Competition overview October 2018 (2/2)

Building design

Loungers

Interested in the latest landscape architecture competition results, but hardly have time to look at them properly? In the G+L competition overview, Heike Vossen provides information on the most exciting competition results of the last two weeks and what you need to know about them.

Interested in the latest landscape architecture competition results, but hardly have time to look at them properly? In the G+L competition overview, Heike Vossen provides information on the most exciting competition results of the last two weeks and what you need to know about them.

The formerly prestigious Herrengarten in Siegen is to become an open space again and function as the “green center” of the city. Currently, a commercial center from the 1970s still dominates the inner city area. All of the competition designs envisaged the demolition of the building complex, but the winning design by Rehwaldt Landschaftsarchitekten impressed the jury with its concise, simple approach. The planners developed a robust, strong basic concept that can be used in a multifunctional way thanks to the lack of a defined use, but still creates an unmistakable location. They placed a green garden space in the middle of the STEIN urban space – framed by a wall, it functions as a “hortus conclusus”. The frame itself varies in height and width, creating areas of screening and transparency through its vertical play. It thus not only forms a protective boundary, but also presents itself as an urban perimeter piece of multi-furniture that can be accessed from both sides – as a seating and lounging area, picnic spot and mini stage.

The competition for the new Dietenbach district in Freiburg has been decided. K9 Architekten and Latz + Partner Landschaftsarchitektur emerged as the winners of the urban planning competition with a subsequent negotiation process. Their idea of basing the urban development concept on the open space connections convinced the jury. Two watercourses structure the area as open space axes and connect to neighboring open spaces. Towards the center, they widen out into floodplains with great amenity and recreational qualities. The district center forms the link between the meadows and mediates between the sub-districts. In order to develop Dietenbach as a self-confident district, the planners are concentrating on the micro and macro themes: Externally, they strengthen visual references and orientation, the district bodies emerge naturally from what is already there; internally, they strengthen neighborhoods and individuality through differentiation and zoning.

[f] landschaftsarchitektur won the open space planning competition in Warstein for the redesign of the market square and the adjacent Dr.-Segin-Platz to the north with clear spatial structures and sophisticated details. The design leaves the church free of trees and thus integrates it more intensively into the center of the square. The planners strengthen the exposed axis to the north by designing part of the staircase line as a wooden seating platform. A linear fountain element cuts across the axis and projects into the market square. The cubature of the fountain accentuates the square and at the same time forms a link between the church and the market. The fountain serves as a versatile play element and enlivens the square. As a counterpart to this, the planners developed the adjacent Dr.-Segin-Platz with an artificial hilly landscape as a quiet place to spend time. Loosely scattered large shrubs enhance the quality of the space and shield it from the buildings to the rear. The link between the two squares is formed by a large-scale playable wooden plateau sculpture.

Heike Vossen is a freelance landscape architect and a graduate of the School of Journalism. As a specialist journalist, she writes on topics for the construction and planning industry. Her specialist book “Gärten am Hang” was published by Eugen Ulmer. Contact: info@gruentext.de

POTREBBE INTERESSARTI ANCHE

Winner of “Municipal climate protection 2015”

Building design

Competition "Municipal climate protection 2015" Logo

Nine cities, municipalities and districts have been awarded the “Municipal Climate Protection 2015” prize. Since 2009, the Federal Ministry for the Environment, Nature Conservation, Building and Nuclear Safety, together with the German Institute of Urban Affairs, has presented the award to projects that save CO2 and thus actively protect the climate. In spring 2015, a total of 119 participants submitted their applications. The […]

Nine cities, municipalities and districts have been awarded the “Municipal Climate Protection 2015” prize. Since 2009, the Federal Ministry for the Environment, Nature Conservation, Building and Nuclear Safety, together with the German Institute of Urban Affairs, has presented the award to projects that save CO2 and thus actively protect the climate. In spring 2015, a total of 119 participants submitted their applications. The prize is endowed with 25,000 euros each, money that the winners in turn want to invest in climate protection.

The award ceremony took place as part of the ICCA, the International Conference on Climate Action, in Hanover. “For me personally, municipal climate protection is the ‘heart’ of national climate protection activities and one of my central political concerns. We need active climate protection that starts where people live and work. The competition is an excellent opportunity to recognize successful climate protection projects by municipalities. I would like to congratulate all the winners and thank them for their commitment,” said Rita Schwarzelühr-Sutter, Parliamentary State Secretary at the Federal Environment Ministry.

