Garden art exhibition: Respiration comes to Stuttgart

Building design
Credit: Architekturgalerie am Weißenhof
Credit: Architekturgalerie am Weißenhof

In May, gardens are in full development: buds are opening, the first flowers are shining, growth is visible everywhere. But a garden is never a finished product – it is an ongoing process. The “Respiration” exhibition by Berlin landscape architecture firm atelier le balto, which opens in Stuttgart in May 2026, picks up on precisely this dynamic.

Garden art as a process rather than a finished picture

Garden art cannot be captured in a single moment. Plants grow, change, disappear and return. Gardeners and landscape architects create the conditions – but time does the actual designing.

With their knowledge of shapes, colors, density and location factors such as light, soil and water, they develop living compositions. The garden only really begins when they retire and nature takes its course.

“Respiration”: an exhibition about change

The “Respiration” exhibition, which was previously on show in Berlin for a year, is dedicated to precisely this idea: how can something that is constantly changing be exhibited?

Instead of highlighting individual projects, it shows the fundamental elements of landscape architecture: trees, beds, shadows and floors appear as lines, surfaces and dots – as the visual language of garden art. In this way, different projects combine to form a large whole in which the focus is not on the result but on the process.

The horticultural craft itself is also made visible. Tools, materials and working methods become part of the exhibition and provide an insight into the creation of gardens and landscapes.

Stuttgart as the next stop

In keeping with its theme, the exhibition will also be on the move: After Berlin, “Respiration” will travel on to Stuttgart, where it will be restaged.

The opening (vernissage) will take place on May 13, 2026 at the Architekturgalerie am Weißenhof. The exhibition will then run from May 14 to July 12, 2026.

Particularly exciting: although the exhibition takes place in spring, it shows winter garden pictures. Reduced forms, clear lines and light shades of gray make the basic structures of landscape architecture visible – the framework on which all future growth is built.

atelier le balto: design with time

Since 2001, atelier le balto has been realizing gardens and open spaces throughout Europe. Their approach is characterized by change, transience and atmosphere. Instead of static installations, they create places that are constantly changing and often appear deliberately quiet and reserved.

They transform even inconspicuous or neglected urban spaces into lively, dense landscapes. Their projects are less to be understood as finished results than as processes that develop over years.

Exhibition dates at a glance

Vernissage
May 13, 2026, 7 p.m.

Exhibition dates
May 14 to July 12, 2026

Venue
Architekturgalerie am Weißenhof, Stuttgart

Opening hours
Tuesday to Friday: 2-6 pm
Saturday, Sunday & public holidays: 12-6 pm

Admission
Free of charge

Finissage
July 12, 2026, 4 pm (with gallery talk)

The exhibition “Respiration” shows that garden art does not exist in a finished image, but in a state of flux. It invites you to rethink landscape – as a living, breathing process.

For anyone interested in garden art and landscape architecture, this garden art exhibition in Stuttgart is a promising date in spring and summer 2026.

POTREBBE INTERESSARTI ANCHE

Promoting resilient city centers

Building design
36 cities and municipalities in Lower Saxony are authorized

36 cities and municipalities in Lower Saxony are authorized

As part of the “Resilient inner cities” funding program, the state government of Lower Saxony is awarding 61.5 million EU funds for sustainable urban development. The city of Hamelin is one of the cities planning to apply.

As part of the “Resilient inner cities” funding program, the state government of Lower Saxony is awarding 61.5 million euros in EU funding for sustainable urban development. The city of Hamelin is one of the cities planning to apply.

36 cities and municipalities in Lower Saxony are eligible to apply for part of the 61.5 million euro funding pot. This was awarded by the European Regional Development Fund (ERDF) for the period 2021 to 2027. The 15 that submit the most convincing concepts on the topic of “resilient inner cities” will ultimately receive the funding. These range from 4.2 million euros in more developed regions (SER) to 3.95 million euros in transition regions (ÜR) per city or municipality.

“The ‘Resilient City Centers’ are a building block with which we support cities in Lower Saxony in making their city centers future-proof. Especially in our large state of Lower Saxony, cities have a very important function for the areas surrounding them. However, they are also facing major challenges – exacerbated by the coronavirus pandemic,” says Regional Minister Birgit Honé about the funding program.

Projects that are eligible for funding include the revitalization of inner cities, environmentally friendly land design, climate-friendly mobility and participatory processes for citizens. Among other things, the application requires the development of a strategy, which is divided into the chapters programme area, need for action and concept, cross-sectional objectives, participation processes, steering group and organizational structure as well as lead projects.

Applications from eligible cities and municipalities can be submitted by the deadline of 21.04.2022. These will then be formally reviewed by the Offices for Regional Development on the one hand and prepared for presentation to a jury of around ten people on the other. This jury evaluates the submitted plans on the basis of eight main criteria. On the basis of the jury’s assessment, the ESRE also selects 15 cities (nine in SER and six in ÜR) to benefit from the funding budgets. The Investitions- und Förderbank Niedersachsen NBank also advises on questions of eligibility for funding.

More information on the ERDF funding program “Resilient Inner Cities” in Lower Saxony can be found here.

Also interesting: The Federal Ministryof the Interior, Building and Community is once again calling for a funding round for National Urban Development Projects 2022. You can read all about the procedure here.

Silently lost in haste

Building design
with which he won the Lucerne Art Society's exhibition prize last weekend. "For me, the work is an examination of the different age groups

“Still lost in haste”. This is the title of Simon Ledergerber’s artwork, with which he won the Lucerne Art Society’s exhibition prize last week. “For me, the work is an exploration of the different stages of age that one goes through. The inner resilience changes,” explains the artist. A rusty steel plate serves as a material analogy to this […]

“Still lost in haste”. This is the title of Simon Ledergerber’s artwork, with which he won the Lucerne Art Society ‘s exhibition prize last week. “For me, the work is an exploration of the different stages of age that one goes through. The inner resilience changes,” explains the artist. A rusty steel plate with a rectangular Bernese sandstone at the end serves as a material analogy.

This is the second award in a row – only at the beginning of the month he won one of the grants from the Art and Culture Foundation of the Canton of Uri. And 2018 looks set to be another exciting year for Simon Ledergerber: For the Kunsthalle Arbon, he will be staging an exhibition covering 600 square meters in June. He will also be given his own space for his art as part of the exhibition prize in Lucerne: “This is an important platform for me,” explains Ledergerber. It is not yet clear what the artwork will look like. But it is certain that it will be a single work: “I would like to make a work that takes up the whole room.”

The project “Gigantisches Kleinod”, which was shown in 2016 in the exhibition Dall altra parte by Haus für Kunst Uri, was also an intensive exploration of space. It is a 300-kilogram cuboid attached to the ceiling of the Gotthard Fortress. “A hundred years ago, blasting and hand-picking took place here. I wanted to create a hand-chiseled counterpart.”

The material also played an important role – Ledergerber chose white marble as a contrast to the granite of the fortress.

Workshop or laboratory

The artist is also very interested in technique, as the material reacts differently to structures and external conditions. In this respect, he does not simply design a work and complete it – on the contrary: the process of working with the material is an essential part of the work.

According to Ledergerber, the results are not necessarily works that can be placed in the living room. But he is also not interested in making sellable art: “I want to dedicate myself to the cause. You owe something to the work.”