Eduard Neuenschwander. Architect and environmental designer – Book review

Building design
Eduard Neuenschwander. Architect and environmental designer, Cover: gta Verlag, Photo: Heinrich Helfenstein

Eduard Neuenschwander. Architect and environmental designer, Cover: gta Verlag, Photo: Heinrich Helfenstein

Crossing borders – this is how Eduard Neuenschwander’s approach to nature is described. But what does this mean and how does this transgression become visible?

On 256 pages, landscape architect Claudia Moll and architect Axel Simon provide an insight into the most important works of the Swiss architect, who described himself as an “environmental designer”. A total of 18 exemplary projects illustrate how Neuenschwander worked on different scales. The book was produced at the ETH in Zurich and received the DAM Architectural Book Award in 2009

Neuenschwander’s means of design

The publication begins with an outline of Neuenschwander’s life. The architect was born in Zurich in 1924 and was strongly influenced by a period spent working in the Finnish studio of Alvar Aalto. The Finnish landscape and building culture influenced the young Swiss architect immensely. His projects therefore ranged from the conversion of a farmhouse in Toggwil to the “Grün 80” garden and landscape exhibition in Basel. These designs stand out from those of his contemporaries. His architecture makes the place in the landscape visible and thus the landscape itself. The authors sensitize their readers to Neuenschwander’s typical design techniques, which, for example, coined the term “historical sensuality”. He superimposed old and new structures and created a new body of work in the process. In 1975, he founded the Institute for Environmental Design. In it, the architect formulated his holistic approach to environmental design. He understood the urban space as part of the “large-scale biotope city and landscape”, as a dynamic and processual system.

Eduard Neuenschwander in context

The authors succeed in illustrating Eduard Neuenschwander’s architectural career as well as making references to current developments. This is achieved through the comprehensible division into a total of six chapters, which are dedicated to his projects and categorize them thematically. Moll and Simon provide a detailed and informative report on the Swiss natural garden movement. They place Neuenschwander in context, as he was considered a key player in this era of European garden design. Sketches and photographs impressively document his works, and quotations are effectively integrated. Moll and Simon skillfully illustrate his holistic approach, in which aesthetics, biology and people as users are united. It becomes clear to the reader that this view was a matter of course for him, even though it was considered transgressive at the time.
The book presents a very successful compilation of Eduard Neuenschwander’s architectural works. His sensitive approach to the landscape seems more relevant and necessary today than ever before. It is therefore highly recommended reading and is aimed at all architects and landscape architects, but is also recommended for the interested layperson.

The text was written in the “scientific writing workshop landscape architecture” at the TUM Chair ofLandscape Architecture and Transformation with Prof. Udo Weilacher. As part of the seminar, students select specialist literature and work together on individual book reviews.

Also interesting is the book “Landschaftlichkeit als Architekturidee” by Margitta Buchert. Read our review here.

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Elisabeth – a figure on the threshold of two wills

Building design
The depiction in which Mary meets Elizabeth has been depicted particularly frequently in art. Photo: Domenico Ghirlandaio, Public domain, via: Wikimedia Commons

The depiction in which Mary meets Elizabeth has been depicted particularly frequently in art.
Photo: Domenico Ghirlandaio, Public domain, via: Wikimedia Commons

Elizabeth is one of the few female figures in the New Testament whose theological significance extends far beyond her brief presence in the text. As the mother of John the Baptist, she stands at the intersection of Old Testament expectation and New Testament revelation – a position that has fascinated both the Bible and the visual arts. Hardly any other biblical figure combines prophetic witness, maternal authority and spiritual insight so impressively in a single figure.

Within the story of Jesus’ birth in the Gospel of Luke, Elizabeth plays a structurally indispensable role. Her story opens the first curtain of the drama of salvation: long childless and living in a priestly environment, she becomes the mother of John the Baptist through divine intervention. Luke’s Gospel thus deliberately draws on Old Testament narrative patterns – think of Sarah, Hannah or Ruth – in which barrenness is understood as a trial and overcoming it as a sign of election. In this literary tradition, she is not a marginal figure, but a theologically calculated intervention: the miraculous pregnancy of the old woman prepares the even more miraculous pregnancy of the young Mary.

The first chapter of Luke’s Gospel portrays Elizabeth as righteous before God, which is particularly important in the ancient context, as childlessness was considered a social and religious stigma. When the angel Gabriel announces the impending birth to her husband Zacharias, this marks a turning point that characterizes the entire narrative structure of the Gospel. The change from barrenness to fertility is no mere miracle – it is a signal of salvation history. The figure reaches its theological climax at the moment of the so-called Visitation, when Mary visits her relatives. At the sound of the greeting, the child leaps in Elizabeth’s womb – a prenatal recognition of Jesus, which is interpreted in the exegetical tradition as the first prophetic act of John the Baptist. Elizabeth’s words spoken in response – “Blessed are you among women, and blessed is the fruit of your womb” – were incorporated into the later Ave Maria, making it one of the most quoted phrases in the Christian liturgy. Here she does not act as a passive observer, but as a prophetic witness who names the identity of Jesus’ salvation even before his birth and thus linguistically crosses the boundary between the two testaments.

