Full-time Master Craftsman Preparation Course at the Wunsiedel Stone Center

Building design
2020. Photo: European Training Center for the Stonemasonry and Stone Sculpture Trades
2020. Photo: European Training Center for the Stonemasonry and Stone Sculpture Trades

Preparation for Parts I and II of the master craftsman’s examination in stonemasonry and stone sculpture was delayed due to the COVID-19 pandemic but was nevertheless successfully completed. The new full-time course at the European Training Center for Stonemasonry and Stone Sculpture will begin in September 2020. Registration is stillopen.


Die Absolventen der Meisterprüfung Teil 1 und 2, 2020. Foto: Europäische Fortbildungszentrum für das Steinmetz- und  Steinbildhauerhandwerk, Wunsiedel
Graduates of Parts 1 and 2 of the Master Craftsman’s Examination, 2020. Photo: European Training Center for Stonemasonry and Stone Sculpture, Wunsiedel

For over 25 years, the European Training Center for Stonemasonry and Stone Sculpture in Wunsiedel in the Fichtelgebirge has been offering training, continuing education, and consulting services related to natural stone. Last year, the program was expanded to include preparation for Parts I and II of the master craftsman’s examination.

The result: All participants successfully passed the exams. The preparatory course is conducted according to a nationally standardized curriculum and concludes after nine months with exams administered by the Chamber of Crafts for Upper Franconia. Participants are taught all theoretical and practical knowledge in a hands-on manner through modules covering natural stone techniques, order processing, natural stone design, and the management and organization of a business. In addition to on-site experts, numerous instructors from the trades, industry, cathedral workshops, specialized agencies, and universities teach the course.

In addition to theoretical instruction, special emphasis is placed on hands-on practice in the workshop and laboratory. The Competence Center is also equipped with modern technology, such as a 5-axis machining center and a 3D laser scanner. The training is rounded out by field trips and work visits under expert guidance. Since the one-week study abroad program had to be canceled in 2020 due to the COVID-19 pandemic, the young master craftsmen will travel abroad as part of the upcoming course.

The next master craftsman preparation course begins on September 7, 2020, in compliance with general, mandatory hygiene measures. Those interested can receive advice—for example, regarding funding opportunities—by phone or email.

Information and registration:

European Training Center – Competence Center for the Stonemasonry and Stone Sculpture Trades, Marktredwitzer Straße 60, 95632 Wunsiedel
Phone: 09232-1038, info@efbz.de
www.efbz.de

YOU MAY ALSO LIKE

Light and shadow in Cologne

Building design

L.-Fritz-Gruber-Platz is only about 400 meters away from Cologne Cathedral as the crow flies. For its design, the Düsseldorf-based firm scape Landschaftsarchitekten took up the theme of photography. The result is a play of light and shadow.

L. Fritz Gruber Square is located just 400 meters from Cologne Cathedral as the crow flies, right next to the Kolumba Art Museum of the Archdiocese of Cologne, which was built in 2007 according to plans by Peter Zumthor. The square is named after the photographic historian and journalist Leo Fritz Gruber. From 1945, he worked as a photographer for the British Army of the Rhine. This passion never left him. The Düsseldorf-based firm scape Landschaftsarchitekten therefore took up the theme of photography for the design of the square. A play of light and shadow creates a two-dimensional image of the large maple trees on the square. The square is bordered by listed facades from the 1920s and 1960s. Typical local basalt cobblestones surround a rectangular area of light-colored concrete slabs with an aspect ratio of 6:9 (small picture format), which is framed by three white cuboid benches.

Shadow plays are created on this projection surface, which is illuminated at night by a luminaire hanging above the square in the shape of a hollow sphere. Objects that cross its beam of light create sharply defined shadows on the paving. The functional principle is similar to that of a projector: a hollow body with a matt black inner surface and a point-shaped light source, the opening of which is dimensioned at the bottom so that the focal point beams precisely trace the surface of the square.

L.-Fritz-Gruber-Platz, Cologne

Client: City of Cologne – Civil Engineering Department
Open space: scape Landschaftsarchitekten, Düsseldorf
Project management: Hiltrud M. Lintel, Rainer Sachse
Collaboration: Jan Heimann, Judith Pfahler, Markus Hilgers, Bernd Nengel
Competition: 2007, 1st prize
Completion: September 2012
Area: 2,200 square meters
Costs: 570,000 euros

A stroke of art-historical luck

Building design

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The sacristy used today dates from the Baroque period, but the two Gothic sacristies with their vaults and rare gray-on-gray painting are a stroke of art-historical luck. These are now used as storerooms, albeit for valuable items from the monastery or handicraft objects such as candlesticks or figurines.

The approval of the preliminary investigation for the restoration means that the sacristies will now be cleared out so that they can be made accessible to the public at some point in the future. Church historian Roland Götz has taken a closer look at the sacristies and knows that their preservation is a stroke of luck. However, fire protection still needs to be clarified, as there are no escape routes. As the church is under the same roof as the Bräustüberl, the castle distillery, the grammar school and the brewery, all those responsible and the owners must first come to an agreement. How much all the measures would cost is now to be found out in advance.