Domino Square: A hybrid urban building block for Brooklyn

Building design

Domino Square as a linking space between infrastructure, public square and urban landscape. Photo: Michael Vahrenwald

Domino Square forms the final element of the Domino Campus in Williamsburg, Brooklyn, which stretches between the landmarked sugar refinery, the One Domino Square towers designed by Selldorf Architects, Kent Avenue and the expansive Domino Park. The one-hectare complex is integrated into this urban context as a multi-dimensional structure: it combines town square, retail and infrastructure.

The building is positioned on an underground water treatment plant and structures the public space above with a sloping, accessible roof landscape. This form creates a seamless connection to the adjacent Domino Park and at the same time generates a programmable area for events. The facility is designed in such a way that it functions not only as a transit area, but also as an independent recreational space. The topography of the square allows for different perspectives on the surroundings, which is a welcome enrichment, especially in densely built-up urban areas.

Studio Cadena designed the building as a kind of “hybrid urban building block”. On the street line, gabled retail fronts with a continuous arcade define the edges of the square. The entrances are deliberately kept low and extend upwards to form striking roof lines. This differentiated design responds to the human scale and provides a counterpoint to the surrounding high-rise buildings.

The façade design relies on raw, weather-resistant materials. The supporting columns made of sandblasted concrete, whose width varies between one and one and a half meters, underline the industrial character of the site. Visible pipe structures of the underlying infrastructure reference the site’s history as a production facility and continue the formal language of the neighboring industrial architecture. The choice of materials was not only based on aesthetic considerations, but also on ecological and functional aspects. Concrete offers durability, while the exposure of the load-bearing elements allows the space to be used flexibly in the future.

The landscape architecture by Field Operations uses the topography of the building to create a stepped square that can be used for a variety of purposes. The sloping roof landscape forms an “urban grandstand” that serves both as a venue for cultural events and as a recreational space. Integrated tree plantings of deciduous and coniferous trees provide seasonal differentiation and natural sun protection. The planting was strategically chosen so that it not only sets visual accents, but also has a positive influence on the microclimate of the square. The placement of wind-breaking elements reduces the unpleasant downdraughts that often occur in high-density locations.

A separate, quieter area in the south-west of the square offers places of retreat with seating niches and raised plant beds, which also form a buffer zone to the adjacent residential buildings. From a viewing terrace at the south-west corner, the view opens up over Domino Park and the Williamsburg Bridge. The design of this area was undertaken with the diverse user groups in mind: While some zones are designed for interaction, others are deliberately screened off to create quiet places to spend time.

Domino Square is an example of the increasing hybridization of urban construction tasks, in which architecture, infrastructure and public space merge together. The design as a walk-in building integrates urban resilience strategies, including the visualization of technical infrastructure and the consideration of climatic conditions through the choice of materials and greenery. At the same time, the project shows how former industrial areas can be transformed into highly attractive and functional public spaces without losing their historical identity.

The development of the Domino Campus follows a mixed-use strategy that promotes not only high-quality open spaces, but also commercial and social programs. Domino Square demonstrates how architecture in post-industrial urban areas can act not only as a formal object, but as a functional, flexible component of the urban fabric. In addition, the incorporation of infrastructure elements into the architectural concept demonstrates a new approach to technical necessities: Instead of hiding them away, they are integrated into the design and incorporated into the public space.

Domino Square is therefore not just a square or a building, but a forward-looking model for multi-layered urban development that responds to the needs of different user groups and expands existing urban structures without dominating them.

Also interesting: The Little Island by Heatherwick Studio.

POTREBBE INTERESSARTI ANCHE

Sebastian Stettner – Work assignment successful

Building design

From 1995 to 1999, the author restored five paintings from the main altar of the Franciscan church in Subotica (Hungary). The archive material available there already provided indications of the authorship of Sebastian Stettner (1699-1758). The documents in Subotica describe, among other things, the execution of the commission. According to them, Sebastian Stettner painted St. Michael “with extraordinary skill and expertise” in such a way that he […]

From 1995 to 1999, the author restored five paintings from the main altar of the Franciscan church in Subotica (Hungary). The archive material available there already provided indications of the authorship of Sebastian Stettner (1699-1758).

The documents in Subotica describe, among other things, the execution of the commission. According to them, Sebastian Stettner painted St. Michael “with extraordinary skill and expertise” in such a way that he steps on the devil. However, the client criticized the number of devils: “Why so many devils?” (Archivium 1751: 30). The artist therefore had to make changes to his painting and probably painted a completely new picture, as X-ray examinations showed no traces of overpainting. As things stand at present, he probably only submitted an oil sketch to the director of the House of the Order and chose the current iconographic concept before executing it. Unfortunately, these or other sketches by Stettner have not survived. They would have provided a better indication of his drawing skills and would have brought us closer to the art workshop where he studied.

