Define utilization units: The logic of the construction phases

Building design
photography-from-the-bird's-eye-view-of-white-buildings-iZsI201-0ls

Aerial view of white buildings, photographed by CHUTTERSNAP

Define usage units: The logic of building sections – sounds like a dust-dry jungle of paragraphs, but is actually the backbone of any sustainable urban development. Anyone who defines usage units incorrectly is not building for people, but for Excel spreadsheets. And building sections? They decide whether a neighborhood is alive – or whether it is already outdated before you move in. Time for a reality check between German precision, Austrian pragmatism and Swiss systematics. Welcome to the engine room of architecture – where the future is planned, built and sometimes even screwed up.

  • What utilization units and construction phases really mean in today’s urban planning – and why they are more than just planning details.
  • How definitions, standards and methods differ in Germany, Austria and Switzerland – and what this means.
  • Which trends and innovations are fundamentally changing the logic of construction phases – from BIM to AI-based usage forecasts.
  • Why digitalization and automation are revolutionizing the planning of usage units – and what risks this entails.
  • How sustainability, flexibility and the circular economy are placing new demands on construction phases.
  • What know-how is needed today – from standards to data expertise.
  • Why the debate about units of use reveals a lot about power, responsibility and visions in the construction industry.
  • How the DACH region compares internationally – and who really sets the standards.

From parcel to utilization unit – planning logic or bureaucratic folklore?

In theory, everything is clear: usage units are the smallest functional units of a building or neighborhood for which independent uses are intended. An office, an apartment, a store, a daycare center – all neatly separated, all defined. In practice, however, the chaos begins when trying to record these units with legal certainty. This is because building regulations, fire protection concepts, energy certificates and rental agreements are worlds apart. Germany loves the standard, Austria the exception, Switzerland the system. And so it happens that one and the same building suddenly has ten, twenty or thirty units of use, depending on the interpretation. The consequences are anything but academic: they affect operating costs, the tax burden, the approval period and even the value of a property.

It becomes even more complicated when different uses are combined. Anyone planning a mixed-use district knows that the definition of the usage units determines whether synergies arise or conflicts are inevitable. A café on the first floor can have an invigorating effect – or become a problem for noise protection. A co-working space in a residential building goes beyond the scope of traditional classifications. And when it comes to social infrastructures, conventional grids reach their limits. The actual planning therefore begins where the form ends.

However, the question of usage units is not only technical, but also political. Who actually decides how many units are permitted? The local authority? The investor? The algorithm? Often more power is exercised here than in many a city council plenary session. This is because the definition of usage units effectively determines the social and functional mix of a city. And this is far more than a bureaucratic act – it is urban policy in its purest form.

The dilemma is particularly clear in the DACH region. While Switzerland codifies its building laws down to the last detail, Austria relies on generous scope for interpretation. In Germany, on the other hand, there is a veritable patchwork of state building regulations and model regulations. The result: no two projects are the same, and the units of use are never really comparable. What remains is a permanent balancing act between legal certainty, functionality and social expectations.

At the end of the day, the realization is that usage units are not just planning tools, but an expression of urban identity. If you define them too schematically, you miss out on the reality of life. Those who define them too openly risk chaos and conflict. The art lies in combining the two: Clarity and flexibility, order and openness. An art that is in demand today more than ever.

Construction phases as pacemakers – from project management to urban choreography

In traditional project development, construction phases are the method of choice for taming complexity. They divide large projects into manageable units, enable phased approvals and reduce financial risks. Sounds sensible – but in reality it is often a balancing act between efficiency and flexibility. After all, what appears to be a neatly timed process on paper quickly turns into a gauntlet of approval jungles, neighborhood protests and changing usage requirements during implementation.

The real challenge lies in defining construction phases in such a way that they make sense both structurally and operationally. Too coarse a layout leads to rigid structures that can hardly react to changes. In turn, too fine a definition increases coordination effort and costs. In practice, a distinction is therefore often made between “hard” and “soft” construction phases – depending on whether they are defined in strictly structural or functional-flexible terms. This distinction becomes a question of faith when it comes to mixed-use projects with residential, commercial and public infrastructure.

