HOUSE AT THE APEX: INNOVATIVE WAREMA WINDOW AWNINGS WITH LARGE PRINT

Building design
The architect divided the building into a "heavy" part with insulating concrete and a "light" part with a glass-textile façade. Copyright: Warema

The architect divided the building into a "heavy" part with insulating concrete and a "light" part with a glass-textile façade. Copyright: Warema

The Berlin architect László Ambrus has built a special residential building in Munich. The building stands out with its integrated Warema window awnings, which give it an unmistakable “face”: Their graphic print shows the shadows cast by trees. In this way, the house blends in perfectly with its tree-filled surroundings at the apex.

Nowadays, façades have to be able to do much more than just satisfy design and urban space aspects: They serve as multifunctional, intelligent and resilient protective skins. The building at Scheitelpunkt in Munich impresses with its textile façade in combination with individual sun and privacy protection. Architect László Ambrus from ambrus+co plan.werk gmbh designed the house for a family of friends. It is situated at the apex of a quiet, semi-circular street and is therefore in an exposed location. The architect divided the building into a “heavy” part with exposed concrete and a “light” part with a glass and textile façade. The latter consists of a textile cloak with integrated Warema window awnings, which give the building an unmistakable appearance.

The house at the apex traces the semi-circular course of the street: It consists of two different halves that are slightly inclined towards each other. The northern section is made of insulating concrete and the first floor is clad in brass. This creates a compact, “heavy” and sturdy impression. In contrast, the “light” southern half of the house is much more delicate and almost weightless due to its floor-to-ceiling glazing and the printed textile cloak on the upper floor.

The textile cape encloses the southern half of the building at street level with a 25-metre-long strip of gray-green weatherproof fabric. Two horizontal guide rails along the parapet and the glazing on the first floor as well as vertical rails at the corners of the building hold the cape in place. The fabric lies about 15 centimetres in front of the supporting structure of the house and its glass skin. The Warema window awnings are creatively woven into the cape.

Towards the garden, the building fans out to follow the trapezoidal plot. This creates the effect that the monolithic structure is pushed about two meters in front of the “lighter” part of the building. Inside, the house offers around 300 square meters of space. The architect continues the material language with floors made of polished screed, walls made of exposed concrete and curtains in the same color as the textile cladding of the façade.

The façade of the house at the apex is characterized by its large-scale digital print on the awning fabric. This creates a harmonious overall look with reliable, weatherproof sun protection. “Why should an awning only work in front of a classic window? I am very satisfied with the result, which required a little courage from everyone involved,” says architect László Ambrus.

With the textile skin and the integrated Warema window awnings with easyZIP guidance, the building blends into the tree-lined surroundings as unobtrusively as possible despite its dominance. Visually, the shadow print is seamlessly continuous. To achieve this, the architect worked together with Warema and the graphic design office NAROSKA Design from Berlin. TYPICO GmbH from Lochau in Austria was responsible for the implementation.

Warema realized the large-scale digital print on the awning fabric as a special solution in accordance with the architect’s requirements. For this highly individual solution, the same shade of fabric was used for the cape and the window awnings. In addition, the printed image on both surfaces merges without any graphic gaps. When the window awnings are lowered, the amazingly realistic impression of a shadow is created. The reliable and stylish sun protection offers both glare protection and a pleasantly cool indoor climate. In addition, Warema window awnings are very wind-resistant and can be used as sun and privacy protection in almost any weather.

There are many housing estates in the Munich city area that were once designed as garden cities. Today, they are undergoing major changes due to a shortage of housing and high land prices. The city of Munich has developed a catalog of measures consisting of open space planning and design guidelines in order to preserve the character of these estates despite densification. These include characteristics such as loose development, deep front gardens, public green spaces and an old stock of trees.

The house at the apex in the south of the city fits into this scheme. As a new building from 2022, it stands in the context of a historically evolved garden city estate from the 1930s. The building has two storeys and a flat roof. In the surrounding area, there are mainly other detached houses from the past decades, but also some new buildings.

