Decision Architecture Through AI: Who Designs It, Who Evaluates It?

Building design
green-plants-on-white-concrete-fence-8GU1bDusKUk
Green plants on a white concrete fence in an urban setting, photographed by Danist Soh

Decision-making architecture powered by AI—it sounds like a Silicon Valley buzzword, but it has long been a tangible reality on the drawing board. As algorithms generate designs, evaluate processes, and shift standards, the industry is facing the crucial question: Who is still designing when artificial intelligence has long since become a decision-maker? Who bears responsibility when AI-based systems become architectural co-authors? Welcome to the era in which creators, users, and algorithms are negotiating a new power structure—not just in the lab, but in real planning offices from Hamburg to Zurich to Vienna.

  • Artificial intelligence is revolutionizing the architectural design and evaluation process—from the conceptual sketch to the building permit application.
  • Compared to other countries, Germany, Austria, and Switzerland are proceeding cautiously but remain open to technology—pioneers and skeptics are closely intertwined.
  • Innovations such as generative AI, parametric tools, and automated evaluation systems are radically changing the nature of the profession and its responsibilities.
  • Digital decision-making raises new ethical, legal, and design-related questions—particularly regarding transparency and oversight.
  • Sustainability benefits from data-driven analyses but risks failing due to algorithmic bias.
  • Technical expertise is becoming a must—those who don’t understand AI systems will fall behind.
  • The debate over creative value-added, the risks, and the new distribution of power is in full swing—and remains controversial.
  • Global standards, cultural practices, and local legislation are at odds: The future of decision-making architecture remains open-ended, but irreversibly digital.

Artificial Intelligence on the Design Front – The Status Quo in the DACH Region

The term “AI-driven decision-making architecture” sounds like science fiction, but it has long been part of everyday life for a new generation of designers. In Germany, Austria, and Switzerland, the discussion surrounding AI in architecture has rapidly become more objective: From the initial playful experiments with parametric tools and generative design algorithms, the industry has now moved on to serious, productive AI applications. Whether in feasibility studies, energy demand analyses, or the optimization of complex building geometries—algorithms have become an indispensable part of the toolbox. Yet the speed and depth with which AI systems are penetrating traditional design logic are polarizing: While entire neighborhood developments in Zurich are already being evaluated based on AI-supported scenarios, Munich continues to rely on good old-fashioned planner’s intuition—supported by AI, but not replaced by it.

The central problem remains the patchwork approach: there is no uniform standard for how AI is integrated into planning processes. While pilot projects are underway in Vienna that use generative AI tools for the development of residential neighborhoods with citizen participation, firms in medium-sized German cities tend to experiment behind the scenes. Fear of losing control, a lack of legal certainty, and a cultural pride in human design—which should not be underestimated—are hindering open adoption in many places. At the same time, we observe that AI-based evaluation platforms have long been standard practice behind the scenes in large infrastructure projects in Switzerland—even if this is rarely mentioned in the glossy brochures.

Another point: the role of universities and educational institutions. While technical universities in Zurich and Darmstadt are establishing their own AI chairs in the fields of architecture and urban development, broad-based training is lagging behind. The notion that AI remains a specialized topic for large firms still dominates. Yet international competitions show that young teams, in particular, are scoring points with digital excellence and AI expertise. The funding landscape is responding tentatively: There are individual programs for research projects, but no concerted strategy to drive the digital transformation of the profession on a broad scale.

An international comparison reveals a mixed picture: While AI-supported decision-making architectures are already regarded as drivers of innovation and competitive advantages in the U.S. and Asia, skepticism persists in the DACH region. Fear of commercialization, the desire for transparency, and concerns about the loss of architectural identity shape the discussion. At the same time, the pressure is mounting: Those who fail to view AI as a tool and a partner will quickly fall by the wayside—and this applies not only to design but also to the operation and development of buildings.

The bottom line: The industry is at a tipping point—between skepticism and a new beginning, between defensive reflexes and the drive for innovation. The crucial question remains unanswered: Who will truly be designing in the future—humans, machines, or a hybrid team? And who will evaluate the results as algorithms increasingly become co-authors?

