As is well known, necessity is the mother of invention, but that doesn’t necessarily mean the result has to be an unsatisfactory stopgap solution. Conference calls and video seminars have become part of everyday life and work well. However, four industry partners wanted to try out a more original and engaging format for their exclusive customer events—which thrive on in-person interaction—despite the adverse circumstances. For the past eight years, Dallmer, the North Rhine-Westphalian plumbing and drainage expert, the Swiss bathroom ceramics manufacturer Laufen, the Belgian lighting expert Kreon —which has a showroom in Cologne—and the long-established Italian porcelain tile company Fiandre Architectural Surfaces have been organizing informational events for architects five times a year in different cities. To do so, the partners always select interesting architectural settings to create a stimulating and relaxed atmosphere—in light of current circumstances and capitalizing on a resulting trend, this time the event took place at a drive-in theater.

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Drive-in: On May 25, industry partners Dallmer, Fiandre, Kreon, and Laufen welcomed their guests to a pop-up drive-in theater at the hangar of Mülheim an der Ruhr Airport. (Photo: Fiandre Architectural Surfaces)
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Social distancing: After a welcome from the organizers, the event kicked off with short films featuring product presentations from the partners. (Photo: Fiandre Architectural Surfaces)
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Roll film: Following that, the blockbuster “Das perfekte Geheimnis” by Bora Daktegin provided entertaining viewing. (Photo: Fiandre Architectural Surfaces)

To meet this demand even during social distancing restrictions, the partners organized an exclusive and unprecedented drive-in movie event for their architecture clients on May 26. At the pop-up drive-in theater near the hangar at Mülheim an der Ruhr Airport, the four companies welcomed around 200 architects in their cars shortly before sunset. Invitations and tickets were sent in advance via email, allowing for contactless admission through the driver’s window, with the audio transmitted to car radios via the drive-in’s own frequency. Supplied with popcorn and drinks, participants were able to enjoy the evening program comfortably and safely without having to get out of their cars. After a welcome address by representatives of the partner companies, the event kicked off.

Four short films presented product information from the organizers: the ingenious Dallflex shower channels from Dallmer, the photocatalytic ceramic line “Active” from Fiandre, the custom-made “Bespoke” sanitaryware from Laufen, and lighting concepts from Kreon Tools of Light. The feature film of the evening was the box-office hit “Das perfekte Geheimnis” by Bora Daktegin.

In light of the ongoing pandemic, the partners had come up with a special initiative: The event, which was free for attendees, was accompanied by a voluntary donation to support hospital and healthcare workers, who are currently under particular strain. This raised 1,000 euros, which will go toward FFP-2 respirator masks for the Huyssens-Stift in Essen. Perhaps this type of event could also be an interesting idea for other companies in the natural stone, artificial stone, and ceramics industries, as well as their supplier sectors. According to Fiandre, the event was a complete success—and by no means a stopgap measure.

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Light and shadow in Cologne

Building design

L.-Fritz-Gruber-Platz is only about 400 meters away from Cologne Cathedral as the crow flies. For its design, the Düsseldorf-based firm scape Landschaftsarchitekten took up the theme of photography. The result is a play of light and shadow.

L. Fritz Gruber Square is located just 400 meters from Cologne Cathedral as the crow flies, right next to the Kolumba Art Museum of the Archdiocese of Cologne, which was built in 2007 according to plans by Peter Zumthor. The square is named after the photographic historian and journalist Leo Fritz Gruber. From 1945, he worked as a photographer for the British Army of the Rhine. This passion never left him. The Düsseldorf-based firm scape Landschaftsarchitekten therefore took up the theme of photography for the design of the square. A play of light and shadow creates a two-dimensional image of the large maple trees on the square. The square is bordered by listed facades from the 1920s and 1960s. Typical local basalt cobblestones surround a rectangular area of light-colored concrete slabs with an aspect ratio of 6:9 (small picture format), which is framed by three white cuboid benches.

Shadow plays are created on this projection surface, which is illuminated at night by a luminaire hanging above the square in the shape of a hollow sphere. Objects that cross its beam of light create sharply defined shadows on the paving. The functional principle is similar to that of a projector: a hollow body with a matt black inner surface and a point-shaped light source, the opening of which is dimensioned at the bottom so that the focal point beams precisely trace the surface of the square.

L.-Fritz-Gruber-Platz, Cologne

Client: City of Cologne – Civil Engineering Department
Open space: scape Landschaftsarchitekten, Düsseldorf
Project management: Hiltrud M. Lintel, Rainer Sachse
Collaboration: Jan Heimann, Judith Pfahler, Markus Hilgers, Bernd Nengel
Competition: 2007, 1st prize
Completion: September 2012
Area: 2,200 square meters
Costs: 570,000 euros

A stroke of art-historical luck

Building design

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The sacristy used today dates from the Baroque period, but the two Gothic sacristies with their vaults and rare gray-on-gray painting are a stroke of art-historical luck. These are now used as storerooms, albeit for valuable items from the monastery or handicraft objects such as candlesticks or figurines.

The approval of the preliminary investigation for the restoration means that the sacristies will now be cleared out so that they can be made accessible to the public at some point in the future. Church historian Roland Götz has taken a closer look at the sacristies and knows that their preservation is a stroke of luck. However, fire protection still needs to be clarified, as there are no escape routes. As the church is under the same roof as the Bräustüberl, the castle distillery, the grammar school and the brewery, all those responsible and the owners must first come to an agreement. How much all the measures would cost is now to be found out in advance.