If you haven’t been there yet, you should hurry: Until July 14, 2019 (see below for opening times), Munich’s Architekturgalerie is showing the small but excellent exhibition “Snøhetta Shaping Interaction” to mark the 30th anniversary of the Oslo-based architects’ office. The exhibition focuses on three projects created for crystal manufacturer Swarovski in Wattens near Innsbruck: The new manufactory building of the […]
If you haven’t been there yet, you should hurry: Until July 14, 2019 (see below for opening times), Munich’s Architekturgalerie is showing the small but excellent exhibition “Snøhetta Shaping Interaction” to mark the 30th anniversary of the Oslo-based architects’ office.
The exhibition focuses on three projects created for crystal manufacturer Swarovski in Wattens near Innsbruck: The company’s new manufactory building, a play tower for visitors (not just for children) and, with a meadow orchard, also a small landscape architecture project. An installation made of plywood as a backdrop for the plans, models and sketches of the projects changes the exhibition space of the gallery in an interesting way – a successful interaction with the space. This suits Snøhetta: the planners do not have a recognizable style that is reflected in all the projects. Rather, architecture and landscape architecture are always based equally on an intensive examination of the location and its future users.
In addition, all projects have one thing in common: the fun and enjoyment of the work of the team of around 200 employees, according to Jenny Osuldsen, landscape architect and partner at Snøhetta in Oslo. She came to Munich on June 25 for a talk with landscape architect and professor Regine Keller to present and discuss further projects by the firm and its working methods. Despite midsummer temperatures, the guests lounged in large numbers on the red beanbags in the pleasantly cool outpost of the Architekturgalerie – the Hochbunker in Blumenstraße – where the supporting program for the exhibition took place.
They were provided with good entertainment – Jenny Osuldsen radiates the joy of what she does to perfection – and exciting background information on the largely well-known projects such as the Oslo Opera House or New York’s Times Square. For example: Snøhetta ignored the competition brief for the opera house, which did not include any public open space around the opera house. And in Times Square there are bollards for security, even if they are not visible in the photos. Both strategies have proved successful: The roof of the Opera House is now one of the most visited open spaces in Oslo’s city center and the bollards in Times Square have already saved lives.
The naturalness with which the office works across disciplines is reflected in the quality of the projects and encourages more collaboration and fun in this country too.
Exhibition venue:
Türkenstrasse 30
Mon-Fri 9.30-19 hrs, Sat 9.30-18 hrs
Sunday, July 14: 11 a.m.-5 p.m.












