Baumeister Academy 2020: Super Future Collective

Building design

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Why it’s worth doing an internship at the Super Future Collective in Nuremberg with the Baumeister Academy.

Fancy a six-month internship with a scholarship? Then go for it. You can now apply for the Baumeister Academy 2020. This year’s participants are the architecture firms Adjaye Associates (London), Henning Larsen (Munich), SeARCH (Amsterdam), Urban Design (Stockholm) and… the Super Future Collective (Nuremberg). Super Future Collective? That’s the architecture firm where you can become a super barista. Because with these young Nurembergers, virtually anything is possible in terms of development. We met the five architects and talked to them about their milk foam competitions. Well, and about everything else that makes up the office.

The five architects were already working together during their studies in Nuremberg. When they were commissioned to carry out a study in the summer of 2017, the plan to form a collective became concrete. But a name was still missing. They decided against putting one person in the foreground. The “super future” is a sign of their positive view of the unknown and the collective stands for the flexible structure of their working group.

If you could/had to do an internship in an office again today. Where would you go?
OMA, Herzog & de Meuron, Vector Architects.

And why should you go to SFC?
Because you can work in a team that doesn’t yet have a huge wealth of experience. There’s no “that’s how it’s done” with us yet, so the process is nice and fresh and perhaps a little more exciting.

“Nuremberg is special because of a very large subculture that you wouldn’t expect in this city.”

Nuremberg. What can the city do?
Firstly, Nuremberg is a very beautiful city, and secondly, it’s not so “finished”. A lot can and will develop here. Nuremberg is special because of a very large subculture that you wouldn’t expect in this city.

This is your first time at the Baumeister Academy. Why are you taking part?
Out of curiosity! And above all, we feel honored to have been selected.

You are a young, still rather small office. Would a large office like MVRDV be an option for you again?
I believe that anyone who has experienced what it is like to stand on their own two feet, to have the freedom to decide for themselves what they want to do or learn, will not give it up so quickly. That aside, MVRDV is of course very exciting! We love Dutch architecture and especially its humorous approach.

“Above all, we expect enthusiasm and curiosity. You can’t have enough of that.”

What do you expect from your interns?
Above all, we expect enthusiasm and curiosity. You can’t have enough of that.
We have a very flat hierarchy, so of course we hope that you can identify well with the team.

You are also active as lecturers at the university. What would you do differently from your students if you were to study again?
Definitely start later and study longer. We sometimes have the feeling that people rush through semesters in order to earn money afterwards. You have the great luxury of being able to develop yourself during your studies and, above all, you can gain a lot of experience in different offices and countries through internships, which broadens your horizons. This is much harder to do after graduation!

Are you more of a “nine-to-five” type or more of an “eleven-to-midnight” type? And what about working overtime in the office?
More like “nine-to-five” – we want to do this for a few more years. But sometimes it’s also “Nine-to-Nine-the-Next-Day”, there’s no getting around it.

What was your biggest success?
From a professional point of view, it was winning the competition for the Nuremberg Concert Hall and the fact that we are now allowed to build this project.

“It’s like a contest to see who can make the best coffee with the best foam.”

Your biggest quirk? Individual quirks are very welcome.
As we have a very good portafilter machine, no one is reluctant to make coffee for everyone, it’s a real contest to see who makes the best coffee with the best foam.
Perhaps that could be seen as a quirk? You have to get to know all the other quirks for yourself, it would be boring to find out too much in advance, wouldn’t it?

Your tip for an application with you?
We want authenticity for our team. We want to get a clear picture of the applicant when they apply. Many projects or things that you might want to show in your application can blur this image.

Curious? Find out more about the Super Future Collective here.

The Baumeister Academy is an internship project of the architecture magazine Baumeister and is supported by GRAPHISOFT and BAU 2019.

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Apply now! – Textile & Craft Award is presented by the European Textile Academy

Building design
Apply now! - Textile & Craft Award is presented by the European Textile Academy. Photo: ttps://eurotextileacademy.com

Apply now! - Textile & Craft Award is presented by the European Textile Academy. Photo: ttps://eurotextileacademy.com

The European Textile Academy (Bolzano) has launched the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and arts and their connection to the world of design. Take part!

The European Textile Academy (Bolzano) has launched the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and arts and their connection to the world of design. Take part!

Consumption is increasingly taking ecological and social-ethical aspects into account – all the more so as the range of products on offer becomes more diverse, cheaper and lower-threshold. “Better instead of more” is the principle of slowing down, living and consuming more mindfully and consciously. The European Textile Academy has created the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and art professions and their connection to the world of design. The ETA Award stands for creative and trend-setting solutions in the global market.

