FLUX: NEW MEETING PLACE FOR THE PINAKOTHEK DER MODERNE

Building design
THE FLUX INSTALLATION AT THE PINAKOTHEK DER MODERNE IN MUNICH IS TO BECOME A "THIRD PLACE". HERE YOU CAN SEE A DRAFT FOR THE INTERIOR DESIGN. © MORAG MYERSCOUGH, 2025

THE FLUX INSTALLATION AT THE PINAKOTHEK DER MODERNE IN MUNICH IS TO BECOME A "THIRD PLACE". HERE YOU CAN SEE A DRAFT FOR THE INTERIOR DESIGN. © MORAG MYERSCOUGH, 2025

The Pinakothek der Moderne is expanding its offering with an innovative “third place”. The temporary installation FLUX, designed by British artist Morag Myerscough, will offer an open, interactive space for exchange, culture and recreation from the end of June 2025. Made possible by the Pinakothek der Moderne Foundation, FLUX will be a permanent feature of the Kunstareal for five years. The combination of art, architecture and social interaction makes this place an exciting innovation for Munich and its cultural landscape.

FLUX is more than just an architectural installation. It is a low-threshold venue that is independent of the museum’s opening hours and combines art and everyday life. In addition to a gastronomic offer, various cultural events are also planned. The winter garden of the Pinakothek der Moderne invites people with different backgrounds, needs and concerns to linger in its winter garden with a walk-in interactive installation. The installation is intended to be a feel-good place for everyone and invite dialog and interaction. The initiators hope that cultural life in the heart of the city will be sustainably integrated into people’s everyday lives.
The concept is based on the idea of the Fluxus movement of the 1960s, which saw art as an open, participatory process. Accordingly, FLUX is not just a physical space, but an invitation to actively shape and interact with the neighborhood.

The internationally renowned artist Morag Myerscough was selected from 18 invited applicants by representatives of the four museums and the Pinakothek der Moderne Foundation. The artist’s works are characterized by powerful colors, geometric patterns and a participatory approach. With FLUX, she is creating a temporary sculpture that seamlessly connects the interior and exterior spaces of the Pinakothek der Moderne’s conservatory and will be accessible.
Myerscough describes her vision as follows: A place full of color where you can let your imagination run wild, fill your heart with joy, offer limitless possibilities and create new spaces.” This artistic intervention turns visitors into participants and relies on a collaborative concept that actively involves the community.

FLUX will be realized as a two-storey, walk-in sculpture in the Pinakothek’s winter garden. Seating areas invite people to linger together, while various platforms and terraces offer a wide range of uses. Outside, pavilions with raised terraces, a kitchen garden and multifunctional elements such as ramps, platforms and play areas for children and families will be created.
A central aspect of FLUX is the involvement of the community. Even before the opening, open workshops are planned in which the artist will develop colors, patterns and shapes for the space together with interested parties. This participatory design underlines the inclusive character of the project.

The project is sponsored by the Pinakothek der Moderne Foundation on the occasion of its 30th anniversary. The project is also supported by the Thomas Kirch Foundation and the Kirch Foundation. Dr. Markus Michalke, Chairman of the Board of the Pinakothek der Moderne Foundation, emphasizes: “Together with the four museums, we want to create a place that invites everyone to come together. A public place as part of the museum, where everyone should feel welcome and comfortable.”
The directors of the four museums of the Pinakothek der Moderne also see FLUX as a significant extension of the museum: “We are extending the Pinakothek der Moderne beyond the building into the public space to create a new, attractive and colorful place for everyone. It is intended to take the experience of the Pinakothek der Moderne to a new level. (…) Its low-threshold orientation will further open it up to urban society and revitalize the designated area. We are very much looking forward to the opening in 2025, a year of special joint projects for the further development of the Pinakothek der Moderne, on the occasion of the 100th anniversary of the Neue Sammlung.”

FLUX offers a versatile platform for cultural events. Readings, discussions, performances and music events are planned, linking the four collection areas of the Pinakothek. In addition to these events, happenings and hands-on formats are also planned to further deepen the interaction between visitors and art. With these offers, FLUX will be available all year round. The collective “This Is Really Happening”, behind which Michi Kern, Lissie Kieser and Gregor Wöltje stand, will provide conceptual support for the FLUX project.
In workshops, visitors will have the opportunity to develop creative elements for FLUX together with Myerscough. The official opening is planned for the evening of June 26, 2025. An extensive festival weekend from 27 to 29 June 2025 during the will inaugurate this “third place” with a diverse program that will include workshops, live music, discussions and performances.
FLUX will thus create a unique place that combines art, architecture and social interaction. The installation by Morag Myerscough stands for a new, open understanding of museums as places of dialog and community. Thanks to its low-threshold design and participatory concept, FLUX will be a lively meeting place for everyone who wants to experience art in a new dimension.

Read more: With the exhibition “Five Friends”, the Museum Brandhorst in Munich is dedicating itself to one of the most formative artistic constellations of post-war modernism from April 10 to August 17, 2025.

