Hidden treasures

Building design

Casa Melandri

“Entryways of Milan” celebrates 144 Milanese entrances that reveal the sense and taste of the city’s wealthy inhabitants.

The Milan Furniture Fair has been over for a few weeks now, the exhibition stands are closed, the events in the former Tortona industrial area are over and the international guests have flown back to Paris, London and New York. But the enthusiasm for the fashion metropolis shows no sign of waning. Every year, the city is increasingly celebrated in the media as a successful example of how to radically renew a city in Europe. For years, Milan was the gray metropolis of business, industry and concrete towers – especially in the minds of Italians, who are accustomed to the splendor of Venice, Florence, Rome and Naples. And the city certainly looks rather dreary in the thick winter fog, with its undecorated facades and high-rise office buildings. “Milan is a city to discover” is often claimed by its inhabitants as a defense. It is not a euphemism: they are right, as a new publication presented during this year’s furniture fair shows.

The book “Entryways of Milan” by Karl Kolbitz documents 144 spectacular entrances to Milanese residential buildings built between 1920 and 1970 on 384 pages with large-format images. The author, Berlin art director Karl Kolbitz, brought together three photographers, four art and architecture historians, an architect and a stone expert for this book and created a unique volume with profound contributions and impressive photographs. For it is in the entrance areas that the sense and taste of the city’s wealthy inhabitants is revealed, somewhat hidden behind the practicality of the street facades. The architecture thus embodies the attitude of its clients, taking a step back like the Milanese themselves. The book celebrates the city’s network of innovative architectural firms, highly specialized craftsmen, young designers and wealthy clients through their work, including such famous architects as Giovanni Muzio, Gio Ponti, Luigi Caccia Dominioni and lesser-known artists. It is about spatial experiences, but also about details: tiles, mosaics and door handles that turn Milan’s entrances into total works of art.

We will see in the coming years whether the new Milanese creativity with which the city is currently reinventing itself builds on this long tradition. In any case, it’s nice to finally be able to rediscover this city through books like this. Of course, Milan is no oasis in a country that has been hit hard by the crisis. The city belongs not only to the Italy of creativity, taste and savoir-vivre, but also to the country of waste, populism and bad politics – the two are, after all, closely linked. For some years now, the journalist and writer Roberto Saviano has been revealing the links between the city’s powerful companies and the mafias of the south; almost 20 years ago, Milan was still known as “Tangentopoli” – the city of bribes. Finally, two of the perhaps most problematic personalities of modern Italy, namely Benito Mussolini and Silvio Berlusconi, came from the cultural environment of the Milanese bourgeoisie. Just as an aside.

Today, architecture in particular is booming in the city, such as: Fondazione Prada, Mudec, Fondazione Feltrinelli and the residential towers by Libeskind, Hadid and Isozaki, which are currently under construction. The book “Entryways of Milan” reminds us that there were and still are good Milanese architects.

“Entryways of Milan – Ingressi di Milano” by Karl Kolbitz is available from Taschen-Verlag.

POTREBBE INTERESSARTI ANCHE

Local rainwater management “Kirkebjerg”

Building design

Photo: Group F

In the approximately 10-hectare housing estate “Kirkebjerg” in Ballerup, Denmark, there have been repeated problems with flooding and damp cellars in the past. At the same time, the local waste disposal companies had an interest in relieving the local sewer system in order to reduce sewer overflows in the wider sewer network. This resulted in a project for local rainwater management and heavy rainfall prevention […]

In the approximately 10-hectare housing estate “Kirkebjerg” in Ballerup, Denmark, there have been repeated problems with flooding and damp cellars in the past. At the same time, the local waste disposal companies had an interest in relieving the local sewer system in order to reduce sewer overflows in the wider sewer network. This resulted in a project for local rainwater management and heavy rainfall prevention in the extensive lawns of the housing estate.

Where the local height and space conditions allowed, the downpipes were decoupled from the sewer system and the rainwater was directed into the open spaces for evaporation and infiltration. A large part of the project was financed via a repayment scheme for connection fees. For every square meter of sealed surface that discharges less into the sewage system, the landowner, the housing association “Brøndby Boligselskab”, received a grant from the waste disposal company “HOFOR” and was thus able to realize the project.

Together with a residents’ working group, gruppe F Landschaftsarchitekten from Berlin developed a design concept for the areas over the course of several workshops. Inspiration for this came from the image of water droplets on a smooth surface. The excess soil from the excavation of infiltration troughs was modeled into circular mounds of various sizes. In this way, no soil had to be removed and a simple green lawn landscape with small pools and mounds was created, which changes its appearance depending on the water level. Small “puddles of water” in a green lawn landscape turn into large blue “lakes” with round green islands during heavy rainfall.

Scattered throughout this landscape are small “oases” for the residents with simple play elements, planting and recreational areas.

The project was developed by gruppe F Landschaftsarchitekten together with the Danish office Gaihede a/s and has been gradually implemented on site by the Danish office since 2018.

You can find the article on the Kurt-Schumacher Quartier in Berlin in G+L 04/2019.

In slow motion

Building design

by creating a subtle

Work on the central station in the Dutch city of Arnhem has now been going on for 20 years. As a result, skaters have appropriated the space.

Work on the central station in the Dutch city of Arnhem has now been going on for 20 years. Despite ongoing construction work, the area has been appropriated by a user group that the planner considers unpredictable and often finds no space: skaters. A success for the responsible landscape architects from Bureau B+B. But where did it come from?

Images: ©Hufton+Crow

The design of Arnhem station is the result of more than two decades of collaboration between the architects UNStudio and the landscape architects from Bureau B+B. It presented the planners with various challenges. Topographically alone: the station is located on the slope of the Veluwe massif and the planners had to overcome a height difference of 20 meters. They achieved this by creating a subtle, constantly changing landscape. The folded, undulating natural stone surfaces largely trace the terrain below, linking visitor flows and ensuring a smooth transition between the different elevation levels.

Pictures: Frank Hanswijk

If you are not continuing your journey immediately, you can also make yourself comfortable on the wooden benches that emerge from the edges of the sloping natural stone surfaces in the quiet corners of the station grounds. You don’t have to buy anything, as there is no obligation to buy anything to sit down in the rooms outside the station. This is one of the reasons why the Arnhem station forecourt is so lively. And it is in turn an explanation for the fact that these local people tend to belong to those population groups that are otherwise often pushed out of public spaces – such as older people, young people, skaters or homeless people.

The Arnhem train station shows this: The less the purpose of a public space is defined, the more opportunities users have to implement their own ideas. This is of particular benefit to population groups that are often deliberately excluded when planning public spaces. The square design also benefited from the fact that it took around two decades to implement. This allowed the user groups, who tend to be marginalized, to appropriate the space in the long term.

Curious? You can find the full article on Arnhem station in the February 2019 issue of G+L.

Translated from the English by Sigrid Ehrmann