Hotel Badeschloss Bad Gastein

Building design

The 35-metre-high new building of the Hotel Badeschloss offers spectacular views and blends harmoniously into the landscape. © BWM Designers Architects; Photos: Arne Nagel, AMOA

The Hotel Badeschloss Bad Gastein is a contemporary example of the successful combination of historical architecture and contemporary design. Nestled in the picturesque setting of the famous spa town, the Badeschloss Bad Gastein hotel is at the heart of an ambitious revitalization project around Straubingerplatz, bringing the former splendour of the Belle Époque back to life. The renovation of the listed building was led by BWM Designers & Architects. We took a closer look at the hotel, which will reopen in 2023. […]

The Hotel Badeschloss Bad Gastein is a contemporary example of the successful combination of historical architecture and contemporary design. Nestled in the picturesque setting of the famous spa town, the Badeschloss Bad Gastein hotel is at the heart of an ambitious revitalization project around Straubingerplatz, bringing the former splendour of the Belle Époque back to life. The renovation of the listed building was led by BWM Designers & Architects. We took a closer look at the hotel, which will reopen in 2023.

“There are people who come to Bad Gastein, who understand the place immediately and fall in love at the same time. And then there are the others: the people who arrive here and think: What’s this all about?”, says BWM partner Markus Kaplan. Bad Gastein as a place needs to be explained. After decades of decay, the once sophisticated spa resort has lost most of its exclusivity. At the same time, it is precisely this dilapidated aura that makes the place so exciting for many, especially European art and culture enthusiasts. Bad Gastein is a stronghold of so-called abandoned and lost places paired with the highly imposing Belle Époque façades such as the Grand Hotel Straubinger Bad Gastein, behind which Otto von Bismarck once played politics. A place that divides. And the Hotel Badeschloss Bad Gastein on Straubingerplatz, which will reopen in 2023 after years of renovation, will do nothing to change this. No, it shouldn’t even change that. Because it is precisely this flair that makes Bad Gastein and the Hotel Badeschloss Bad Gastein, which is located right next to the famous Bad Gastein waterfall, so special.

The Hotel Badeschloss Bad Gastein was built in the 19th century and is part of the historic ensemble on Straubingerplatz, which also includes the Grand Hotel Straubinger and the Alte Post. This ensemble shaped the center of Bad Gastein for decades and is a listed building. After decades of decay, the Munich-based company Hirmer Immobilien got involved and returned the architecture of the Hotel Badeschloss Bad Gastein to the elegance of the Belle Époque, with a façade that attracts attention with its delicate details and harmonious proportions. The careful restoration by BWM Designers & Architects was carried out in close consultation with the local monument protection and town planning authorities as well as Dr. Wilfried Haslauer, Governor of the Province of Salzburg, in order to preserve the special character of the building. The task of the Viennese office was to carefully preserve the historical substance while integrating modern elements. This also included constantly overcoming new challenges – such as when the architects discovered a massive infestation of dry rot throughout the ensemble.

The revitalization of the Badeschloss Bad Gastein hotel is part of a comprehensive project to revitalize Straubingerplatz. With an investment volume of 100 million euros, Hirmer Immobilien not only restored the building in cooperation with its partners, but also added a modern new building. Today, this 35-meter-high tower not only offers additional space for guests, but also a spectacular view of the surrounding mountain landscape. Inside the hotel, the architects and interior designers have succeeded in combining historical elements with a contemporary design that emphasizes clean lines and high-quality materials. However, the most exciting thing about the new tower building is that it hardly stands out from the surrounding landscape thanks to its structure and layout, which will immediately remind Star Wars fans of the Millennium Falcon. No, it blends in – as if it had always been there.

The revitalization of the Badeschloss Bad Gastein hotel is an example of the challenges and opportunities associated with the renovation of historic buildings. The architects had to perform a balancing act between preserving the historical heritage and integrating modern amenities. This required not only technical expertise, but also a deep understanding of the history and character of the location.

The spa area on the roof of the new building is a highlight: here, visitors to the Hotel Badeschloss Bad Gastein can relax in an infinity pool while enjoying the view of the majestic Alps. And that until late into the night.

The design of the entire hotel, including rooms and suites, also follows a concept called “Dip a little deeper”, an “underwater world”, which gives the stay a unique atmosphere. In an interview with Baumeister, the responsible BWM architect Markus Kaplan says that the motto is reflected in every detail. They designed the Badeschloss Bad Gastein hotel as a modern interpretation of a bathing establishment, with the focus on bathing. The materials are deliberately raw, such as the concrete, and contrast with soft elements such as curtains. This tension creates a special atmosphere. Functional details such as the iconic yellow bathing ladder combine humor and practicality.

