Berlin’s Museum Island – a treasure in the heart of Berlin

Building design
The Bodemuseum is located at the northern end of Museum Island, which has been a UNESCO World Heritage Site since 1999. Photo: homas Wolf, www.foto-tw.de, CC BY-SA 3.0, via: Wikimedia Commons

The Bodemuseum is located at the northern end of Museum Island, which has been a UNESCO World Heritage Site since 1999.
Photo: homas Wolf, www.foto-tw.de, CC BY-SA 3.0, via: Wikimedia Commons

Berlin’s Museum Island is not only a center for art and history, but also a place full of stories that have endured for centuries. Visitors from all over the world flock here to discover unique collections and world-famous works of art. From ancient treasures to modern architecture, this ensemble offers a cultural experience that fascinates history buffs and art lovers alike.

The Museum Island in Berlin is a unique ensemble of five museums on the northern tip of the Spree Island in Berlin-Mitte. It has been a UNESCO World Heritage Site since 1999 and is considered one of the most important cultural monuments in Europe.

The nomination was based in particular on criteria (ii) and (iv):

  • It illustrates the development of museum architecture and collecting from the 19th to the early 20th century.
  • It is an outstanding example of urban and architectural planning that combines art and the public in an exemplary manner.

The idea of a central museum landscape goes back to King Frederick William IV, who initiated the concept of a “free site for art and science” on the Spree Island in the mid-19th century. The aim was to make the royal collections accessible to the public – an idea that lives on to this day.

Old Museum (Karl Friedrich Schinkel, 1830)
The oldest building on the island houses the collection of antiquities and displays Greek, Etruscan and Roman works of art. Its striking columned portico is considered a key work of German classicism and a symbol of the reconciliation between ancient and modern culture.

Neues Museum (Friedrich August Stüler, 1855 / reconstruction by David Chipperfield, 2009)
After decades of war damage, the Neues Museum was reopened in 2009. It now houses the Egyptian Museum and Papyrus Collection with the famous bust of Nefertiti, the Prehistoric Collection and the Museum of Early History. The reconstruction is considered a prime example of the careful handling of historical buildings.

Old National Gallery (1861-1876, Stüler / Strack)
It towers over the Spree Island like an ancient temple. Its collection includes 19th century painting and sculpture, including works by Caspar David Friedrich, Adolph Menzel, Lovis Corinth and Auguste Renoir.

Bode Museum (Ernst von Ihne, 1904)
Located at the northern end, it brings together the sculpture collection, the Museum of Byzantine Art and the Coin Cabinet. Its domed building forms the representative end of the museum axis and embodies the Wilhelmine type of museum.

Pergamon Museum (Alfred Messel / Ludwig Hoffmann, opened in 1930)
The largest museum on the island is home to the Collection of Classical Antiquities, the Museum of the Ancient Near East and the Museum of Islamic Art. The Pergamon Altar, the Ishtar Gate and the Market Gate of Miletus are world-famous.
The museum has been undergoing extensive renovation since 2012; the south wing with the Pergamon Altar will remain closed until around 2027/28, while the north wing and the north domes will be gradually reopened from 2023.

The Museum Island is not only a place of art, but itself a masterpiece of architectural history. It documents the development from the classicist Schinkel School to the Wilhelminian historicism concept and contemporary museum construction. With the James-Simon-Galerie (David Chipperfield, opened in 2019), a modern entrance building was added to the ensemble, which serves as a central visitor center and access to several museums. It is integrated into the historical ensemble with clear elegance. The colonnaded courtyards and gardens between the museums invite visitors to linger. Walks along the Spree open up changing perspectives on architecture and urban space – from classicist austerity to modern clarity.

The Museum Island sees itself as a place of research, education and encounters. In addition to the permanent exhibitions, it regularly hosts special exhibitions, lectures and workshops. Digital offerings – including 360° tours and virtual tours – extend the reach of the collections worldwide. Before the renovation of the Pergamonmuseum, annual visitor numbers were around three million; currently (as of 2025) they are slightly lower, as sections of the building are temporarily closed.

  • Location: Berlin-Mitte, a short distance from Berlin Cathedral and Unter den Linden.
  • How to get there: By underground and S-Bahn, stops Museumsinsel (U5, since 2021) or Hackescher Markt.
  • Tickets: Advance online booking recommended; combined tickets for the entire island are available.
  • Time required: At least half a day, preferably several visits.
  • Service: Audio guides, guided tours, museum stores and café-restaurants in the immediate vicinity.