In terms of urban planning, the house serves as a mediator between the neighboring buildings, one of which is located directly on the street and the other is set back around 3.5 meters. The new building compensates for this difference by being about halfway along the street. There was also space for a small front garden, typical of the settlement. “The idea of the garden city was easy to implement thanks to the generous plot layout and perfect orientation,” explains architect Ambrus.

Warema is the European market leader in the field of technical sun shading products. Founded in 1955, the family-run company is a full-service provider of intelligent external sun shading and smart control systems. The high-quality and well-designed products from the sun shading expert from Marktheidenfeld in Bavaria are individual, sophisticated and well thought-out. The company supports building owners and planners throughout the entire planning process. Customized solutions from Warema create special outdoor living areas and a pleasant indoor climate in buildings.

The sun shading products also help to reduce energy costs and CO₂ emissions. This follows the claim to act consciously for the environment and people – in line with the guiding principle of the entire group of companies: Reduce, Invest, Innovate. The Warema Group, with over 5,000 employees worldwide, also includes other brands: Caravita is a renowned manufacturer of high-quality sunshades and awnings. Anwis is the Eastern European specialist for interior and exterior sun protection. Wings Professional offers suitable solutions for façade design with custom-made large slats.

Referring to the building at the apex in Munich, architect László Ambrus explains: “‘Awnings’ in this project means a complex system of textile façade cladding”. Although even the best shading solutions reach their limits in extreme weather events, “the textile façade has significantly minimized the need for additional temperature control.” The house at the apex clearly shows what an intelligent, modern and climate-resilient façade with Warema window awnings can look like. You can find more inspiration here.

POTREBBE INTERESSARTI ANCHE

“We now have great rooms to go with our great collections”

Building design

After 16 years, the Staatsbibliothek Unter den Linden in Berlin has now been extensively renovated and extended. The Stuttgart-based firm hg merz was responsible for the project. After 16 years of lengthy conversion and renovation processes and 470 million euros spent, the Berlin State Library Unter den Linden opened digitally last Monday. This means that one of Berlin’s largest construction projects […]

After 16 years, the Staatsbibliothek Unter den Linden in Berlin has now been extensively renovated and extended. The Stuttgart-based firm hg merz was responsible for the project.

After 16 years of lengthy conversion and renovation processes and 470 million euros spent, the Berlin State Library Unter den Linden opened digitally last Monday. This marks the completion of one of Berlin’s largest construction projects. Founded in 1661, the research institution is considered one of the most important libraries in the world and is the largest academic library in the German-speaking world. Due to its importance, the monumental building has been adapted to the requirements of the 21st century since 2005 while it has remained in operation. Originally, the work on the 100,000 square meters of floor space was not due to be completed until 2012 and then 2016.

The research library, which was badly damaged during the Second World War and rebuilt during the GDR era, proved to be in greater need of renovation than originally assumed. For example, new supports had to be installed in the building to secure the old, listed concrete arches of the large dome. The overall concept for the general refurbishment and extension of Unter den Linden was the brainchild of Stuttgart star architect hg merz, who also modernized the State Opera diagonally opposite. In 2000, he won first prize in a Europe-wide competition. Individual construction tasks, such as the lighting concept or the material and color concept, were solved by hg merz in collaboration with artistic and technical offices.

The best-known feature of the old building, which has been renovated in line with its listed status, is the implanted glass cube of the central reading room, which opened in 2012. Now, after more than 70 years, it is once again accessible along the historical axis through the building complex via the entrance hall, fountain courtyard and the elegant main staircase and vestibule. The original spatial concept can now be experienced again. The reconstruction of the barrel vault in the main hall also restores the original cubature of the room.

In the reading room itself, the bright orange carpet has been renewed. The special reading rooms have also been redesigned and modernized: dark wooden shelves surround the books on the walls, with work areas in between whose linoleum table tops pick up the color of the carpet.
“We now have great rooms to complement our great collections,” says a delighted General Director Barbara Schneider-Kempf. The collections, which have grown over 360 years – including four pieces of world documentary heritage by Beethoven, Bach and Luther – are supplemented by around 100,000 media and extensive digital materials every year. The collection currently comprises more than 33 million different items, including 12 million books, autographs, printed music, magazines and newspapers as well as maps, globes and bequests.