One feature of the Hotel Badeschloss Bad Gastein is the specially curated art concept, which was developed in collaboration with Andrea von Goetz and Schwanenfliess. Contemporary works of art adorn the rooms of the hotel and create an inspiring link between past and present. This concept fits seamlessly into the cultural revival of Bad Gastein, which has established itself as a hotspot for art and culture lovers in recent years. At the same time, innovative gastronomy projects and boutiques have revitalized the streets of Bad Gastein. Young entrepreneurs, often from urban centers such as Berlin or Vienna, continue to bring fresh ideas and a cosmopolitan flair to the town. This mixture of tradition and modernity, Alpine idyll and urban creativity gives Bad Gastein an atmosphere reminiscent of Berlin in the 1990s. And thus defines exactly the right target group for the Hotel Badeschloss Bad Gastein.

However, the integration of art into the hotel concept is more than just decorative. It reflects the growing importance of Bad Gastein as a cultural center and offers guests an additional level of engagement with the place. The carefully selected artworks create a dialog between the hotel’s history and contemporary artistic positions, contributing to a multi-layered guest experience.

The reopening of the Hotel Badeschloss Bad Gastein marks a turning point for the town, which has struggled with economic challenges in recent decades. The project is helping to re-establish the town as a first-class destination.

The revitalization of Hotel Badeschloss Bad Gastein is part of a larger movement to revitalize historic spa towns in Europe. It shows how targeted investments and well thought-out concepts can reposition formerly important tourist centers. This is not only about creating jobs and economic impetus, but also about preserving and reinterpreting cultural heritage. Read more about this here: Bad Gastein.

The renovation of the Badeschloss Bad Gastein hotel illustrates the complexity of modern heritage conservation. It is not just a question of preserving historical substance, but of bringing it to life and making it usable. The challenge is to master the balancing act between preservation and renewal without distorting the character of the building. The project shows that with the right approach, historical architecture can not only be preserved, but also made relevant for future generations.

The Hotel Badeschloss Bad Gastein is therefore more than just a hotel – it is a symbol of the successful symbiosis of tradition and innovation. With its careful restoration, it sets new standards in the preservation of historical monuments and shows how historical buildings can be revitalized through modern concepts. For hip architecture and art lovers from all over the world, the Badeschloss Bad Gastein hotel is an unmissable destination in the Alps.

The Badeschloss Bad Gastein hotel is an example of the possibilities that lie in the revitalization of historic buildings. It shows how careful planning and implementation can bring a piece of architectural history into the present without losing its original charm. At the same time, it becomes clear that such projects go far beyond the mere renovation of buildings. They have the potential to revitalize entire places and provide new economic and cultural impetus. The Badeschloss Bad Gastein hotel is therefore not only a successful example of modern heritage conservation, but also a catalyst for the development of an entire region.

Read more: The traditional Kirchenwirt in Steinebach, a district of Wörthsee, shines in new splendor after a comprehensive renovation by hirner & riehl architekten.

POTREBBE INTERESSARTI ANCHE

1000-year-old gold earring found in Denmark

Building design
National Museum

National Museum

A prospector has found a rare gold earring, probably from the Middle East, in a field in West Jutland (Denmark) – probably a gift from the Emperor of Byzantium to a Viking chieftain. Such a work of art had never before been found in Scandinavia. Since last Monday, December 6, 2021, the piece of jewelry found by Vestergaard has been on display at the National Museum […]

A prospector has found a rare gold earring, probably from the Middle East, in a field in West Jutland (Denmark) – probably a gift from the Emperor of Byzantium to a Viking chieftain. Such a work of art had never before been found in Scandinavia. Since last Monday, December 6, 2021, the piece of jewelry found by Vestergaard has been on display at the National Museum in Copenhagen

Treasure hunting with metal detectors is becoming increasingly popular. Archaeologists are observing this trend, which is partly due to the development of increasingly powerful professional equipment, with concern, as it is all too easy to lose knowledge about the circumstances of a find through unprofessional excavation. On the other hand, cooperation with treasure hunters can also lead to new findings.

