Bijou or building sin?

Building design
The forest of speech bubbles in the exhibition "Bijou oder Bausünde?" at the Swiss Heritage Center in Zurich shows opinions and debates on how to deal with building culture. Photo Noah Santer/Swiss Heritage Center

The forest of speech bubbles in the exhibition "Bijou oder Bausünde?" at the Swiss Heritage Center in Zurich shows opinions and debates on how to deal with building culture. Photo Noah Santer/Swiss Heritage Society

Beautiful or ugly – bijou or building sin – demolish or protect? Since the opening of the exhibition of the same name last September at the Villa Patumbah in Zurich, over 3,000 visitors have explored these questions at the Swiss Heritage Center. The new supporting program for the bilingual exhibition (dt/fr) invites visitors to exchange ideas and network on questions of building culture. The exhibition shows how building culture is negotiated in society and how people are committed to houses, settlements and open spaces

Beautiful or ugly – bijou or building sin – demolish or protect? Since the opening of the exhibition of the same name last September at the Villa Patumbah in Zurich, over 3,000 visitors have explored these questions at the Swiss Heritage Center. The new supporting program for the bilingual exhibition (dt/fr) invites visitors to exchange ideas and network on questions of building culture. The exhibition shows how building culture is negotiated in society and how people are committed to houses, settlements and open spaces

Building culture is a matter of negotiation: what is demolished and must or can make way for something new? Who decides on quality and worthiness of protection? The discourse on Baukultur is largely determined by experts – but the perspective and viewpoint of the population, their participation and commitment are becoming increasingly important. After all, achieving a “high level of Baukultur”, as called for in the 2018 Davos Declaration by European culture ministers, requires the participation of civil society as well as an informed and empowered public. The exhibition at the Heimatschutzzentrum encourages visitors to actively engage with the built environment and different attitudes in a fun way.

The new supporting program offers, among other things, guided tours through the building parts warehouse of the cantonal monument preservation department, tours to “concrete beauties” in the city of Zurich and an insight into the professional practice of an architect who has been focusing on “rebuilding and recycling” for 30 years. As part of the “Long Night of Zurich Museums” on 2 September 2023, the Swiss Heritage Center will be celebrating its 10th anniversary with a program focusing on bijous and building sins and providing exclusive insights into architectural heritage.

Details on the supporting program and the exhibition can be found on the website of the Heritage Center. Information and registration here.

Since 1905, the Swiss Heritage Society, together with its 25 cantonal sections, has been committed to promoting building culture. It is supported by around 27,000 members. Schweizer Heimatschutz is committed to the built heritage as well as valuable urban and rural spaces and initiates discussions on the sustainable development of the designed environment. A particular focus is currently on the three areas of “Environment and Sustainability”, “Civil Society Engagement” and “Communicating Building Culture”.

The association runs the Heritage Center and has been based in Villa Patumbah since 2013. On the ground and garden floors, the Heimatschutzzentrum presents exhibitions and offers guided tours, theater tours and workshops on the topic of building culture. In doing so, it raises awareness of the built environment in all its facets: Building culture, living spaces, cultural landscape, settlement development.

The idea of an education center for the Swiss Heritage Society dates back to 1999, when the proceeds from the 2005 Schoggitaler campaign to mark the 100th anniversary of the Swiss Heritage Society helped the project to get off the ground. After a nationwide search for a suitable listed building, a rental agreement was signed with the Patumbah Foundation and the center opened in 2013. Judith Schubiger is the director of the heritage center.

The Swiss Heritage Society is responsible for running the heritage center. The Federal Office of Culture as well as the canton and city of Zurich also contribute to its operation. The “Friends of the Villa Patumbah” club provides an additional source of funding. We rely on third-party funding for special exhibitions and project-related educational and mediation activities.

