After bureaucratic hurdles, Lisa Bruch has time to get to know Rotterdam. Away from the office routine at MVRDV.
After gaining experience as part of the French-speaking team at competitions in Switzerland and France, I changed teams within MVRDV at the end of May. Together with German, Austrian and Polish colleagues, I now work on projects primarily in German-speaking countries. The spectrum ranges from the development of master plans to research and faculty buildings. What’s remarkable about MVRDV is that the workplace always changes with the team – if a new team is formed, a new table group is also formed. This not only gives you the chance to explore the entire office, but also to really get to know all the employees. The teams work with different programs and so you automatically gain an insight into other working methods and techniques.
After an eight-week delay and a second visit to the town hall, I finally have my citizen service number in my hands and have time to really get to know Rotterdam. Various architecture firms have set up shop in the city, also known as Manhattan on the Meuse because of its skyline, and many architects and architecture students have followed this call. The city has a vibrant art and architecture scene and the corresponding platforms to present an impressive program. On Thursday, I saw “Your Vice is a Locked Room and Only I Have the Key”, the last film in the “Typical Movies #2” series at the Post Office before the summer break. In a dubious former post office and after an introductory lecture, Omero Architects show weekly films that are related to architecture in the broadest sense. Sergio Martino’s film was shot in 1972 in the Villa Cavalli Lugli near Padua, Italy.
Lectures and discussions are held weekly, usually on Thursdays, at Het Nieuwe Instituut. So for once, on a Friday, I can attend the lecture “Control Room Rio” by Mark Wasiuta (Columbia University) on the coronavirus surveillance program in Rio de Janeiro. In the subsequent discussion with Pedro Rivera (Studio X, Rio de Janeiro), both will try to find out who actually has the power over cities and their citizens – one from an outside perspective, the other as an involved citizen of Rio.
Saturday can be spent either at the Witte de With Center for Contemporary Art in the Witte de Withstraat or visiting Garage Rotterdam. The former Volkswagen garage, which was redesigned by architect Remy Meijers in 2011, now houses a café and space for temporary exhibitions.
De Dépendance, which sees itself as a platform for urban culture, regularly organizes exhibitions, readings and performances. On Sunday, I attended the lecture “Number one City – Urban competitiveness and policies of fairness” by Ewald Engelen on the roof terrace of the Las Palmas building in the Kop van Zuid district. In his lecture, the third and last in the “Space Invaders” series, the professor of financial geography at the University of Amsterdam posed the question of how cities can be built, expanded and rebuilt more fairly.
The last item on the weekend’s agenda was another visit to “de Trap” right next to Centraal Station. MVRDV’s 29-metre high and 57-metre long staircase leads to the roof of the Groot Handelsgebouw, from where there is also access to the Kriterion, a cinema that was popular in the 1960s. The newly built city is thus connected to a historical monument. As a temporary installation, “The Stairs” are part of the celebrations to mark the 75th anniversary of the reconstruction of Rotterdam. If you climb the steps, you have a fantastic view of the reconstructed city.
The Baumeister Academy is supported by GRAPHISOFT and BAU 2017












