Fritz Höger Prize 2017 decided

Building design

Winner Gold: Alte Ziegelei - Landbad Bordenau | Nick Chadde

The winners of the 2017 Fritz Höger Prize for Brick Architecture have been honored. Nick Chadde from Weimar received the Newcomer Award for his conversion of a brickworks into a country spa. Baumeister was a media partner.

On October 6, the 2017 Fritz Höger Award for Brick Architecture, of which Baumeister is a media partner, was presented at the German Architecture Center (DAZ) in Berlin. Among the 604 projects entered, the headquarters of Bremer Landesbank by Caruso St John Architects (see Baumeister 1/2017) was awarded the “Grand Prix” and a further six buildings were awarded “Gold”.

The Newcomer Award 2017

The jury for the Newcomer Award, which included Baumeister editor Alexander Russ, awarded first prize to the conversion of an old brickworks in Bordenau near Hanover – won by Nick Chadde from Weimar.

The first prize

The design focuses on the conversion of an old brickworks into a country spa – and can be understood as a reference to analog architecture. Something new and analogous is created from what is already there. The plinth, where the historic brick kiln was located, and the new house, which reflects the original form of the building with its gabled roof and represents a kind of enclosure for the historic kiln, are exemplary of this.

The addition of the extra storey to the brickworks creates a strong contrast to the existing building on the one hand, while explicitly responding to the existing building on the other. The strong external appearance and the visual impact of the design are striking. The quality of the location and its former function as a brickworks form the basis for the successful transformation into a bathroom. This strong atmospheric quality can also be experienced through the detailed elaboration of the individual usage levels.

The uses in the old vaults, where bricks were once fired, repeatedly create different analogies. One example of this is the sauna in the former kiln. Particularly noteworthy is the level of detail in the work, which can be seen in the section that impressively depicts the catacombs of the historic brick kiln and the old chimney as well as the new enclosure. (Statement of the jury)

Further prizes

In addition to Nick Chadde, Till Schmoll received the “Silver” prize with a seminar building for church pastoral care in Schleiden, Benjamin Lindner a “Special Mention” with an art house in Stralsund and Kristina Egbers, Marius Westermann, Felix Bulka and Markus Plank as well as Tim Schoene and Tobias Grabowski a “Nominee”. All results and further information at www.backstein.com/architekturpreis

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Spreepark Berlin to become sustainable

Building design
Spreepark, the almost forgotten amusement park in Berlin-Treptow, is being redesigned: Together with local residents and other project participants, Buro Happold developed a sustainability concept to guide future development.

Spreepark, the almost forgotten amusement park in Berlin-Treptow, is being redesigned: Together with local residents and other project participants, Buro Happold developed a sustainability concept to guide future development. (Photo: Manuel Frauendorf)

The new Spreepark Berlin will be sustainable. From development and planning to construction and subsequent operation. Happold developed an integrated sustainability concept for this purpose. To top it all off, Spreepark Berlin is the first public park in Germany to receive a certificate from the German Sustainable Building Council.

The old Spreepark in Berlin is being renovated in a special way. It will become a unique park whose relics from the past will be transformed into a new, sustainable future. The use of the old treasures is being rethought and linked to the themes of art, culture and nature. Accordingly, Spreepark Berlin is on the verge of a careful and forward-looking new development in the areas of ecology, economy and social affairs. In addition, it also sets high standards for technical quality, process quality and location quality.

Old rides become stages

With the newly developed Spreepark Berlin, the urban population of Berlin is regaining a place that offers local recreation, but at the same time allows art and culture to be experienced in public space. Based on the extensive participation of Berliners and inspired by its past, an important public open space is being created in the Treptow-Köpenick district. Here, old buildings and amusement rides will become stages for culture and art, with a program offering special experiences.

The concept developed together with the residents is being implemented step by step. The experts from Buro Happold are responsible for the sustainability, coordination and implementation and thus for an important component of Berlin’s urban development.

Extensive dialog leads to sustainability concept

The sustainable development of the Spreepark in Berlin takes into account the habitat requirements of local animal and plant species, among other things. Existing buildings will also be repurposed and an innovative traffic concept introduced to support the mobility transition. The new Spreepark Berlin will also have a comprehensive rainwater management system. And the use of renewable energies will result in both climate-related and economic benefits in the future.

Furthermore, the socio-cultural component in Berlin’s Spreepark is also receiving attention. It is based on the extensive dialog with citizens in a multi-year participatory planning process.

Spreepark Berlin: opportunities for gradual realization

The sustainability concept for Spreepark Berlin was developed by the employees of Buro Happold together with Grün Berlin. They have linked concrete specifications for the various dimensions of sustainability. This includes accompanying coordination and work aids for the various project participants. They all ensure quality in the verification procedure of the German Sustainable Building Council , both in planning and in construction and operation. The gradual completion of the new Spreepark in Berlin provides the opportunity to incorporate further sustainable ideas and requirements into the development process.

