Bovenbouwwerkplaats from Studioninedots: Converted industrial hall in Utrecht

Building design
A former workshop building was extensively redesigned by Studioninedots. Photo: Sebastian van Damme

A former workshop building was extensively redesigned by Studioninedots. Photo: Sebastian van Damme

The Dutch architecture studio Studioninedots has converted a former industrial hall of the Dutch Railways in Utrecht into a multifunctional complex of creative work and community spaces. Read more about the project, called Bovenbouwwerkplaats, here.

The Dutch architecture studio Studioninedots has converted a former industrial hall of the Dutch Railways in Utrecht into a multifunctional complex of creative work and community spaces. Read more about the project, called Bovenbouwwerkplaats, here.

The former workshop building of the Dutch Railway Company in Utrecht, the “Koninklijke Nederlandsche Fabriek voor Werktuigen en Spoormaterieel”, was built in 1905. Previously, switches and tracks were manufactured here. Due to the increasingly deteriorating maintenance of the building in recent years and the changing environment, a comprehensive renovation of the industrial building was necessary. Studioninedots took on this task and redesigned the historic building. The result is a versatile, open space that will serve as a place for various community facilities and businesses and allow for flexible and dynamic use.

Studioninedots preserved the historical charm of the building during the redesign. The historical substance was preserved and combined with modern elements. Building relics such as existing installations, pipes and damaged plaster were largely preserved. In addition, all essential components of the old factory building, such as the scaffolding, the roofs and the exterior façade, were retained and restored so that the industrial charm and “rawness” of the building were preserved. In the main hall, a 1400 square meter collective space was created for creative work areas. There are also 500 square meters of catering facilities.

The centerpiece of the redesigned hall is a kind of metal curtain, an abstract, reflective façade that creates a new orthogonal volume within the building. The wave-shaped “curtain”, which consists of bent expanded metal elements and protrudes above the roofs of the hall, serves as the shell of a five-storey mobility center. The parking garage inside the hall offers space for a total of 175 shared cars and bicycles. This clever bundling of mobility means that the areas around the hall will remain largely car-free and be used as a pedestrian zone.

The metal curtain gives the space a new silhouette and, to a certain extent, creates an identity for the Bovenbouwwerkplaats. In addition, the volume makes the building appear lower and less massive from the outside. A number of flexible spaces are arranged around this central element. The large curved windows of the seven-bay hall provide a view of the surrounding landscape and connect the building with its surroundings. In addition, the transparent, glazed roofs flood the entire building with natural light during the day.

In collaboration with the landscape architecture firm DELVA, Studioninedots is currently designing the Wisselspoor district in Utrecht, which includes the Bovenbouwwerkplaats. The project is based on the “Cityplot concept”, a flexible urban planning strategy that combines living, working and culture. The concept envisages compact, flexible city blocks consisting of small to medium-sized buildings. The centerpiece is a 100 by 100 meter plot of land. The buildings are arranged in such a way that generous green spaces are created between them. Cityplot districts are also characterized by a low volume of traffic, which further enhances the quality of the public outdoor areas. In this way, the Wisselspoor quarter is intended to create a lively urban district that combines various uses and functions on a compact urban plot.

Also in Utrecht: Dutch architecture firm Zecc Architecten has converted a water tower in Utrecht into an elevated residential complex.

POTREBBE INTERESSARTI ANCHE

Villa with a view in Belgrade

Building design

Detached house in Belgrade

Efficient glass façade with perfect color matching In a suburb of Belgrade, a private client fulfilled his dream of a spacious villa with attractive views of the city. Situated on a hillside plot, the detached house designed by local architects Autorski Atelje Spajic impresses with its transparent building envelope made of glass from Swiss specialist Glas Trösch.

In a suburb of Belgrade, a private client fulfilled his dream of a spacious villa with attractive views of the city. Situated on a hillside plot, the detached house designed by local architects Autorski Atelje Spajic impresses with its transparent building envelope made of glass from Swiss specialist Glas Trösch. (more…)

Aalto, Alvar

Building design

Alvar Aalto

Students at Bochum University of Applied Sciences write letters to famous architects, here to the Finnish architect Alvar Aalto.

The “Archipedia” series is a cooperation between Baumeister and Bochum University of Applied Sciences, Department of Architecture. Students of the “Architecture Media Management” Master’s program write virtual letters to the crème de la crème of the architecture world, in this case to the Finnish architect and designer Alvar Aalto.

Dear Mr. Aalto,

Last week I heard about a current competition that I think you would have been very interested in. This competition involves the expansion of the University of Helsinki and is entitled “campus2015”. Today the university, where you also studied from 1916 to 1921, bears your name. I would like to know your opinion on the submitted designs – would you have made the same decision if you had been on the jury? The surrounding buildings were already planned by you in 1966. How would you have positioned yourself in relation to today’s architecture?

Your travels in particular are always reflected in your architecture. For example, I can see hints of this in the church in Muurame (1926) – there are particular elements from the Italian Renaissance here, which you discovered for yourself on your wedding trip to Italy in 1924. How would you describe the influence of your travels? How important were the meetings with Walther Gropius and Le Corbusier for you?

The term “star architect” is often used in the architecture scene today. You would probably reject this term. You describe architecture as a servant of society. The holistic approach you take to your designs is already evident in your first internationally successful building, the tuberculosis center in Paimio. Even here, it was important to you to create not just simple rooms, but an environment that was optimally adapted for people. Here, as in many of your buildings, you designed the interior architecture in harmony with the building. This shows the complexity and precision of your designs. So it comes as no surprise to me that in 1933 you and your first wife Aino founded a furniture manufacturing company in your adopted home of Helsinki. This business provided you with the playful space to expand your design spectrum through material research and new technologies. Many of the objects you designed are still for sale today – the Aalto vase, which you designed in 1936, is particularly popular. As with the vase, organic forms can always be found in your architecture, as we can see from the Aalto Theater in Essen, which is named after you.

You have remained true to your dreams, even though an architect advised you during an internship in your youth to devote yourself more to journalism. Today, you are considered the most important Finnish architect of the 20th century, not only because of your buildings, but also because of your furniture. I hope that your attitude and your work will be taken into account when selecting the winner of the campus2015 competition.

Yours sincerely,

Carola Hestermann

Biographical data of Alvar Aalto

1898 born in Kuortane, Finland
1916-1921 Studied architecture at the Polytechnic in Helsinki
1923 First office in Jyväskylä
1933 Founding of the furniture manufacturing company ARTEK
1986 Finland: Banknote of 50 Finnish marks with portrait of Alvar Aalto
1988 Completion of the Aalto Theater in Essen
1928 Tuberculosis sanatorium, Paimio
1947 M.I.T. Senior Dormitory
1962 Finlandia Hall, Helsinki
1976 died in Helsinki, Finland

Further reading

Louna Lathi; Alvar Aalto: 1898-1976. paradise for little people; Publisher: Peter Gössel; Taschen Verlag
Karl Fleig (ed.); Alvar Aalto. Complete Works, 3 volumes; Basel 1999
Göran Schildt, Alvar Aalto – The Early Years, The Decisive Years, The Mature Years, 3 volumes; New York 1984, 1986, 1991

Further weblinks

www.awmagazin.de
www.alvar-aalto-gesellschaft.eu

Portrait: https://upload.wikimedia.org/wikipedia/commons/2/25/Alvar_Aalto1.jpg
Photo: https://upload.wikimedia.org/wikipedia/commons/b/bc/Heiliggeist_WOB.jpg