Burkhardt-Löffler: Invitation to the 2023 In-House Exhibition

Building design
Burkhardt-Löffler's major in-house exhibition will take place in Bayreuth on April 14, 2023.
Burkhardt-Löffler's major in-house exhibition will take place in Bayreuth on April 14, 2023. Photo: Burkhardt-Löffler

Burkhardt-Löffler is once again hosting a major in-house exhibition this year. We would be delighted to present the latest developments in capital goods at our location in Bayreuth, Carl-Kolb-Straße 8. Renowned partners SEKON (software), DIETRICH (software), and TAGLIO (slab scanning) will also be showcasing their latest solutions for the stone industry at the same time.

In addition to a tour of our production facilities, you’ll have the opportunity to learn about our latest machine innovations. In the field of grinding technology, we are exhibiting the FSA 561 WZW, an automatic surface grinding machine with automatic head change for calibrating, matte grinding, polishing, brushing, and disc blasting of all common materials. The FSA 567 C, also on display, enables grinding operations in three-dimensional space.

FSA 561 WZW, Photo: Burkhardt-Löffler

Taglio Products

The software company Taglio offers various software solutions in the 2D and 3D sectors. In addition, the company manufactures scanner systems for raw slabs that can be integrated into Burkhardt-Löffler’s automated production lines. On display is the SlabVision vertical scanner system, which features state-of-the-art image digitization technology combined with a high-resolution linear camera.

Taglio: SV 3820 Vertical Scanning System, Photo: Burkhardt-Löffler

The 2023 in-house exhibition will take place on Friday, April 14, from 9:00 a.m. to 5:00 p.m. in Bayreuth. We would be happy to receive your registration via email at BT@burkhardt-loeffler.com. We would be delighted if you could join us!
Refreshments will be provided.

For more information, please visit www.burkhardt-loeffler.com.

With the CSA 567, we’re showcasing our standard model for solid material machining. Even for workpieces weighing up to 1.5 metric tons, the machine can be equipped with vacuum suction cups and a swivel device for miter cuts. With the BSS 600 wire saw, we’re presenting our latest machine model for the fully automatic cutting of raw blocks.

CSA 567, Photo: Burkhardt-Löffler

BSS 600, Photo: Burkhardt-Löffler

In the automated production systems area, visitors can view a double-bridge system for production using a saw and waterjet without manual intervention. We are also showcasing our WSR 9000 workpiece storage rack with associated conveyor technology. The rack, in combination with the conveyor system, simplifies internal material handling and results in significantly shorter turnaround times.

Double-bridge system, Photo: Burkhardt-Löffler

WSR 9000, Photo: Burkhardt-Löffler

SEKON Products

SEKON focuses on standard software packages for CAD and CAM as well as complete production solutions for industrial applications. The product range extends from simple drafting software to complex control systems for high-bay warehouses. Among other things, we will be showcasing the latest solutions for “vein matching.”

SEKON: 3D view of vein matching, Photo: Burkhardt-Löffler

DIETRICH Products

Dietrich specializes in industry-specific IT applications for CAD, order processing, warehousing, and production control. The company will present intelligent automation solutions designed for seamless integration with Burkhardt-Löffler production systems.

Dietrich: Overview of the product range, Photo: Burkhardt-Löffler

Burkhardt-Löffler is once again hosting a major in-house exhibition this year. We would be delighted to present the latest developments in capital goods at our location in Bayreuth, Carl-Kolb-Straße 8. Renowned partners SEKON (software), DIETRICH (software), and TAGLIO (slab scanning) will also be showcasing their latest solutions for the stone industry at the same time.

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Light and shadow in Cologne

Building design

L.-Fritz-Gruber-Platz is only about 400 meters away from Cologne Cathedral as the crow flies. For its design, the Düsseldorf-based firm scape Landschaftsarchitekten took up the theme of photography. The result is a play of light and shadow.

L. Fritz Gruber Square is located just 400 meters from Cologne Cathedral as the crow flies, right next to the Kolumba Art Museum of the Archdiocese of Cologne, which was built in 2007 according to plans by Peter Zumthor. The square is named after the photographic historian and journalist Leo Fritz Gruber. From 1945, he worked as a photographer for the British Army of the Rhine. This passion never left him. The Düsseldorf-based firm scape Landschaftsarchitekten therefore took up the theme of photography for the design of the square. A play of light and shadow creates a two-dimensional image of the large maple trees on the square. The square is bordered by listed facades from the 1920s and 1960s. Typical local basalt cobblestones surround a rectangular area of light-colored concrete slabs with an aspect ratio of 6:9 (small picture format), which is framed by three white cuboid benches.

Shadow plays are created on this projection surface, which is illuminated at night by a luminaire hanging above the square in the shape of a hollow sphere. Objects that cross its beam of light create sharply defined shadows on the paving. The functional principle is similar to that of a projector: a hollow body with a matt black inner surface and a point-shaped light source, the opening of which is dimensioned at the bottom so that the focal point beams precisely trace the surface of the square.

L.-Fritz-Gruber-Platz, Cologne

Client: City of Cologne – Civil Engineering Department
Open space: scape Landschaftsarchitekten, Düsseldorf
Project management: Hiltrud M. Lintel, Rainer Sachse
Collaboration: Jan Heimann, Judith Pfahler, Markus Hilgers, Bernd Nengel
Competition: 2007, 1st prize
Completion: September 2012
Area: 2,200 square meters
Costs: 570,000 euros

A stroke of art-historical luck

Building design

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The sacristy used today dates from the Baroque period, but the two Gothic sacristies with their vaults and rare gray-on-gray painting are a stroke of art-historical luck. These are now used as storerooms, albeit for valuable items from the monastery or handicraft objects such as candlesticks or figurines.

The approval of the preliminary investigation for the restoration means that the sacristies will now be cleared out so that they can be made accessible to the public at some point in the future. Church historian Roland Götz has taken a closer look at the sacristies and knows that their preservation is a stroke of luck. However, fire protection still needs to be clarified, as there are no escape routes. As the church is under the same roof as the Bräustüberl, the castle distillery, the grammar school and the brewery, all those responsible and the owners must first come to an agreement. How much all the measures would cost is now to be found out in advance.