You can take a look inside the Villa Patumbah and see the start of the restoration work in 2011 in the video here:

The merchant Carl Fürchtegott Grob had the Villa Patumbah built in 1885 by the well-known Zurich architects Alfred Chiodera and Theophil Tschudy. The magnificent historicist-style building bears witness to Switzerland’s colonial ties: Grob lived on Sumatra, which at the time belonged to the Dutch Indies, from 1869 to 1879 and became very wealthy from his tobacco plantations. Numerous Swiss like Carl F. Grob profited from the existing colonial structures and from the thousands of workers employed under precarious conditions on the plantations. When building the villa, the architects combined stylistic elements of the Renaissance, Rococo and Asian art to create an opulent work of art. Villa Patumbah was one of the new villas being built in the Riesbach district and was one of the most expensive private buildings in Zurich. After Carl F. Grob died in 1893, Grob’s widow Anna Dorothea Grob-Zundel and her two daughters donated the villa to the Neumünster social welfare organization in 1911, which ran an old people’s home there for many decades. When demolition plans became known in the 1970s, the city of Zurich took over the house. The Patumbah Foundation has owned the villa since 2006. It had the listed building carefully renovated in collaboration with the cantonal monument preservation office and the architecture firm Pfister, Schiess, Tropeano. The Swiss Heritage Society has been renting the villa since 2013 and revitalizes it with the Heritage Centre and its office.

www.heimatschutzzentrum.ch

Information and registration: heimatschutzzentrum.ch

The exhibition “Bijou or building sin? On our approach to building culture” can be seen until the end of March 2024.

POTREBBE INTERESSARTI ANCHE

Weave of history

Building design

The Granada Faculty of Architecture is located in a former military hospital. The conversion was awarded the Arquitectura Española 2015 prize.

Granada is characterized by two poles: The architecture bears stucco from the Muslim-Moorish dynasty, but the life of the inhabitants is typically Spanish. The narrow alleyways smell of cheap leather and oriental spices – in between tapas, Andalusian wine and the sounds of swallowed consonants.

Granada also developed from two urban cores. Albaicín, the Moorish quarter, winds its way up the hill north of the Alhambra. Gypsies built cave dwellings here from the 19th century onwards and brought flamenco to the city. The second historical core is the Realejo district, originally the Jewish quarter.

Granada, a city of education

Today, Granada is above all a university city – with 60,000 students, it is one of the largest educational institutions in Spain. The Escuela Técnica Superior Arquitectura, or ETS for short, was founded in 1994. For this purpose, the University of Granada acquired the building complex of a former military hospital located at the foot of the Alhambra – in the Realejo district.

In front of the campus is the oversized square “Campo del Principe”, which was created during the drastic urban planning changes of the Renaissance. From here, you can see the elongated façade of the ETS, which looks homogeneous with its white paint. In fact, behind it is an almost 14,000 square meter, historically grown network of buildings. At the end of the 1990s, this was to be made suitable for future architects to study. An international competition was held, which was won by Spanish architect Víctor López Cotelo.

The most important feature of the ensemble is the three inner courtyards: two of them are directly adjacent to each other and date back to the Renaissance, while the third and largest courtyard is located in the south-west of the complex and has been redesigned. These outdoor spaces provide orientation, not least because López Cotelo repeatedly creates visual connections to them and also to the surrounding alleyways. Despite the complexity of the building, it is therefore impossible to get lost. In order to create a system of paths without dead ends, it was necessary, among other things, to make openings – for example to the independent building of a former officers’ clinic, which was integrated into the complex in 1909 – which can still be seen today in the lower building height to the Campo del Principe.

