a fifth of the city with electricity before it was shut down in 1983.

London is associated with Buckingham Palace and the Houses of Parliament, but not all visitors to the city are familiar with Battersea Power Station. But even the famous landmarks need electricity – and this is where the power station came into play for a long time: Battersea supplied a fifth of the city with electricity before it was shut down in 1983. Thanks to the work of the architects at WilkinsonEyre, the architecture has been open to the public for the first time since October 2022.

The iconic building will be preserved

The site around Battersea measures around 42 hectares. The power station itself is the flagship of the £9 billion urban redevelopment. The aim is to create a visionary new district on the banks of the river. The plan is to create a vibrant community of 4,239 homes, offices, restaurants, cultural and leisure facilities and 19 hectares of public spaces. The district has already been connected to the public transport network and is now part of the London Underground Northern Line.

A new spatial concept for Battersea

The new spatial concept for the listed Battersea Power Station includes 100 stores, restaurants, cafés and an event venue. The former power station also houses office space and 254 new residential units. A unique highlight is the chimney elevator. Lift 109 transports guests to the north-western tip of Battersea, offering 360-degree panoramic views of the London skyline. The architects at WilkinsonEyre worked closely with the Battersea Power Station Development Company to realize this ambitious concept. After almost a decade of intensive work, Battersea Power Station opened its doors on October 14, 2022. It is now open to the public for the first time in its history.

Battersea Power Station retains its historic character

In the former boiler house, two gigantic, spectacular atriums welcome visitors arriving at Battersea from the north and south. To preserve the original southern entrance wall of the power station, arched trusses behind the wall provide the necessary stability. New skylights show the chimneys from below. Due to their poor substance, the towers were rebuilt. The architects used the original construction method from the 1930s and 1950s. Although this process took three years, it preserved the towers as the dominant feature of the power station.

Two turbine halls

The turbine halls, which, like the towers, do not date from the same period, also show little change. Turbine Hall A dates from the 1930s and still conveys the feeling of Art Deco today. In the course of the conversion, its interior windows were supplemented by custom-made galleries with balustrades. These are connected by bridges and enliven the large volume. Carefully restored skylights also fill the hall with natural light. Meanwhile, Turbine Hall B, which dates back to the 1950s, has a more minimalist aesthetic. Both halls now house curated brands from all over the world.

The control rooms at Battersea Power Station

Similar to the towers and turbine halls, the Power Station had two control rooms. From here, the power distribution from Carnaby Street to Wimbledon was managed as well as the power supply to Buckingham Palace and the Houses of Parliament. As a result of the restoration, Control Room A now serves as a unique event space. The architects also showed great sensitivity when converting Control Room B. Here, guests can experience the original dials and controls up close at an exciting all-day bar concept.

The main switchgear, meeting rooms, laboratory and battery of the power station were located in two other parts of the large building complex: Switch House West and Switch House East. After careful renovation, these buildings ultimately became the new home of the 254 residential units.

The original Baumeister, Sir Giles Gilbert Scott, inspired the WilkinsonEyre team, from the drama and scale to the choice of materials. In keeping with the existing building, the entire project combines brick with glass, historic ceramic tiles and steel. Brick manufacturers Northcot Bricks in Gloucestershire and Blockleys in Shropshire already produced the bricks for the construction of Battersea. Now they also supplied the approximately 1.8 million bricks needed for its restoration.

There are fully planted gardens on the roofs of all the main buildings and the outdoor areas around the power station have also been rethought. The former coal storage area in front of the power station and the area that used to be used for railway sidings have been renaturalized and laid out as a park that invites visitors and residents of the district to linger.

The legacy of Battersea

Almost 40 years after the plug was literally pulled on Battersea Power Station, it is celebrating its comeback in a new context. It is one of the most extravagant leisure destinations in London. The architects were not deterred by the condition and size of the power station, but took on the challenge of repairing and transforming it. They began by translating the industrial heritage of the building into a contemporary context. They also emphasized historical features without changing its character. But by no means do they only celebrate Battersea’s original features. The interventions in the internal structure of the building create a new, modern spatial effect and bring everyday life into the power station through the event space, bars, offices and stores. The garden square on the roof and the adjacent park create a balance to the hustle and bustle.

The result is architecture that shows courage and that people can enjoy in a beauty that enhances Battersea and its surroundings. Find out more about Battersea Power Station here.

Also in London, architecture firm Dyvik Kahlen has designed a building for two facilities: A nursery school and a community center.

POTREBBE INTERESSARTI ANCHE

Weave of history

Building design

The Granada Faculty of Architecture is located in a former military hospital. The conversion was awarded the Arquitectura Española 2015 prize.

Granada is characterized by two poles: The architecture bears stucco from the Muslim-Moorish dynasty, but the life of the inhabitants is typically Spanish. The narrow alleyways smell of cheap leather and oriental spices – in between tapas, Andalusian wine and the sounds of swallowed consonants.

Granada also developed from two urban cores. Albaicín, the Moorish quarter, winds its way up the hill north of the Alhambra. Gypsies built cave dwellings here from the 19th century onwards and brought flamenco to the city. The second historical core is the Realejo district, originally the Jewish quarter.

Granada, a city of education

Today, Granada is above all a university city – with 60,000 students, it is one of the largest educational institutions in Spain. The Escuela Técnica Superior Arquitectura, or ETS for short, was founded in 1994. For this purpose, the University of Granada acquired the building complex of a former military hospital located at the foot of the Alhambra – in the Realejo district.