Innovations and Trends—AI as a Creative Co-Author or a Technocratic Threat?

The density of innovation in the field of architectural AI decision-making is remarkable. In recent years, the range of available tools and methods has expanded exponentially: generative design systems that produce hundreds of floor plan variations at the push of a button; evaluation AIs that check energy efficiency, user comfort, and compliance with building codes in real time; automated data pipelines that simulate and evaluate urban planning scenarios. What sounds like a digital wonderland is already a reality in pilot projects from Basel to Berlin. The only question is: Who controls the process, who sets the parameters, and who bears responsibility for the outcome?

The trend toward automation has consequences. More and more decisions are being made in the early planning phases based on data and algorithms. This accelerates processes, increases comparability, and creates new scope for exploring design alternatives. But it also carries risks: The evaluation criteria are shifting toward quantitative, measurable factors—the famous “art of architecture” is in danger of becoming a statistical footnote. This development is already evident in international competitions: Whoever feeds the algorithms determines the outcome. The danger of technocratic bias is real, especially when commercial providers market their evaluation models as “black boxes.”

At the same time, new forms of collaboration are emerging: the traditional architect is becoming a mediator between humans and machines, a curator of data streams and decision-making logic. In Vienna, for example, planners are experimenting with participatory AI platforms that simultaneously process citizens’ wishes, urban planning goals, and sustainability criteria. In Zurich, AI-based evaluation and visualization tools are being used to accelerate political decision-making processes and make them more transparent. The drive for innovation is there—but the question of control remains unresolved.

Visionary concepts go even further: Research projects are developing AI systems that not only evaluate but also design, optimize, and learn autonomously. Adaptive algorithms that learn from failed projects and adjust their decision-making logic—that sounds like science fiction, but it’s already part of everyday life in the R&D departments of tech companies. The industry faces a choice: Will it accept AI as a creative co-author, or will it stick with the traditional image of the brilliant lone designer?

In conclusion, it must be noted that while the pace of innovation is rapid, the social and design implications remain controversial. Some see AI as the tool for a new, rational planning culture. Others warn of the alienation of the architectural profession and a creeping technocratization. The truth, as is so often the case, lies somewhere in between.

Digitalization, AI, and Sustainability—a ménage à trois with the potential for conflict

There is hardly an architectural competition today in which sustainability is not cited as a central criterion. But the crucial question is: How can sustainability be objectively measured and evaluated without resorting to greenwashing or tokenism? This is exactly where AI comes into play. From life-cycle analysis to energy demand calculations to the simulation of urban microclimates—AI-based tools offer the possibility of operationalizing sustainability goals in a data-driven way. In theory, at least. In practice, it turns out that whoever programs the algorithms decides what counts as sustainable—and what does not.

In Germany, AI-supported sustainability assessments are primarily used in large-scale development projects. The tools analyze material flows, carbon footprints, traffic flows, and user behavior. In Switzerland, platforms already exist that evaluate urban design proposals in terms of their resilience to climate risks. Austria is experimenting with digital twins to simulate sustainable neighborhood development in real time. The opportunities are enormous: AI can help identify conflicting goals early on, develop alternatives, and objectively identify the best solutions.

But the system has its pitfalls. Algorithms can only evaluate what they know and what is fed into them. Biased datasets, a lack of diversity in training data, or unbalanced weightings lead to distortions—the famous “garbage in, garbage out.” The concept of sustainability thus becomes a bargaining chip between software providers, building owners, and planners. Those who demand transparency are quickly fobbed off with the argument of trade secrets—and, when in doubt, are left out of the loop.

Another problem: Sustainability is not just a matter of energy efficiency and carbon footprint. Social factors, cultural identities, and long-term resilience are difficult to squeeze into algorithms. The danger: AI-based decision-making architecture promotes seemingly optimal solutions that, in practice, fail to meet actual needs. Those who rely on the numbers quickly forget that cities and buildings are more than the sum of their metrics.

