The Coin Cabinet in Dresden’s Royal Palace has to be temporarily closed. A whitish coating was found on 100 silver coins on display. Jens Dornheim has to speak of damage: “It’s hard, but there’s no other way to put it.” The restorer at the Coin Cabinet of the Dresden State Art Collections has found a whitish coating on 100 silver coins on display. Initial analyses have […]
The Coin Cabinet in Dresden’s Royal Palace has to be temporarily closed. A whitish coating was found on 100 silver coins on display.
Jens Dornheim has to speak of damage: “It’s hard, but there’s no other way to put it.” The restorer at the Coin Cabinet of the Dresden State Art Collections has found a whitish coating on 100 silver coins on display. Initial analyses have shown that a silver chloride coating has formed on the surfaces of various unpreserved silver coins covered with historical sufid patina. “The coating is extremely thin and difficult or impossible for visitors to see,” says Dornheim. The restorer discovered it in December during one of his weekly tours of the exhibition. It makes the silver of various alloys appear like the much duller pewter.
The coin cabinet has now been closed as a precaution and all 1,400 silver coins have been removed from the display cases. The exhibition shows a total of 3,300 objects on 350 square meters. The Dresden Coin Cabinet’s collection includes 300,000 objects from antiquity to the present day. It is one of the largest universal collections of European significance. Saxon coins and medals alone account for 30,000.
In Dresden, people are still at a complete loss as to where the white coating comes from. After more than ten years of closure, the Coin Cabinet moved into the rebuilt Residenzschloss in 2015 and opened its new permanent exhibition there on June 7, 2015. “Of course, all the display case materials were tested beforehand,” says Jens Dornheim. Coins and medals made from other materials are not damaged. Even exhibits made of the much less noble and more reactive lead do not show any deposits.
Jens Dornheim was able to clean most of the coins with silver chloride plating with water. The coating could only be removed from two pieces. “We have not observed any surface changes on the undersides, but they are particularly strong on rougher surfaces,” says Dornheim and therefore assumes that an “air problem” leads to the silver chloride deposits. But exposure to light could also be a decisive factor, although all display cases are illuminated UV-free. The conservator does not want to commit himself to a single cause at the moment; too many different factors could play a role in the presence of hydrochloric acid and its reaction with the visible silver surfaces.
The causes are being investigated
One thing is certain: no coin cabinet in Europe has ever seen anything comparable. After discovering the silver chloride, the Dresden restorer asked specialist colleagues from various coin cabinets for advice, but neither they were aware of the phenomenon nor could anything be found about it in the specialist literature, says Dornheim.
The search for the reasons for the chemical reaction of the silver coins has now begun. An organic cause has already been ruled out. Further research is underway together with the Technical University of Dresden and the Dresden University of Fine Arts. When there are results, Dresden will communicate them to all experts, promises Jens Dornheim.
The good news
However, visitors will not have to do without the Saxon Coin Treasures while the cabinet is closed. The art collections intend to integrate temporary coin exhibitions into their other exhibitions over the next few weeks.
Strasbourg is an elegant, expensive city. The unfortunate German past has been overcome and it is now easier to communicate in Alsace in English than in German. In this European environment, Les Haras has a clear French accent.
Strasbourg is an elegant, expensive city. The unfortunate German past has been overcome and it is now easier to communicate in Alsace in English than in German. In this European environment, Les Haras has a clear French accent.
The satnav had sent us through desolate suburbs, followed by a few oversized administrative buildings and then a dilapidated hospital. We should be there soon. In fact, after a bend in the road, the clay-colored walls of the former stud farm appeared, which has been home to an elegant hotel since last fall without any external pomp. From here, it really is only a few steps to Petite France, where the old town begins.
The hotel itself leaves no doubt as to its category and proudly presents its French character. Here in France, we would rely on the obligatory standards of historical architecture, on sharp incisions of glass, steel, concrete and, apart from the material colors, on strong contrasts. Here, architect Sanjit Manku and designer Patrick Jouin were inspired by the building’s former use as stables. In the foyer, horses cast their shadows like giant silhouettes. The room doors have been given sturdy wooden reveals, rough brown leather frames the beds and lies like a saddle over the heavy stool blocks.
