Garden Office

Building design

Where your neighbors have a garden shed or tool shed, you can create a small office retreat in your own garden with the "Zen Work Pod". Photo: Autonomous

If working from home hasn’t been on the agenda since spring, you might be setting up your pop-up office again right now. We present two projects made of wood that redefine the term “gardening” as a garden office. The garden is a place to relax. But it is also a place to work when the normally physically challenging […]

If working from home hasn’t been on the agenda since spring, you might be setting up your pop-up office again right now. We present two projects made of wood that redefine the term “gardening” as a garden office.

The garden is a place to relax. But it is also a place of work, when the normally physically challenging gardening work rewards hard-working people with positive feelings. Two small buildings that are more than a garden shed, but less than a tiny house, show that you can also do office work in the garden. Spoiler: With prices of around 15,000 euros, a garden office like this is reserved for well-heeled garden workers.

Office product designer Autonomous is known for its ergonomically designed chairs and desks. Now it provides the space for its furniture at the same time: The “Zen Work Pod” is a minimalist installation made of wood and steel that is intended as an office in the home garden. From electricity and light to storage space, this “work pod” has everything an office or study has to offer in terms of amenities – except for heating.

The compact “Zen Work Pod” with a sloping roof on one side has a footprint of around 2 x 3 meters and its highest point is just under 3 meters. The special feature is the entrance front. It is made entirely of glass, allowing an unobstructed view into and out of the office. The closed outer walls consist of four weather-resistant components: a wood-plastic composite, insulating foam, bituminous waterproofing and steel.
Inside, each wall is designed differently. In addition to the glass front, which gives the feeling of sitting directly outside in the garden, there is a light-colored wooden wall and a built-in wooden shelving wall. The fourth and highest wall is made of wood with narrow vertical glass inserts along its entire height, which stretches the room. Workers can individually adjust their workstation and view. Autonomous supplies the Smartdesk 2 and the Kinn Chair for this purpose. The “Zen Work Pod” is currently only available for pre-order and the working experience is not cheap: the “Zen Work Pod” is expected to cost 14,900 dollars at retail, whereas the “early bird” offer of 5,400 dollars seems almost like a bargain.

The “Wooden Tent Office” from Archipure is another version of the garden office, but it is made to order. In 2016, architect Patrik Uihlein developed a wooden structure with the shape of a tent or classic house – rectangular floor plan, four walls, pitched roof. The façade is clad with black “Contec.proof” foil, which is made from EPDM and is impact and fire resistant. Only one exterior wall is not clad: the glass front. The glass wall provides a view into or out of the 8.2 square meter interior, which is lined with light wood. Here too, the glass front conveys the feeling of sitting outdoors. The wooden tent can be supplied with or without office equipment.

In addition to the “wooden tent”, Archipure also offers the “minilodge” as an alternative to the classic camper van. The “minilodge” is a rectangular wooden construction with panoramic windows and with or without a covered veranda. The architecture offers space for different functions: From the sleeping and living area to a kitchen with dining area and a WC – there are no limits to the furnishing options.

Incidentally, the current Baumeister B11 reports on another interesting small house for the garden: the young architects from Aretz Dürr Architektur in Cologne, who have just been awarded first prize in the “Houses of the Year 2020” competition, have built their own beautifully designed wooden garden house for bicycles, barbecues and other items as an alternative to overpriced DIY store products.

POTREBBE INTERESSARTI ANCHE

Building bridges

Building design

Advertorial Article Parallax Article

Sichtachsen author Maria Auböck reminisces about the exhibition “How will we live tomorrow?”, which presented the interim status of the IBA Vienna.

An ode to the IBA: Sichtachsen author Maria Auböck reminisces about the exhibition “How will we live tomorrow?”, which presented the interim status of the IBA Vienna. Her conclusion? The exhibition paints a picture of Vienna without nostalgia – and appealed to many young planners in particular.

In recent years, the teenage scene in Vienna has discovered curious garden art locations as meeting places. For example, ZWIDEMU – Between the Museums – the park at the Maria Theresa monument. An oversized topiary was set up here in 1888, which is now considered an unconventional, consumer-free zone. A sign of the paradigm shift that we are currently experiencing in the evaluation of open space and building construction.

