Bite marks from hyenas down to the bone marrow

Building design

It is one of the stars of the current exhibition “Climate Forces” at the State Museum of Prehistory (Halle/Saale): The mammoth from Pfännerhall. Hartmut von Wieckowski painstakingly restored it This was by no means a normal restoration. Restorer Hartmut von Wieckowski tells gruesome tales about the condition of the mammoth bull from Pfännerhall, whose bones were “completely over-treated” with synthetic resin during an earlier restoration […].

It is one of the stars of the current exhibition “Climate Forces” at the State Museum of Prehistory (Halle/Saale): The mammoth from Pfännerhall. Hartmut von Wieckowski painstakingly restored it

This was by no means a normal restoration. Restorer Hartmut von Wieckowski tells gruesome tales about the condition of the mammoth bull from Pfännerhall, whose bones had been “completely overtreated” with synthetic resin during an earlier restoration. The animal was found in 1953 during brown coal mining in Braunsbedra in the Geiseltal in Saxony-Anhalt together with the bones of a young mammoth. However, parts of the young mammoth’s bones were destroyed during excavation, but the approximately three-meter tall (shoulder height) adult mammoth could be recovered in large parts. The animals lived around 200,000 years ago.

The exhibition of the mammoth bones in the State Museum of Prehistory in Halle/Saale immediately became a sensation and a magnet for visitors. And it has remained so to this day. Now the restored mammoth is one of the stars of the current exhibition “Climate Forces”, which deals with climate development as a “driving force of evolution”, as the subtitle says.

Before the first exhibition, the mammoth bones were plastered and molded for a replica. Around the year 2000, the original bones were “provisionally plastered, supplemented with synthetic resin and molded. As were the uncleaned surfaces,” says Hartmut von Wieckowski, who has spent the past two years mainly removing these synthetic resins. “My job was to restore them to their original condition, in addition to cleaning and conserving them.” Even the tusks made of mammoth bone had been smeared with synthetic resin in an uncontrolled and charmless manner. Epoxy or polyester resins are suitable for bonding, but are poor for preserving and supplementing bones. The resin shrinks, becomes brittle and porous and leaves cracks. It is also highly flammable, which, in addition to the development of gas, promotes the destruction of irretrievable cultural assets. Von Wieckowski partially blocked off the bone structures and used a polymer plaster of fire class “1”, which is easy to process and color. “I left partial age additions in order to document incorrect restoration decisions,” says von Wieckowski.

Read more in RESTAURO 3/2018, www.restauro.de/shop/.

Hartmut von Wieckowski specializes in historical art and cultural assets, archaeological objects, metal, furniture and wooden objects. He runs his own studio for restoration & conservation near Halle / Saale, www.restaurator-antik.de.

The special exhibition “Klimagewalten” at the State Museum of Prehistory in Halle/Saale runs until May 21.
www.lda-lsa.de/de/landesmuseum_fuer_vorgeschichte

POTREBBE INTERESSARTI ANCHE

Elke Büdenbender and Prof. Dr. Thomas M. Weber-Karyotakis in front of the torso of Aphrodite. Photo: Birte Ruhardt/Gerda Henkel Foundation

The Gerda Henkel Foundation is committed to protecting cultural heritage in Jordan. In addition to an archaeological excavation in the city of Gerasa, the foundation is also supporting a digitization programme for historical finds in Amman. Federal President Frank-Walter Steinmeier drew attention to the funding projects by visiting both sites at the end of January 2018. On his trip to Jordan, Federal President Frank-Walter Steinmeier not only visited […]

The Gerda Henkel Foundation is committed to protecting cultural heritage in Jordan. In addition to an archaeological excavation in the city of Gerasa, the foundation is also supporting a digitization programme for historical finds in Amman. Federal President Frank-Walter Steinmeier drew attention to the funding projects by visiting both sites at the end of January 2018.

On his trip to Jordan, Federal President Frank-Walter Steinmeier not only visited Abdullah Il ibn Al Hussein, the King of the Hashemite Kingdom of Jordan, schools, refugees and young entrepreneurs, but also the excavations in Gerasa and the Citadel Hill in Amman. The Gerda Henkel Foundation is involved in both locations.

