Bellustar Tokyo – A hotel by Norm Architects

Building design
At Hotel Bellustar in Tokyo, Norm Architects and Keiji Ashizawa Design have combined minimalism and honest design with a great view. Photo: Jonas Bjerre-PoulsenNacása & Partners Inc.

In Bellustar Tokyo, Norm Architects and Keiji Ashizawa Design have combined minimalism, honest design and a great view. Photo: Jonas Bjerre-Poulsen, Nacása & Partners Inc.

The Bellustar Tokyo is a new luxury hotel in Tokyo. Norm Architects designed the building together with a Japanese design studio, combining soft minimalism and honest design. More about the building here.

The Bellustar Tokyo is a new luxury hotel in Tokyo. Norm Architects designed the building together with a Japanese design studio, combining soft minimalism and honest design. More about the building here.

Bellustar Tokyo, A Pan Pacific Hotel, is located in the heart of the Shinjuku district in the Tokyu Kabukicho Tower. Norm Architects and design studio Keiji Ashizawa Design have collaborated to create a 5-suite luxury penthouse as well as some of the hotel’s common areas. Two unique architectural firms and their philosophies have come together: Keiji Ashizawa Design is known for honest designs and Norm Architects stands for soft minimalism. In combination with the furniture from Karimoku Furniture Inc., guests can now leave the stress of the world 200 meters below them, according to the website.

In good weather, the hotel windows offer an uninterrupted view of Mount Fuji. However, according to the architects, this is of secondary importance, as the calming atmosphere of the rooms is the main focus. The penthouse has three restaurants, one of which is three storeys high and offers a special view over Tokyo. There is also a spa inspired by the four seasons. The five unique penthouse suites are designed to offer guests the best of Japanese hospitality.

The interior design of the Bellustar Tokyo is characterized by a harmony between modernity and tradition. All the furnishings have been carefully considered. With their soft colors and delicate textures, they convey a sense of peace and serenity. This is how traditional Japanese culture meets contemporary comfort. Guests should enjoy a sense of calm everywhere.

The decor in the hotel is subtle. The furniture is soft and the attention to detail exudes sophistication. The “hotel in the sky” works with a tactile feel. Each suite offers space for relaxation and an outstanding view of Tokyo. To achieve this, the architects always had to take the building’s city views into account in order to offer the best views between the 45th and 47th floors. As there are no neighbors at this height, guests do not have to worry about their privacy. All guests can enjoy the sunset in the penthouse lounge.

At the same time, the aim is to create a feeling of nature. The Japanese and Danish architects have therefore opted for natural materials and muted colors. Each of the rooms is inspired by the beauty of the four seasons in Japan and has a name such as Wind (Hana) or Moon (Tsuki). Organic shapes and materials such as wood and stone are intended to serve as a counterpoint to the city, which is framed as a work of art by the large windows.

Another design principle in the Bellustar Tokyo is a balance between hardness and softness. This is achieved, for example, by bedside tables with stone tops, wood-paneled headboards and soft, tactile cushions. The large surface area of the room is covered with textiles and the windows are floor-to-ceiling. Benches and curtains in the bedrooms and living rooms are intended to create a little distance from the view and make the room cozy.

The color palette in the hotel in Tokyo consists mainly of white, ivory and grey. Darker colors form a contrast in some rooms. Qualities of nature such as optimism, imperfection and impermanence should be visible in the hotel as a counterpoint to the city. This includes tiles and handcrafted details. Wood and brick are also visible, for example in the sushi and teppanyaki restaurants. Both are intended to feel like small, intimate city restaurants at the top of Tokyo.

Overall, the architects want the penthouse at Bellustar Tokyo to be a sanctuary from the bustling city through its natural materials and muted colors – as if Tokyo were the landscaped garden surrounding a Zen temple.

More on the topic: Another hotel in Tokyo with a very high location is the Andaz Hotel.

