Citizen-oriented ferry services – the new ferry terminal from Henning Larsen

Building design
Henning Larsen Architects were commissioned to build a new ferry terminal for Torshavn. Photo: ELEMENT

Henning Larsen Architects were commissioned to build a new ferry terminal for Torshavn. Photo: ELEMENT

The architects at Henning Larsen are building a new ferry terminal in Torshavn, which is expected to be completed by 2024. It will also serve as the headquarters of the ferry company Smyril Line. The intention is to give the port back to the inhabitants of the capital of the Faroe Islands.

The architects at Henning Larsen are building a new ferry terminal in Torshavn, which is expected to be completed by 2024. It will also serve as the headquarters of the ferry company Smyril Line. The intention is to give the port back to the inhabitants of the capital of the Faroe Islands.

The ferry terminal is to fulfill three functions on a total of 7,750 square meters. These are the terminal itself, a logistics center and an office building for Smyril Line employees. A public ramp was designed so that the general public can also use part of the building. It serves as an open space and connection to the eastern harbor. For many inhabitants of the Faroe Islands, the harbor is a place marked by memories; after all, it was considered the gateway to the rest of the world of the small island state. Many people associate the harbor with a personal history, romantic walks and painful farewells.

Due to security measures as part of the Schengen Agreement, the port was not accessible to the public for a long time. In their design, Henning Larsen Architects strictly separated the cargo from the passengers and were thus able to circumvent the strict regulations in the future passenger area. Ultimately, the historic promenade will be reconnected with the capital Torshavn. Visually, the building blends into the tranquil landscape. The flat structure is dominated by wood. It was modeled on the traditional wooden boats of the Faroe Islands, which are also a UNESCO World Heritage Site . The logistics are located in a concrete base. The solid base of Henning Larsen’s design takes up the idea of the landing stages on the islands, which protrude from the water and usually end at a small wooden house.

Smyril Line not only serves the Faroe Islands, but also Denmark and Iceland. The international company commissioned Henning Larsen Architects to build a terminal that not only serves as an arrival and departure point, but also as a stopover. The aim is to create a pleasant atmosphere for transit passengers. The design for the new ferry terminal takes into account the harsh Nordic weather conditions as well as the different seasons of the Faroe Islands. A two-storey arrivals hall provides space for a café, a waiting area and logistical and organizational infrastructure. The upper area is connected to the public ramp, which is also open to visitors. From the ramp, there is an extensive view of the harbor and the docking and departing ships.

Local plants are used on the ramp itself to bring the typical landscape into the building to a certain extent. There is also a private garden in the office wing of the Smyril Line ferry terminal. Connected to this is an open canteen, which will also serve as a quiet retreat for employees. According to Henning Larsen Architects’ construction schedule, the terminal will open as early as 2024. The design phase is now officially complete and construction can begin.

XDGA in the Belgian city of Ghent shows what else can be accommodated in a port. Here, a former dock was converted into a school.

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Apply now! – Textile & Craft Award is presented by the European Textile Academy

Building design
Apply now! - Textile & Craft Award is presented by the European Textile Academy. Photo: ttps://eurotextileacademy.com

Apply now! - Textile & Craft Award is presented by the European Textile Academy. Photo: ttps://eurotextileacademy.com

The European Textile Academy (Bolzano) has launched the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and arts and their connection to the world of design. Take part!

The European Textile Academy (Bolzano) has launched the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and arts and their connection to the world of design. Take part!

Consumption is increasingly taking ecological and social-ethical aspects into account – all the more so as the range of products on offer becomes more diverse, cheaper and lower-threshold. “Better instead of more” is the principle of slowing down, living and consuming more mindfully and consciously. The European Textile Academy has created the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and art professions and their connection to the world of design. The ETA Award stands for creative and trend-setting solutions in the global market.

The jury recognizes pioneering achievements in innovative products, taking sustainable criteria into account. The materials used and innovative natural fibers, aesthetic and functional design, processing quality and resources, environmentally friendly production and social and ethical aspects are key criteria for the award. The award is proof of the outstanding quality of the product and a reliable seal of quality for consumers and manufacturers. Participation is possible in award categories. Interested parties can submit their application in a category that appears to be advantageous for them.

