Eulennest daycare center in Schorndorf from search

Building design

The Eulennest daycare center in Schorndorf by (se)arch architekten combines architecture, education and nature. Photo: Zooey Braun

With the new “Eulennest” day nursery in Aichenbachstrasse, the town of Schorndorf has realized a remarkable educational building that combines architectural quality with a well thought-out educational concept. The daycare center was designed by (se)arch architekten bda from Stuttgart, which won out over well-known competitors in a design competition. Since September 2024, the new building has offered space for six groups in all-day care – on two levels that blend sensitively into the green surroundings.

The design language of the new building is unusual, but by no means obtrusive: an expressively curved roof rests on a simple structure and is reminiscent of either an indoor riding arena or a circus tent – an image that fits well with the liveliness and imagination of the future users. The architects see the roof as a connecting element: it spans the various functions and mediates between the park-like surroundings and the built space.

The daycare center is located at the transition between the residential area and the landscape – a sensitive interface that was cleverly solved architecturally. The timber construction is based on the loose structure of the neighboring buildings and remains at eye level with the site in terms of scale and materials. Thanks to its natural colors and soft lines, the building appears inviting and child-friendly despite its size.

The daycare center is accessed via the east. The entrance area houses the management rooms, a spacious exercise room and a central staircase that connects the two levels. The spatial organization follows a clear pedagogical idea: the group rooms for children under the age of three are located on the first floor – with direct access to protected outdoor areas. On the upper floor, the older children have space to play, learn and try things out.

The heart of the upper floor is a central play corridor, which is accessible from all group rooms. The rooms are organized around this interior space – an arrangement that provides orientation and promotes communication. Daylight enters the interior of the building via a generous skylight dome. This not only creates a friendly atmosphere, but also supports the natural indoor climate. The space on the upper floor is complemented by a kitchen and a creative room – places for cooking, crafting and experimenting together.

The Eulennest daycare center is not only an architecturally successful example of modern educational buildings, but also a clear commitment to sustainability. The use of wood as the main structural and design material ensures pleasant room acoustics and a healthy indoor climate – important factors, especially in facilities for children. In addition, the new building meets high energy standards and thus contributes to the responsible use of resources.

Read also: Daycare center in Stuttgart-Hedelfingen by larob. studio für architektur.

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Concrete triad

Building design

The main house Bahía Azul

Three commissions for one property: Felipe Assadi Arquitectos designed a vacation home with an art studio for the private tennis court – in concrete.

Felipe Assadi Arquitectos received three commissions from a private client. Three different concrete buildings are now located on a plot of land on Chile’s coast: a pavilion for a private tennis court, a vacation home and a separate art studio.

On the so-called “Ruta del Mar”, a stretch of coast in Chile’s Valparaíso region, there are many villages where mainly wealthy Chileans have vacation homes. A little further north is Los Vilos, a port town with a population of 18,000. The four-person architecture firm Felipe Assadi Arquitectos was commissioned to create three buildings there for a client. The complex, which was completed in 2014, consists of a main house (Casa Bahía Azul) with an art studio (Taller de Pintura) and a multi-purpose building next to a tennis court (Pabellón 4 Usos) on the property.

Bahía Azul house

The Bahía Azul house consists of two layers: an outer concrete façade with small incisions and an independent glass façade behind it, which forms the physical boundary to the interior. In between, an access area is created as a wind-protected outdoor space that can also be used as a terrace. In addition, the concrete façade achieves what the glass façade behind it would not: it stands at an angle on the slope and absorbs its gradient without touching the ground. The most remarkable features of the building are probably the differently framed views created by the two layers of glass façade and the concrete wall in front.

Taller de Pintura art studio

The commission also included a studio for the client’s ex-wife, who is an artist by profession. She approached Felipe Assadi with a clear idea of what the view of the sea from her studio should look like. So first there was the window, which was to be framed by concrete walls to showcase the view of the sea.