No pictorial motif in which Elizabeth appears has had such a lasting impact on art history as the Visitatio – the Visitation. Since the early Middle Ages, it has been part of the established canon of Marian picture cycles, and the motif unfolds its full iconographic complexity in the High Renaissance at the latest. Giotto di Bondone depicts the encounter between the two women in the Cappella degli Scrovegni in Padua (around 1305) with physical immediacy: the intimate embrace becomes a visible form of divine grace that takes place in human contact. Giotto’s composition thus sets a standard for all subsequent depictions.
Domenico Ghirlandaio adopts the motif in his fresco of the “Visitazione” (1491) in Santa Maria Novella in Florence and anchors it in the spirit of Renaissance humanism: the two women meet in a balanced, almost symmetrical composition against a moderate architectural backdrop. The age difference – Maria is youthful, Elisabeth more mature and experienced – becomes a formal device that emphasizes the miraculous nature of both pregnancies. In northern Europe, Albrecht Dürer takes up the theme in his woodcut series The Life of Mary (around 1502-1510): The scene is more narratively condensed, embedded in a richly detailed everyday setting that transfers the sacred into the familiar.

In addition to the Visitation, Elizabeth can also be found in the depiction of the birth of John the Baptist. In late medieval panel paintings, she often lies in childbed surrounded by servants while the newborn is being bathed – an iconographic parallel to the birth of Mary, which embeds her role as mother in family and social contexts. A particularly impressive example is Rogier van der Weyden’s altarpiece with the “Birth of the Baptist” (c. 1455, Gemäldegalerie Berlin), in which the reclining Elizabeth forms the center of a carefully arranged group of women with quiet dignity.
In the Baroque period, the emotional energy of the visitation scene intensifies considerably. In his “Visitation” (c. 1612), Peter Paul Rubens lends it a dynamic physicality: Elizabeth confronts Mary with sweeping gestures, while light and color heighten the spiritual excitement of the moment to a pathetic level. Here she is not a silent companion figure, but a woman whose devout joy is directly expressed in her movement and posture.
Characteristic of her portrayal across all epochs is the pictorial emphasis on age. Greyish hair, finely drawn facial features and a measured posture allude to her advanced years and emphasize the wonderfulness of her motherhood. At the same time, these features lend the figure a special dignity: she stands for constancy and fidelity in faith, for a depth of experience that complements the youthful Mary.
The enduring presence of the figure in painting, sculpture and stained glass – even in contemporary interpretations – demonstrates how productive the few verses of Luke’s Gospel have remained as an artistic template. In Elizabeth, female experience of faith, prophetic clarity and maternal authority are condensed into a figure that asserts its own unmistakable voice between restraint and theological effectiveness.

Drought as an extreme weather event

Building design
Drought: Desolate landscapes and parched soils illustrate the increasing challenges posed by climate change and water scarcity. Photo: Brent Olson via Pixabay

Drought: Desolate landscapes and parched soils illustrate the increasing challenges posed by climate change and water scarcity. Photo: Brent Olson via Pixabay

Drought is no longer a rare phenomenon in Germany, but an increasingly significant environmental problem that has far-reaching consequences for nature, society and the economy. The persistent dry periods pose considerable challenges for water supply, agriculture and ecosystems. In view of global climate change, the issue of drought is becoming increasingly urgent and requires a comprehensive understanding of the causes, effects and adaptation strategies.

Drought is caused by the interaction of various natural and anthropogenic factors:

  • Lack of precipitation: a prolonged period of significantly below-average precipitation leads to a deficit of soil moisture and water in rivers and lakes.

  • High temperatures: Rising temperatures increase the evaporation rate of water from soils, plants and water bodies, which exacerbates drought.

  • Changes in land use: Intensive agriculture, drainage of wetlands and deforestation reduce the ability of the landscape to store and balance water.

  • Climate change: Man-made climate change influences all of the above factors, changing precipitation patterns and increasing the frequency and intensity of droughts.

These factors often interact and reinforce each other, making drought in Germany an increasingly complex and multi-layered problem.

The consequences of drought are manifold and affect almost all areas of life:

  • Agriculture: lack of water leads to crop failures, reduced plant growth and increased stress for crops. This jeopardizes food security and the economic existence of many farms.

  • Water resources: Falling groundwater levels and dried-up rivers affect the supply of drinking water, industry and energy production. Water scarcity can lead to conflicts of use between different sectors.

  • Ecosystems: Wetlands, peatlands and forests suffer from a lack of water, leading to a loss of biodiversity and habitat degradation.

  • Society: Water scarcity can exacerbate social tensions, reduce quality of life and also lead to economic damage in the long term.

The economic costs of drought and associated extreme weather events are considerable and highlight the need for sustainable management of water resources.

In order to effectively meet the challenges of drought, a variety of measures are required at different levels:

  • Sustainable agriculture: by adapting cultivation methods – such as mulch sowing, crop rotation and the use of drought-resistant varieties – soil moisture can be better conserved and the resilience of crops increased.

  • Efficient water management: The promotion of rainwater harvesting, the renaturation of wetlands and the unsealing of land help to strengthen natural water cycles and replenish groundwater reserves.

  • Forest conversion: Conversion to climate-resistant mixed forests improves the water storage capacity of the landscape and reduces the risk of forest fires.

  • Political measures: The introduction of water user charges, the promotion of adaptation projects and continuous monitoring of water resources are important instruments to promote the economical use of water.

  • Innovative approaches: Concepts such as agri-photovoltaics, which combine agricultural use with solar energy production, offer forward-looking opportunities to combine agriculture and climate protection.

Drought is a complex phenomenon with far-reaching effects on the environment, the economy and society. The increasing frequency and intensity of dry periods calls for a rethink in agriculture, water management and spatial planning. Targeted prevention and adaptation strategies can improve resilience to drought and limit the negative consequences. At the same time, addressing the issue opens up opportunities for innovation and sustainable economic activity.

Responsible use of water and soil is essential to ensure a livable environment for future generations.

If you are looking for further information on regional adaptation measures or support programs, there are numerous advisory services available from environmental authorities and specialist institutions.

Find out more about Beat the Heat here.