The jury recognizes pioneering achievements in innovative products, taking sustainable criteria into account. The materials used and innovative natural fibers, aesthetic and functional design, processing quality and resources, environmentally friendly production and social and ethical aspects are key criteria for the award. The award is proof of the outstanding quality of the product and a reliable seal of quality for consumers and manufacturers. Participation is possible in award categories. Interested parties can submit their application in a category that appears to be advantageous for them.

The award categories are:

  • Textile Craft (textile crafts in the fields of weaving, dyeing, knitting, embroidery, upholstery, textile printing, millinery, etc.)
  • Sustainable Fashion Craft (fashion crafts, custom tailoring)
  • Sustainable Fashion & Textile Industry (sustainable industrial processing in women’s and men’s fashion and in the textile industry)
  • Textile Art (textile art, exhibition installations, etc.)
  • Textile Architecture (textile constructions, architecture of buildings of all kinds (public buildings, sports facilities, industrial and corporate buildings, residential buildings, museums, hotels, etc.)
  • Textile shading systems (textile shading systems, tent constructions, etc.)
  • Architecture with Natural Fibres (contemporary architecture with fibers, e.g. hemp, flax, straw, bamboo, willow, bark and renewable plant fibers)
  • Interior (home fabrics and carpets, upholstered furniture, upholstered beds and home accessories, textile printing, indoor and outdoor)
  • Hospitality (the award recognizes hotels, inns, etc. that have recognized the quality of textile furnishings in all guest areas for their competitiveness)
  • Museums, Collections & Archives (the aim of this award is to recognize outstanding museum, collection and archive activities and the quality of museum presentation and mediation work as well as the efforts to preserve “textile” in all its areas as a cultural asset and make it accessible to a broad public)
  • Other (Textile topics not included in the above categories, application on request).

The award-winning projects and products will be exhibited at the Int. Festival of Textile Craft, Textile Art & Design from March 15 to 17, 2024 at Maretsch Castle in Bolzano. An award at the European Textile & Craft Award generates attention and increases visibility. The ETA AWARD 2024 is proof of the outstanding quality of the product and a reliable seal of quality for manufacturers and customers.

Registration and submission: within October 21, 2023

Jury meeting: November 9 and 10, 2023

Publication of the award winners: December 2023

Gala award ceremony: Friday, January 12, 2024 at the Waltherhaus in Bolzano

The European Textile & Craft Award is decided by an independent international jury of experts made up of representatives from colleges, universities, crafts and industry, art and culture. The members of the jury include couturier Gaetano Aloisio, Moritz Dörstelmann, Professor of Digital Design and Communication at KIT Karlsruhe, art historian Ursula Schnitzer and Aurora Magni, President of Blumine srl, a research and consulting company active in the field of sustainable textiles and fashion since 2010, as well as Dr. Ute Strimmer (Editor in Chief Restauro).

The jury will select “Award” winners in each category, as well as an appropriate number of “Silver” winners. In addition, “Special Mention” awards are presented for particularly noteworthy achievements. The evaluation criteria are: Overall concept, aesthetic and functional design, processing quality, processed material or fibers, sustainability, materials used and innovative natural fibers, aesthetic and functional design, processing quality and resources, environmentally friendly production as well as social-ethical aspects are essential criteria for awarding the award. The manufacturing industry, designers, craftspeople, artists, architects, universities and research institutions, museums, collectors, archives, hotels and restaurants are all eligible.

Registration for the award takes place exclusively via the registration portal of the European Textile Academy (www.eurotextileacademy.com)

Balancing act

Building design

Two countries connected by a streetcar: the new streetcar stop by J.MAYER.H.

Two countries connected by a streetcar. A streetcar runs from Kehl across the Rhine – all the way to Strasbourg. A direct connection to the European capital that crosses borders. The new terminus in Kehl by J.MAYER.H can be a little more unusual. The French counterpart by Zaha Hadid Architects was built in 2001 and is in no way inferior.

Public transport stops are part of the urban infrastructure that we city dwellers take for granted. They hardly get any attention. The new streetcar stop on Rathausplatz in Kehl by J.MAYER.H. is quite different. Light-colored exposed concrete panels define its striking structure, inspired by the Rhine pebbles typical of the area. The sculpture expresses dynamism and balance, instability and mobility. A certain symbolism? After all, the stop connects Kehl in Germany with Strasbourg in France along six kilometers of track. A connection that was hardly conceivable just a few years ago, but which even today has to be fought for time and again – in a positive sense. The streetcar stop on the other side can keep up with the design by J.MAYER.H. Zaha Hadid Architects designed the station in Strasbourg. Two unique terminal stops from the pens of major architectural firms – and border traffic commutes between them every day.

This article appeared in G+L 07/2019. Click here to go to the store.