In contrast to the main house, the Atelier Taller de Pintura is dug into the hillside. This positioning in the hill means that the view is directed towards the sea. Felipe Assadi allows the house to almost disappear into the slope by burying the staircase in the hillside, so that the roof continues the slope. The architect describes the studio as a “mini version” of another design he is currently working on – this one also digs into the slope and is intended to disappear even more into nature than the art studio (design for the Ochoalcubo project from page 80). The steps leading to the art studio in Los Vilos are individual elements set into the slope – so you can look through them to the piece of earth you are buried in. Even if no more art is created here, the building is not useless – there is a kitchen and a bathroom so that it also functions as a guest house.

You can find out more about the third building on the plot, the Pabellón 4 Usos, in Baumeister 2/2016

Photos: Fernando Alda

Zurich, B2 Boutique Hotel + Spa

Building design

On the Hürlimann site in Zurich-Enge, architects Margrit Althammer and René Hochuli have turned the listed walls of a brewery into a hotel for “business nomads with an affinity for architecture”.

On the Hürlimann site in Zurich-Enge, architects Margrit Althammer and René Hochuli have turned the listed walls of a brewery into a design hotel for “business nomads with an affinity for architecture”. Anyone who likes a touch of industrial flair is in good hands here.

Every stay at the B2 should actually begin in the evening darkness and at the very top, on the roof. This is where the heated pool welcomes guests. Under a clear starry sky, they can let their gaze wander over the city and enjoy the magnificent panorama. Where better to plan a tour of the city with the Grossmünster and Prime Tower in view? But most of those arriving will probably stumble over the cobblestones in broad daylight towards the chimney of the old boiler house – a signpost visible from afar.

To say one thing straight away: no, it no longer smells of barley. Inside, a few visual details remind us of the design hotel’s previous history as a brewery. The first thing that catches the eye are the elongated arched windows that provide the library and wine bar with natural light. Unfortunately, the rooms in the former brewhouse refer only sparingly to their history: only photographs by Jochen Splett show the former premises in an alienated way.

More of the brewery spirit can be felt in the eight suites, which are located in the former cooling ship and are designed as a house within a house. As they were installed like boxes detached from the shell, guests on the balcony can see the steel ribs of the old construction stretching above their heads. The expansive view over Zurich is further enhanced by iron slats that provide shade. In a corridor, behind glass, you can still marvel at the remains of an old wall that has been stripped of its plaster and bears witness to various interventions.

Books are scattered throughout the building: The 33,000 copies come from an antiquarian bookshop and are also stacked on tables and used as bedtime reading in the rooms. Among the books available for me are “Beautiful old beer drinking vessels”, “Castles of Europe” and “Stay young, live longer!” The latter – a diet book from the post-war period – is not the best way to set the mood for a delicious breakfast the next morning.

The designers of the interior – ushitamborriello – obviously took the fact that the B2 is mainly frequented by well-dressed business travelers into account when planning the “breakfast room”. Because you dine in the library – visually appealingly framed by the antiquarian book collection, under chandeliers made of matt green beer bottles, but the area is not separated from the reception hall. On the contrary: elevated and well staged by the lights, you sit on a platter. A careless style of dress would be unpleasant for both sides of the spectacle.

Unless you visit the thermal baths in the vaulted cellar, it is advisable to flee from the area to the city. Although various furniture stores and temples of well-being have set up shop on the brewery site alongside the celebrity tenant Google, they are all eerily empty, at least during my stay. The rest of the immediate surroundings are not very attractive either: Chinese snack bars and blocks of flats are not exactly inviting for a stroll and a nightcap. It’s a good thing that you don’t have to look for a bar in the area anyway: you can get your beer – Hürlimann brand, of course – on tap at the hotel.

Address

B2 Boutique Hotel + Spa
Brandschenkestrasse 152
CH-8002 Zurich
www.b2boutiquehotels.com