Fondation Beyeler under water

Building design

Danish installation artist Olafur Eliasson is flooding the Fondation Beyeler in Switzerland with his latest exhibition “Life”. You can read the message behind the art, which is open 24 hours a day, here. The Fondation Beyeler in Riehen, Switzerland, has taken the longing for the museums, which have had to close for the past year to protect against infection, literally […]

Danish installation artist Olafur Eliasson is flooding the Fondation Beyeler in Switzerland with his latest exhibition “Life”. You can read the message behind the art, which is open 24 hours a day, here.

The Fondation Beyeler in Riehen, Switzerland, has taken the longing for museums to open, which have had to remain closed for a year due to infection control measures, literally. For their latest exhibition, those responsible broke through the glass walls. After all, who needs doors and windows when you can and want to combine landscape and space? Where Claude Monet’s water lilies usually hang, Danish installation artist Olafur Eliasson has created an artificial pond that not only floods the rooms of the Fondation, but also extends far beyond into the publicly accessible garden.

Green water fills the pond, sloshing in it like poison, surrounded by all kinds of plants. Eliasson colored the water with uranine, a dye that is actually yellow but fluoresces green under UV and daylight. Visitors can walk around and across the pond via footbridges – day and night. The exhibition entitled “Life” is open 24 hours a day. And although the Fondation has found a neat interactive, digital solution to offer interested parties beyond regional borders an insight into Eliasson’s latest project, “Life” is an exhibition that can never be experienced via a screen as a substitute.

Eliasson likes to haul blocks of ice from Greenland in front of the Tate Modern in London for his lush works or install a gigantic artificial sun made of monofrequency lamps. In doing so, he is guided by the desire to unite nature, man and culture and to make the audience of his exhibitions small in comparison to the force of nature.

“We humans always believe that we are extraordinary,” says Eliasson in a clip that is intended to help us understand why visitors suddenly find themselves standing in awe in front of glowing green water in the same way they usually do in front of Picasso paintings. “We have to take a step to the side and make room for something that is not us humans,” he explains. Life by no means describes the existence of humans alone. Life is the vegetation around him, everything that enables him to be at all. With the pond in alarm green, Eliasson is concerned with “360-degree awareness”, an all-round attention to nature and the landscape.

That all sounds a lot like Mother Theresa. Eliasson’s formulated thoughts in the video are like the texts on the walls of museums, which often anticipate too much and to which visitors always rush first when they enter the room – without having realized what is actually inside. And above all: without taking the time to let the art in the room have an effect on them. “Life” is an exhibition that has to work without dictating to the audience what it is about. It’s not that difficult to figure it out for yourself.

“Life” at the Fondation Beyeler is open 24 hours a day from April to July 2021. More information about the visit.

Also worth seeing: the current exhibition “Reconstructions: Architecture and Blackness in America” at MoMa discusses the role of US architecture in structural racism.

POTREBBE INTERESSARTI ANCHE

Award for Cologne’s Rhine boulevard

Building design

The winners of the 13th Landscape Architecture Prize have been announced. The city of Cologne can celebrate three awards at once: the Rheinboulevard in Cologne-Deutz wins first prize.

For the 13th time, the Association of German Landscape Architects has organized the competition for the German Landscape Architecture Prize. At the end of September 2017, it awarded the first prize and the nine awards in the 13th competition for the German Landscape Architecture Prize.

There were 30 projects to choose from when the eleven judges decided on first place and the winners in nine categories on April 28, 2017. The winners were announced at the beginning of May 2017. The city of Cologne can be particularly pleased: the jury awarded prizes to three local projects. In addition to the projects at L.-Fritz-Gruber-Platz (category: Light in open spaces) and Ottoplatz (category: Landscape architecture in detail), the “Rheinboulevard, Cologne Deutz” even received the main prize, the first prize. The project was designed by Planorama Landscape Architecture with the City of Cologne, Office for Landscape Conservation and Green Spaces, as the client.

After eight years of construction, a 500-metre-long embankment staircase now takes the Rhine to its center and connects the right bank of the Rhine with the city center of the Rhine metropolis. According to the jury, with this gesture, the designers have succeeded in developing a modern, unique urban building opposite Cologne Cathedral, which impresses with its integrated flood protection as well as its exciting approach to the historical layers from over 200 years of city history.

Further awards

Award in the category use of plants
– Project: Lohsepark, Hamburg, Hamburg
– Author of the design: VOGT Landschaftsarchitekten, Zurich and Berlin

Award in the category Green infrastructure as a strategy:
– Project: To new shores, Siegen
– Author of the design: Atelier LOIDL Landschaftsarchitekten, Berlin

Award in the Neighborhood Development / Residential Environment category:
– Project: Dachgarten Wagnis 4, Munich
– Author of the design: Wamsler Rohloff Wirzmüller FreiRaumArchitekten, Regensburg

Award in the category Participation and Planning:
– Project: wagnisART, Munich
– Author of the design: bauchplan ).(, Munich

Award in the category Nature Conservation and Landscape Experience:
– Project: Botanischer Volkspark Blankenfelde, Berlin
– Author of the design: Fugmann Janotta Partner Landschaftsarchitekten und Landschaftsplaner bdla, Berlin

Award in the category Sport, Play, Movement:
– Project: PLAY_LAND, Oberhausen-Holten
– Author of the design: wbp Landschaftsarchitekten, Bochum

Award in the Climate Adaptation and Sustainability category:
– Project: terra nova BiosphärenBand, Rhein-Erft-Kreis
– Author of the design: bbz landschaftsarchitekten and Ernst Scharf, architect, both Berlin

Award in the category light in open spaces:
– Project: Design of the L.-Fritz-Gruber-Platz, Cologne
– Author of the design: scape Landschaftsarchitekten, Düsseldorf

Award in the Landscape Architecture in Detail category:
– Project: ʻOttoplatzʻ in Cologne-Deutz, Cologne
– Author of the design: bbzl böhm benfer zahiri landschaften städtebau, Berlin, with ISAPLAN, Leverkusen

About the Landscape Architecture Prize

The German Landscape Architecture Prize honors exemplary projects and their authors. The main focus is on socially and ecologically oriented settlement and landscape development and contemporary open space planning. It recognizes outstanding planning achievements, including conceptual ones, that bring aesthetically sophisticated, innovative and ecological solutions to life. The awards will be presented at an evening ceremony on September 29, 2017 in Berlin.

