Gokce Gemile Private Bay: Vegetation as Infrastructure in a Private Island-Style Estate

Building design
Architecture, topography, and Mediterranean vegetation form an integrated landscape system in which built and natural elements come together as a continuous whole. Photo: Gokce Gemile Private Bay
Architecture, topography, and Mediterranean vegetation form an integrated landscape system in which built and natural elements come together as a continuous whole. Photo: Gokce Gemile Private Bay

In many coastal developments, vegetation is still introduced as a secondary layer, used to soften architecture, frame views, or provide ornamental continuity with the surrounding landscape. At Gokce Gemile Private Bay, a private island-style estate near Fethiye on the southwestern coast of Türkiye, this logic is reversed: vegetation is not a decorative addition but functions as a primary spatial infrastructure that defines privacy, movement, and spatial organization across a forested peninsula.

The estate is carefully integrated into the Mediterranean landscape, where architecture, vegetation and terrain form a continuous coastal environment. Foto: Gokce Gemile Private Bay
The estate is carefully integrated into the Mediterranean landscape, where architecture, vegetation, and terrain form a continuous coastal environment. Photo: Gokce Gemile Private Bay

In contemporary coastal development, planting is often implemented only after architectural volumes and infrastructural systems have already defined the site. Within this sequence, the landscape becomes a corrective surface rather than an active spatial system. At Gokce Gemile Private Bay, however, vegetation is embedded in the initial design logic, forming the basis for how the estate is organized and experienced.

Vegetation as Spatial Infrastructure

The private island-style estate occupies a naturally defined peninsula of approximately 20,000 square meters, surrounded by the sea, rocky slopes, and mature Mediterranean vegetation. Instead of treating this Mediterranean landscape as a passive backdrop, the project engages it as a functional structure. Trees, shrubs, ground cover, and terrain features are understood as components of spatial organization rather than merely visual elements.
Three independent stone villas are distributed across the site. Their positioning follows existing vegetation patterns and topographic conditions rather than geometric order or visual alignment. In this sense, landscape architecture is not applied to the site after construction but forms part of the project’s initial spatial reasoning. Consider briefly emphasizing that the organization of vegetation is inseparable from the geography and topography of the peninsula. This concept has become one of the recurring themes throughout the broader publication program and would integrate naturally into this section.
Vegetation becomes the first layer of spatial organization. Mature trees are preserved wherever possible, and building positions are adjusted in response to existing root systems and canopy structures. This creates a continuous relationship between the built form and the living landscape, where architecture is shaped by vegetation rather than imposed upon it. A mature carob tree preserved on the site directly influenced the configuration of one of the villas. Instead of removing the tree, the building was adapted to fit around it. Under these conditions, vegetation as infrastructure functions not as a representation but as a spatial determinant.

Shade, topography and mature vegetation shape everyday life, creating outdoor spaces that emerge naturally from the Mediterranean landscape. Foto: Gokce Gemile Private Bay
Shade, topography, and mature vegetation shape everyday life, creating outdoor spaces that emerge naturally from the Mediterranean landscape. Photo: Gokce Gemile Private Bay

Planted Depth and Spatial Continuity

Across the peninsula, vegetation defines spatial relationships through planted depth rather than constructed boundaries. Layers of pine, carob, wild shrubs, and coastal grasses mediate between open and enclosed spaces, creating a gradient of spatial separation.
This approach defines the private garden estate as a continuous landscape system rather than a collection of discrete garden areas. Gardens extend the existing forest structure into terraces, paths, and the surrounding zones of the villas. The landscape remains continuous, and spatial edges are experienced as transitions rather than fixed lines.
Within this framework, landscape architecture functions as an environmental system. Vegetation filters views, modulates acoustics, and slows movement, replacing conventional architectural mechanisms of enclosure and screening. Coastal living is therefore organized through ecological depth rather than physical separation.

Movement Through the Mediterranean Landscape

Circulation reinforces this spatial logic. Arrival occurs via a narrow access route embedded within dense vegetation. The site is not immediately revealed but unfolds through a sequence of filtered views, shaded transitions, and controlled openings. A discreet funicular connects the upper plateau with the shoreline, while a secondary forest path traverses the terrain. Both routes maintain direct engagement with the vegetation, ensuring that movement remains embedded within the Mediterranean landscape rather than detached from it. Vegetation, functioning as infrastructure, extends into the movement itself, structuring how the estate is approached, traversed, and understood over time, thereby reinforcing the geography-led spatial organization of the estate.