The bar, which is also the breakfast room, is lined with oak planks, black enamel pendulums send dispassionate beams of light across the tables. Other details will be classified as bourgeois: the thick sand-colored carpets that run through the corridors and up the stairs and mark the room doors with the heraldic lily motif of the Bourbons. The discreet golden sheen on the fittings, mirrors and toilet brushes also acclimatizes nouveau riche guests rather than true nobility. A separate toilet offers comfort, but without a hand basin, you don’t want to know how many handles and switches the last guest touched on the way to the bathroom (toilets still have a makeshift quality in French restaurants).
Fortunately, however, the architecture at Les Haras has always been able to prevail over the design. For example, the many necessary staircases are designed as angular or curved works of spatial art. The highlight is the inviting spiral staircase in the restaurant (run by Marc Haeberlin!). It looks like a domesticated version of Behnisch’s staircase in the Bundestag in Bonn.
It is magical to end the day with a last glass in the hotel’s courtyard square. The former riding arena with a mighty Sophora Japonica is lined on three sides by the old stables, while a new wing of red bricks closes off the fourth. Without jointing, they form a rough industrial façade in which all openings are framed with brown sheet metal (unfortunately only painted, no Corten steel).
If you are looking for other architectural destinations, you should visit the church of St. Pierre-le-Jeune, the restored rooms in the Aubette (van Doesburg, Arp, Taeuber-Arp) and the Museum of Modern and Contemporary Art by Adrien Fainsilber. It’s hard to imagine it without the colorful foil façade by Daniel Buren (until January 4, 2015).
Address
Les Haras
23 Rue de Glacières
6700 Strasbourg
003 3 90 20 50 00
info@les-haras-hotel.com www.les-haras-hotel.com
A new founding director for the Federal Foundation Bauakademie
Building design
Advertorial Article Parallax Article
The Board of Trustees of the Federal Foundation Bauakademie announced Guido Spars as founding director. Over a year after the first call for proposals. A timeline.
Last week, the Board of Trustees of the Federal Foundation Bauakademie announced Guido Spars as the new founding director. Fun fact: The information came almost exactly one year later (plus one day) after the lawyer and SPD politician Florian Pronold hadofferedhis resignation following massive criticism – including from the planning profession. A timeline.
The Bauakademie was a construction site for a long time. Is everything now over for the Federal Foundation Bauakademie with founding director Guido Spars? (Photo: Pazit Polak/Flickr)
On November 14, 2019, State Secretary for Construction Anne Katrin Bohleannounced on behalf of the Federal Ministry of the Interior, Building and Community (BMI)that the BMI’s search committee had selectedFlorian Pronold (SPD) as the founding director of the Federal Foundation Bauakademie .
The Federal Foundation Bauakademie, which was actually founded in 2019 and is based in Berlin, will be dedicated to building in the future: In the rebuilt building of the Berlin Bauakademie as a physical location. But also as an independent and forward-looking national and international meeting and communication platform for the presentation and discussion of building in all its facets. It is intended tooffer in all areas of construction – from architecture and civil engineering to urbanism and the construction industry – in crafts and industrialspace and occasions for dialog with the public and representative uses.
However, the appointed founding director Florian Pronold was obviously a controversial choice. Less than two weeks later, on November 27, 2019, numerous opponents hadformed a protest: An open letter reached Federal Minister Horst Seehofer, the members of the Board of Trustees of the Federal Foundation Bauakademie as well as President Barbara Ettinger-Brinckmann and President Hans-Ullrich Kammeyer.
In the open letter, the authors and signatories questioned Pronold’s competence for the position. They spoke out against the selection process.
In their criticism, the authors of the letter referred to the job advertisement, which was“precisely and clearly formulated” – and demanded a range of skills from any candidates. Competencies that the authors did not see reflected in Florian Pronold’s CV.
The lawyer Florian Pronold, who at the time wasParliamentaryStateSecretaryat the Federal Ministryfor the Environment, Nature Conservation and Nuclear Safety (BMU) and before that ParliamentaryState Secretaryat the Federal Ministryfor the Environment, Nature Conservation, Building and Nuclear Safety (BMUB), was a professional politician with no connection to the world of construction – and no experience in it.