In Gerasa, it supported the excavations by a team of Jordanian, French and German archaeologists. They excavated in the eastern baths of the city of Gerasa, which are among the largest Roman baths in the area. During this excavation campaign, the archaeologists found 100 fragments of marble figurines as well as a figurine of Aphrodite with an inscription testifying that it was donated by the Gerasa citizen Demetrios in 153/154 AD.

Digital documentation of the finds from Amman

Under the title “Patrimonies”, the Gerda Henkel Foundation promotes the preservation of cultural heritage in crisis regions. This endangered cultural heritage also includes finds that have already been recovered, preserved and exhibited in the Archaeological Museum at the Citadel in Amman. They are all being photographed and scientifically described with the help of the foundation. The digital database is intended to protect 100,000 years of human history from robbery, destruction and oblivion. Because what is recorded in the database is more difficult to trade, making theft less worthwhile.

The Gerda Henkel Foundation has accompanied the work of Dieter Vieweger, archaeologist and theologian, and Jutta Häser, project manager in Amman, and is showing several films on its website that give an excellent impression of the situation on the ground, the scope, the difficulties and the importance of the work. The eight films can be viewed at: www.lisa.gerda-henkel-stiftung.de

“With his visit, the Federal President honored the valuable commitment of the Foundation – also representative of the commitment of German institutions and institutions in the field of cultural property protection,” said the Federal President’s Office at the request of RESTAURO.

“We now have great rooms to go with our great collections”

Building design

After 16 years, the Staatsbibliothek Unter den Linden in Berlin has now been extensively renovated and extended. The Stuttgart-based firm hg merz was responsible for the project. After 16 years of lengthy conversion and renovation processes and 470 million euros spent, the Berlin State Library Unter den Linden opened digitally last Monday. This means that one of Berlin’s largest construction projects […]

After 16 years, the Staatsbibliothek Unter den Linden in Berlin has now been extensively renovated and extended. The Stuttgart-based firm hg merz was responsible for the project.

After 16 years of lengthy conversion and renovation processes and 470 million euros spent, the Berlin State Library Unter den Linden opened digitally last Monday. This marks the completion of one of Berlin’s largest construction projects. Founded in 1661, the research institution is considered one of the most important libraries in the world and is the largest academic library in the German-speaking world. Due to its importance, the monumental building has been adapted to the requirements of the 21st century since 2005 while it has remained in operation. Originally, the work on the 100,000 square meters of floor space was not due to be completed until 2012 and then 2016.

The research library, which was badly damaged during the Second World War and rebuilt during the GDR era, proved to be in greater need of renovation than originally assumed. For example, new supports had to be installed in the building to secure the old, listed concrete arches of the large dome. The overall concept for the general refurbishment and extension of Unter den Linden was the brainchild of Stuttgart star architect hg merz, who also modernized the State Opera diagonally opposite. In 2000, he won first prize in a Europe-wide competition. Individual construction tasks, such as the lighting concept or the material and color concept, were solved by hg merz in collaboration with artistic and technical offices.

The best-known feature of the old building, which has been renovated in line with its listed status, is the implanted glass cube of the central reading room, which opened in 2012. Now, after more than 70 years, it is once again accessible along the historical axis through the building complex via the entrance hall, fountain courtyard and the elegant main staircase and vestibule. The original spatial concept can now be experienced again. The reconstruction of the barrel vault in the main hall also restores the original cubature of the room.

In the reading room itself, the bright orange carpet has been renewed. The special reading rooms have also been redesigned and modernized: dark wooden shelves surround the books on the walls, with work areas in between whose linoleum table tops pick up the color of the carpet.
“We now have great rooms to complement our great collections,” says a delighted General Director Barbara Schneider-Kempf. The collections, which have grown over 360 years – including four pieces of world documentary heritage by Beethoven, Bach and Luther – are supplemented by around 100,000 media and extensive digital materials every year. The collection currently comprises more than 33 million different items, including 12 million books, autographs, printed music, magazines and newspapers as well as maps, globes and bequests.

The 620 workstations in the seven reading rooms currently have to remain empty. Due to the coronavirus, students and academics can only explore the redesigned library digitally for the time being. Important: From February onwards, lending operations will be restricted.

Speaking of libraries and reading material: discover the new library in Gundelsheim by Schlicht Lamprecht Architekten.