A preserved mature carob tree forms the spatial centre of the private island-style estate, demonstrating how existing vegetation guides architecture, outdoor living and landscape organisation. Foto: Gokce Gemile Private Bay
A preserved mature carob tree forms the spatial center of the private, island-style estate, demonstrating how existing vegetation guides architecture, outdoor living, and landscape organization. Photo: Gokce Gemile Private Bay

Gardens as a Spatial System, Not Decoration

Within Gokce Gemile Private Bay, gardens are an integral part of the estate’s spatial system rather than merely decorative compositions. Terraces, shaded areas, and transitional zones are positioned in relation to existing trees, slope conditions, and wind patterns, creating a landscape that is adaptive and site-specific. The private island-style estate is therefore defined not by individual garden rooms but by a continuous environmental structure in which vegetation determines hierarchy, orientation, and perception. In contrast to coastal developments where planting is used to heighten visual impact, vegetation here functions as a mechanism of restraint. It structures distance, limits visibility, and creates zones of acoustic and visual separation. Coastal living is defined by ecological depth rather than architectural exposure.

A Quiet Form of Luxury

Material choices reinforce the continuity between built form and landscape. Natural stone, reclaimed timber, and hand-forged metal elements are integrated without visual dominance, allowing the architecture to blend into the planted environment over time. Luxury is defined by shade, silence, distance, and the persistence of natural systems rather than by density or visual excess. The Mediterranean landscape remains active, shaping the spatial and sensory conditions of everyday life. What remains unbuilt is not residual space but a defining feature of the private island-style estate. The landscape conveys a sense of distance. The vegetation provides privacy. The gardens provide continuity. The project demonstrates vegetation as a functional spatial system in which planting, topography, and built form are interdependent components of a continuous landscape structure. In this configuration, the private island-style estate functions as a unified landscape system shaped by vegetation, terrain, and gradual spatial transitions.

You can find further information here.

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besgen landscape architecture: outdoor facilities Dietrich-Bonhoeffer-Haus

Building design

The redesign of the entrance area of the community center transforms a previously unsafe concrete arena into an inviting, colorful seating arena for young people. Noël Besgen, besgen landscape architecture

The redesign of the entrance area to the community center was a major challenge. Despite years of experience in designing outdoor areas, it was difficult to redesign the steep “concrete arena”, which was no longer safe to use. In the following project presentation, the besgen landscape architecture firm explains how it nevertheless succeeded in transforming this space into an inviting area.

The redesign of the entrance area to the community center was a major challenge. Despite years of experience in designing outdoor areas, it was difficult to redesign the steep “concrete arena”, which was no longer safe to use. In the following project presentation, the besgen landscape architecture firm explains how it nevertheless succeeded in transforming this space into an inviting area.

The starting point was the redesign of the steep, no longer safe to use concrete arena that leads to the “Sonderbar” children’s and youth club in the community center. The aim was to create a friendly and colorful entrance situation that invites people to the “Sonderbar”. A seating arena is intended to invite young people and confirmands to linger, chill out and celebrate, while also appealing to everyone who passes by. As part of the design, the extended outdoor area was also integrated into the design to create a harmonious overall look for the community garden and make access to the community center more inviting. The greywacke rock seating arena forms a transition and acts as a “front garden bed backdrop” to the community center, which changes over the course of the seasons. Strictly trimmed hedge bands serve as “green hedge railings” and protect the footpath from the flowerbeds. The steps are atmospherically set off by bollard lights in the clusters of shrubs and grasses, while recesses in the path decking serve as small seating niches. Herbaceous perennials were planted at the sides of the flowerbeds to turn the steps into a “scented staircase”.

A connecting element between the front and rear garden areas is the “community meadow”. At the rear is the “community terrace”, which adjoins the worship hall and is slightly higher, like a small bastion. This previously little-used terrace has now been transformed into an extended worship and open space that is used for congregational activities, open-air services, baptisms, meetings and festivities. The terrace is structured by intersecting strips of light-colored slabs and protected from noise and views from the main road by a hedge. Beds of ground cover and vertical grasses reinforce the effect of a sheltered, framed space. Here too, bollard lights in the beds provide atmospheric lighting accents, especially in the evening and in winter.

The garden was designed to be climate-friendly, with robust, low-maintenance plants that can withstand drought, urban climates and cold. The plants are also insect and bee-friendly. The plant beds consist mainly of ground covers, ornamental perennials, grasses and specimen plants that change depending on the season. Especially in summer, white hydrangeas and solitary grasses with taut stems add to the atmosphere.

