Glacier platform for summit experiences from noa*

Building design

The new “Iceman Ötzi Peak” viewing platform on the Schnalstal Glacier, designed by the Bolzano studio noa* (network of architecture), floats like a sculpture on the mountain and offers a fantastic panorama of Alpine South Tyrol. Since late last summer, there has been a spectacular viewing platform on the Schnalstal Glacier in South Tyrol at 3,251 meters, designed by the Bolzano-based studio noa* (network […]

The new “Iceman Ötzi Peak” viewing platform on the Val Senales glacier, designed by the Bolzano studio noa* (network of architecture), floats like a sculpture on the mountain and offers a fantastic panorama of Alpine South Tyrol.

Since late last summer, there has been a spectacular viewing platform on the Val Senales Glacier in South Tyrol at 3,251 meters, designed by the Bolzano office noa* (network of architecture) on behalf of Schnalstaler Gletscherbahn AG. It is named after Ötzi, the “Iceman”. The platform floats like a sculpture on the mountain and offers a fantastic panorama of Alpine South Tyrol – a view just like the famous Stone Age man had 5,300 years ago.

In its planning, noa* incorporated the existing summit cross. The design impresses with a clear design language and a reduced choice of materials made of Corten steel and glass. The almost floating, eighty square meter construction is organically shaped and consists of a grid with slender cross beams. The sculptural intervention is lined with vertical slats that are reminiscent of the stone landscape of the local scree fields.

The highlight is the cabin with a viewing platform made of all-glass railings. The cantilever above the void plays with sensory perceptions such as infinity or the overwhelming impressions of nature – but also functions as a picture frame. This is because it directs the viewer’s gaze to the place where Ötzi was found: we are looking directly at the snowfield of the Similaun, at the foot of which the glacier mummy was found by the Simons couple from Nuremberg in 1991. While up there you can experience the immediate surroundings of the Iceman, down in the valley the archeoParc open-air museum tells you how he lived.

The route to the viewing platform at 3,251 meters above sea level begins in Kurzras, the highest village in the Schnalstal Valley. The glacier cable car takes you up to 3,212 meters. This is where the mountain station and the Glacier Hotel Grawand – the highest hotel in Europe – are located. From here, the platform can be reached safely and comfortably on foot: in ten minutes via a staircase (with handrail).

Once at the top, you can discover the Hochjochferner and the watershed that forms the national border between Austria and Italy: the water flows from up here into the Black Sea and then into the Adriatic Sea. The path of transhumance, part of UNESCO’s intangible cultural heritage, can also be seen here. This involves the transhumance of sheep to the summer pastures: Every year in mid-June, shepherds move 3,000 to 4,000 sheep more than forty kilometers across the glacier to the Ötztal valley in North Tyrol.

Iceman Ötzi Peak in video

Iceman Ötzi Peak
Grawand mountain station
I-39020 Kurzras/Schnals

Fancy another panoramic view? Discover the highest refuge in the Zillertal Alps, the Schwarzensteinhütte, designed by architects Helmut Stifter and Angelika Bachmann.

noa* was founded in 2011 by Lukas Rungger (born 1977) and Stefan Rier (born 1979) with headquarters in Bolzano and a branch in Berlin. The young architecture and design studio stands for a collaborative work ethic and relies on an interdisciplinary design methodology. Creative teams are put together at different times. “The traditional architectural profession is changing; as a methodological consequence, it is being replaced by interdisciplinary creatives from various design disciplines: we see ourselves more and more as conductors playing in an orchestra,” explains Lukas Rungger. noa* serves as an architectural spatial laboratory: with selected specialists in the team and in the network, conventional design becomes more complex, more intensive and richer. “Ten years ago now, we settled in Bolzano and founded noa*, deliberately conceived as a ‘network’ because this reflects the spirit of our work, the way we think, feel and act,” says noa* co-founder Stefan Rier. The two met while working for architect and designer Matteo Thun in Milan, where they were involved as project managers in a number of projects in the fields of tourism, modern living and contemporary working environments.

Lukas Rungger graduated in architecture at Graz University of Technology and, after studying at ISACF Brussels, worked first in Graz with Prof. Hans Gangoly, later in London with Softroom and finally in Milan with Matteo Thun. Following his diploma in Brooklyn and his state examination at the IUAV in Venice, Lukas Rungger focused in particular on urban development projects, sustainable housing, hotel planning and the interior design of stores, bars and restaurants.

Stefan Rier

Stefan Rier graduated in Interior Design at the Centro Studi “Andrea Palladio” Verona and in Architecture at the Technical University of Ferrara. After studying in Innsbruck, he first worked as an architect and project manager with Arch. Demetz, then later in Bergamo with Prof. Massimiliano Mandarini and finally in Milan with Matteo Thun. Stefan Rier completed his state examination at the University of Genoa and worked mainly on sustainable projects in the office and hotel construction sector as well as landscape, furniture and product design.

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Apply now! – Textile & Craft Award is presented by the European Textile Academy

Building design
Apply now! - Textile & Craft Award is presented by the European Textile Academy. Photo: ttps://eurotextileacademy.com

Apply now! - Textile & Craft Award is presented by the European Textile Academy. Photo: ttps://eurotextileacademy.com

The European Textile Academy (Bolzano) has launched the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and arts and their connection to the world of design. Take part!

