From Berlin With Love – Home office culture tip

Building design
General

Home office culture tip (Illustration: Juri Agostinelli)

When all performances of the Berlin State Ballet are canceled, the dance company gets inventive. Watch the specially choreographed piece “From Berlin With Love”.

For most of us, the move to the home office was straightforward: Laptop, screen, mouse and maybe a few important documents tucked under your arm and off you go home. But what is everyday working life like for people who need a lot of space and physical freedom for their job? For dancers, for example. For ballet companies all over Germany, the motto for the past two weeks has been: we stay home.


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Home office culture tip (Illustration: Juri Agostinelli)

The Staatsballett Berlin shows that life can go on without stage performances, rehearsals and training with its online piece From Berlin with Love. First soloist Ksenia Ovsyanick initiated a collaborative choreography by the dancers of the Staatsballett in quarantine. In a three-minute video, the dancers can be seen dancing across the screen in their living rooms, gardens, hallways and on their balconies to Beethoven’s 7th Symphony in A major op. 92. About half of the 92 dancers contributed to the piece. The choreographic pieces were created by each dancer themselves and flowed seamlessly into one another thanks to delicate transitions. The idea behind the choreography was that each dancer begins their sequence with the last movement of the previous one. Communication took place via WhatsApp. Some of the participating dancers incorporated props into their choreography that reflected the current situation: Toilet paper rolls or breathing masks, for example.

Normally you see the dancers through their costumes, only as the characters they are portraying. But in From Berlin with love , the dancers move across the screen in winter boots, cotton socks, jogging pants, jeans or poison green patent leather boots. This creates a very personal insight into the dancers’ personalities, as they are not alienated by their costumes.

But it is not only the Berlin State Ballet that has reacted quickly to the situation. Other ensembles have also developed a digital repertoire. It is definitely worth taking a look at these schedules if you want to bring the theater atmosphere into your home. We have therefore put together some ballet recommendations for the coming weeks:

until April 03, 2020

Stop-motion by the Nederlands Dance Theater
Choreography: Sol León & Paul Lightfoot

Watch the video here.

April 10 to April 17, 2020

Portrait Wayne McGregor from the Bavarian State Opera
Choreography: Wayne McGregor

You can find the stream here.

April 5 to 11, 2020

Messa da Requiem from the Zurich Opera House
Choreography and direction: Christian Spuck
Conductor: Fabio Luisi Conductor
Stage design: Christian Schmidt
Costumes: Emma Ryott

You can find the stream here.

The Hamburg Ballet also offers its own training plan. In times when it feels like everyone who has ever done a push-up shares their workout on Instagram, the Hamburg Ballet’s program is a quality product. Together with physiotherapist Daan van den Akker, dancer Nicolas Glässman demonstrates bodyweight exercises to do at home.

Click here for the fitness program.

And last but not least, here is the final home office culture tip: Country life by Werner Bätzing.

POTREBBE INTERESSARTI ANCHE

Exponatec Cologne, the international trade fair for museums, conservation and cultural heritage, opened today in Cologne. Every two years, experts present proven solutions as well as innovations and new concepts for the museum world. The RESTAURO editorial team also mingled with the trade fair visitors. Today was the day again: Exponatec, one of the leading museum trade fairs, has once again opened its doors […]

Exponatec Cologne, the international trade fair for museums, conservation and cultural heritage, opened today in Cologne. Every two years, experts present proven solutions as well as innovations and new concepts for the museum world. The RESTAURO editorial team also mingled with the trade fair visitors.

Today was the day again: Exponatec, one of the leading museum trade fairs, opened its doors again in Cologne every two years. The new trade fair director is Thomas Postert. For three days, exhibitors will be presenting their latest and proven solutions and ideas in the four main categories of museum, media and technology, conservation and preservation. A major topic this year: increasing digitalization. Virtual reality concepts, online exhibitions and apps show that this also offers a wide range of opportunities for museum operations and exhibitions. Overall, the future of exhibiting and presenting is a theme at Exponatec. Around 185 companies from 19 countries will be exhibiting internationally.

And a little tip: On Thursday, 23.11.2017, Restauro will be hosting a panel discussion at the newly established Metaplaza – a forum for exchange and lectures. Experts from the worlds of business and culture have been invited to speak on the topic of “Art on the move. When a collection moves”. Why not drop by?

