“Change of scenery” at the Bayerischer Hof

Building design

The floor-to-ceiling panoramic windows fill the rooms of the Penthouse Garden Suite with natural light and provide access to the terrace from almost all areas. Photo: Benjamin Monn

A vacation in your own city – this was possible in a special way in Munich this August. As part of the “Change of scenery” campaign, around 50 city hotels invited Munich residents to stay with them for a discounted night. The campaign aims to support Munich’s hotel industry, which has been hit hard by the coronavirus pandemic. Baumeister editor Theresa Ramisch took part in the campaign […].

A vacation in your own city – this was possible in a special way in Munich this August. As part of the “Change of scenery” campaign, around 50 city hotels invited Munich residents to stay with them for a discounted night. The campaign aims to support Munich’s hotel industry, which has been hit hard by the coronavirus pandemic. Baumeister editor Theresa Ramisch took part in the campaign and was able to stay in a room designed by Axel Vervoordt at Munich’s Grand Hotel Bayerischer Hof and met Innegrit Volkhardt, owner of the Bayerischer Hof, for a chat.

The German hospitality industry is facing a wave of insolvencies. This is the result of a survey presented by the German Hotel and Restaurant Association (DEHOGA) in mid-August. From January to July 2020, German cafés, restaurants and hotels recorded sales losses of 60.1%. For the year as a whole, businesses are expecting sales to fall by 51.0%. Restaurants and hotels in cities are particularly affected by the crisis. DEHOGA President Guido Zöllick describes their situation as “catastrophic”. While businesses in the vacation regions can already draw hope again, business travelers and tourists from abroad are still missing in the cities.

Munich has now responded to the crisis with the “Change of scenery” campaign. Supported by the local DEHOGA district office and the Munich Department of Labour and Economic Affairs, the Tourismus Initiative München (TIM) and the Munich Hotel Alliance (MHA) organized a unique offer that should at least provide the hotel industry with a small additional source of income. The promotional deal: from August 10 to September 6, 2020, residents of the city of Munich and the surrounding area were able to stay in around 50 Munich city hotels – including first-class and luxury hotels – at flat rates of 79 euros, 99 euros and 139 euros. The prices were per double room, per night including breakfast for two people. In addition, all guests received a Munich Card, with which they can visit Munich’s museums at a reduced rate and which is also a ticket for local public transport.

Munich’s grand hotel par excellence, the Bayerischer Hof, also took part in the campaign. The people of Munich were enthusiastic – within a very short time, the contingent was exhausted. “We thought it was a great idea and definitely wanted to take part out of solidarity with the other MHA members,” says Philipp Herdeg, Head of PR and Communications. This campaign does not cover the costs for the 5-star hotel – breakfast alone costs 42 euros per person. The advantage of the Bayerischer Hof is that it is debt-free. The Volkhardt family, who own the hotel, have always put 25 percent of profits into reserves and have been able to bridge the crisis comparatively well.

Security conference 2021 already planned at the Bayerischer Hof

The 5-star luxury hotel on Munich’s Promenadeplatz, which opened in 1841 and is managed by Innegrit Volkhardt in the fourth generation, has 337 rooms and suites, numerous restaurants and bars as well as a 1,300 square meter wellness area. From Empress Elisabeth and Sigmund Freud to Michael Jackson, Lenny Kravitz and Roger Waters – there is hardly a celebrity who has not stayed at the Bayerischer Hof. Then there are all the politicians, diplomats, managers and journalists who attend the annual Munich Security Conference at the Bayerischer Hof. Incidentally, this is still planned for 2021 – albeit much smaller than in previous years and with digital formats, as owner Innegrit Volkhardt reports in an interview.

The Bayerischer Hof stands for more than 150 years of hotel tradition and at the same time for intelligent, modern and authentic design – largely shaped by the Belgian interior designer, art collector and antiques dealer Axel Vervoordt. Innegrit Volkhardt and Axel Vervoordt have been working together successfully for over ten years. Following the redesign of the Garden and Atelier restaurants, the Cinema Lounge and the Palaishalle, the renovation of the north and south wings was Vervoordt’s fourth and largest project at the Bayerischer Hof to date. Between 2016 and 2018, four floors were demolished, rebuilt and an additional floor was added to the building, which now houses the 350 square meter Penthouse Garden Suite. The main challenges here were statics, construction time and the maintenance of the “Komödie”, the theater in the Bayerischer Hof, which is located below the new floors. The investment volume amounted to twelve million euros and a total of 29 new guest rooms and suites were created.

