Danish installation artist Olafur Eliasson is flooding the Fondation Beyeler in Switzerland with his latest exhibition “Life”. You can read the message behind the art, which is open 24 hours a day, here. The Fondation Beyeler in Riehen, Switzerland, has taken the longing for the museums, which have had to close for the past year to protect against infection, literally […]
Danish installation artist Olafur Eliasson is flooding the Fondation Beyeler in Switzerland with his latest exhibition “Life”. You can read the message behind the art, which is open 24 hours a day, here.
The Fondation Beyeler in Riehen, Switzerland, has taken the longing for museums to open, which have had to remain closed for a year due to infection control measures, literally. For their latest exhibition, those responsible broke through the glass walls. After all, who needs doors and windows when you can and want to combine landscape and space? Where Claude Monet’s water lilies usually hang, Danish installation artist Olafur Eliasson has created an artificial pond that not only floods the rooms of the Fondation, but also extends far beyond into the publicly accessible garden.
Green water fills the pond, sloshing in it like poison, surrounded by all kinds of plants. Eliasson colored the water with uranine, a dye that is actually yellow but fluoresces green under UV and daylight. Visitors can walk around and across the pond via footbridges – day and night. The exhibition entitled “Life” is open 24 hours a day. And although the Fondation has found a neat interactive, digital solution to offer interested parties beyond regional borders an insight into Eliasson’s latest project, “Life” is an exhibition that can never be experienced via a screen as a substitute.
Eliasson likes to haul blocks of ice from Greenland in front of the Tate Modern in London for his lush works or install a gigantic artificial sun made of monofrequency lamps. In doing so, he is guided by the desire to unite nature, man and culture and to make the audience of his exhibitions small in comparison to the force of nature.
“We humans always believe that we are extraordinary,” says Eliasson in a clip that is intended to help us understand why visitors suddenly find themselves standing in awe in front of glowing green water in the same way they usually do in front of Picasso paintings. “We have to take a step to the side and make room for something that is not us humans,” he explains. Life by no means describes the existence of humans alone. Life is the vegetation around him, everything that enables him to be at all. With the pond in alarm green, Eliasson is concerned with “360-degree awareness”, an all-round attention to nature and the landscape.
That all sounds a lot like Mother Theresa. Eliasson’s formulated thoughts in the video are like the texts on the walls of museums, which often anticipate too much and to which visitors always rush first when they enter the room – without having realized what is actually inside. And above all: without taking the time to let the art in the room have an effect on them. “Life” is an exhibition that has to work without dictating to the audience what it is about. It’s not that difficult to figure it out for yourself.
“Life” at the Fondation Beyeler is open 24 hours a day from April to July 2021. More information about the visit.
Also worth seeing: the current exhibition “Reconstructions: Architecture and Blackness in America” at MoMa discusses the role of US architecture in structural racism.