The sustainability concept in Berlin’s Spreepark is the result of close, participatory collaboration between planners, architects, engineers and artists. Representatives from the Senate Department for the Environment, Mobility, Consumer and Climate Protection, the district of Treptow-Köpenick, Grün Berlin and, of course, the city’s citizens were also involved. This exemplary, joint approach is creating a new kind of park. It will take into account all the pillars of sustainability and make them tangible for visitors.

Various dimensions of sustainability

Six dimensions form the cornerstones of the sustainability concept at Spreepark Berlin. On the one hand, this pays attention to the myth of the park in the sense of a holistic approach. On the other hand, it takes future (climatic) challenges into account today and counteracts them adaptively.

For example, one goal is to use recyclable materials as sustainably as possible and to establish material cycles. With this in mind, the concept provides for rainwater management in order to save drinking water. In addition, standards have been set for the selection of building materials, which simplify the consideration of various sustainability issues in the planning process.

Innovation and technology at Spreepark Berlin

Innovation and technology also play an important role at Spreepark Berlin. They are key components that will help to achieve the climate targets by 2050. Accordingly, the sustainable energy concept aims to reduce energy requirements through various measures. These include an intelligent lighting network with LEDs, the supply of heating and cooling via decentralized heat pumps and efficient energy generation. Photovoltaic systems on large roof areas are intended to generate up to a quarter of the annual electricity requirement.

In addition, individual measures for the use of the park will be integrated into an overarching, interdisciplinary environmental education concept. This will pursue important educational objectives, but also initiate further sustainable changes. It goes without saying that diversity and accessibility are taken into account. Public reporting on sustainability issues is also an elementary part of the experience.

Early and holistic

The early and holistic concept of sustainability for the Spreepark has created an important basis. This helps to incorporate the objectives into the planning via specifications and to ensure their implementation in the execution and operation of the park. A sustainability coordinator has been appointed to support this process in the long term. It will support the Spreepark Berlin team and help to realize the ambitions that have been set. The conditions of the location are seen as a strength and the aim is to treat the existing site with respect.

The certification of Spreepark Berlin by the German Sustainable Building Council is an important element of quality assurance. As none of the existing certification systems take into account the special features of parks, a catalog of criteria for the certification of parks was developed on the basis of the new Spreepark. This concept thus sets a standard for the future development of sustainable parks.

Something old has recently returned to the park: Spreepark Berlin Ferris wheel.

TEFAF has once again awarded 50,000 euros to two selected restoration projects in 2017. TEFAF (The European Fine Art Foundation) will take place in Maastricht from March 10 to 19, 2017. Each year, the TEFAF Museum Restoration Fund donates up to 50,000 euros to museums pursuing a current conservation or restoration project. An independent […]

TEFAF has once again awarded 50,000 euros to two selected restoration projects in 2017.

TEFAF (The European Fine Art Foundation) will take place in Maastricht from March 10 to 19, 2017. Each year, the TEFAF Museum Restoration Fund donates up to 50,000 euros to museums pursuing a current conservation or restoration project. An independent committee of international experts decides on the applications submitted. The support is intended both to promote the restoration of special works of art and to communicate the significance and importance of conservation.

This year, the prize money went to the Musée Rodin in Paris and to the Detroit Institute of Arts, USA. The financial injection will enable the restoration and reconstruction of a work by Auguste Rodin (1840-1917) entitled “Absolution”. It will also enable the conservation of “Judith with the Head of Holofernes” by Titian (1488-1576), a work that has been on display in the exhibition almost continuously since its purchase.

The 25th anniversary of the TEFAF in 2012 was the occasion to establish the restoration fund for the first time. An overview of the restoration projects supported by TEFAF to date:

2016

Reconstruction of the Tower of Nanjing, de Robien Collection at the Musée des Beaux-Arts in Rennes, France;
Restoration of “Girl in White” by James McNeil Whistler, Singer Memorial Foundation in Laren, Netherlands

2015

Restoration of works by Francisco de Zurbarán, Museum Kunstpalast in Düsseldorf, Wadsworth Atheneum Museum of Art in Connecticut

2014

Restoration of three coffin groups and a sarcophagus from the 21st dynasty discovered in 1891, Rijksmuseum van Oudheden in Leiden, Netherlands;
Restoration of the painting “Miss Nelly O’Brien” by Joshua Reynolds, Wallace Collection in London

2013

Restoration of the portraits of William and Elizabeth James by William Hogarth, Worcester Art Museum in Massachusetts, USA;
Restoration of two chandeliers combining elements of classical sculpture and carving by Giovanni Battista Piranesi, Ashmolean Museum, Oxford

2012

Restoration of a Venice painting by Canaletto, Denver Art Museum, USA;
Conservation of the ten bronze statuettes from the 15th century tomb of Isabella of Bourbon, Rijksmuseum, Amsterdam