You can find out more about the nominated projects here.

Marienplatz Stuttgart

Building design
Stuttgart's Marienplatz, photo: Muesse, CC BY-SA 4.0 , via Wikimedia Commons

Stuttgart's Marienplatz, photo: Muesse, CC BY-SA 4.0 via Wikimedia Commons

Stuttgart’s Marienplatz in the south of the city dates back to a park from 1876. It has only existed in its current form since 2003. Read everything you need to know about this urban center in Stuttgart here.

Stuttgart’s Marienplatz in the south of the city dates back to a park from 1876. It has only existed in its current form since 2003. Read everything you need to know about this urban center in Stuttgart here.

King Wilhelm II of Württemberg named the square, which previously consisted mainly of a park, after his fiancée Marie zu Waldeck und Pyrmont. Today, the square is roughly pentagonal and 1.6 hectares in size. It is located in the Stuttgart-Süd district and is bordered by Filderstraße, Marienplatz-Straße, Kaiser-Bau and Bundesstraße 14. There is also an underground tram stop, which is also called Marienplatz.

To the north-west of the square is an open horseshoe consisting of a double-row avenue of trees with red-flowering chestnut trees. To the south is the round pavilion of an ice cream parlor and in the middle of the square is the valley station of the cog railroad. This train crosses Filderstraße via a ramp. It leads up the Alte Weinsteige to Degerloch.

The infrastructure below the square is also important: the main collector of the Nesenbach stream runs here, which turns to the north-east at Marienplatz. There is also a deep bunker under the square, which is now used by musicians.

In 1876, a park was laid out for the first time on the current site of Stuttgart’s Marienplatz. From the end of the 19th century until 1916, a circus building with a modern circus ring stood on the square. This had to close due to a lack of fire protection measures and gave way to the popular “Anlägle”, a wild flower meadow. Before the Second World War, the Nazis held marches on Marienplatz and renamed it “Platz der SA” (SA Square). And until the 1990s, the square was primarily a meeting place for the drug scene, which no longer had a place in Stuttgart-Mitte.

In July 2003, Marienplatz, redesigned according to the plans of architect Heinz Lermann, was inaugurated. Together with Stuttgarter Straßenbahnen AG, the city took care of a redesign in 2011, so that Stuttgart’s Marienplatz now has a total area of around 16,500 square meters. The aim was to open up the partly inhospitable and obstructed square.

According to Zeese Stadtplanung, Marienplatz Stuttgart was for a long time a place “more for dogs than for children” or even a “large traffic island […]: There was a lot of wild and rampant greenery, but without urban planning order, there was a lot of shade and little sun.”

Today, Marienplatz Stuttgart is still an important traffic junction, but it is also a neighborhood square and play area. The new square design is characterized by a large multifunctional core area, the café in the center. The avenue of chestnut trees, the new cogwheel train stop, the subway platform and the pavilion are the most important points of contact. In addition, the square is at ground level everywhere and therefore accessible to the disabled. All underpasses have been closed, which has reduced the adjacent traffic areas.

Zeese Stadtplanung + Architektur wanted to design an open, transparent square. The ring avenue serves as an inviting gesture on all sides. The square is also open for use. Since the redesign in 2011, the urban scene around Stuttgart’s Marienplatz has taken a positive turn. There are now restaurants, bars, easy access to the popular cog railroad and the starting point for the Stadtmitte-Degerloch wine route.

During the redesign of Marienplatz in Stuttgart, it turned out that the square has a largely secret inner life. Beneath the concrete slab is a bunker, which for a long time was above all damp, cool, gloomy and eerie. A double-secured barred gate was the entrance.

In the meantime, however, a lot is happening here too. The Stuttgart city council has set up rehearsal rooms in the bunker so that death metal bands, for example, can play their loud music in peace and quiet. Up on the square, none of this can be heard.

Access to the Marienplatz bunker is only possible by prior appointment. It’s worth it, as there are interesting corners to see, such as the unlit engine room and a crack in the wall: During the bombing nights in the summer of 1944, there was a direct hit here in which 15 people died in the bunker. 22 people were injured. Film shoots and Caritas shelters are other contemporary uses of the bunker.

The Stuttgart city railroad had to run its tube under the bunker. This is why the Marienplatz stop is so deep. It now offers a direct connection to the “Zacke” rack railroad.

After a turbulent past with circus performers, SA troops, drug addicts and musicians, Marienplatz in Stuttgart now belongs mainly to young, hip parents. Students also like to sit on the square, enjoy the sun and drink a coffee. The water features, the small football pitch and the large flight of steps offer plenty of opportunities for children to play.

At the inauguration of the new square in 2003, the then mayor Wolfgang Schuster described Marienplatz as the “Arena of the South”, which did not please everyone. The concrete-heavy design was a thorn in the side of the neighbors, but the improvements in 2011 have smoothed the waters. The Marienplatz festival now takes place here once a year.

Another interesting place in Stuttgart is the Hungry Eyes glasses store.