In front of the campus is the oversized square “Campo del Principe”, which was created during the drastic urban planning changes of the Renaissance. From here, you can see the elongated façade of the ETS, which looks homogeneous with its white paint. In fact, behind it is an almost 14,000 square meter, historically grown network of buildings. At the end of the 1990s, this was to be made suitable for future architects to study. An international competition was held, which was won by Spanish architect Víctor López Cotelo.

The most important feature of the ensemble is the three inner courtyards: two of them are directly adjacent to each other and date back to the Renaissance, while the third and largest courtyard is located in the south-west of the complex and has been redesigned. These outdoor spaces provide orientation, not least because López Cotelo repeatedly creates visual connections to them and also to the surrounding alleyways. Despite the complexity of the building, it is therefore impossible to get lost. In order to create a system of paths without dead ends, it was necessary, among other things, to make openings – for example to the independent building of a former officers’ clinic, which was integrated into the complex in 1909 – which can still be seen today in the lower building height to the Campo del Principe.

You can find out more in Baumeister 1/2016

Home office with Han Solo

Building design

Unifamiliar en Sacramento California USA pavimento Cement Basalt Black designer Benning Design Construction fabricator Natural Stone Design

It’s been 40 years since the Empire Strikes Back: On May 17, 1980, the second Star Wars episode “The Empire Strikes Back”, the fifth by today’s count, premiered at the Kennedy Center in Washington D.C.. The global fan base of the mighty space opera saga is huge and the portfolio of merchandise seems endless. A very special personal tribute to his heroes from […]

It’s been 40 years since the Empire Strikes Back: On May 17, 1980, the second Star Wars episode “The Empire Strikes Back”, the fifth by today’s count, premiered at the Kennedy Center in Washington D.C.. The global fan base of the mighty space opera saga is huge and the portfolio of merchandise seems endless. Homeowner Rob Equi from Sacramento has created a very special personal tribute to his heroes from a galaxy far, far away a long time ago – with light and dark coverings from Neolith.

He felt the Force for the first time on his sixth birthday: it was May 25, 1977, the day the first Star Wars film “A New Hope” was released in cinemas, and as Rob Equi recalls, it was accompanied by a family outing. Since then, Star Wars has been an integral part of his life. The little boy from back then is now a doctor and retinal specialist, which – like his Jedi role models – allows him to use lasers professionally.

When he and his family renovated their home, he decided to give his home office and the adjoining lounge area a special touch: “I wanted to have a Star Wars-themed room. I had a whole range of high quality memorabilia that I wanted to showcase in a cool, fun and memorable way and I wanted to have a place where I could go after work and immerse myself in my childhood.”

The designer strikes back

Having already worked with Miche Victoria, Senior Designer at Benning Design Construction, during the first three phases of construction, Equi trusted her unreservedly to realize his very special request. “I told her in broad strokes what I wanted. It had to be a livable office space, so it couldn’t look like a movie set, but at the same time I wanted some design elements that reminded me of that universe. For example, lighting is a very important motif in these movies.” In her search for iconic scenes, Victoria found inspiration in the original trilogy.

The return of the holo chessboard

The flooring is often the first step in Miche Victoria’s design process because it is the foundation for everything else – as is the case here. The flooring in Equi’s home office, for example, appears to unknowing eyes as a circular, modern-looking black and white pattern. For Star Wars fans, it pays homage to the board on which Chewbacca and C-3PO play holo-chess in Han Solo’s spaceship, the Millennium Falcon.
Designer Victoria wanted a material that would fit in with the other design elements and that she was very keen on: Neolith coverings, called sintered stone by the manufacturer, she had used several times before in other projects and is convinced by these porcelain ceramics. She even goes so far as to say: “No other materials are an option for me. For a custom design like this, Neolith was a no-brainer. You can do so much with it. The customization possibilities are incredible. It really stands out from its competitors thanks to its many strengths and finishes. I love those seamless transitions.” To capture the aesthetic of the spaceship from the movie, she avoided the clean contrast of a traditional checkerboard and instead opted to combine the two Neolith variants “Basalt Black Satin” and the industrial-chic “Cement Satin”.
The designer was supported by sales partners Evolv Surfaces and Natural Stone Design Fabrication in the implementation of the customized motif. Client Rob Equi is very happy with the result: “The Neolith materials are simply fantastic. The matt finish fits perfectly with the inhabited universe of Star Wars. It’s not the typical sci-fi design where everything is polished, new and utopian.”

Jedi design tricks

In addition to the flooring, the lighting is also important for the right flair: behind Equi’s desk, two large backlit wall panels are reminiscent of the set of the battle scene between Obi-Wan and Darth Vader from the first part “A New Hope”, while the rest of the illuminated wall coverings in the office rotunda are inspired by the “I am your father” scene. Other lovely details and exhibits: on the wall of the lounge area next door is a life-size replica of Han Solo in carbonite. Here you are surrounded by Star Wars memorabilia of the host, such as costumes, an X-Wing pilot’s helmet and a blaster replica. Even though he himself is the biggest fan of the film series in the house, Rob Equi’s wife and children share his love of the heroic epic from a galaxy far, far away: they share their home with Boba Fett, an Imperial Death Trooper and Han Solo – as well as Chewie, of course, who in this case is not the Wookie and Solo’s best friend, but the family’s Labradoodle.