The solution? A conscious, critical approach to AI systems—and a new culture of expertise within the profession. Anyone serious about sustainability must understand, question, and actively shape the algorithms. Only in this way can we prevent the digital toolbox from mutating into a black box that hinders rather than promotes sustainable development.

Technical Expertise and Ethical Responsibility—The New Professional Profile

The decision to integrate AI systems into the architectural design and evaluation process is not a matter of enthusiasm for technology. It is a matter of responsibility. Anyone working with AI today—whether as an architect, engineer, or urban planner—must be capable of more than just drawing beautifully. Data literacy, algorithmic thinking, and a fundamental understanding of digital systems are the new key qualifications. They are slowly appearing in university curricula—but in practice, there is still a significant gap.

Technical know-how alone, however, is not enough. Anyone who operates AI systems must also know their limitations—and be prepared to take responsibility for the results. This means transparency in decision-making processes, disclosure of evaluation logic, and a critical approach to automated suggestions. The days when one could hide behind software are over. Anyone who uses AI-based decision-making architecture has a duty—both professional and ethical.

Another key area is interdisciplinarity. AI systems only work if they are fed the right data—and that requires collaboration among architects, engineers, IT experts, and users. The traditional division of roles is dissolving: the architect becomes an interface manager, the engineer a data curator, and the client a co-decision-maker. This new division of labor requires strong communication skills, openness, and a willingness to share responsibility.

The ethical dimension must not be underestimated. Who decides which criteria an AI applies when evaluating a design? Who ensures that algorithms operate in a non-discriminatory and transparent manner? In Germany, the legal framework is still unclear. In Switzerland, initial guidelines exist, but they, too, remain vague. The danger: Those who delegate responsibility ultimately lose control—and risk not only poor architecture but also a lack of social acceptance.

The consequence: Anyone who wants to thrive in the new decision-making architecture must continue to learn, question, and actively shape the process. The days of the brilliant lone wolf are over. The future belongs to those who know how to combine technology, ethics, and creative power—and who do not forget that architecture is more than just an algorithm.

Criticism, Visions, and the Global Discourse—Decision Architecture as a Social Experiment

The introduction of AI-based decision-making architectures is not merely a technical advancement. It is a social experiment—with an open-ended outcome. Critics warn of the alienation of the profession, the commercialization of evaluation criteria, and the danger that algorithms will become the hidden decision-makers. Visionaries, on the other hand, see an opportunity to break with old traditions and make planning more democratic, efficient, and transparent. The global discourse is marked by contrasts—and by the realization that there is no single “right” path.

In the U.S. and Asia, AI is celebrated as a driver of innovation. Rating platforms that make recommendations based on big data and machine learning have long been the norm. In Europe, skepticism prevails. Concerns about data protection, transparency, and cultural identity shape the discussion. At the same time, there is a growing awareness that this transformation is irreversible. Those who fail to keep up will lose influence—and become pawns of global actors.

The debate over the role of AI in architecture is also a debate about power and control. Who decides what gets built? Who determines what is good? And who ultimately bears the responsibility? The answers vary depending on the country, culture, and society. In Germany, there are loud calls for clear rules and public oversight. In Switzerland, the focus is on personal responsibility and participatory processes. Austria is seeking a middle ground—and experimenting with hybrid models.

One important aspect: the significance of the local context. AI systems only work if they are adapted to the specific local conditions. Global standards are helpful, but they cannot replace knowledge of local needs, cultural characteristics, and societal expectations. The future of decision-making architecture is therefore not only digital but also local—a balancing act that requires new skills and new ways of thinking.

In conclusion, one thing is clear: the digitization of decision-making architecture is not a sure thing. It requires courage, openness, and a willingness to question old certainties. Those who dare to experiment stand to gain—in efficiency, transparency, and creative freedom. Those who reject it risk being left behind. The future is open—but it is digital.

Conclusion: Who designs, who evaluates—and who takes responsibility?

