Gravestone + sacred building – The stone in November 2023

Building design
Tomb + sacred building, cover image: Ana Barros
Cover picture: Ana Barros

In this issue of Gravestones & Sacred Buildings, we present a chapel in an archaic, minimalist tower shape made from recycled gneiss and look at the contemporary design language of sacred spaces. New approaches to cemetery design are also exciting: we talk to experts and use the example of Campus Vivorum to show what the cemetery of the future could look like.

Burial chapel surrounded by trees

Because designing a burial chapel is not exactly an everyday business these days, architects Berger + Parkkinen took on the commission from a family in Styria with great curiosity and creative interest. “The result is a free-standing chapel in the castle park with an archaic, minimalist tower design that draws on the traditional burial culture of human history as a point of reference, as well as the special location in the middle of old trees,” the architects enthuse. “We created a connection to the castle within sight and used light and a vertical orientation to create the mysticism and spiritual atmosphere appropriate for a tomb.” Whether and how they succeeded? See for yourself in our magazine.

The focus is on people

The creators of Campus Vivorum have set themselves the task of combining a spiritual atmosphere with a changed cemetery culture. The result is a field of experimentation with different areas of activity, each of which focuses on people. Our author spoke to Dirk Pöschmann, Managing Director of the “Space for Mourning” initiative, about connecting elements between mourners and the dead.

Handmade gravestones and a new design language in places of worship

Individual, handmade gravestones are still very much in vogue. And they are winning over the experts. You can also see the award-winning works from 2022 in the new issue.

Bernd Dirks, master stone sculptor from Billerbeck in North Rhine-Westphalia, has been working with sacred spaces for over 35 years. Most recently, he was involved in the redesign of the St. Lamberti church in Coesfeld. We show the new design language of the principals in five selected places of worship.

Cemeteries as green lungs

Cemeteries are not only memorials, they also perform an important function in the city as “green lungs”. Our author Annette Mühlberger looks at their importance for biodiversity and climate protection. Even herb gardens are now conceivable there. Let us surprise you.

The magazine is available here in the store.

In the October issue of STEIN, we took a look at the Marmomac in Verona, presented the new Vienna Museum and went on a trip to Berlin – all about the marmo+mac issue here.

We hope you enjoy reading STEIN!

Your Stein editorial team

POTREBBE INTERESSARTI ANCHE

Instagram top 5 in September 2021

Building design
Schwere Reiter opens in Mahlknecht Herrle's creative quarter in Munich

The Schwere Reiter by Mahlknecht Herrle stands out in the Kreativquartier in Munich with its facade made of sheet piling. Photo: Oliver Jaist

Which projects are the most popular on our Instagram account? We have compiled the Instagram top 5 from September 2021.

You can find all the projects and information that we announce on social media at baumeister.de. But which images and projects are the most popular on our Instagram account? We have compiled the top 5 articles from September 2021.

>> Icefjord Information Center (Ilulissat, Greenland) by Dorte Mandrup

>> “Schwere Reiter” cultural spaces (Munich) by Mahlknecht Herrle Architekten

>> Police administration office (Dresden) by Code Unique

>> “Houses of the Year 2021” winner “Haus Alder” by Fuhrimann Hächler and all other single-family houses

>> Romantic Museum (Frankfurt am Main) by Christoph Mäckler

More top 5 articles? Here you can find our social media overview.

You don’t know our Instagram account yet? Then take a look. We look forward to seeing you.

Wind and space at the airport tower

Building design
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The expansive prairie landscapes in Alberta, where the wind whips across the vast expanses of grass and grain fields and forms the snow into bizarre drifts in winter, are so familiar to the architects from the Edmonton office Dialog that they were inspired by this natural spectacle in their design for the new tower at Edmonton International Airport: Undulating, three-dimensional ribbons wrap around the eight-storey, almost elliptical structure. They are interrupted by recessed ribbon windows with views of the Alberta landscape. Behind the façade are around 12,000 m² of offices, retail and restaurants.

The tower owes its eye-catching effect to the irregularly high and wide façade bands in the large herbaceous system. The architects opted for “Rheinzink-prePatina blue-grey”, as this surface picks up on the play of colors of the Canadian landscape and blends in with the ensemble of existing airport buildings. The positive properties of the material were also convincing: in addition to being maintenance-free and durable, the architects were also interested in its good formability.

Just as the wind leaves its mark on the landscape, each part of the complex façade was to be unique. The shapes of the bands and the plans for the steel substructure were developed using a computer-aided 3D model. To test how the materials could be processed, a test section was produced on a scale of 1:1 before assembly.

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