The 620 workstations in the seven reading rooms currently have to remain empty. Due to the coronavirus, students and academics can only explore the redesigned library digitally for the time being. Important: From February onwards, lending operations will be restricted.

Speaking of libraries and reading material: discover the new library in Gundelsheim by Schlicht Lamprecht Architekten.

Duisburg Hochheide: City park instead of white giant

Building design
This is what Duisburg Hochheide could soon look like. Source: KRAFT.RAUM

This is what Duisburg Hochheide could soon look like. Source: KRAFT.RAUM

One white giant after another is falling. Two of the tower blocks of the former “Hochheide residential park” in Duisburg have already been demolished. A third will follow this year. The reason for this is that a park with various open spaces for meeting places, community, experiencing nature, sport and exercise is to be created instead. Read more about the new plans for Duisburg Hochheide here.

One white giant after another is falling. Two of the tower blocks of the former “Hochheide residential park” in Duisburg have already been demolished. A third will follow this year. The reason for this is that a park with various open spaces for meeting places, community, experiencing nature, sport and exercise is to be created instead. Read more about the new plans for Duisburg Hochheide here.

The Weiße Riesen Duisburg high-rise quarter is located in the Hochheide district of Duisburg. It will soon be replaced by a new city park. A recent decision by the Budget Committee in the German Bundestag has made this possible. This is because the federal government is investing almost 1.7 million euros in the new green space, known as the Hochheide City Park, through the “Adapting urban spaces to climate change” funding program.

The federal program thus shows its appreciation for the Stadtpark project. The planning is also regarded as a model for climate-friendly reuse of urban demolition sites. Bundestag President Bärbel Bas (SPD) sees the financial support for Duisburg Hochheide as an important sign: “The political decisions in Berlin often seem very abstract to citizens, despite their great significance for their everyday lives. This project is an example of how the federal government directly promotes and supports municipalities like Duisburg. In this way, we are not only improving the quality of life in the neighborhood, but also increasing trust in politics.”

“The demolition of the white giants is good,” says Duisburg Green Party MP Felix Banascak, “but it alone does not create a liveable public space.”

Parliamentary State Secretary Mahmut Özdemir (SPD) grew up between the White Giants in Duisburg Hochheide. He is also looking forward to the planning: “We have promised the people of Duisburg that we will use public money to eliminate the building sins of private developers. We are continuing along this path.”

The federal funding enables the planning of a multifunctional community park. It is to become a place of recreation, a meeting place and a sports area for citizens. In addition, Duisburg Hochheide will provide added social and ecological value. The resulting green space will create a better coexistence between people and (urban) nature. In this context, Mahmut Özdemir refers, for example, to the planned flood protection in the event of heavy rainfall.

The new open space is divided into three zones.

  1. “Destination Sport”: An active area with a wide range of play and sports areas complements the lively district center in the west.
  2. “Doing things together”: A community area is being created in the middle. Among other things, areas for gardening and open spaces for shared use by daycare centers are planned here.
  3. “Destination Park”: A recreational area with meadows, a natural pond and environmental education facilities is being created in the east. This green neighborhood park also improves the ecology by linking adjacent biotopes. In addition, the connection to the cycle path on Husemanstraße creates a higher-level network.

The so-called Red Path will remain the main connection. It will be renovated and become part of a new path system. Electronic systems, such as the park lighting, will be powered by solar energy. The park is also designed to be barrier-free and attractive for young and old alike. In addition, only native trees and shrubs are planned. The emerging Hochheide city park is therefore an important impetus for development – both for Duisburg Hochheide and the neighboring urban areas. Until 2026, we can watch a new district center gradually grow here.

Read more about the new residential area “6-Seen-Wedau – Wohnen am Wasser” in Duisburg – currently the largest urban development project in North Rhine-Westphalia and the longest climate wall in the world.