Decision-making architecture powered by AI is neither a curse nor a blessing. It is reality—and it is fundamentally changing job roles, processes, and power dynamics in the construction industry. The question of who will design and evaluate in the future cannot be answered with a single name or professional group. It will be a collaboration between people, machines, and organizations. Those who understand this dynamic, master it technically, and reflect on it ethically will not only survive the transformation but also shape it. Those who resist will become mere spectators in their own professional field. The future of architecture is a process of negotiation—between creativity, technology, and responsibility. And that process has only just begun.

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Text-to-Architecture: The New Language of Architecture

Building design
a-room-with-lots-of-plants-and-benches-_IlJrgm5eFo
A modern space with lots of plants and benches, photographed by Teng Yuhong

Architecture from a text field? What sounds like Dada and digital esotericism is actually the hottest trend of the moment: text-to-architecture. AI tools like Stable Diffusion and Midjourney, as well as specialized platforms, suddenly generate plausible floor plans, renderings, and even BIM-compatible models from vague prompts. Architecture is becoming a dialogue between humans and machines—and the profession is in an uproar. But is the hype justified? Who stands to gain, who stands to lose—and how far along are Germany, Austria, and Switzerland? Welcome to the age in which words build.

  • “Text-to-Architecture” refers to the use of AI to generate architectural designs, visualizations, and models from language or text.
  • Germany, Austria, and Switzerland are experimenting, but real breakthroughs are rare—cultural, technical, and legal hurdles are holding things back.
  • Innovative AI platforms are already delivering impressive results today: from initial sketches to complete BIM models.
  • Digitalization and AI are radically transforming the professional role—shifting from that of the traditional designer to that of a curator.
  • Sustainability by Design: AI can help create designs that are more resource-efficient and climate-friendly—or it can have the opposite effect.
  • Technical expertise remains essential: prompt engineering, AI training data, model interpretation, and critical thinking are a must.
  • The debate over copyright, responsibility, and creativity has been ignited—and is being waged more fiercely than ever before.
  • Global pioneers are setting the pace, while the German-speaking world is still weighing the risks.
  • Vision: Architecture as a democratized, accessible field—Danger: Trivialization, bias, and the loss of depth and context.

From Sketch to Prompt: How AI Is Redefining Architecture

Anyone starting an architectural design today might still reach for a pencil—or might already be typing into a text field. Text-to-Architecture is the new interface between idea and space. What began in graphic design with generative AI images has long since arrived in the architectural world. The architectural community is divided: Some see the machine translation of language into space as the democratization of the design world. Others fear the end of the architect’s signature style and warn of an era of synthetic arbitrariness.

From a technical standpoint, Text-to-Architecture works essentially as follows: An AI model is trained on millions of buildings, plans, renderings, and text descriptions. It learns to link language patterns with spatial structures. Anyone who types in “a sustainable, light-filled wooden house with a green roof in the Alps” receives plausible visualizations or even parametric models within seconds. Models like Midjourney, DALL-E, or Stable Diffusion serve as initial testing grounds. Specialized platforms, such as Spacemaker, testfit, or Luma AI, go a step further: they provide floor plans, volume studies, and BIM-compatible outputs. The interaction is shifting—from drawing to prompting.

But it’s by no means as simple as the AI providers’ marketing departments make it out to be. Those who master the tool benefit. Those who rely on AI run the risk of overlooking its limitations. For what is sold as “creativity” is often a statistical approximation of the mainstream. True architectural intelligence remains essential: contextualization, critical reflection, and the ability to distinguish between appearance and substance.

In German-speaking countries, there is still a sense of caution. Universities are conducting research, and architectural firms are experimenting—but true flagship projects are lacking. Fear of losing control, of losing one’s own signature style, and of legal gray areas is dampening the euphoria. While competitions featuring AI-generated designs are already being decided in the U.S. and Asia, Germany is still debating the ethical implications. That’s not how progress works.