A visit to Berlin’s Museum Island is more than just a walk through five museums – it is a journey through two thousand years of human history. Between antiquity, modernity and the present, art is combined with memory, architecture with zeitgeist. Those who embark on this journey will not only feel the history of art, but also the cultural heartbeat of Berlin itself.

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Paris altitude record

Building design

© Takuji Shimmura

The “Home” project by French architects Harmonic & Masson and Comte Vollenweider Architectes is a first in Paris: it is the first residential building since the 1970s to reach a height of 50 meters.

The “grand ensembles”, the large French housing estates located on the periphery, do not have the best reputation. Time and again there are riots there, which have recently also reached the city centers. The authorities have a correspondingly allergic reaction: any building that is longer than 30 meters and has a repetitive arrangement of windows and balconies immediately brings the unpopular typology to mind. The last buildings date back to the 1970s, such as the “Olympiades” and “Front de Seine” estates in Paris. The city then stipulated that no building in the city center could exceed a height of 37 meters. The architectural idea of large housing estates seemed to have been forgotten.

Since 2011, residential towers up to 50 meters high and office buildings up to 180 meters high have been allowed to be built again. The “Home” project by French architects Harmonic & Masson and Comte Vollenweider Architectes is therefore a novelty: it is the first residential building since the 1970s to reach a height of 50 meters. It is located in the Paris Rive Gauche district, which is otherwise characterized by architectural banalities: if you stroll along the main axis of the district, the Avenue de France, monotonous shopping and office buildings line up one after the other. The new housing construction is a welcome change. Even the otherwise very critical Parisian newspaper “Le Monde” thought so.

The new residential building consists of two towers that are connected by a five-storey base and combine offices, private apartments, social housing and parking spaces. The often criticized monotony of large buildings was deliberately avoided: both the façades and the floor plans are varied and structured differently.

The two towers differ in shape and orientation: the first is stepped and 37 meters high, while the second consists of twisted prisms and rises 50 meters into the air. The resulting plasticity allows for an expressive façade design: instead of monotonous concrete slabs, the architects used silver or gold-colored aluminum panels. In addition to the playfulness of the façade, the geometry naturally allows for optimal lighting and a magnificent view of the city – everything here refers to the architecture of the new millennium. One is reminded of the architecture of the Ørestad district in Copenhagen.

The “old” towers of the city can be seen from the individual terraces of the apartments: the glazed archives of Dominique Perrault’s National Library from the 1990s and the eight blocks of the large “Olympiades” housing estate. New high-rise buildings are being planned by Edouard François and Jean Nouvel. The new housing development in Paris Rive Gauche is its forerunner – a mediator between past and future.

Submission to the “Houses of the Year 2025” competition

Building design

The deadline for projects is February 14, 2025 for "Houses of the Year 2025". Credit: Think Architecture

Every year since 2011, Callwey Verlag has honored outstanding single-family homes with the prestigious “House of the Year” architecture award. In 2025, architects are once again invited to submit their projects and thus become part of an impressive tradition that makes architectural innovation and excellence visible.

The competition offers architects a unique platform. A jury of experts will select the 50 best submissions, which will be presented in a high-quality book. Winning projects will also be honored at the Best of Architecture Summit on October 9, 2025. Participation not only means exclusive visibility in the industry, but also the opportunity to benefit from media coverage and networking – a springboard for any architecture firm.

New builds or conversions of single-family homes completed after January 1, 2022 are eligible to take part. Whether projects made of wood, concrete, brick or energy-efficient solutions: Diversity is welcome. Multi-generation houses or innovative renovations can also be submitted.

Previous winning projects, such as the spectacular Matzwitz House, show how differently and creatively modern single-family home architecture can be interpreted. From rustic elements to innovative materials – the range is impressive. The accompanying yearbook documents this diversity with impressive photos, plans and stories from clients and architects who have realized their visions.

Registration is free of charge, a participation fee is only due upon submission. Projects can be submitted until February 14, 2025. There is also the opportunity to submit innovative products for single-family homes for the “Architects’ Choice 2025” until May 30, 2025.

Put your work in the spotlight and become part of an extraordinary architecture competition. You can find more information here.