Floods in Valencia: Summary

Building design

Valencia in Spain before the floods broke out in 2024 and destroyed large parts of the region. Credit: Unsplash

In November 2024, a devastating flood disaster hit the greater Valencia area, triggered by extreme heavy rainfall that had increased in intensity as a result of climate change. The floods destroyed large parts of the region, claimed over 220 lives and led to massive social outrage. The tragedy and its effects are analyzed below, and possible solutions for the future are also considered.

The events in Valencia triggered a wave of protest: Around 130,000 people took to the streets to denounce the crisis management of the regional and central governments. Many called for the resignation of regional president Carlos Mazón, who was accused of ignoring warnings and reacting inefficiently. Problems with alarm systems increased the anger of the population; many only received warnings when the flood waters were already flowing uncontrollably through towns and villages.

Spain’s Prime Minister Pedro Sánchez was also criticized, as state aid measures arrived late and there was a lack of coordination between governments. The dissatisfaction led to tensions that erupted during visits by political leaders, while numerous volunteers independently brought support to the affected areas.

The floods were the result of intense rainfall intensified by climate change. The warming of the Mediterranean Sea, which reached record temperatures in the summer of 2024, increased the amount of moisture in the atmosphere, which led to heavier rainfall. At the same time, a previous drought had dried out the soil so that it could hardly absorb any water. Canalized rivers such as the Rambla del Poyo quickly reached their capacity limits and contributed to the flooding.

Long-term strategies for managing flood risks in Valencia are urgently needed. Experts emphasize the need to improve existing water infrastructures and adapt them to modern climate conditions. A relief system for the Rambla del Poyo, which has been planned since 2007 to divert the flow of water into the Río Turia, has not yet been implemented due to a lack of investment. This project could mitigate future flooding and must therefore be prioritized.

In addition, innovative landscape architecture approaches, such as the creation of floodplains and the renaturation of rivers, could improve flood management. Such measures allow excess water to be stored and drained away without causing damage.

The flood disaster has intensified discussions about climate change and its impact on Spain. In addition to emergency aid and reconstruction plans, society is calling for extensive investment in climate adaptation measures. Political initiatives such as the “Agenda 2030 for Sustainable Urban Development” aim to make cities such as Valencia more resilient to extreme weather events. This includes the integration of climate risks into urban planning, the expansion of green infrastructure and the promotion of sustainability at all levels.

The flooding in Valencia was one of the worst natural disasters in recent decades and revealed weaknesses in crisis management and urban planning. Both short-term aid and long-term solutions are needed to prevent future disasters. The society demands that politics and science work hand in hand to adapt Valencia to the challenges of climate change and to protect life and infrastructure. Only through decisive action can a similar tragedy be prevented in the future.

More on the topic and our STOP THE FLOOD campaign here.

POTREBBE INTERESSARTI ANCHE

#BeautySalonVanGoghMuseum

Building design
Amsterdam / Maurice van der Meijs

Amsterdam / Maurice van der Meijs

How the barber came to the museum: Last Wednesday, January 19, 2022, more than 70 museums, concert halls and theaters in the Netherlands protested against the ongoing closure of cultural institutions with unusual actions. In this way, the institutions drew attention to the unequal treatment of the cultural sector during the corona pandemic, as stores, hairdressers and gyms remained open. This is how […]

How the barber came to the museum: Last Wednesday, January 19, 2022, more than 70 museums, concert halls and theaters in the Netherlands protested against the ongoing closure of cultural institutions with unusual actions. In this way, the institutions drew attention to the unequal treatment of the cultural sector during the corona pandemic, as stores, hairdressers and gyms remained open.Amsterdam’s Van Gogh Museum, for example, was transformed into a beauty salon for a day: hashtag #BeautySalonVanGoghMuseum

In particular, the strict ban on cultural events since December 19, 2021 has met with resistance in the Netherlands. To express their protest, numerous museums therefore briefly opened for special events last Wednesday, January 19, 2022. In Amsterdam’s Van Gogh Museum, for example, nail artists were able to show off their skills, while other museums offered yoga classes, haircuts and manicures. Concert organizers also joined the unusual protest. Without further ado, the venerable Concertgebouw was transformed into a “Kapsalon Concertgebouw”, where you could also have your hair cut during a rehearsal of the symphony orchestra led by conductor Susanna Malkki! An unusual performance that met with great approval from the audience. Charles Ives’ Symphony Number 2 was played. “We don’t understand it and there is no justification for it, because in the last two years we have shown that it is very, very safe to go to a concert or a museum,” emphasized Simon Reinink, the director of the Concertgebouw.