Following the spectacular discovery of a golden miniature Bible from the 15th century in a field in the county of Yorkshire, another amateur treasure hunter has now made a find: A man in Denmark has found a thousand-year-old gold earring in a field. 54-year-old Frants Fugl Vestergaard lives in the small Danish town of Ringkøbing and is a passionate treasure hunter. He discovered the jewelry in a field in West Jutland using a metal detector, according to the National Museum in Copenhagen. The earring probably came from Byzantium or Egypt and was probably a gift from the Emperor of Byzantium to a Viking chieftain, the statement continued. We know that the Vikings maintained trade relations as far afield as the Orient and even traveled to Constantinople on occasion from a 9th century runic inscription in the Hagia Sophia. There, a traveler from the north proudly proclaims: “Halvdan was here.”

With Vikings: hardly any jewelry as souvenirs

Since last Monday, December 6, 2021, the piece of jewelry found by Vestergaard has been on display at the National Museum in Copenhagen. “It is completely unique for us,” said museum curator Peter Pentz. “We only know of ten to twelve other specimens in the world and have never found one in Scandinavia. The Vikings would have brought back thousands of silver coins from their forays, journeys and trading expeditions, but hardly any jewelry,” said Pentz. He was surprised by the location of the find, as there is no known Viking site in the vicinity. Gold from Byzantium had previously been found as grave goods in Viking graves.

Who brought the gold earring to Denmark?

The earring consists of a crescent-shaped gold plate set in a frame of gold threads decorated with small gold balls and gold bands. The motif features two stylized birds around a plant symbolizing the tree of life. How the piece of jewelry came to Scandinavia remains a mystery. Researchers speculate that a Viking may have received the earring from the Byzantine emperor for his services as a bodyguard. Almost exclusively Scandinavians served in the so-called Varangian Guard, which was formed in 988 when the Kiev Grand Duke Vladimir I sent 6,000 Vikings to Emperor Basileios II. It is known from Icelandic legends that Scandinavian mercenaries returned home with silk and weapons, and it is also said that the emperor occasionally gave his bodyguard fine gifts. Another possibility is that a pilgrim brought the jewelry home.

Reading tip: In 2014, archaeologists in Oberding (Erding district) came across a deposit of almost 800 Early Bronze Age barbed ingots. After extensive restoration work and scientific analysis, scientists presented the sensational find in 2017, which can be admired in the Erding Museum. Read more here.

Architecture software: Why many are switching

Building design

Architectural firms are currently faced with the question: should they continue using their existing CAD software or switch to the future? Because 3D modeling and BIM are becoming increasingly important. “We used the software we’ve always used – but at some point we couldn’t get any further.” This is the almost unanimous tenor of architectural firms that have decided to switch […]

Architectural firms are currently faced with the question: should they continue using their existing CAD software or switch to the future? Because 3D modeling and BIM are becoming increasingly important.

“We used the software we’ve always used – but at some point we couldn’t get any further.” This is the almost unanimous opinion of architectural firms that have decided to switch to ARCHICAD software. The manufacturer of the program, GRAPHISOFT, asked the architects about their motives and uncovered some interesting facts.

The 2D/3D issue is at the forefront of the reasons for switching. Many offices use software solutions that are still heavily reliant on two-dimensionality. This is not the case with ARCHICAD, where working directly on the 3D model has always been at the heart of the system. You can plan intuitively and quickly on a central model. Every change also appears automatically in all floor plans, views and sections.

This is not only extremely time-saving – it is also better suited to today’s working habits, especially those of young architects. They want to move quickly into modeling, work on the living object, so to speak, and quickly deliver presentable, veritable results. Andreas Kleboth from Linz can also observe this in his office: “We have many employees who are familiar with ARCHICAD from their studies and are therefore very experienced and very fast at creating 3D models.”

A quicker sense of space, conditions and atmosphere: this is what more and more clients are demanding. This is where many of those surveyed see ARCHICAD’s great trump card. Architect Johannes Berschneider from Pilsach describes it like this: “The final icing on the cake are the clients, who sit here with their mouths open, watching and ‘walking through the building’.” He is referring to the 3D representations with which ARCHICAD enables impressive virtual building inspections virtually at the touch of a button.

Building Information Modeling is increasingly required in tenders in order to ensure an efficient project process across all phases and between all planning participants.

Training for the changeover

Almost all offices took advantage of the extensive training and support offered by GRAPHISOFT and its local partners. For architect Irene Kristiner from Graz, the ARCHICAD basic course was particularly helpful: “The program’s functions were explained to us right from the start, we were able to work with it directly, ask our questions and receive direct feedback.”

Interesting information portal

What do the individual architects think about their software? Why did they decide to switch to ARCHICAD? And how did the changeover go? GRAPHISOFT has set up an interesting information portal with film clips about various architecture firms in Germany and Austria. More information here.

Credit for all images: Alex Brunner, www.vonbrunner.com