The European Textile Academy (Bolzano) has launched the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and arts and their connection to the world of design. Take part!

Consumption is increasingly taking ecological and social-ethical aspects into account – all the more so as the range of products on offer becomes more diverse, cheaper and lower-threshold. “Better instead of more” is the principle of slowing down, living and consuming more mindfully and consciously. The European Textile Academy has created the EUROPEAN TEXTILE & CRAFT AWARD to recognize special achievements in contemporary and traditional crafts and art professions and their connection to the world of design. The ETA Award stands for creative and trend-setting solutions in the global market.

The jury recognizes pioneering achievements in innovative products, taking sustainable criteria into account. The materials used and innovative natural fibers, aesthetic and functional design, processing quality and resources, environmentally friendly production and social and ethical aspects are key criteria for the award. The award is proof of the outstanding quality of the product and a reliable seal of quality for consumers and manufacturers. Participation is possible in award categories. Interested parties can submit their application in a category that appears to be advantageous for them.

The award categories are:

  • Textile Craft (textile crafts in the fields of weaving, dyeing, knitting, embroidery, upholstery, textile printing, millinery, etc.)
  • Sustainable Fashion Craft (fashion crafts, custom tailoring)
  • Sustainable Fashion & Textile Industry (sustainable industrial processing in women’s and men’s fashion and in the textile industry)
  • Textile Art (textile art, exhibition installations, etc.)
  • Textile Architecture (textile constructions, architecture of buildings of all kinds (public buildings, sports facilities, industrial and corporate buildings, residential buildings, museums, hotels, etc.)
  • Textile shading systems (textile shading systems, tent constructions, etc.)
  • Architecture with Natural Fibres (contemporary architecture with fibers, e.g. hemp, flax, straw, bamboo, willow, bark and renewable plant fibers)
  • Interior (home fabrics and carpets, upholstered furniture, upholstered beds and home accessories, textile printing, indoor and outdoor)
  • Hospitality (the award recognizes hotels, inns, etc. that have recognized the quality of textile furnishings in all guest areas for their competitiveness)
  • Museums, Collections & Archives (the aim of this award is to recognize outstanding museum, collection and archive activities and the quality of museum presentation and mediation work as well as the efforts to preserve “textile” in all its areas as a cultural asset and make it accessible to a broad public)
  • Other (Textile topics not included in the above categories, application on request).

The award-winning projects and products will be exhibited at the Int. Festival of Textile Craft, Textile Art & Design from March 15 to 17, 2024 at Maretsch Castle in Bolzano. An award at the European Textile & Craft Award generates attention and increases visibility. The ETA AWARD 2024 is proof of the outstanding quality of the product and a reliable seal of quality for manufacturers and customers.

Registration and submission: within October 21, 2023

Jury meeting: November 9 and 10, 2023

Publication of the award winners: December 2023

Gala award ceremony: Friday, January 12, 2024 at the Waltherhaus in Bolzano

The European Textile & Craft Award is decided by an independent international jury of experts made up of representatives from colleges, universities, crafts and industry, art and culture. The members of the jury include couturier Gaetano Aloisio, Moritz Dörstelmann, Professor of Digital Design and Communication at KIT Karlsruhe, art historian Ursula Schnitzer and Aurora Magni, President of Blumine srl, a research and consulting company active in the field of sustainable textiles and fashion since 2010, as well as Dr. Ute Strimmer (Editor in Chief Restauro).

The jury will select “Award” winners in each category, as well as an appropriate number of “Silver” winners. In addition, “Special Mention” awards are presented for particularly noteworthy achievements. The evaluation criteria are: Overall concept, aesthetic and functional design, processing quality, processed material or fibers, sustainability, materials used and innovative natural fibers, aesthetic and functional design, processing quality and resources, environmentally friendly production as well as social-ethical aspects are essential criteria for awarding the award. The manufacturing industry, designers, craftspeople, artists, architects, universities and research institutions, museums, collectors, archives, hotels and restaurants are all eligible.

Registration for the award takes place exclusively via the registration portal of the European Textile Academy (www.eurotextileacademy.com)

Balancing act

Building design

Two countries connected by a streetcar: the new streetcar stop by J.MAYER.H.

Two countries connected by a streetcar. A streetcar runs from Kehl across the Rhine – all the way to Strasbourg. A direct connection to the European capital that crosses borders. The new terminus in Kehl by J.MAYER.H can be a little more unusual. The French counterpart by Zaha Hadid Architects was built in 2001 and is in no way inferior.

Public transport stops are part of the urban infrastructure that we city dwellers take for granted. They hardly get any attention. The new streetcar stop on Rathausplatz in Kehl by J.MAYER.H. is quite different. Light-colored exposed concrete panels define its striking structure, inspired by the Rhine pebbles typical of the area. The sculpture expresses dynamism and balance, instability and mobility. A certain symbolism? After all, the stop connects Kehl in Germany with Strasbourg in France along six kilometers of track. A connection that was hardly conceivable just a few years ago, but which even today has to be fought for time and again – in a positive sense. The streetcar stop on the other side can keep up with the design by J.MAYER.H. Zaha Hadid Architects designed the station in Strasbourg. Two unique terminal stops from the pens of major architectural firms – and border traffic commutes between them every day.

This article appeared in G+L 07/2019. Click here to go to the store.