Greenwashing in construction: between appearance and sustainability

Building design

Green is the new gold – at least if the marketing managers in the construction industry have their way. Sustainability sells like hot cakes, whether as a certificate, a facade or a fig leaf. But what is really behind the industry’s eco-promises? There is a fine line between genuine progress and pure greenwashing that is too often crossed. Time to scratch the varnish off sustainability – and focus on what really counts.

  • Greenwashing is no longer a marginal phenomenon in the construction industry, but systemic practice – in Germany, Austria and Switzerland.
  • Sustainability certificates and climate labels are booming, but their content is often questionable.
  • Digital tools and AI offer new opportunities for verification, but also deliberately conceal real problems.
  • Material innovations and the circular economy are celebrated, while gray energy and life cycle analyses are rarely accounted for honestly.
  • Professionals are faced with the challenge of using technical expertise critically and independently.
  • Social pressure is growing – building owners and planners are increasingly being held accountable for sham solutions.
  • The debate about greenwashing is polarizing: Anything is possible between regulatory stringency and visionary practice.
  • Global architectural trends show: Only radical transparency and digital openness offer protection against eco-collapse.

Greenwashing in the construction industry: Hypocrisy as a business model

Anyone planning an office building, residential quarter or infrastructure project today can no longer avoid sustainability – at least on paper. EPDs (Environmental Product Declarations), environmental certificates and climate pictograms can be found in every exposé. But how much substance is behind the green rhetoric? The construction industry has perfected greenwashing as an art form. The trick is simple: a few recycled bricks, a solar panel on the roof, plus a BREEAM or DGNB logo – and the sustainable flagship project is complete. However, the reality is often very different.

In Germany, Austria and Switzerland, greenwashing is by no means an isolated case. The markets are characterized by a jungle of labels in which even seasoned experts lose track. Whether Minergie in Switzerland, Klimaaktiv in Austria or the multitude of German labels: Those who master the game can build whatever they want – as long as the certificate is prominently displayed. The result: sustainability becomes a marketing machine, a currency for public acceptance and investor confidence. The actual ecological balance sheet often remains in the dark.

At the same time, we are experiencing a paradoxical development: the greater the social pressure towards climate protection, the more creative the excuses become. A little compensation here, a striking greening there – and the conventional construction project is sold as “climate positive”. Responsibility shifts from the actual planning process to downstream greenwashing measures. Who asks about the actual carbon footprint when the façade shines green?

But criticism is growing. More and more voices are calling for radical transparency, life cycle-based evidence and an honest assessment of gray energy. Particularly in Germany’s large cities, where land consumption and sealing are increasing rapidly, it is almost impossible to keep up the ecological pretense. Austria and Switzerland are in no way inferior: Labeling dominates here too, while reality in the form of wasting resources and eating up land is still on the agenda.

Greenwashing is therefore not a business accident, but systemically anchored. The industry thrives on bogus solutions that are easy to sell but do not address the fundamental problems. The pressure to polish up your own balance sheet is greater than ever – and the road to real change remains rocky.

Digital sustainability: between progress and a digital fig leaf

Hardly any other area is so readily cited as a panacea for sustainability problems as digitalization. BIM models, material databases, automated life cycle analyses – sounds like a revolution, but is often just digitized greenwashing. Because here too, whoever controls the data controls the narrative. Digital tools enable an unprecedented level of detail in planning, but they also create new opportunities for concealment. The simulations are as good as the assumptions you feed them. If you adjust the parameters creatively, you can turn any project into a green marvel.

Artificial intelligence is reinforcing this trend. AI systems calculate building material consumption, optimize energy flows and generate sustainable design variants – at least as long as it’s in the script. The reality is often more sobering: Many sustainability algorithms are black boxes whose calculations are difficult to comprehend. Transparency? Not a chance. This often results in the perfection of bogus solutions that end up looking better than they actually are.

But digital change also offers opportunities. Those who make serious use of digital twins, open data platforms and transparent material passports can uncover greenwashing – and make real progress measurable. Prerequisite: The industry must agree on common standards, share data and disclose its own processes. This is uncomfortable and contradicts the traditional business practices of many players. But without this step, digitalization remains a placebo that creates the illusion of sustainability without delivering its substance.

In Germany in particular, the level of digitalization in sustainability issues is alarmingly low. While cities such as Zurich and Vienna are experimenting with open platforms, isolated solutions and proprietary systems dominate in this country. Austria and Switzerland are a little further ahead, but even there most projects are still in their infancy. The hope that digital tools will put an end to greenwashing is premature – as long as they are primarily used as a sales argument.