From the large scale to the smallest detail, Axel Vervoordt succeeded in linking the new building with the old building. At the same time, he gave the project his own touch without detracting from the character of the Bayerischer Hof. The design strikes a balance between traditional and modern design – partly because Vervoordt works with his surroundings, not against them. The design concept for the new rooms was based on the direction of the windows: Vervoordt designed the south-facing rooms with light colors, fabrics and tones, while he furnished the north-facing rooms with darker elements. The rooms in the north wing also become increasingly lighter towards the top.

When designing the interior of the rooms, Vervoordt focused on natural and durable materials: the reveal of the room doors is made of stone, the doors themselves are made of poplar wood and the door handles are made of pickled steel. Beds, sofas, armchairs, chairs and cushions are upholstered with linen fabrics in natural and earthy tones. The furniture, made from old wood, is always unique and allows for corners and edges. This is what is striking about Vervoordt’s interior design at the Bayerischer Hof: while quirks and breaks are an absolute no-go for many other designers in hotel rooms, Axel Vervoordt allows them in his design. In this way, he brings naturalness and calm to the rooms. And they will not be his last project at the Bayerischer Hof: He is already working on the next conversion project, the event rooms in Palais Montgelas. The opening is planned for fall 2020.

At the age of 27, Innegrit Volkhardt took over the management of the Bayerischer Hof in 1992. Today, she is the fourth generation to run the Munich grand hotel in 28 years. And with success: from 2011 to 2017, the Bayerischer Hof was the hotel with the highest turnover in Germany. We spoke to Innegrit Volkhardt about the current situation.

Baumeister: Innegrit Volkhardt, there’s no need to discuss the critical situation in the hospitality industry. The situation is extremely serious. In an interview with Handelsblatt at the beginning of June, you were critical of Germany’s coronavirus policy and said that you don’t expect business to stabilize again until 2022. In your opinion, what does the hospitality industry need now?
Innegrit Volkhardt: The first step has now been taken with the extension of short-time working. This is certainly the most important step in order to preserve jobs, but also to have the opportunity to return employees to work when the order situation improves in order to meet the increasing demand.
Of course, it is also important that the industry itself engages in good or even better lobbying. The extent to which the hotel industry in particular has been affected does not yet seem to be clear enough in the minds of politicians or the general public. Unfortunately, explanations to guests about necessary adjustments to opening hours or the reduction of services that are simply not economically feasible due to coronavirus often dominate everyday life. The discussion about a further, often necessary reduction or hours of, for example, rent or other very high fixed costs for companies that are normally profitable is also more than regrettable. For some, it is a question of bare survival in these very difficult times.

B: You and the Bayerischer Hof took part in the “Change of scenery” campaign this summer. Why?
I V: It has always been very important to my family that Munich residents are welcome in our hotel. Almost 90 percent of our five restaurants, the comedy, the spa and the cinema are used by Munich residents, which is why we naturally wanted to take the opportunity to offer locals a great overnight experience. We provided a small contingent of two rooms a day for the campaign, which were all booked in no time at all. We have also received around 150 inquiries so far. However, as we have not been able to expand our contingent, we have of course referred to the other participants. The campaign is not cost-covering for us, but purely out of solidarity with the MHA and TIM.

B: Between April 2016 and January 2018, you had the entire part of the building above the Komödie in the Hotel Bayerischer Hof renovated. You commissioned the interior designer, art collector and antiques dealer Axel Vervoordt to do this. A centerpiece of his work in your hotel is the Penthouse Garden Suite. A place to marvel at. Hand on heart: What is your personal favorite place in the Bayerischer Hof?
I V: I feel at home everywhere in the hotel. Everything is incredibly familiar. My favorite place to stay is the Penthouse Garden Suite, because it’s so quiet up there that you can even hear the birds chirping in the middle of the city.
I also particularly like the Blue Spa. I love my hometown and sitting up there on a beautiful summer evening, when the city and the cathedral are illuminated and close enough to touch and at the same time radiate a great sense of calm but also power, that is something very special.