This development will also affect other areas of the city through and after COVID-19: The public space in Vienna is – beyond the nostalgic marketing as a tourist destination – a space for design and use. This urban landscape must now be understood as a whole.

The exhibition entitled “How will we live tomorrow?”, which was on show in Vienna in fall 2020, was a good start. Without nostalgia, it showed fresh and modern ideas for the contemporary use of open spaces in social and subsidized housing and linked these with project presentations and general questions of urban development in an exemplary manner.

The occasion for the exhibition was the IBA Vienna, which presented its interim status ahead of the 2022 exhibition year. It was located on the site of the former Sophienspital hospital, which itself is due to be developed as a conversion area with residential buildings and will also provide space for start-ups and social facilities.

For six weeks, the exhibition was the meeting point for Vienna’s planning debate – shortly before the second lockdown. Workshops and discussions were held within the framework of the exhibition, including by the Austrian Professional Association of Landscape Architects ÖGLA, which used the stage of the IBA exhibition to address current issues relevant to the profession.

Although the IBA 2022 will not be completed for another two years, this interim status was a good opportunity to exchange ideas. While the selected construction projects were taking shape, interim uses were discussed, visits were organized and interested parties wandered around the city. Urban initiatives were presented, such as the BERTA package from the GrünStattGrau group, who put their advice for façade greening into clever and compact consulting packages.

Architect Walter Stelzhammer argued for urban densification above the city’s eaves zone, and the “Pocket Mannerhattan” project aims to combine the renovation of existing buildings with ambitious participation. Excursions to the large, realized open spaces in Aspern Seestadt, the “In der Wiesen” residential complexes and the PAHO Ost from the 1970s, which is well worth seeing, rounded off the program.

The internationally acclaimed building exhibitions have been a magnet for the public in Germany for many years. They are able to draw the attention of the press and the public to the city’s unwieldy topics.

This is where the representatives of open space planning can start today and introduce integrative topics that are highly topical: Manifestos on the subject of the sponge city, the use of plants in climate change, urban gardening in buildings.

What was astonishing about these excursions was the interest and high level of participation from young colleagues – a new generation of planners and users made their voices heard. A new understanding of landscape design will emerge from these projects.

You can find out more about international building exhibitions, such as the IBA Basel, here.

Grey as a trend color for exterior design

Building design

Netherlands

A trend color has emerged in the design of outdoor areas: Vandersanden has added new clinker brick models in grey to its already extensive range. As a result, architects and local authorities will benefit from an even more diverse range of pavers in future. All-round talent gray The times when gray was considered old and boring are over – today it is, […]

A trend color has emerged in the design of outdoor areas: Vandersanden has added new clinker brick models in grey to its already extensive range. This means that architects and local authorities will benefit from an even more diverse range of pavers in future.

The days when grey was considered old and boring are over – today, when it is natural and colorfast, it is absolutely on trend. The multifunctional color combines understatement with elegance and can be individually combined thanks to its numerous shades. In addition, gray represents both nature and the urban and is therefore also increasingly being used in the construction sector.
To meet this trend, Vandersanden offers a wide range of gray clinker bricks. Manufactured using the extruded and molded brick process, they not only impress with their modern shape, but also with different formats such as interlocking bricks, which enable different laying patterns. For an antique look, the clinker brick models are also available in a rumbled form. The different shades of gray of the new products are just as varied: While Gera (200 x 100 x 52 millimetres) comes in a nuanced grey, Jena (200 x 100 x 52 millimetres, also available as a format mix on request) scores with a grey-brown flamed look. Another new addition to the stock program is the grey-nuanced, muted Leipzig variety. All gray clinker brick models open up a wide range of design options and, depending on the selection and combination, always achieve a different effect. Further variants are already in development.

Indestructible markings

Pavers are also increasingly being used in road construction. In the form of directional markings, parking space markings or for the visualization of traffic islands and obstacles, they make a reliable contribution to increasing road safety. Thanks to its guaranteed color fastness, the natural product beats markings made with paint by far. The gray-white fired Carrara paving clinker provides a strong contrast to the dark road surface and is therefore ideal for use in public spaces.