For planners and building owners, this means that digital expertise is a must, and critical judgment even more so. Anyone who naively believes the hype surrounding AI and data platforms becomes an accomplice to greenwashing. Only those who understand the tools can really evaluate their results – and resist their illusory logic.

Material innovation and the circular economy: sustainability or just new fairy tales?

The search for sustainable building materials has become the industry’s favorite pastime. Wood, clay, recycled concrete, carbon concrete, hemp – the list of trend materials is growing daily. But here too, greenwashing is the order of the day. Many innovations bear the label “sustainable” without considering their entire life cycle. The grey energy required for production, transportation and disposal is often left out of the equation. A wooden tower in the city center looks spectacular in the PR photo, but if the wood comes from Canadian primeval forests and is treated with chemicals, the ecological benefits are quickly put into perspective.

The circular economy is a buzzword, but how much circularity is really involved? The return of building materials to the system has so far only been successful in pilot projects. There is a lack of infrastructure, legal framework conditions and economic incentives across the board. Recycling rates remain low and many construction sites continue to produce tons of waste that ends up in landfills. Austria and Switzerland are pioneers in this area, but even there there has been no breakthrough. In Germany, initiatives are often piecemeal, driven by lone fighters and pioneers.

Certifications such as Cradle to Cradle or Circular Building Assessment are becoming increasingly popular, but their testing procedures are often non-transparent or incomplete. Where proof is lacking, the label rules – and with it greenwashing. The industry celebrates individual lighthouse projects, while the mass market continues to operate conventionally. The discrepancy between claim and reality is obvious, but the PR machinery is running at full speed.

Technical expertise is becoming a key resource. Anyone who does not understand life cycle analyses, material passports and deconstruction concepts can easily fall for greenwashing. The new generation of planners must therefore be able to do more than just produce pretty renderings. They must be able to assess the sustainability of a project based on facts – and have the courage to speak uncomfortable truths.

Critical voices have long been calling for an honest assessment of material innovations. The industry’s hunger for raw materials, global supply chains and disposal problems cannot be solved with a few new building materials. Sustainability is not an additional element, but must become a guiding principle. Otherwise, everything will remain the same – just with a green coat of paint.

The responsibility of professionals: between honesty, ethics and vision

At the end of the day, it is the professionals who decide how serious the industry is about sustainability. Architects, engineers, property developers and project developers are in the driving seat – and therefore also bear responsibility. But this is precisely where the dilemma lies: those who point out the shortcomings too loudly risk losing their contracts. Those who participate in greenwashing are part of the problem. The temptation to take the path of least resistance is great. But times are changing. More and more clients, investors and users are demanding proof – and are no longer willing to be fobbed off with nice-sounding labels.

Technical expertise is essential, but it is not enough. The ethical dimension is coming to the fore. Those who plan and build today are not only shaping buildings, but also the credibility of the industry. A generation of planners is faced with the challenge of proving their stance – even against their own employer if in doubt. It sounds pathetic, but it is a bitter reality. The debate about greenwashing is polarizing, and the fronts run right across offices, companies and institutions.

At the same time, social pressure is growing. The media, NGOs and, increasingly, regulatory authorities are putting the industry under pressure. New reporting obligations, EU taxonomy, sustainable finance – the air for bogus solutions is getting thinner. Those who still rely on old recipes will be left behind in the medium term. The architecture of the future is emerging in the area of tension between regulatory control and visionary initiative. Professionals are called upon to find a balance – and not to shirk their responsibilities.

Global architectural trends are setting the direction. International competitions, major clients and showcase projects are increasingly focusing on radical transparency. If you want to survive internationally, you have to deliver – and more than just nice promises. German, Austrian and Swiss building culture is facing a paradigm shift, however uncomfortable it may be.

There are plenty of visionary ideas: from open source material databases to blockchain-based verification management and participatory planning tools. But the mainstream remains skeptical – too risky, too expensive, not tested enough. Those who miss the boat here will no longer be in demand in the future. The responsibility is great, but so are the opportunities.

Conclusion: Greenwashing is not a fate – but a decision

The construction industry is at a turning point. Greenwashing is convenient, profitable and socially risky. But the time for excuses is running out. Anyone who is serious about sustainability must be prepared to question themselves – and radically open up their own processes. Digital tools, new materials and innovative business models offer opportunities, but they are no good as a fig leaf. It takes the courage to be honest, transparent and responsible. The future of architecture will not be decided on the façade, but in the engine room of planning. Those who act now can reinvent the industry. Those who continue to paint green will soon become fossils. It is up to us which path we take.