Internationally, the DACH region is rather cautious. While in the Netherlands or Scandinavia, construction phases are increasingly understood as open development windows, the primacy of planning security still dominates in German-speaking countries. This leads to long lead times, but also to a certain sluggishness. Innovative approaches such as “adaptive master plans” or “incremental development” are only slowly finding their way into practice. Anyone experimenting here runs the risk of getting stuck in a jungle of paragraphs – or, in the worst case, failing due to contradictory approval requirements.

Another problem: construction phases are often seen as purely technical control instruments. Many overlook the fact that they also have social and ecological effects. Those who build housing first and postpone social infrastructure until the day after tomorrow breed dissatisfaction and conflict. On the other hand, those who react flexibly can respond to new needs and keep neighborhoods vibrant. The construction phase thus becomes the pacemaker of urban development – but only if planning and operation are understood as an ongoing process.

The central question is therefore: how can construction phases be designed in such a way that they are not only efficient, but also resilient and sustainable? The answer lies in a new balance between standardization and openness, between control and trust. And in future, this will no longer just be negotiated on the drawing board, but increasingly digitally.

Digitalization, BIM and AI – the new logic of usage units and construction phases

Anyone planning units of use and construction phases today can no longer avoid digitalization. Building Information Modeling (BIM), digital twins and AI-supported forecasting tools have radically changed the fundamentals of planning. Suddenly, usage units can not only be defined statically, but also simulated dynamically. What used to take weeks can now be done in minutes: Variants are calculated, dependencies are made visible, scenarios for conversions or redensification are tested in real time.

The change brought about by AI is particularly exciting. It makes it possible to define usage units not only according to fixed typologies, but also according to actual user behavior and demand. Sensor technology and data analysis provide information on how rooms are actually used – and help to plan construction phases in such a way that they can be adapted to changing requirements. The result: the boundary between planning and operation becomes blurred. Utilization units become flexible modules, construction phases become iterative development steps.

But the digital euphoria has its downsides. The definition of usage units by algorithms harbors the risk that decisions will become less transparent. Who still understands how an AI system proposes the optimal allocation? And who is responsible if the forecast turns out to be wrong? There is also the risk that digital tools will create new dependencies – for example on software providers or proprietary data formats. The technical expertise of planners is therefore becoming a key qualification. Those who do not undergo further training in this area will quickly lose touch.

In Germany, Austria and Switzerland, people are cautiously optimistic. Pilot projects in Vienna, Zurich and Munich show what is possible – but also where the limits lie. The integration of BIM and digital twins into approval processes is still a dream of the future in many places. There is a lack of standards, interfaces and legal clarity. Nevertheless, the trend is clear: the future of usage units and construction phases is digital – and is becoming a playing field for architects, engineers, data analysts and project developers alike.

Anyone working in design today has to ask themselves: am I still working with classic room programs – or am I already thinking in terms of flexible, data-based usage patterns? Anyone managing projects should know this: Construction phases are no longer linear phases, but part of a continuous adaptation process. Digitalization opens up opportunities – but only if they are used with expertise, creativity and critical reflection.

Sustainability and the circular economy – new standards for units of use and construction phases

The days when units of use and construction phases were defined purely in functional terms are over. Sustainability, climate protection and resource efficiency pose completely new challenges. Suddenly, it’s no longer just about making optimum use of space, but also about how flexible, durable and demountable these units are. The construction phases are becoming a lever for the circular economy: anyone developing a neighborhood today has to think about subsequent dismantling, reuse and material cycles right from the first cut of the spade.

This sounds like a dream of the future, but it has long since become reality. In Switzerland, for example, construction phases are increasingly being planned in such a way that they allow for modular adaptations and later changes. In Austria, pilot projects rely on flexible floor plans that can be adapted to new requirements over time. Germany is slowly following suit – driven by new sustainability certificates, pressure from the EU taxonomy and, not least, rising social expectations.