Discover old masters digitally

Building design
The Wallraf-Richartz-Museum combines analog with digital in its new project. Laurens Lamberty / Wallraf-Richartz-Museum & Fondation Corboud via Wikimedia Commons (public domain)

The Wallraf-Richartz-Museum combines analog with digital in its new project.
Laurens Lamberty / Wallraf-Richartz-Museum & Fondation Corboud via Wikimedia Commons (public domain)

A new website reveals the secrets of old masters. The Wallraf-Richartz-Museum is now offering fascinating insights into art and research with its new website

A new website reveals the secrets of old masters. The Wallraf-Richartz-Museum in Cologne is now offering fascinating insights into art and research with its new website. It combines the analog and digital worlds and invites visitors on an exciting journey of discovery into the world of the old masters.

Thanks to exciting storytelling and playful design, 700 years of painting will be presented in a new light and a wide audience will be inspired by the tricks of the old masters. Users have the opportunity to look over the shoulders of famous artists from Dürer to van Gogh with art technologists from the Wallraf-Richartz-Museum. Exciting stories, elaborate videos and magical “curtain views” make the invisible visible. They uncover astonishing techniques and reveal many a trick of the old masters. The experts from the Wallraf-Richartz-Museum’s “Department of Restoration and Art Technology” report on the creation of important paintings in eight exciting chapters. They begin with the selection of a suitable support and end with the application of varnish, the perfect finish for a painting.
In the first of the eight chapters, users learn more about training to become a painter. The following chapters introduce the various painting supports and the structure of a painting, starting with the primer, through the underdrawing to the varnish. The different colors such as tempera and oil paint and their production are also presented in detail. The differences between the two colors are also explained. A sub-chapter is dedicated to pigments and their history, with a timeline showing when each pigment was known. Various techniques of paint application and painting methods are presented in detail, so the user learns about the academic painting method of the 19th century, among other things, but also finds out what the expression “alla prima” is all about. In addition to paints, painters also need a wide variety of tools. In addition to brushes, these can also be fingers or tools such as pens or palette knives. A separate chapter is dedicated to pentimenti, which are frequently found in the works of the old masters. Pentimenti refer to changes that occurred during the work process and are derived from the Italian word pentirsi, which means to repent. Pentimenti can occur throughout the entire work process, from the underdrawing to the final application of paint. Examples from the Wallraff-Richartz Museum’s collection are used to demonstrate such changes. The creators of the website also explain how to track down the pentimenti. The final chapter is dedicated to the varnish. It explains in detail what it consists of and how it was applied. It also explains why varnish is often no longer found on modern paintings.
In each chapter, users have the opportunity to obtain further information on specific content. This is usually done by clicking on it and a new small window opens in which, for example, terms are explained. In addition, a plus sign in the works shown indicates if there is further information on a particular part of the painting. The offer is also supplemented by videos in which different work steps are shown. The chapters also contain information on the research methods used by the experts to track down the old masters.
Art lovers can immerse themselves in the fascinating world of painting anytime and anywhere in English and German. Afterwards, they will look at paintings differently. In order to be able to tell the digital story in the museum, the Wallraf-Richartz-Museum has added “Discover!” buttons to some of its pictures, creating a link between the digital and analog art worlds.

The website is based on the exhibition “Discovered!”. Painting Techniques from Martini to Monet, which was on display at the Wallraf-Richartz-Museum in winter 2021/22. The exhibition shed light on the history of European painting, focusing on materials, techniques and creation processes. The exhibition was accompanied by a public survey. This revealed that many museum visitors, regardless of age and gender, would like more information on painting-related topics. It also became clear that information is not only effective in the form of text, but also with the help of moving and still images to illustrate painting materials, techniques and production processes of artists. The survey, which was conducted as part of the dissertation “Rahmenwechsel. Kunstwissenschaft und Kunsttechnologie im Austausch” by Verena Bergmann (formerly Wallner) also revealed that interest in painting technology content in exhibitions is greatest among 30 to 50-year-olds, at around 85 percent. At 80 percent, the under-30s also show a strong interest in these topics. This fact was also given special consideration in the further development of the museum’s offerings. The content, layout and language were preferably adapted to suit the particularly interested target group of under 50-year-olds. The aim is to get as many people as possible interested in the art and techniques of the old masters. The three Cologne-based art technologists Iris Schaefer, Caroline von Saint-George and Kristin Krupa are responsible for the digital story, which was realized by the Augsburg agency Waldmann + Weinold and supported by the Volkswagen Foundation, the University of Konstanz and the Stuttgart State Academy of Art and Design.