The selection of plants in the community garden includes a variety of robust and climate-resistant plants. Strictly pruned hedges such as hornbeam (Carpinus betulus) and Schmidt’s alpine currant (Ribes alpinum Schmidt) form a structured framework. Flowering plants such as the panicle hydrangea (Hydrangea paniculata Limelight), the autumn anemone (Anemone japonica ‘Honorine Jobert’) and the white summer wood aster (Aster divaricatus Tradescant) provide seasonal color accents. Ground cover plants such as the ground cover rose Noatraum and the ornamental lady’s mantle (Alchemilla epipsila) fill the garden with vibrant greenery. The candle knotweed (Bistorta amplexicaulisLisan) and the cranesbill (Geranium wallichianum Azure Rush) complete the floral variety. Other plants such as steppe sage (Salvia nemorosa Caradonna), coneflower (Rudbeckia fulgida var. sullivantii Goldsturm), mountain mint (Calamintha nepeta Triumphator) and Patagonian verbena (Verbena bonariensis) not only provide aesthetic accents, but also attract insects. The catmint (Nepeta x faassenii) and various grasses, such as the autumn head grass (Sesleria autumnalis) and the garden riding grass (Calamagrostis x acutiflora Karl Foerster`), round off the plant selection and ensure a dynamic garden appearance all year round.

“Every garden is the result of an individual idea,” says Noël Besgen (landscape architect AKNW) – creative idea finder and design-competent planner for all aspects of garden and open space architecture. The starting point is the location, the garden, the square, the street, the park – and people.

The office “besgen Landschaftsarchitektur” was founded in 2008 with a focus on open space and object planning of private gardens. We create innovative, pragmatic, individual and low-maintenance concepts for feasible planning and design proposals for urban garden and open space culture that meet the special requirements of contemporary living and working environments. The designs stand for functionality, timelessness, formal restraint and clear reduction to simplicity. Competent and complete project support from the first sketch to the realized object.

Climate-resilient, sustainable and aesthetic redesign and redesign of the community center’s outdoor facilities as the seasons change. “And in the middle of the paradise garden, the werewolf chills in the sea of flowers,” commented the church community on the opening of the outdoor facilities.

Realization: 2021-2022
Client: Evangelical parish of Sankt Augustin & Niederpleis and Mülldorf
Design + planning: besgen landscape architecture & Noël Besgen I landscape architect AKNW

Our September issue is all about urban oases. Find more exciting projects here.

By the way: The long-awaited vote of the European Parliament on the Nature Restoration Law did not go as planned. Find out more about the result here.

English eat up Germany?

Building design

The pitfalls of language

The politician Jens Spahn sees German city centres being overrun by the English language and a globalized hipster culture. Our author wishes him more serenity.

Jo, it’s funny, the picture above. A subtle linguistic attack on the common Teutonic tourist. Whether an unconscious act of Germano aversion or rather sloppiness in the Adriatic high season – the impression currently haunting Facebook refers to the great theme of longing and loss in globalization: dealing with one’s own, and foreign, language. An emotional subject. Believe me, I know what I’m talking about – I’m currently living in Mexico and am trying, with moderate success, to improve my Spanish. That’s important, because hardly anyone speaks English here. Unlike in Berlin-Mitte.

Which brings us to the topic. The dominance of English in core tourist areas such as the center of Berlin has just been made an issue by CDU politician (and, according to those in the know, upcoming party star) Jens Spahn. He says that too much English is spoken in Berlin’s hipster cafés. And tries, somewhat strenuously, to combine his position as the only CDU hipster with his Anglo-critical core argumentation. Of course, this is aimed more at the CDU core electorate “out in the country”, people in Wanne-Eickel or Salzgitter-Lebenstedt, who may not speak English as well as the Berlin hipsters Spahn doesn’t appreciate (and like himself, as he casually lets slip).

Very important for Spahn: the reversal of the provincialism accusation. It is not the people from Wanne-Eickel who are provincial, but the hipsters themselves. A popular mental maneuver: take your opponent’s main argument and throw it at them yourself. Am I stupid? No, you are stupid. No, you are. No you…

Now, the presence of English in the tourist centers of our cities – as well as in those of other metropolises – cannot be denied. Occasionally I sit with a German friend at the bar of Berlin’s Soho House and order drinks from the German barman – in English. It does feel a bit strange. But to be honest, it’s not that bad. In any case, it doesn’t give me the identity crisis Spahn is talking about. And the drinks are still good.

What is interesting about Spahn’s criticism, however, is his observation that a kind of global tourism culture is spreading in our centers and replacing everything regional. That’s true, these cultural processes do exist. They also have an architectural impact, in Berlin, for example, through the construction of architecturally disastrous hotel bunkers that signal to Easyjet tourists in particular: This is your place. Berlin has little to counter this as a city due to empty coffers. At least investment is now being made, it seems. But the question is at what point the atmosphere of a city center is actually undermined to such an extent that nothing specific to the city remains.

Although – ultimately, I’m not so pessimistic about this. And that’s because I believe in the power of our cities more than Jens Spahn does. It’s not true that “all of Mitte” or the entire city centre of Munich is degenerating into vulgar, globalized party zones. Rather, backpacker tourism and hipsteritis are being added to other cultural elements. And alongside the aforementioned hotel monstrosities, a lot of good architecture is still being created in our cities. In this respect, dear Mr. Spahn: Relax. Oh sorry – don’t despair, I meant.