Nevertheless, one thing is clear: the door is open. The question is no longer whether AI will find its way into architecture, but how. Those who use it as a tool for inspiration gain speed and scope. Those who switch to autopilot risk plummeting into the banal. The new architectural language is text-based—but translating it into built form remains a matter of craftsmanship and attitude.

The Status Quo in Germany, Austria, and Switzerland: Between the Drive for Research and Denial of Reality

Germany, Austria, and Switzerland have traditionally been skeptical of technological revolutions that undermine their own profession. Text-to-Architecture is no exception. Universities—from the Technical University of Munich to ETH Zurich—are diligently exploring the possibilities. Students generate concept studies via prompts, and design masterclasses produce explanatory videos on Stable Diffusion. But as soon as it comes to implementation in everyday construction practice, the voices grow quieter. Most architectural firms prefer to observe rather than invest themselves.

The reason is obvious: the legal situation is unclear, technical standards are lacking, and the question of who is liable for a flawed AI design remains unresolved. Professional associations issue warnings, industry groups urge caution, and building authorities dismiss the idea. For many, AI-generated design is a nice add-on, but not a tool for the HOAI phases. The feared loss of control outweighs the short-term efficiency gains.

Austria is showing itself to be a tad more willing to experiment. Vienna, for example, is testing AI-assisted neighborhood analyses, and some private developers are having algorithms generate initial volume studies. But here, too, much remains in the pilot phase. Switzerland, traditionally open to innovation, excels with research clusters and startups that bring AI and architecture together. Yet the majority of construction projects remain traditional. The leap from demonstration to implementation is a long one.

It’s fascinating to look at the educational landscape. More and more universities are integrating AI tools into design education. Prompt engineering is becoming a core competency for the next generation of architects. At the same time, the analog design process remains a required course. The hope: a synthesis of digital speed and analog depth. The danger: the next generation gets lost in generation and forgets understanding.

And the government? It’s watching from the sidelines. Funding programs focus on BIM, not on AI-based design tools. Building codes are lagging years behind these developments. While the world is jumping on the AI bandwagon, the German-speaking world is still standing on the platform. Whether this is caution or despondency is open to debate. One thing is certain: the next generation will not wait any longer.

Innovations, Trends, and the Role of AI: Does Typing Mean Building?

The pace of innovation in the field of text-to-architecture is breathtaking. What was considered an academic experiment yesterday is now a reality on the market. AI platforms deliver floor plans, facade studies, and material concepts—all based on text prompts. The quality? It varies, but it’s improving rapidly. Large firms are having initial variants generated, and developers are testing urban planning scenarios via prompts. The speed at which ideas can be visualized has multiplied. This is changing not only the design phase but the entire job profile.

One trend: the integration of AI design into parametric planning processes. Tools like Spacemaker or testfit combine data-driven analysis with generative design. For example, someone planning a residential neighborhood can run through various scenarios using text prompts—from density and orientation to shading. The AI provides options; humans select and fine-tune them. The line between design and analysis is blurring.

A second trend is the democratization of architecture: Anyone with access to a browser and AI can generate designs. This sounds like participation, but it carries risks. The danger of trivialization is real: Those who copy prompts and recycle AI outputs produce a uniform, uninspired result. At the same time, this opens up the opportunity to bring more voices and perspectives into the design process. The role of the architect is changing—from creator to curator, from draftsman to prompt designer.

The role of prompt engineering is particularly exciting. Those who know how to communicate with AI get better results. This requires technical understanding, creativity, and critical judgment. Prompt engineering is becoming a key competency—and a new architectural language. The danger: Those who merely parrot the system produce interchangeable results. Those who understand the system can amplify their own ideas.

And then there’s the big question: What does all this mean for creativity? Some celebrate the explosion of possibilities, while others warn against replacing intuition with statistics. One thing is certain: AI can do many things, but it cannot generate a genius loci. Depth, contextualization, and social embedding—all of that remains the task of humans. The machine types, but humans build.