The nine winners

Category 1: Municipal climate protection through cooperation

Category 2: Municipal energy and climate protection management

Category 3: Municipal climate protection to join in

Videos of the winning projects:

Further information

A ray of hope on the Danish west coast – The Esbjerg Maritime Center

Building design
Esbjerg's new architectural landmark: the maritime center by Snøhetta and WERK Arkitekter. Photo: wichmann+bendtsen photography

Esbjerg's new architectural landmark: the maritime center by Snøhetta and WERK Arkitekter. Photo: wichmann+bendtsen photography

Anyone approaching the harbor town of Esbjerg on the Danish west coast from the water has recently been attracted by a warm glow of light. This is packaged in extraordinary architecture designed by WERK Arkitekter and Snøhetta. Find out more here.

Anyone approaching the harbor town of Esbjerg on the Danish west coast from the water has recently been attracted by a warm glow of light. This is packaged in extraordinary architecture designed by WERK Arkitekter and Snøhetta. Find out more here.

Working together, they won the competition to develop a new maritime center at this prominent location back in 2019. They were looking for a design that would not only serve as a common space for water sports clubs and visitors along the harbor, but would also become an architectural landmark for Esbjerg. WERK Arkitekter and Snøhetta won the competition with their design “The Lantern”. Their concept focused on the development of a maritime place for the community.

“The maritime center has room for everyone; from the experienced diver or professional kayaker to a crab-fishing school class or a random passer-by. Maritime Center invites everyone to a peek inside the maritime life and outwards to the sea with its the endless horizon,” explains Frank D. Foray, lead architect and project manager atSnøhetta . The planners chose a circular, open design for this purpose. Visitors should be able to access the building from all sides. Inside, the Maritime Center accommodates rooms for several water sports clubs, boat storage, training rooms, a large workshop area and space for social facilities.

The comprehensive room program is spread over two floors. The rowing, kayaking, sailing, diving and triathlon clubs are housed on the upper floor of thebuilding . There are also common rooms, an education center and training facilities. The first floor, on the other hand, is taken up by boat storage and workshop rooms. A bridge connects the lower level directly to the sea, making it easy to manage the logistics for boats. The raised, publiclyaccessible terrace acts as an intermediary level between the two floors. It is connected to the second floor and is accessible via two main staircases that form a kind of amphitheater.

In addition to its sophisticated functionality, “The Lantern” is particularly impressive due to its aesthetic appeal. “The goal has been to create a unique destination that lights up the Danish West Coast, so everyone can find their way to new communities at the sea,” says Thomas Kock, Creative Director at WERK Arkitekter, explaining not only the design language and choice of materials, but also the name of the project. Large windows throughout the building façade provide plenty of daylight inside and guarantee views of the surroundings. Daylight enters the core of the first floor through roundholesin the terrace on the upper floor. A visual and social vertical connection is created. At the same time, the windows in the façade effectively stage the center for outside perception. The warm light that falls through the windows in the dark illuminates “The Lantern” like a lantern visible from afar.

For the materiality and geometry, the architects were inspiredby the craftsmanship of wooden boat building. The Esbjerg Maritime Center thus pays homage to the town’s maritime tradition and highlights the importance of the port for the town. This translation can be experienced not only in the use of wood as a building material, but is also revealed in many design details. For example, WERK Arkitekter and Snøhetta based their design on the element of water and the wave effect that is created when a stone is thrown into the water. The alignment of the individual panels is also anything but arbitrary. The resulting play of shadows is reminiscent of the shape of kayaks. The rhythmic façade also extends to the roof surfaces. Here, the planners also installed several solar cells in a belt around the upper edge.

In addition to wood, concrete is the dominant building material. The building is made of concrete up to the second floor, which was poured in one go. This allows the structure to withstand periods of flooding if the water exceeds the new surrounding dam. The wooden façade was also designed to withstandthe harsh weather conditions on site.

It was precisely this combination of poetic beauty and practical robustness that was convincing in the competition at the time and is convincing today in the execution. With “The Lantern”, WERK Arkitekter and Snøhetta seek a balance between the fascinating and incessantmovements of the sea and the practical day-to-day tasks that arise in the Maritime Center. Or, to put it in the words of the planners themselves: “A symbiosis between the beautiful and the raw, the elegant and the robust”.

Snøhetta has developed a special project on the Norwegian Lysefjord: The Bolder huts seem to float above the ground and blend in with nature.