Galabau – the stone in May 2024

Building design
Cover picture: Roland Trachsel, Bärlocher
Cover picture: Roland Trachsel, Bärlocher

In our GaLaBau issue, we show how natural stone from the region, which was quarried in the Middle Ages, helped to give the garden of the Benedictine monastery in Corvey a new, contemporary look. You can also read how natural stone paving was used as a connecting element in Flensburg to create a new nature and adventure park, which was nominated for the German Natural Stone Award thanks to its successful design. You will also come across a fountain, the art of which was to create a perfect circle.

When historic natural stone is reused, it sends a strong signal in the direction of sustainability. In Germany, construction and demolition waste is by far the largest waste stream. In 2021, 222 million tons of construction waste were generated, which is more than half (54 percent) of the total amount of waste in Germany. It is therefore all the more pleasing that the company Stonepark from Diepholz in Lower Saxony has specialized in the reuse of old STEIN.

The example of the monastery garden of the medieval Benedictine monastery of Corvey shows how sustainable building culture can be achieved with historic natural stone reprocessed in this way. When restoring and redesigning the walled monastery garden, the Berlin landscape architecture firm Franz Reschke relied primarily on natural stone from the region: all the paving stones, block steps, masonry and fountains come from Stonepark’s extensive range of local stone. Read more about this from page 6.

Another topic in this issue was recently nominated for the German Natural Stone Award 2024. The Hamburg-based landscape architecture firm WES Architekten impressed the jury with the way it connected the Museumsberg, the Old Cemetery and Christiansenpark in Flensburg and made them come alive as a single entity. The design of the paved areas serves as a connecting element in many places. Read more about this extraordinary urban development concept from page 12.

In our interview starting on page 42, you can read how a stonemason designed his very own marketing concept and how successful he is with it. This is very much in keeping with the spirit of the times. Because word has long since got around that it is time for a new way of thinking in the industry. Annette Mühlberger explains from page 46 what you can do to remain competitive even in challenging times.

We hope you enjoy reading STEIN.

Your STEIN editorial team Redaktion@stein-magazin.de

The magazine is available here in the store!

The April issue was all about large areas. Read more here.

POTREBBE INTERESSARTI ANCHE

Instagram top 5 in September 2021

Building design
Schwere Reiter opens in Mahlknecht Herrle's creative quarter in Munich

The Schwere Reiter by Mahlknecht Herrle stands out in the Kreativquartier in Munich with its facade made of sheet piling. Photo: Oliver Jaist

Which projects are the most popular on our Instagram account? We have compiled the Instagram top 5 from September 2021.

You can find all the projects and information that we announce on social media at baumeister.de. But which images and projects are the most popular on our Instagram account? We have compiled the top 5 articles from September 2021.

>> Icefjord Information Center (Ilulissat, Greenland) by Dorte Mandrup

>> “Schwere Reiter” cultural spaces (Munich) by Mahlknecht Herrle Architekten

>> Police administration office (Dresden) by Code Unique

>> “Houses of the Year 2021” winner “Haus Alder” by Fuhrimann Hächler and all other single-family houses

>> Romantic Museum (Frankfurt am Main) by Christoph Mäckler

More top 5 articles? Here you can find our social media overview.

You don’t know our Instagram account yet? Then take a look. We look forward to seeing you.

Wind and space at the airport tower

Building design
General
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The expansive prairie landscapes in Alberta, where the wind whips across the vast expanses of grass and grain fields and forms the snow into bizarre drifts in winter, are so familiar to the architects from the Edmonton office Dialog that they were inspired by this natural spectacle in their design for the new tower at Edmonton International Airport: Undulating, three-dimensional ribbons wrap around the eight-storey, almost elliptical structure. They are interrupted by recessed ribbon windows with views of the Alberta landscape. Behind the façade are around 12,000 m² of offices, retail and restaurants.

The tower owes its eye-catching effect to the irregularly high and wide façade bands in the large herbaceous system. The architects opted for “Rheinzink-prePatina blue-grey”, as this surface picks up on the play of colors of the Canadian landscape and blends in with the ensemble of existing airport buildings. The positive properties of the material were also convincing: in addition to being maintenance-free and durable, the architects were also interested in its good formability.

Just as the wind leaves its mark on the landscape, each part of the complex façade was to be unique. The shapes of the bands and the plans for the steel substructure were developed using a computer-aided 3D model. To test how the materials could be processed, a test section was produced on a scale of 1:1 before assembly.

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