Sustainability, Technology, and the New Responsibility

Text-to-Architecture promises efficiency, speed, and diversity. But what does that mean for sustainability and responsibility? At first glance, it sounds tempting: AI can simulate millions of variations, suggest climate-friendly materials, and optimize energy flows. In theory, this leads to more sustainable architecture—fewer resources, greater adaptability, and faster scenario development. The catch: the training data and algorithms are often black boxes. They reproduce existing patterns, favor standard solutions, and ignore local contexts.

Anyone who adopts AI outputs without scrutiny runs the risk of engaging in greenwashing on a massive scale. Sustainability does not arise from generating variants, but from understanding interrelationships. AI provides the suggestion; humans must assess the consequences. This requires technical knowledge: How do the algorithms work? What datasets underlie them? How do I interpret the outputs?

Technical expertise becomes the decisive factor. Prompt engineering is just the beginning. Anyone working with text-to-architecture must know how AI is trained, what risks of bias and distortion exist, and how to validate the results. BIM knowledge, data analysis, and a critical eye toward AI logic are essential. Those who do not master these skills will be left behind by their own machines.

The issue of responsibility is also being debated anew. Who is liable for an AI-generated design? Who decides which variants will be implemented? Traditional role models are being broken down. The architectural profession must grapple with new questions: How do you defend copyrights when AI draws from billions of other people’s works? How can you ensure quality and identity when the tool seems all-powerful?

The solution lies in a combination: AI as a tool, not a replacement. Humans remain the thinking, responsible part of the process. AI provides inspiration, analysis, and a wealth of variations. The decision of what gets built remains a matter of knowledge, attitude, and responsibility. Those who understand this can make meaningful use of the new architectural language. Those who surrender to it lose control.

Debate, Visions, and the Global Context: Architecture in the AI Carousel

The debate over text-to-architecture is heated. Some celebrate its democratizing potential, while others warn of uniformity and a loss of depth. Critics point to algorithmic biases, a tendency toward mediocrity, and the danger that AI architecture will degenerate into mainstream kitsch. Proponents see new opportunities for participation, diversity, and speed. The truth lies—as is so often the case—somewhere in between.

Visionary voices are calling for a radical overhaul of architectural education: AI proficiency as a requirement, prompt engineering as the new form of drawing, and collaboration with machines as the norm. The utopia: Anyone can build, anyone can design—architecture as an open, democratized field. The dystopia: Uniformity, generic buildings, a loss of quality and context. The challenge: Shaping the tools so that they generate diversity rather than destroy it.

From a global perspective, the German-speaking world is lagging behind. The U.S., China, South Korea, and the Gulf States are investing heavily in generative AI for architecture. There, competitions are decided by AI-generated designs, startups are developing specialized tools, and architectural education is being reimagined with an “AI-first” approach. The DACH region is debating—and losing momentum. Those who don’t move forward will be left behind.

But even the international pioneers are grappling with problems: copyright issues, ethical debates, the risk of bias, and the challenge of preserving local identity. Text-to-Architecture is not a panacea, but a tool. It requires knowledge, reflection, and creative power. Those who rely solely on AI produce quantity rather than quality.

The global architectural debate has long revolved around questions of algorithmization, the role of humans in design, and responsibility for the built environment. Text-to-Architecture is the latest—but perhaps the most radical—step in this development. The future will show whether the architectural profession masters this tool—or fails because of it.

Conclusion: Words build—but attitude decides

Text-to-Architecture is not a gimmick, but a watershed moment. The new architectural language is text-based, AI-driven, and highly dynamic. It opens up opportunities for efficiency, participation, and sustainability—if used wisely. It carries risks of trivialization, bias, and loss of control—if adopted blindly. In German-speaking countries, there is still some hesitation, while globally, what is typed is already being built. The key insight: AI is a tool, not a replacement. Words build—but attitude determines what endures. Those who understand this can shape the future of architecture. Those who hesitate will be swept away by the next wave of prompts.

MoMa exhibition: Racism and urban planning

Building design

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The current MoMa exhibition “Reconstructions: Architecture and Blackness in America” discusses the role of US architecture in structural racism.