The central technical challenge: usage units must be designed in such a way that they can be converted without great effort. This applies not only to the architecture, but above all to the building technology, access and digital facility management. In turn, construction phases must be staggered in such a way that they promote rather than hinder cycles. Those who still plan in rigid, monofunctional building sections today will be overtaken by flexible, adaptive neighbors tomorrow.

Another area is the integration of sustainability goals into digital planning tools. BIM models can now simulate life cycles, record material flows and calculate CO₂ balances for individual usage units. This opens up completely new possibilities for optimizing construction phases – provided the database is correct and the planners know how to read it.

And that brings us to the real issue: sustainable usage units and building sections are not a product of chance, but the result of know-how, creativity and the courage to change. They require thinking in scenarios, a willingness to experiment – and the humility to accept that not everything can always be planned. Those who understand this can build cities that not only function today, but will also endure tomorrow.

Debates, visions and the future of logic – utilization units as a mirror of architecture

The discussion about units of use and building sections has long been more than just a technical issue. It touches on fundamental issues such as social justice, participation and the future of urban coexistence. Critics complain that an overly rigid definition of usage units hinders social mixing and slows down innovative forms of living and working. Others warn against the opposite: too much flexibility leads to uncontrolled growth, conflicts of use and a loss of planning control.

Visionaries are therefore calling for new models. They are focusing on hybrid usage units that combine living, working, learning and leisure. They think of building phases as open platforms that can be reconfigured with each stage of development. In Switzerland, “transformative districts” are already being discussed, in which construction phases are no longer seen as end products, but as starting points for further development stages.

The international debate shows how much the logic of usage units is changing. In Asia, for example, entire urban districts are planned as adaptive systems in which usage units and construction phases are continuously redefined – depending on demand, data situation and social change. Europe is finding it more difficult, but demands are growing here too. The DACH region is faced with the task of combining its famous planning culture with new forms of openness and participation.

Architects, urban planners and developers must therefore see themselves more than ever as process designers. They are not only responsible for defining units of use, but also for their constant further development. This requires not only technical know-how, but also a keen sense of social trends and conflicts. Those who get involved can actively shape the future of the city – those who don’t will be overtaken by reality.

In the end, the realization remains: usage units and building sections are a reflection of the architecture itself. They show how we plan, how we build and how we want to live. Their logic determines the quality of our cities – and whether we are prepared to respond to uncertainties with creativity and courage.

The next few years will show whether the DACH region can play to its strengths: Systematic, precise, innovative. Or whether it will get lost in the thicket of its own regulations. Only one thing is certain: the logic of units of use is on the move – and that’s a good thing.

Conclusion: usage units and building sections are not an end in themselves – they are the city’s operating system. Those who understand them can make urban development smarter, more sustainable and more vibrant. Those who ignore them are planning past the future. It is time for new definitions, for more courage and for a critical look at old certainties. Because the logic of the construction phases will determine how we live tomorrow – and who gets a say in it.

POTREBBE INTERESSARTI ANCHE

Piero della Francesca in London: “The Nativity” is once again open to the public

Building design
Now open to the public again: The newly restored painting of the "Nativity" by Piero Della Francesca in the National Gallery London. Photo: © The National Gallery

Now open to the public again: the newly restored painting of the "Nativity" by Piero Della Francesca in the National Gallery London. Photo: © The National Gallery

After three years of restoration, “The Nativity” by Piero Della Francesca is now open to the public again at the National Gallery London

After three years of restoration, “The Nativity” by Piero Della Francesca is now open to the public again at the National Gallery London

The National Gallery in London recently completed the three-year restoration of Piero della Francesca’s “The Nativity”. At the beginning of December, the National Gallery presented the freshly restored and newly hung and framed painting as its Christmas present to the British.

Christmas present to the British: The newly restored “The Nativity” by Piero della Francesca

The 124.4 x 122.6 centimeter painting, created between 1460 and 1475, is considered to be one of the last that Piero della Francesca painted before he went blind. It was once owned by the family (the Marini Franceschi family from Borgo San Sepolcro, a descendant of Piero della Francesca’s brother Marco). In 1861, it was bought by the Briton Alexander Barker. It was acquired by the National Gallery in 1874. However, the painting was in such poor condition that even the British Parliament inquired whether the work was original or complete. The painting was badly damaged – the faces of the shepherds were as if erased and the colors appeared dull – and the panel support was cracked. The first restoration work was carried out in 1884, followed by further work in the 1950s to repair the loss of colour and stabilize the fragile poplar panel.