However, by examining the materials and production techniques and evaluating the sources, a total of 14 works could be attributed to this master. The painter and gilder, whose origins are documented as “Dorst, Baijern” but could not be verified, settled in Buda (Hungary) in 1727, where he was granted citizenship in 1736. The city fathers made their decision dependent on the consent of two painters in Buda: Georg Falkoner (1646-1741) and Kaspar Landtrachtinger (1670-1744). Around 1738, his marriage to Maria Theresia Seth (1716-1789) enabled him to acquire a house in which he ran his workshop. His wife was also a painter and continued to run the workshop after Stettner’s death.
You can find out more about Sebastian Stettner’s painting technique in RESTAURO 4 / 2014.

Adding a storey to a house using a 3D printer

Building design
PERI realizes the world's first residential building extension with 3D concrete printing technology in Lindau.

The PERI company is realizing the world's first residential building extension with 3D concrete printing technology in Lindau/Lake Constance. Photo: PERI

After the first residential building with 3D printing technology, PERI has now realized the world’s first residential building extension – also with a 3D printer – in Lindau. You can read all about the project here.

Following the first residential building with 3D printing technology, the company Peri has now realized the world’s first residential building extension – also with a 3D printer – in Lindau. You can read all about the project and its significance for contemporary urban development in terms of redensification here.

A few weeks after Germany’s first 3D-printed house was opened in Beckum, the Weißenhorn-based formwork giant Peri is once again making a name for itself with a project on Lake Constance. This time with the addition of a storey to a residential building in Lindau, Bavaria.

The planning architect André Baldauf is extending the residential building by one storey. What is unique about this residential extension is that the load-bearing wall structures of the new storey are applied to the existing load-bearing structure using a 3D concrete printer. For this purpose, the old roof is first removed and a concrete ceiling is placed on top. In contrast, the ceiling is still being produced conventionally, as current 3D printing processes are not yet suitable for ceilings.

This creates an additional storey on the house with a floor area of 120 square meters and a height of 3.70 meters. The insulation made of Neptune gas insulates the double-shell walls. A new timber folding roof completes the extension at the top. With this project, Peri wants to show how flexibly 3D printing technology can be used in building construction. A particular challenge in the extension project in Lindau was the slope of the property, which initially posed difficulties for those involved in setting up the 3D printer. Like the house in Beckum, the extension in Lindau is a prototype project for Peri, with which the company wants to demonstrate the possibilities of its technology.

Similar to a 3D printer for plastics, the 3D concrete printing process from Danish company Cobod used here involves applying layers of specially designed concrete on top of each other until the desired wall height is reached. This is because the printer is set up as a gantry printer. This means that the machine stands on a structure that spans the work surface. This allows the print head to move in the resulting space. The print head uses a nozzle to apply layers of concrete two centimetres high and five centimetres wide as standard.

Layer by layer, load-bearing walls are created that can follow almost any curves and curves. The layer structure creates the corrugated look of the walls that is typical of this 3D printing variant. According to the manufacturer, the printer used (BOD2) takes around five minutes to print one square meter of double-skin wall.

The concrete used is a special formulation. The manufacturer HeidelbergCement has developed this specifically for 3D printing and calls it “i.tech 3D”. It is designed for good pumpability and high green strength and allows fresh-in-fresh printing. The special concrete is said to be fully recyclable and its development focused on the lowest possibleCO2 footprint. According to the manufacturer, up to 50 percent ofCO2 emissions can be saved compared to conventional concrete construction.

The advantages and disadvantages of adding storeys to buildings using 3D printing are similar to those of 3D building printing in general. In terms of time, costs and manpower, the technology already has an advantage over molded concrete in certain areas of application. In addition, complex shapes can be realized without high additional costs. However, there is currently no way to print reinforced walls with increased load-bearing capacity. This is because the choice of materials for 3D printing of buildings is still very limited.

3D concrete printing could provide a significant boost to urban densification. Where possible, a 3D-printed extension can also be harmoniously added to complex building structures. Compared to traditional construction methods, the disruption caused to the surrounding residents by the construction work would ultimately be reduced, at least in terms of time. This could therefore pave the way for greater acceptance. In the near future, the method could also offer considerable cost savings in some cases compared to traditional formwork concrete construction.

The 3D printing of buildings is still in its infancy and is currently undergoing a rapid phase of development. We can look forward to many more innovations in this area before certain processes become established and suitable for the mass market.

You can find more information on Peri’s 3D concrete printing process on the manufacturer’s website.

Also interesting: In Hamburg, the urban real estate developer Sprinkenhof is planning an administrative building in timber construction together with ADEPT. This is set to become Germany’s largest timber building.