Conservation campaign for the Römersteinwand

Building design

Johann Nimmrichter

The Roman stone wall of Seggau Castle in Styria, built in 1831, is permanently exposed to extreme weather conditions and requires regular conservation and maintenance measures. In June 2016, the Conservation and Restoration Department of the Austrian Federal Monuments Office (BDA) carried out trial and sample work for a conservation campaign and provided damaged Roman stones with conservation treatment. In addition, an overall concept is being developed, which includes both […]

The Roman stone wall of Seggau Castle in Styria, built in 1831, is permanently exposed to extreme weather conditions and requires regular conservation and maintenance measures. In June 2016, the Conservation and Restoration Department of the Austrian Federal Monuments Office (BDA) carried out trial and sample work for a conservation campaign and provided damaged Roman stones with conservation treatment. In addition, an overall concept is being developed that includes both sustainable conservation and proposals for measures to ensure better protection from the weather.

The Roman stones at Seggau Castle originate from the burial grounds of a former Roman town at the foot of the Schlossberg. The different types of marble were sourced from Lower Styria, Western Styria and Carinthia, but various signs of weathering could already be detected at the place of origin, depending on how long they had been in place. These had to be prevented by conservation measures. In the first century, the stones were used to quarry stone for the construction of a residential tower and chiseled into sculptural protruding forms.

The spolia were used once again when they became visible again after the demolition of the Old Tower and were built into an arcade wall as an impressive lapidarium. In addition, a sharp-edged geometric structure created by plaster framing created the effect of a picture gallery. The Roman stones were thus protected from the weather for almost 150 years under lime whitewash.

The process of decay of the Roman stones began again in the middle of the 20th century when the whitewash was scraped off during renovation work and microorganisms and algae penetrated the open spaces. The effect of water and frost caused them to grow even larger.
The BDA notes that the number of damaged stones has more than tripled since it began permanent monitoring in 1993. However, ultrasound measurements have shown that there is no further deterioration in the depths of the marble.


The aim of the restoration campaign is to maintain the existing appearance. During the trial and sample work, mechanical fine tools were used for cleaning on the one hand and laser cleaning on the other. The lime mortar technique was used to create small water-repellent embankments with small amounts of hydraulic additives. By backfilling with nanolime, it was possible to stabilize the crystal layers of the marble and at the same time fill the open spaces. During the course of the work, organic conservation materials were always avoided.

In order to ensure concentrated monitoring in the future, it is important to determine and document reference objects. High-resolution laser scanning technology will support the monitoring. The aim is to create a balance through targeted conservation measures and protective devices, which will be preserved through consistent monitoring in combination with care and maintenance.

You can find out more about stone conservation in Restauro 07/2016, which will be available for you in the store from October 10.

Additional information on the conservation campaign at Schloss Seggau can be found here.

POTREBBE INTERESSARTI ANCHE

With flight altitude

Building design

water and mist jets bring the sky to the people. (Photo: Atelier Brunecky)

At first glance, air traffic and nature conservation do not go together. But they do in Zurich. Swiss landscape architects Studio Vulkan are currently creating a natural park and recreational area at the international airport – “The Park” or simply Butzenbüelpark. It is surrounded by car and landing runways and a huge, multifunctional consumer, commercial and conference center – “The […]

At first glance, air traffic and nature conservation do not go together. But they do in Zurich. Swiss landscape architects Studio Vulkan are currently creating a natural park and recreational area at the international airport – “The Park” or simply Butzenbüelpark. It is surrounded by car and landing runways and a huge, multifunctional consumer, commercial and conference center – “The Circle”.

International airports have always been places where architects and designers have dared to innovate. Perhaps the best-known example is Eero Saarinen’s TWA Terminal at New York City Airport. This building, created in the 1960s and reminiscent of the wings of a bird, has long been an icon. Whether the history books will also include the new building complex “The Circle” and the associated Butzenbüel recreation area at Zurich Airport remains to be seen. But it is already impressive to see how the Zurich landscape architecture firm Studio Vulkan has reconciled supposed opposites with its project. If you manage to catch a glimpse of the Zurich Airport site from above, you will see a small green island in the midst of gray. As if in a hurricane, the airport’s facilities fly around a green eye: the Butzenbüel hill. Runways, terminal and service buildings, feeder roads and freeways characterize the surroundings of the small green area. At 80,000 square meters, the new Butzenbüel Park is not so small after all.

Butzenbüel is a hill whose origins go back to a glacier. This brought material to this place during the last ice age. In the 1960s, excavated material from the construction of the nearby highway was added. Another ten years later, trees, meadows and wetlands gave the area a new function and turned it into a nature reserve. Now another change is imminent. With the expansion of the airport and the construction of the multifunctional complex “The Circle” designed by Japanese architect Riken Yamamoto, Butzenbüel is also coming under the spotlight. Studio Vulkan won the landscape architecture competition for its redesign in 2017. In its design, the office mastered the challenge of meeting the wishes of the client, Flughafen Zürich AG, for a usable park while also respecting the strict requirements of nature and forest conservation.

You can read the full text in G+L 12/2019.

Pioneer of the profession in Mexico

Building design

The Sir Geoffrey Jellicoe Award goes to the Mexican landscape architect Mario Schjetnan.

Mario Schjetnan has received the 2015 Sir Geoffrey Jellicoe Award from the IFLA. Born in Mexico City, the architect and landscape architect has shaped Mexican landscape architecture like no other. He studied architecture at the National University of Mexico and then went to Berkley to study landscape architecture, where he was influenced by greats such as Garret Eckbo, Donald Appleyard and Robert Twis. As head of the urban planning department at the National Institute of Housing for Workers (INFONAVIT) in Mexico, he worked on the development of guidelines for social housing estates. In 1977, he founded his office Grupo de Diseño Urbano (GDU). His best-known works include Tezozomac Park (1982), Xochimilco Ecological Park (1993) and Chapultepec Parks. All of these parks are located in Mexico City. Some of his projects can also be found in the USA, including Union Point Park in Oakland, California (2005).

Schjetnan was a Loeb Fellow at Harvard University’s Graduate School of Design in 1984 and received an honorary doctorate from the Univsersidad Autónoma de Nuevo Léon in 1995. He teaches as a guest lecturer at various universities and, in addition to his academic and practical career, has worked to establish landscape architecture as a profession in Mexico. From 1985 to 1986, he was president of the Mexican Society of Landscape Architects, of which he has been a founding member since 1972.