Across the street at the Van Gogh Museum, visitors were offered manicures, beard care and a professional haircut at the same time under the hashtag #BeautySalonVanGoghMuseum , while viewing paintings by Vincent van Gogh. “We want to emphasize that it is safe to visit the museum,” commented Emilie Gordenker, the museum’s director since February 2020. “This is definitely something completely new at the Van Gogh Museum”. The museum director also adds: “More and more people are visiting museums in search of spiritual depth and the meaning of life, among other things. We also need a ‘mental’ gym!”. The area of ‘mental health’ is just as relevant for our museum, especially because of Van Gogh’s own mental state.”

Manicure, beard care and a professional haircut

Many institutions in the capital took part in the protests in this way. They all found it unfair that cultural institutions had to close during the lockdown, while stores, hairdressers and gyms remained open. On January 16, 2022, the one-month lockdown was eased in the Netherlands, allowing hairdressers, gyms and stores to reopen. Cultural institutions, on the other hand, were to remain closed.

Creative resistance on the part of cultural institutions

Gunay Uslu from the Dutch Ministry of Culture showed understanding for the protests, but urged caution. She wrote on Twitter: “There are creative protests on the part of cultural institutions. I understand this cry for help and that artists also want to show all the beautiful things they have to offer us, but the easing of the lockdown must take place step by step. Culture is right at the top of the agenda for us.” The government therefore held out the prospect of any easing of the strict coronavirus measures for January 25, 2022 at the earliest.

Reading tip: As of this week, solo self-employed cultural workers in Germany, including freelance restorers, can apply for Restart Aid 2022. They receive support that is not linked to operating expenses. Applications for Neustarthilfe 2022 in the funding period from January to March are now open. Read more here.

Craftsmanship and restoration – Restauro 8/23

Building design
Craftsmen learn historical plastering techniques and much more in various training courses to become a restorer in the trade. Photo: Wikimedia Commons / BHD Propstei Johannesberg

Craftsmen learn historical plastering techniques and much more in various training courses to become a restorer in the trade. Photo: Wikimedia Commons / BHD Propstei Johannesberg

Monuments and works of art must be preserved and maintained in the long term. But what new products and digital solutions are currently available for conservators, for the preservation of monuments and for everyone involved in the preservation of cultural assets? And how do craftsmanship and science interact here? For example, the maintenance and restoration of listed buildings combines architectural history and building tradition with knowledge of the properties of historical building materials, modern technologies and environmentally friendly materials.

Monuments and works of art must be preserved and maintained in the long term. But what new products and digital solutions are currently available for conservators, for the preservation of monuments and for everyone involved in the preservation of cultural assets? And how do craftsmanship and science interact here? For example, the maintenance and restoration of listed buildings combines architectural history and building tradition with knowledge of the properties of historical building materials, modern technologies and environmentally friendly materials.

In times of war, terror and great uncertainty, positive news is balm for the soul. Especially when it comes to the restoration profession, there are many good prospects. Even if supply chain bottlenecks, interest rate hikes and a shortage of skilled workers have left many craft businesses in a tailspin, this does not apply to companies working in the preservation of historical monuments. Surveys of restorers in the trade have even shown that there will be a significant increase in work in the preservation and restoration of historic buildings compared to the decline in employment in the new construction sector. Another finding is that traditional craft businesses working in the preservation of historical monuments find it easier to find trainees. Statements that give hope. After all, cultural heritage must be preserved and maintained in the long term. This development is reflected in the newly regulated further training course to become a certified “Restorer in the trades – Master Professional for restoration in the trades”.

In the new issue, you can also find out which further training courses are available for tradespeople to learn skills for which there is usually no room in training, such as historical plastering techniques or gilding.

It is not only young people who are interested in conserving important works of art; it is also a fascinating task for stone sculptors, which often goes hand in hand with the desire to complete further training as a conservator. This is what happened to Heinrich Bauer-Bornemann. We show how he restored the epithaph for Heinrich von Bila in Merseburg Cathedral from scratch.

Preserving and restoring old buildings and the energy transition – these two goals do not have to be contradictory! In RESTAURO 8/23, you can find out how the energy transition can also be achieved in the field of monument preservation. It shows that vacuum insulation glass available on the market can be used to upgrade almost any existing window to low-energy house standards with very good heat transfer coefficients.

We also look at a particularly sensitive topic that is more topical than ever: how Germans deal with their history in relation to the Holocaust. We spoke to Matthias Weniger, curator of medieval sculptures and paintings at the Bavarian National Museum, about a very special (and hopefully soon possible again) trip to Israel. In his luggage: lots of silver.

The magazine is available here in the store.

We hope you enjoy discovering this issue.

RESTAURO editorial team

In RESTAURO 7/23, we looked at the topic of “Museums for the future”.Read more here in the editorial.