Baumeister 8 – European in spite of everything

Building design

The August issue of Baumeister has the extension to the Tate-Modern by Herzog & deMeuron as its cover story.

We have all gradually recovered from the Brexit shock. And a shock it was. Even when my colleague Sabine Schneider flew to London for the opening of the Tate Modern extension, we at Baumeister were sure that Britain would stay in. But things turned out differently. This made our decision – which we admittedly had to make before the referendum on the island – to put London and the Tate Modern extension of HdM on the cover of this issue all the more correct.

The Tate Modern is not only an icon for London. It is also a European building. No other European museum attracts more visitors. And none has such an attraction, especially for young people from all over Europe, for example for schoolchildren from the German provinces who breathe in the air of a cosmopolitan city for the first time on a school trip or a budget airline trip to London.

London is important for Europe. The city’s self-image as a European metropolis has always played a part in the project of opening up borders in Europe. If London is now leaving the structure of the European metropolises – at least to some extent – then this will also change the entire European project.

And I can advise all architecture enthusiasts not to cross London off their travel calendar. Because the Tate Modern is not only worth seeing. In London, you can also observe how the combination of architectural ambition, a great deal of capital and an established building fabric is reflected in a not always beautiful, but nevertheless vital network.

POTREBBE INTERESSARTI ANCHE

Promoting resilient city centers

Building design
36 cities and municipalities in Lower Saxony are authorized

36 cities and municipalities in Lower Saxony are authorized

As part of the “Resilient inner cities” funding program, the state government of Lower Saxony is awarding 61.5 million EU funds for sustainable urban development. The city of Hamelin is one of the cities planning to apply.

As part of the “Resilient inner cities” funding program, the state government of Lower Saxony is awarding 61.5 million euros in EU funding for sustainable urban development. The city of Hamelin is one of the cities planning to apply.

36 cities and municipalities in Lower Saxony are eligible to apply for part of the 61.5 million euro funding pot. This was awarded by the European Regional Development Fund (ERDF) for the period 2021 to 2027. The 15 that submit the most convincing concepts on the topic of “resilient inner cities” will ultimately receive the funding. These range from 4.2 million euros in more developed regions (SER) to 3.95 million euros in transition regions (ÜR) per city or municipality.

“The ‘Resilient City Centers’ are a building block with which we support cities in Lower Saxony in making their city centers future-proof. Especially in our large state of Lower Saxony, cities have a very important function for the areas surrounding them. However, they are also facing major challenges – exacerbated by the coronavirus pandemic,” says Regional Minister Birgit Honé about the funding program.

Projects that are eligible for funding include the revitalization of inner cities, environmentally friendly land design, climate-friendly mobility and participatory processes for citizens. Among other things, the application requires the development of a strategy, which is divided into the chapters programme area, need for action and concept, cross-sectional objectives, participation processes, steering group and organizational structure as well as lead projects.

Applications from eligible cities and municipalities can be submitted by the deadline of 21.04.2022. These will then be formally reviewed by the Offices for Regional Development on the one hand and prepared for presentation to a jury of around ten people on the other. This jury evaluates the submitted plans on the basis of eight main criteria. On the basis of the jury’s assessment, the ESRE also selects 15 cities (nine in SER and six in ÜR) to benefit from the funding budgets. The Investitions- und Förderbank Niedersachsen NBank also advises on questions of eligibility for funding.

More information on the ERDF funding program “Resilient Inner Cities” in Lower Saxony can be found here.

Also interesting: The Federal Ministryof the Interior, Building and Community is once again calling for a funding round for National Urban Development Projects 2022. You can read all about the procedure here.

Luma Arles: Atelier of the South

Building design

PHOTO: Remi Benali

The spectacular new building of the Luma Foundation in Arles by architect Frank Gehry is both a museum and a studio building.

The spectacular new building of the Luma Arles Foundation is a work of art for art: Frank Gehry’s tower is both a museum and a studio building. It is the highlight of an art and cultural area that Luma founder Maja Hoffmann has realized over the course of 15 years.

Arles and art – the first thing that comes to mind is, of course, van Gogh, who sought to realize his dream of a studio in the south in an artistic partnership with Gauguin. However, his stay in Arles turned into a debacle for van Gogh. Not only did his collaboration with Gauguin end in a rift – in Arles he also began to suffer increasingly from delusions, until he finally had to go to the mental hospital in nearby Saint-Rémy.

It almost seems as if Maja Hoffmann had set out to heal van Gogh’s fate in Arles in retrospect. Hoffmann, who comes from the Basel industrialist dynasty of the same name, is one of the world’s most important art collectors and patrons. She has been a cultural initiator and patron of the arts in Arles for almost 20 years. In 2004, she founded the Luma Foundation there, which promotes and commissions contemporary art.

Three years later, Maja Hoffmann began a working process together with the architect Frank Gehry, the curator Hans-Ulrich Obrist and a number of important contemporary artists. Together, they developed ideas for a new type of art and cultural center for the 21st century. Hoffmann chose the “Parc des Ateliers” as the location for this project. This is the site of the SNCF railroad depot on the edge of the historic old town of Arles, which has been abandoned since the 1980s. The historic workshop buildings have been renovated in recent years by architect Annabelle Selldorf. The building now houses exhibition spaces, artists’ studios and apartments as well as a restaurant.

The redesign of the “Parc des Ateliers” has now been crowned with the opening of the “Tower”, a 56-metre-high exhibition and studio building designed by Frank Gehry. The initial preparatory work for the project began back in 2009 and construction work began in 2013. The result is unmistakably the work of Gehry – who, however, combines the free forms so characteristic of his work with enormous geometric volumes. The architect designed a three-storey high plinth zone as a huge glass cylinder. A reference to the Roman amphitheater in Arles.

The actual tower rises out of the cylinder. Its side facing the city center presents itself as a shiny and wildly moving metal skin with rectangular window cores. On the side facing away from the city, on the other hand, the tower appears to be composed of two cubic bodies that stand next to each other at a slight angle. Inside the glass cylinder, the volumes of the various galleries appear to be freely distributed throughout the space. This form of organization is similar to that found in Gehry’s Fondation Louis Vuitton in Paris. There are also several studio spaces for artists here. The tower, on the other hand, mainly houses the foundation’s administrative offices. A public viewing terrace forms the upper end.

Numerous works of art, including those by Philippe Parreno and Olafur Eliasson, are an important part of the tower. They were created especially for this location. Incidentally, Atelier Luma is also part of the Luma Foundation’s work. This workshop has developed various sustainable construction and furnishing elements made from local materials for the project: the building includes textile wall cladding made from bioplastics, tiles dyed with algae and acoustic elements made from sunflowers.

What can an anti-Gehry look like? The Broad Museum shows how.