POTREBBE INTERESSARTI ANCHE

Restoration in 90 seconds

Building design

Students from the State Academy of Fine Arts in Stuttgart are presenting their work and projects online for the first time this year on an interactive platform. Student Chiara Schweizer created a video entitled “Restoration in 90 seconds” The State Academy of Fine Arts: ABK Stuttgart traditionally invites students to a campus tour at the end of the summer. An extended […]

Students from the Stuttgart State Academy of Art and Design are presenting their work and projects online for the first time this year on an interactive platform. Student Chiara Schweizer created a video entitled “Restoration in 90 seconds”


Das Video von Chiara Schweizer ist auf Instagram unter @painting.sculpture.cons zu sehen. Foto: Screenshot ABK Stuttgart/Video Chiara Schweizer
Chiara Schweizer’s video can be seen on Instagram at @painting.sculpture.cons. Photo: Screenshot ABK Stuttgart/Video Chiara Schweizer

The State Academy of Fine Arts: ABK Stuttgart traditionally invites visitors to a campus tour at the end of the summer. A long weekend offers visitors an insight behind the scenes. The academy’s studios and exhibition spaces are on display. This year, students of architecture, design, art, art teaching, art studies and restoration will be presenting their current work and projects online on an interactive platform due to coronavirus: rundgang.abk.live

Among them is the contribution by Chiara Schweizer, a student specializing in the conservation and restoration of paintings and painted sculptures. Her video entitled “Restoration in 90 seconds” is currently going viral on the internet. She created a poetry slam and shows how creative conservators can be. In 90 seconds, she explains what is important in restoration. It is important to put your own creativity in the background in the restoration profession. However, free thought is important in order to break new ground and discuss possibilities from all sides. Her message: science never means standing still.

Dissertation for conservators in Bern

Building design
The University of Bern and Bern University of the Arts (HKB) are jointly running an interdisciplinary doctoral program. Photo: HKB Bern

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Since 2011, the University of Bern and Bern University of the Arts (HKB) have been running a joint interdisciplinary doctoral program. Art and science are not at odds with each other here, but go hand in hand. The institutions have thus founded the first Swiss doctoral program for artists and designers: Studies in the Arts (SINTA) In the past, there were […]

Since 2011, the University of Bern and Bern University of the Arts (HKB) have been running a joint interdisciplinary doctoral program. Art and science are not at odds with each other here, but go hand in hand. The institutions have thus founded the first Swiss doctoral program for artists and designers: Studies in the Arts (SINTA)

In the past, students interested in art in German-speaking countries only had an either/or choice. On the one hand, there were the universities and art colleges, which researched the fundamentals of art, and on the other, the universities of applied sciences, which studied art as applied research. But in 2011, the Faculty of Arts and Humanities at the University of Bern founded the Graduate School of the Arts (GSA) together with the HKB. Study content: art as research. For the first time, artists and designers as well as graduates of art, music and theater schools in Switzerland were given the opportunity to pursue a doctorate.

Renamed Studies in the Arts (SINTA) in 2019, the five-year artistic/design/academic program has since become well established. SINTA closely combines theory and practice as well as basic research and practice-oriented research. The Bernese model is characterized by the fact that it is anchored in both the university and the University of the Arts: students are consistently supervised from different perspectives.

Further academic qualification

Students at art colleges, for example, come with precise questions and topics in order to gain further academic qualifications, while university graduates seek practical proximity to the arts. After completing their doctorate, graduates are free to pursue either a university-academic or an artistic-creative career. Currently, 39 doctoral students from the fields of music, theater and dance studies, art history and graphic design, archaeology, social anthropology, German and Romance studies are taking part in the SINTA program.

Dissertation for conservators exists

Every year, around 25 students in five years and four different specializations in conservation-restoration (major programmes in “Architecture and Decor”, “Painting and Sculpture”, “Graphics, Documents and Photography” and “Modern Materials and Media”) are trained up to Master’s level at the HKB in Bern. The doctoral program Studies in the Arts (SINTA) of the Faculty of Philosophy and History of the University of Bern offers the possibility of a subsequent dissertation.

“Research in the Arts”

This program takes a transdisciplinary approach to various theories and methods. Topics include ethnographic urban research and prototyping, an agile development method in which processes or products are flexibly improved based on user feedback. Many of the topics would not be feasible without the combination of practice-oriented research and artistic expertise. The module “Research in the Arts in turn deals withhistory, discourses, theories, concepts, methods, terms, paradigms and the positioning of artistic research and sharpens the focus on one’s own in an interdisciplinary exchange.

Website of the program: www.sinta.unibe.ch. In September 2022, five SINTA doctoral students presented their research results throughout the day (7th SINTA Day). https://www.sinta.unibe.ch/unibe/portal/center_gradschools/micro_gsa/content/e70621/e207086/e1157192/Merkblatt_Bewerbung_SINTA_ger.pdf

Tip: In order to study Conservation-Restoration at the HKB in Bern, you must have a Matura, i.e. a high school diploma, as well as 12 months of professional work experience. A vocational baccalaureate in combination with an apprenticeship in a relevant field is also recognized. Read more about this in the interview with course director Prof. Dr. Andreas Buder.