“Entryways of Milan” celebrates 144 Milanese entrances that reveal the sense and taste of the city’s wealthy inhabitants.
The Milan Furniture Fair has been over for a few weeks now, the exhibition stands are closed, the events in the former Tortona industrial area are over and the international guests have flown back to Paris, London and New York. But the enthusiasm for the fashion metropolis shows no sign of waning. Every year, the city is increasingly celebrated in the media as a successful example of how to radically renew a city in Europe. For years, Milan was the gray metropolis of business, industry and concrete towers – especially in the minds of Italians, who are accustomed to the splendor of Venice, Florence, Rome and Naples. And the city certainly looks rather dreary in the thick winter fog, with its undecorated facades and high-rise office buildings. “Milan is a city to discover” is often claimed by its inhabitants as a defense. It is not a euphemism: they are right, as a new publication presented during this year’s furniture fair shows.
The book “Entryways of Milan” by Karl Kolbitz documents 144 spectacular entrances to Milanese residential buildings built between 1920 and 1970 on 384 pages with large-format images. The author, Berlin art director Karl Kolbitz, brought together three photographers, four art and architecture historians, an architect and a stone expert for this book and created a unique volume with profound contributions and impressive photographs. For it is in the entrance areas that the sense and taste of the city’s wealthy inhabitants is revealed, somewhat hidden behind the practicality of the street facades. The architecture thus embodies the attitude of its clients, taking a step back like the Milanese themselves. The book celebrates the city’s network of innovative architectural firms, highly specialized craftsmen, young designers and wealthy clients through their work, including such famous architects as Giovanni Muzio, Gio Ponti, Luigi Caccia Dominioni and lesser-known artists. It is about spatial experiences, but also about details: tiles, mosaics and door handles that turn Milan’s entrances into total works of art.
We will see in the coming years whether the new Milanese creativity with which the city is currently reinventing itself builds on this long tradition. In any case, it’s nice to finally be able to rediscover this city through books like this. Of course, Milan is no oasis in a country that has been hit hard by the crisis. The city belongs not only to the Italy of creativity, taste and savoir-vivre, but also to the country of waste, populism and bad politics – the two are, after all, closely linked. For some years now, the journalist and writer Roberto Saviano has been revealing the links between the city’s powerful companies and the mafias of the south; almost 20 years ago, Milan was still known as “Tangentopoli” – the city of bribes. Finally, two of the perhaps most problematic personalities of modern Italy, namely Benito Mussolini and Silvio Berlusconi, came from the cultural environment of the Milanese bourgeoisie. Just as an aside.
Today, architecture in particular is booming in the city, such as: Fondazione Prada, Mudec, Fondazione Feltrinelli and the residential towers by Libeskind, Hadid and Isozaki, which are currently under construction. The book “Entryways of Milan” reminds us that there were and still are good Milanese architects.
“Entryways of Milan – Ingressi di Milano” by Karl Kolbitz is available from Taschen-Verlag.