You can find out more in Baumeister 1/2016

Home office with Han Solo

Building design

Unifamiliar en Sacramento California USA pavimento Cement Basalt Black designer Benning Design Construction fabricator Natural Stone Design

It’s been 40 years since the Empire Strikes Back: On May 17, 1980, the second Star Wars episode “The Empire Strikes Back”, the fifth by today’s count, premiered at the Kennedy Center in Washington D.C.. The global fan base of the mighty space opera saga is huge and the portfolio of merchandise seems endless. A very special personal tribute to his heroes from […]

It’s been 40 years since the Empire Strikes Back: On May 17, 1980, the second Star Wars episode “The Empire Strikes Back”, the fifth by today’s count, premiered at the Kennedy Center in Washington D.C.. The global fan base of the mighty space opera saga is huge and the portfolio of merchandise seems endless. Homeowner Rob Equi from Sacramento has created a very special personal tribute to his heroes from a galaxy far, far away a long time ago – with light and dark coverings from Neolith.

He felt the Force for the first time on his sixth birthday: it was May 25, 1977, the day the first Star Wars film “A New Hope” was released in cinemas, and as Rob Equi recalls, it was accompanied by a family outing. Since then, Star Wars has been an integral part of his life. The little boy from back then is now a doctor and retinal specialist, which – like his Jedi role models – allows him to use lasers professionally.

When he and his family renovated their home, he decided to give his home office and the adjoining lounge area a special touch: “I wanted to have a Star Wars-themed room. I had a whole range of high quality memorabilia that I wanted to showcase in a cool, fun and memorable way and I wanted to have a place where I could go after work and immerse myself in my childhood.”

The designer strikes back

Having already worked with Miche Victoria, Senior Designer at Benning Design Construction, during the first three phases of construction, Equi trusted her unreservedly to realize his very special request. “I told her in broad strokes what I wanted. It had to be a livable office space, so it couldn’t look like a movie set, but at the same time I wanted some design elements that reminded me of that universe. For example, lighting is a very important motif in these movies.” In her search for iconic scenes, Victoria found inspiration in the original trilogy.

The return of the holo chessboard

The flooring is often the first step in Miche Victoria’s design process because it is the foundation for everything else – as is the case here. The flooring in Equi’s home office, for example, appears to unknowing eyes as a circular, modern-looking black and white pattern. For Star Wars fans, it pays homage to the board on which Chewbacca and C-3PO play holo-chess in Han Solo’s spaceship, the Millennium Falcon.
Designer Victoria wanted a material that would fit in with the other design elements and that she was very keen on: Neolith coverings, called sintered stone by the manufacturer, she had used several times before in other projects and is convinced by these porcelain ceramics. She even goes so far as to say: “No other materials are an option for me. For a custom design like this, Neolith was a no-brainer. You can do so much with it. The customization possibilities are incredible. It really stands out from its competitors thanks to its many strengths and finishes. I love those seamless transitions.” To capture the aesthetic of the spaceship from the movie, she avoided the clean contrast of a traditional checkerboard and instead opted to combine the two Neolith variants “Basalt Black Satin” and the industrial-chic “Cement Satin”.
The designer was supported by sales partners Evolv Surfaces and Natural Stone Design Fabrication in the implementation of the customized motif. Client Rob Equi is very happy with the result: “The Neolith materials are simply fantastic. The matt finish fits perfectly with the inhabited universe of Star Wars. It’s not the typical sci-fi design where everything is polished, new and utopian.”

Jedi design tricks

In addition to the flooring, the lighting is also important for the right flair: behind Equi’s desk, two large backlit wall panels are reminiscent of the set of the battle scene between Obi-Wan and Darth Vader from the first part “A New Hope”, while the rest of the illuminated wall coverings in the office rotunda are inspired by the “I am your father” scene. Other lovely details and exhibits: on the wall of the lounge area next door is a life-size replica of Han Solo in carbonite. Here you are surrounded by Star Wars memorabilia of the host, such as costumes, an X-Wing pilot’s helmet and a blaster replica. Even though he himself is the biggest fan of the film series in the house, Rob Equi’s wife and children share his love of the heroic epic from a galaxy far, far away: they share their home with Boba Fett, an Imperial Death Trooper and Han Solo – as well as Chewie, of course, who in this case is not the Wookie and Solo’s best friend, but the family’s Labradoodle.