POTREBBE INTERESSARTI ANCHE

Local rainwater management “Kirkebjerg”

Building design

Photo: Group F

In the approximately 10-hectare housing estate “Kirkebjerg” in Ballerup, Denmark, there have been repeated problems with flooding and damp cellars in the past. At the same time, the local waste disposal companies had an interest in relieving the local sewer system in order to reduce sewer overflows in the wider sewer network. This resulted in a project for local rainwater management and heavy rainfall prevention […]

In the approximately 10-hectare housing estate “Kirkebjerg” in Ballerup, Denmark, there have been repeated problems with flooding and damp cellars in the past. At the same time, the local waste disposal companies had an interest in relieving the local sewer system in order to reduce sewer overflows in the wider sewer network. This resulted in a project for local rainwater management and heavy rainfall prevention in the extensive lawns of the housing estate.

Where the local height and space conditions allowed, the downpipes were decoupled from the sewer system and the rainwater was directed into the open spaces for evaporation and infiltration. A large part of the project was financed via a repayment scheme for connection fees. For every square meter of sealed surface that discharges less into the sewage system, the landowner, the housing association “Brøndby Boligselskab”, received a grant from the waste disposal company “HOFOR” and was thus able to realize the project.

Together with a residents’ working group, gruppe F Landschaftsarchitekten from Berlin developed a design concept for the areas over the course of several workshops. Inspiration for this came from the image of water droplets on a smooth surface. The excess soil from the excavation of infiltration troughs was modeled into circular mounds of various sizes. In this way, no soil had to be removed and a simple green lawn landscape with small pools and mounds was created, which changes its appearance depending on the water level. Small “puddles of water” in a green lawn landscape turn into large blue “lakes” with round green islands during heavy rainfall.

Scattered throughout this landscape are small “oases” for the residents with simple play elements, planting and recreational areas.

The project was developed by gruppe F Landschaftsarchitekten together with the Danish office Gaihede a/s and has been gradually implemented on site by the Danish office since 2018.

You can find the article on the Kurt-Schumacher Quartier in Berlin in G+L 04/2019.

In slow motion

Building design

by creating a subtle

Work on the central station in the Dutch city of Arnhem has now been going on for 20 years. As a result, skaters have appropriated the space.

Work on the central station in the Dutch city of Arnhem has now been going on for 20 years. Despite ongoing construction work, the area has been appropriated by a user group that the planner considers unpredictable and often finds no space: skaters. A success for the responsible landscape architects from Bureau B+B. But where did it come from?

Images: ©Hufton+Crow

The design of Arnhem station is the result of more than two decades of collaboration between the architects UNStudio and the landscape architects from Bureau B+B. It presented the planners with various challenges. Topographically alone: the station is located on the slope of the Veluwe massif and the planners had to overcome a height difference of 20 meters. They achieved this by creating a subtle, constantly changing landscape. The folded, undulating natural stone surfaces largely trace the terrain below, linking visitor flows and ensuring a smooth transition between the different elevation levels.

Pictures: Frank Hanswijk

If you are not continuing your journey immediately, you can also make yourself comfortable on the wooden benches that emerge from the edges of the sloping natural stone surfaces in the quiet corners of the station grounds. You don’t have to buy anything, as there is no obligation to buy anything to sit down in the rooms outside the station. This is one of the reasons why the Arnhem station forecourt is so lively. And it is in turn an explanation for the fact that these local people tend to belong to those population groups that are otherwise often pushed out of public spaces – such as older people, young people, skaters or homeless people.

The Arnhem train station shows this: The less the purpose of a public space is defined, the more opportunities users have to implement their own ideas. This is of particular benefit to population groups that are often deliberately excluded when planning public spaces. The square design also benefited from the fact that it took around two decades to implement. This allowed the user groups, who tend to be marginalized, to appropriate the space in the long term.

Curious? You can find the full article on Arnhem station in the February 2019 issue of G+L.

Translated from the English by Sigrid Ehrmann