The text was written on the occasion of the article “Unterwegs im Bayerischen Hof München” for the B10: Wohnungsbau mit Holz.

POTREBBE INTERESSARTI ANCHE

AI and architecture: the role of artificial intelligence in the design of smart cities

Building design

AI-supported traffic systems in cities can optimize traffic flow and reduce congestion by up to 15%. In Copenhagen, for example, sensors and AI are used to control traffic in real time in order to alleviate peak times. Mike Petrucci | Unsplash

Architecture is facing a digital revolution. The use of artificial intelligence (AI) has already changed the construction industry and is now finding its way into urban planning and architecture. From planning and design to building and city management, AI offers solutions that are faster, more precise and more efficient. AI-supported systems analyze huge amounts of data and propose solutions that inspire and support architects and urban planners. In the context of the smart city, AI makes a significant contribution to the development of sustainable, liveable and future-oriented urban spaces. […]

Architecture is facing a digital revolution. The use of artificial intelligence (AI) has already changed the construction industry and is now finding its way into urban planning and architecture. From planning and design to building and city management, AI offers solutions that are faster, more precise and more efficient. AI-supported systems analyze huge amounts of data and propose solutions that inspire and support architects and urban planners. In the context of the smart city, AI makes a significant contribution to the development of sustainable, liveable and future-oriented urban spaces.

Fun fact: In recent years, investment in AI-supported architectural tools has increased by around 40% worldwide, particularly in the areas of energy optimization and predictive maintenance of buildings.

Machine Learning (ML)

Machine learning, a sub-form of AI, enables systems to recognize patterns in large data sets and make predictions based on these patterns. For architects, this means that building data, weather forecasts, material consumption and energy requirements can be analyzed in order to develop a more efficient design.

Generative design

Generative design is an AI technology that can generate thousands of designs from a given set of parameters and design requirements. Architects provide certain specifications – such as location, material and desired functions – and the AI creates design options that can be tested through simulations.

Neural networks and deep learning

Neural networks, especially deep learning models, enable AI systems to understand complex relationships and propose innovative solutions. For example, they can carry out simulations for air currents and sunlight that improve the comfort and energy efficiency of a building.

Natural Language Processing (NLP)

NLP models such as language assistants and text processing systems help architects and urban planners to easily analyze and process complex data and reports. With the help of NLP, data can be searched more quickly and historical data can also be incorporated into the decision-making process.

Practical example: In a construction project in San Francisco, an architecture firm is using generative design to create an office building that minimizes energy consumption and reduces its carbon footprint. By simulating thousands of design options, a shape was found that resulted in 30% less energy consumption.

AI offers a wide range of possible applications for urban planning, from traffic control to the optimization of buildings and the use of resources. Some of the most exciting applications are

Traffic and mobility management

AI can be used to analyze data on traffic density, weather conditions and the use of public transport in real time. This results in intelligent traffic systems that minimize traffic congestion by efficiently distributing modes of transport.

Energy optimization of buildings

Energy efficiency is a central component of smart cities. AI systems make it possible to optimize the energy consumption of buildings. By analyzing data on temperature, occupancy density and sunlight, lighting, heating and cooling can be adjusted in real time, which can reduce energy consumption by up to 40 %.

Urban development and resource management

The development of cities requires the optimal use of available space and resources. AI can help analyze the urban space available and provide suggestions for optimal land use to balance development and green spaces.

Air quality and environmental monitoring

AI-powered air quality monitoring models can measure and predict emission levels and air pollution in different parts of the city. This data is important for targeting measures to reduce pollutants and thus improve the quality of life of residents.

Practical example: In Copenhagen, AI models are used to control the flow of traffic. Sensors analyse the traffic situation in real time and the AI optimizes the traffic lights and distribution of modes of transport. The result is a reduction in the volume of traffic at peak times of around 15 %.

The advantages of AI in architecture and urban planning are manifold, but its implementation also poses a number of challenges.

Advantages

  1. Greater efficiency and precision: AI can process huge amounts of data and thus make more accurate predictions, which optimizes planning.
  2. Cost reduction: Early detection of errors and optimization opportunities can reduce construction costs.
  3. Faster decisions: AI enables faster, data-based decisions and relieves architects of repetitive tasks.
  4. Sustainability: AI models can analyze energy consumption and emissions and help to make buildings and cities more environmentally friendly.