The authors of the letter also criticized the fact that the recruitment consultancy entrusted with the selection process had excluded “much more competent people […] whose qualifications matched the job advertisement”.
Competitors file a lawsuit
The conclusion of the letter: “By filling the position of director with the verystatesecretarywho had previously led the process at the BMUB and not with a competent person, the opportunity toestablishthefuture Bauakademie as a relevant and internationally respected architecture center, as a lively place of architectural debate and building culture,has been missed.”
For this reason, the signatories of the letter – including Louisa Hutton, Christoph Ingenhoven and Werner Sobek – called on Federal Minister Horst Seehofer and State Secretary for Building Anne Katrin Bohle to annul the result and launch a new, more transparent application process.
However, the BMI continued to stand by its choice. As a result, two of the rejected applicants filed a lawsuit with the Berlin Labor Courtin December 2019 for an interim injunction – on the grounds thatPronold demonstrably did notmeet the required qualifications of the job advertisement.
Pronold‘s resignation . Or not?
The hearing took place on January 7, 2020: The Berlin district courtruled in favor of the plaintiff Philipp Oswalt and issued a temporary injunctionprohibitingthe Bauakademie from filling the position with Pronold. A trial on the merits would have to clarify whether Pronold‘ s selection was based on a flawed selection procedure.
The Bundesstiftung Bauakademie lodged an appeal against the ruling.
Two weeks later, towards the end of January 2020, the dispute over the appointment of Florian Pronold as founding director of the Federal Foundation Bauakademie escalated : Pronold, a lawyer, responded to the criticism of his person with injunctions against journalists who reported on the open letter.
From then on, it became quieter around Pronold’s person and his qualifications. Until March 10, when he finally announced on his website that he would not be able to take up his post as Director of the Federal Foundation Bauakademie until August 15 at the earliest. Due to the delay of three and a half months, he would no longer be able to take care of the development of the foundation on a voluntary basis before then. This would considerably impair the successful establishment of the Federal Foundation Bauakademie, although full and rapid capacity to act is necessary in the foundation phase. For this reason, he had asked the Board of Trustees to relieve him of his duties.
Re-advertisement and new appointment
However, this was not the end of the matter: InMay 2020, the architecture magazine Baumeister received anofficial press release from the BMI stating that it had not yet accepted Pronold’sresignation . They first wanted to await the court’s decision in the proceedings between Philipp Oswalt and the Federal Foundation. So was Pronold’ s resignation purely symbolic? He had asked the Board of Trustees to release him – and thus handed over the decision.
Meanwhile, the court case went into the next round: on June 12, 2020, the judge did not rule that Pronold was not a suitable candidate for the post of founding director. But she did rule that this post isa public office – and that corresponding transparency criteria musttherefore be met when awarding it . It thus rejected the appointment of the Federal Foundation Bauakademie .
This was followed by a new call for applications for the position of Founding Director in December 2020 – with adjusted, weakened criteria and a search committee supplemented by a number of independent experts. The application deadline was January 6, 2021.
On March 11, one year and one day after Florian Pronold’s symbolic resignation, the BMI finally announced the newly elected founding director of the Federal Foundation Bauakademie last week: Prof. Dr. Ing.
Guido Spars for the Federal Foundation Bauakademie
Instead of a lawyer, the selection committee opted for an economist “with several years of experience in the management of larger institutions and organizational units. Prof. Dr. Spars stands for a distinct understanding of the various disciplines, professional associations and addressees of the Bauakademie as well as experience in working with political committees and interest groups“.
Spars worked for almost ten years as a research assistant at the Institute for Urban and Regional Planning at TU Berlin and has held a professorship in the field of economics of planningand building at BU Wuppertalsince completing his doctorate. His research topics deal with the interface between urban economics and the real estate industry as well as urban planning and architecture.
As founding director, Prof. Dr. Spars is responsible for the strategic management and development of a sustainable and substantive concept as well as the orientation and profiling in the regional, national and international professional society of the Bundesstiftung Bauakademie, but also in politics, society and the public. In doing so, he will rely on cooperation partnersand developausageand space program for the construction of the Academy building.
It remains to be seen whether the appointment of a new founding director will bring peace and quiet to the Federal Foundation Bauakademie. One thing is clear: a smooth start looks different.