POTREBBE INTERESSARTI ANCHE

Promoting resilient city centers

Building design
36 cities and municipalities in Lower Saxony are authorized

36 cities and municipalities in Lower Saxony are authorized

As part of the “Resilient inner cities” funding program, the state government of Lower Saxony is awarding 61.5 million EU funds for sustainable urban development. The city of Hamelin is one of the cities planning to apply.

As part of the “Resilient inner cities” funding program, the state government of Lower Saxony is awarding 61.5 million euros in EU funding for sustainable urban development. The city of Hamelin is one of the cities planning to apply.

36 cities and municipalities in Lower Saxony are eligible to apply for part of the 61.5 million euro funding pot. This was awarded by the European Regional Development Fund (ERDF) for the period 2021 to 2027. The 15 that submit the most convincing concepts on the topic of “resilient inner cities” will ultimately receive the funding. These range from 4.2 million euros in more developed regions (SER) to 3.95 million euros in transition regions (ÜR) per city or municipality.

“The ‘Resilient City Centers’ are a building block with which we support cities in Lower Saxony in making their city centers future-proof. Especially in our large state of Lower Saxony, cities have a very important function for the areas surrounding them. However, they are also facing major challenges – exacerbated by the coronavirus pandemic,” says Regional Minister Birgit Honé about the funding program.

Projects that are eligible for funding include the revitalization of inner cities, environmentally friendly land design, climate-friendly mobility and participatory processes for citizens. Among other things, the application requires the development of a strategy, which is divided into the chapters programme area, need for action and concept, cross-sectional objectives, participation processes, steering group and organizational structure as well as lead projects.

Applications from eligible cities and municipalities can be submitted by the deadline of 21.04.2022. These will then be formally reviewed by the Offices for Regional Development on the one hand and prepared for presentation to a jury of around ten people on the other. This jury evaluates the submitted plans on the basis of eight main criteria. On the basis of the jury’s assessment, the ESRE also selects 15 cities (nine in SER and six in ÜR) to benefit from the funding budgets. The Investitions- und Förderbank Niedersachsen NBank also advises on questions of eligibility for funding.

More information on the ERDF funding program “Resilient Inner Cities” in Lower Saxony can be found here.

Also interesting: The Federal Ministryof the Interior, Building and Community is once again calling for a funding round for National Urban Development Projects 2022. You can read all about the procedure here.

Silently lost in haste

Building design
with which he won the Lucerne Art Society's exhibition prize last weekend. "For me, the work is an examination of the different age groups

“Still lost in haste”. This is the title of Simon Ledergerber’s artwork, with which he won the Lucerne Art Society’s exhibition prize last week. “For me, the work is an exploration of the different stages of age that one goes through. The inner resilience changes,” explains the artist. A rusty steel plate serves as a material analogy to this […]

“Still lost in haste”. This is the title of Simon Ledergerber’s artwork, with which he won the Lucerne Art Society ‘s exhibition prize last week. “For me, the work is an exploration of the different stages of age that one goes through. The inner resilience changes,” explains the artist. A rusty steel plate with a rectangular Bernese sandstone at the end serves as a material analogy.

This is the second award in a row – only at the beginning of the month he won one of the grants from the Art and Culture Foundation of the Canton of Uri. And 2018 looks set to be another exciting year for Simon Ledergerber: For the Kunsthalle Arbon, he will be staging an exhibition covering 600 square meters in June. He will also be given his own space for his art as part of the exhibition prize in Lucerne: “This is an important platform for me,” explains Ledergerber. It is not yet clear what the artwork will look like. But it is certain that it will be a single work: “I would like to make a work that takes up the whole room.”

The project “Gigantisches Kleinod”, which was shown in 2016 in the exhibition Dall altra parte by Haus für Kunst Uri, was also an intensive exploration of space. It is a 300-kilogram cuboid attached to the ceiling of the Gotthard Fortress. “A hundred years ago, blasting and hand-picking took place here. I wanted to create a hand-chiseled counterpart.”

The material also played an important role – Ledergerber chose white marble as a contrast to the granite of the fortress.

Workshop or laboratory

The artist is also very interested in technique, as the material reacts differently to structures and external conditions. In this respect, he does not simply design a work and complete it – on the contrary: the process of working with the material is an essential part of the work.

According to Ledergerber, the results are not necessarily works that can be placed in the living room. But he is also not interested in making sellable art: “I want to dedicate myself to the cause. You owe something to the work.”