Challenges

  1. Complexity and implementation costs: The introduction of AI-supported systems requires high investments in technology and training.
  2. Data protection and ethics: The use of personal data for AI analyses raises questions about data protection and ethical responsibility.
  3. Dependence on data quality: The quality of AI results depends directly on the data used. Poor data quality can lead to erroneous results.
  4. Acceptance and adaptation: Skepticism towards AI in the construction industry remains high, and acceptance of new technologies requires a cultural change.

Expert opinion: According to a survey by the American Institute of Architects, 75% of architects see great potential in AI, but expect it to take up to five years before AI is used across the board in architecture.

AI can make a significant contribution to sustainability in architecture by optimizing energy consumption and using resources more efficiently.

Energy-efficient buildings

With AI, buildings can be designed to minimize their energy consumption. AI-supported simulations analyze solar radiation, indoor climate and ventilation so that buildings can be operated with minimal energy consumption.

Conserving resources

By analysing material and energy data, AI helps to ensure that building materials are used efficiently and construction waste is minimized. AI-based optimization models can help to reduce the use of materials as early as the planning phase.

Longer service life of buildings

AI can identify maintenance requirements in buildings at an early stage and thus contribute to a longer life cycle. Predictive models can be used to estimate maintenance requirements and better allocate resources.

Sustainable construction project: An architectural project in the Netherlands uses AI-supported systems to analyze solar radiation and adjust energy consumption. By optimizing the heating and cooling systems, annual energy consumption was reduced by over 20 %.

AI in architecture is still in its infancy. However, developments over the next few years promise exciting innovations that could revolutionize construction and urban planning.

  1. Autonomous planning: In the future, AI could have the ability to design and plan buildings autonomously, without human intervention.
  2. Collaborative AI systems: As AI evolves, systems will emerge that work collaboratively and support each other. Architects could “work together” with AI to plan more creatively and efficiently.
  3. Smart City Integration: AI will increasingly connect and coordinate infrastructure and buildings in a city to optimize traffic flow, energy distribution and environmental impact.

Future outlook: Singapore is working on a concept for autonomous buildings that are controlled and optimized by AI. The aim is to develop a fully integrated smart city that uses resources efficiently and minimizes environmental impact.

Artificial intelligence is one of the most promising technologies for the construction and architecture industry. It offers solutions that can make planning processes more efficient, buildings more sustainable and cities more liveable. The challenges are considerable, but the benefits outweigh them. By using AI, architects can design cities that are prepared for the needs of the future.

Final thought: AI and architecture form an alliance that has the potential to lead the construction industry towards a sustainable, smart and liveable future.

By the way: Oostenburg in the heart of Amsterdam is a district in transformation. The De Gieter and De Slijper residential complex by Space Encounters was built here in 2023. Read here how the architects combine urban density and industrial history.

Noble back

Building design

Architects Fala Atelier transformed an abandoned 19th century terraced house in Porto into four identical one-bedroom apartments.

The youngest of the young European architecture firms has come of age. After the many exhibitions and publications in practically all architectural media (including B10/17), Fala Atelier is now one of the most established offices in Portugal. Originally known for its atmospheric collages, the trio, consisting of Filipe Magalhães, Ana Luisa Soares and Ahmed Balkhodja, is now working on major renovation projects in Porto and Lisbon, designing exhibitions, installations and stores – and, above all, has developed a clearly defined architectural language.

An abandoned 19th century terraced house in Porto was to be divided into four independent one-bedroom apartments. The architects opted for four identical residential units. Their main space is structured by a series of architectural elements – a staircase, colorful doors, two-tone parquet, curved walls and ceilings. A long, winding corridor leads from the main entrance to the staircase or the rear courtyard, providing access to all the apartments. The main façade facing the street has been renovated and partially redesigned, while the façade at the rear is completely new. The street façade was clad with green and white marble slabs, whose abstract geometric shapes form a stark contrast to the historic granite window and door frames. The façade at the rear is clad with vertical strips of green, white and gray marble. It turns the tradition of the representative bourgeois street façade on its head and is ironically described by the architects as “unnecessarily proud and opulent”. The project was completed in 2017.

All pictures: Ricardo Loureiro

You can find out more about the architects and other up-and-coming architects from Europe in the March 2019 issue.