The current exhibition “Reconstructions: Architecture and Blackness in America” at MoMa discusses the role of US architecture in structural racism. The selected works turn places of spatial segregation into places of resistance. This also applies to Walter Hood’s contribution to the exhibition.

“Still no justice for Breonna Taylor” – on March 13, 2020, the Black American Breonna Taylor died from multiple police shootings in her own apartment in Louisville, Kentucky. Twelve months later, the police officers responsible were not brought to justice despite multiple lawsuits. Breonna Taylor, George Floyd, Ahmaud Arbery – these are the names of three African-Americans who died in police shootings last year.

To this day, the widespread Black Lives Matter movement is calling for a comprehensive investigation into their deaths. They use the claims or hashtags “Still no justice for Breonna Taylor” or “Say their names”. While the protests against police violence against Black citizens were particularly loud last year, especially in the USA, the BLM demonstrations have since quietened down. However, the topic and the associated challenges are anything but less relevant as a result. This is also illustrated by the new exhibition “Reconstructions: Architecture and Blackness in America” at the Museum of Modern Art in New York City.

The MoMa exhibition runs until 31 May 2021 and addresses the topics of racism and discrimination against people of colour and marginalized communities in architecture and urban planning. Ten works discuss how skin color and ethnicity shape buildings, neighborhoods, cities and landscapes in terms of cultural identity. Selected architects, designers and artists made these available to MoMa. Their contributions tell the story of how structural racism systematically displaced Black US citizens to places with little quality of life and housing. At the same time, the collages, photographs, installations, etc. show how Black communities brought their surroundings to life despite all adversity.

It was in these places that the American art and cultural movements of jazz, blues, the Harlem Renaissance and hip hop, among others, developed. The exhibition designers portray them as places of resistance, oppression and refusal. At the same time, the works attempt to understand and repair what it means to be American. Looking forward, the MoMa exhibition shows how architecture and urban design can prevent spatial segregation and at the same time make equitable, inclusive urban spaces possible.

The responsibility of the individual

Structural racism is firmly rooted in decision-making processes and routines in the United States of America. Anti-Black racism is reflected in the built space of countless US cities. Their urban design often ignores the fate of Black communities.

The online program “Reimagining Blackness and Architecture” accompanies the exhibition at the Museum of Modern Art. The virtual program offers original films, audio interviews and readings. They illustrate how ethnicity and ethnic-cultural exclusion shape architecture and the built environment. The digital courses challenge and encourage creative exploration of one’s role in shaping open and diverse communities.

Also a contribution by Walter Hood

The exhibition features works by Emanuel Admassu, Germane Barnes, Sekou Cooke, J. Yolande Daniels, Felecia Davis, Mario Gooden, Walter Hood, Olalekan Jeyifous, V. Mitch McEwen and Amanda Williams, as well as recent photographs by artist David Hartt. From porches in Miami to freeways in Oakland and Syracuse, each project proposes an intervention in ten U.S. cities.

“Black Towers/Black Power” is the name of Walter Hood’s contribution to the exhibition. It is no great surprise that the architect and landscape architect is also involved in the MoMa exhibition. For decades, he has been very consciously committed to community-promoting spaces with a focus on the Black community. For example, the UC-Berkeley professor of landscape architecture, environmental planning and urban design was also the lead architect on the remarkable transformation of the “Curtis 50 Cent Jackson Community Garden”. The urban garden in New York’s Jamaica Queens district is named after none other than the US musician and rapper 50 Cent. He grew up here and, with his “G-Unit Foundation”, was also one of the key initiators of the redesign in 2007.

You can read more about Walter Hood and why he believes American landscape architecture lacks empathy here at topos magazine.

“Reconstructions: Architecture and Blackness in America”

Exhibition period: February 27 to May 31, 2021

Location: Museum of Modern Art (MoMa) in New York City

Online: Find out all about the accompanying online program “Reimagining Blackness and Architecture” here.

However, admission to MoMa is currently only possible with an advance ticket.