The painting has now undergone another 36 months of extensive restoration with the support of the Rothschild Foundation and the London Old Master dealer Fabrizio Moretti. To coincide with the rehanging and reframing of the painting at the beginning of December 2022, the National Gallery published a video about the work, which was led by Jill Dunkerton. The lead conservator kept the interventions to a minimum, but retouched the depiction of the shepherds in part using Piero della Francesco’s precise underdrawings to enhance the overall impression.

You can find out more about the restoration work in the video here:

“Spending the last three years with this beloved painting has been a real privilege, but also a huge responsibility,” explained Jill Dunkerton, the lead conservator, on the occasion of the new presentation. “Every decision, every tiny brushstroke of retouching, affects our perception of the painting’s appearance and meaning, potentially for many generations to come. I hope that visitors can now experience the quiet magic of the painting without the distraction of past damage.”

New framing, new hanging in its own room

The restoration was eagerly discussed in the British press and on Twitter: Art Newspaper / ARTnews). The art critic Jonathan Jones, known for his polemical tone, complained in his column in the Guardian, among other things, that the painting had now been prettied up as if for sale at the London art fair “Frieze. But it’s best to see for yourself: since December 1, “The Nativity” by Piero Della Francesca has been hanging in its own room at the National Gallery, inviting visitors to contemplate it in silence.

We wish all our readers a Merry Christmas and a relaxing holiday season!

Sharing and discussing digitization experiences

Building design

The annual conference of the German Museums Association is the largest museum conference in Germany. From May 2 to 5, 2021, it will take place online on the topic of “Digital Collection Work: The Changing Museum” It has become a nice habit that the individual working groups also meet during the annual conference of the Museumsbund. Even in this year of the digitally networked […]

The annual conference of the German Museums Association is the largest museum conference in Germany. From May 2 to 5, 2021, it will take place online on the topic of “Digital Collection Work: The Museum in Transition”

It has become a nice habit that the individual working groups also meet during the Museum Association’s annual conference. Even in this year of digitally networked working at home, this has not changed. Only the word “digital” appears more frequently than ever before and the opportunities offered by digitization are being used and discussed particularly intensively. It is therefore hardly surprising that the spring conference of the German Museums Association is being held under the extremely timely heading: “Digital Collection Work: The Museum in Transition” and will be held entirely digitally.

From 2 May 2021, digital experts and museum employees from all over Germany will present their thoughts on museum work in the age of digitalization. Legal issues will be addressed as well as questions of networked research and opportunities to earn money with digital museum offerings. A questioning look at the topic of “Digitality as the ultima ratio in culture?” will conclude the three-day exchange of ideas, which will be followed by the working group meetings on the fourth day of the conference.

The speakers describe the topic of the conservation/restoration working group as follows: “We would like to discuss the benefits and limitations of the digital in conservation and look at the tools currently relevant to our fields of activity.”

In a compact, digital two-hour meeting, four areas in which digital work is possible will be presented. One lecture will deal with the mediation of restoration work using the example of Ernst Ludwig Kirchner’s “Bathers in Space” in an exhibition at the Saarland Museum. The following lectures will present “Digital tools for conservators in the museum”, “Digital courier support” and a “Handreichung Leihverkehr”. The organizing team does not claim to cover all areas that can work with digital possibilities in these two hours. The aim is to deal with topics “that the pandemic has brought to the fore”, according to the invitation.

Nobody has to miss out on meetings with speakers, networking, discussions and break-time talks during this conference from home. The Museumsbund promises digital services for all these conference-specific options.

Registration for the annual conference of the German Museums Association is possible at https://www.museumsbund.de/aktuelles/jahrestagung/. To take part “only” in the working group conference, you also need to register with the Museumsbund. An invitation to the free TEAMs meeting of the working group will then be sent out.