The award categories are:

  • Textile Craft (textile crafts in the fields of weaving, dyeing, knitting, embroidery, upholstery, textile printing, millinery, etc.)
  • Sustainable Fashion Craft (fashion crafts, custom tailoring)
  • Sustainable Fashion & Textile Industry (sustainable industrial processing in women’s and men’s fashion and in the textile industry)
  • Textile Art (textile art, exhibition installations, etc.)
  • Textile Architecture (textile constructions, architecture of buildings of all kinds (public buildings, sports facilities, industrial and corporate buildings, residential buildings, museums, hotels, etc.)
  • Textile shading systems (textile shading systems, tent constructions, etc.)
  • Architecture with Natural Fibres (contemporary architecture with fibers, e.g. hemp, flax, straw, bamboo, willow, bark and renewable plant fibers)
  • Interior (home fabrics and carpets, upholstered furniture, upholstered beds and home accessories, textile printing, indoor and outdoor)
  • Hospitality (the award recognizes hotels, inns, etc. that have recognized the quality of textile furnishings in all guest areas for their competitiveness)
  • Museums, Collections & Archives (the aim of this award is to recognize outstanding museum, collection and archive activities and the quality of museum presentation and mediation work as well as the efforts to preserve “textile” in all its areas as a cultural asset and make it accessible to a broad public)
  • Other (Textile topics not included in the above categories, application on request).

The award-winning projects and products will be exhibited at the Int. Festival of Textile Craft, Textile Art & Design from March 15 to 17, 2024 at Maretsch Castle in Bolzano. An award at the European Textile & Craft Award generates attention and increases visibility. The ETA AWARD 2024 is proof of the outstanding quality of the product and a reliable seal of quality for manufacturers and customers.

Registration and submission: within October 21, 2023

Jury meeting: November 9 and 10, 2023

Publication of the award winners: December 2023

Gala award ceremony: Friday, January 12, 2024 at the Waltherhaus in Bolzano

The European Textile & Craft Award is decided by an independent international jury of experts made up of representatives from colleges, universities, crafts and industry, art and culture. The members of the jury include couturier Gaetano Aloisio, Moritz Dörstelmann, Professor of Digital Design and Communication at KIT Karlsruhe, art historian Ursula Schnitzer and Aurora Magni, President of Blumine srl, a research and consulting company active in the field of sustainable textiles and fashion since 2010, as well as Dr. Ute Strimmer (Editor in Chief Restauro).

The jury will select “Award” winners in each category, as well as an appropriate number of “Silver” winners. In addition, “Special Mention” awards are presented for particularly noteworthy achievements. The evaluation criteria are: Overall concept, aesthetic and functional design, processing quality, processed material or fibers, sustainability, materials used and innovative natural fibers, aesthetic and functional design, processing quality and resources, environmentally friendly production as well as social-ethical aspects are essential criteria for awarding the award. The manufacturing industry, designers, craftspeople, artists, architects, universities and research institutions, museums, collectors, archives, hotels and restaurants are all eligible.

Registration for the award takes place exclusively via the registration portal of the European Textile Academy (www.eurotextileacademy.com)

Balancing act

Building design

Two countries connected by a streetcar: the new streetcar stop by J.MAYER.H.

Two countries connected by a streetcar. A streetcar runs from Kehl across the Rhine – all the way to Strasbourg. A direct connection to the European capital that crosses borders. The new terminus in Kehl by J.MAYER.H can be a little more unusual. The French counterpart by Zaha Hadid Architects was built in 2001 and is in no way inferior.

Public transport stops are part of the urban infrastructure that we city dwellers take for granted. They hardly get any attention. The new streetcar stop on Rathausplatz in Kehl by J.MAYER.H. is quite different. Light-colored exposed concrete panels define its striking structure, inspired by the Rhine pebbles typical of the area. The sculpture expresses dynamism and balance, instability and mobility. A certain symbolism? After all, the stop connects Kehl in Germany with Strasbourg in France along six kilometers of track. A connection that was hardly conceivable just a few years ago, but which even today has to be fought for time and again – in a positive sense. The streetcar stop on the other side can keep up with the design by J.MAYER.H. Zaha Hadid Architects designed the station in Strasbourg. Two unique terminal stops from the pens of major architectural firms – and border traffic commutes between them every day.

This article appeared in G+L 07/2019. Click here to go to the store.