How safe is the museum?

Building design

Digital for safety and with an unlimited number of participants: the German Museums Association’s conference on “Museum Security” had to be canceled this spring due to coronavirus. It will now be held on September 23, 2020 Like so many other events, the German Museums Association’s conference on “Museum Security” in March had to be canceled due to the coronavirus. This has not affected the topicality of the topic […]

Digital for safety and with an unlimited number of participants: Due to the coronavirus, the German Museums Association’s conference on “Museum Security” also had to be canceled this spring. It will now be held on September 23, 2020


Der Screenshot aus einem Überwachungsvideo zeigt den Einbruch im Grünen Gewölbe in Dresden im vergangenen Herbst 2019. Foto: Screenshot Polizei Sachsen
The screenshot from a surveillance video shows the break-in in the Green Vault in Dresden last fall 2019. Photo: Screenshot Police Saxony

Like so many other events, the German Museums Association’s conference on “Museum Security” in March had to be canceled due to the coronavirus. This has not changed the topicality of the subject. The conference will therefore be held again on September 23. This time, even if the pandemic continues, it should not be canceled because it will take place completely digitally. This at least has the advantage that anyone who is interested can now take part, whereas places were limited in March and quickly fully booked.

The conference program provides for the question of “how museums can protect their objects while remaining accessible to the public in the usual way” to be discussed at the beginning. Marion Ackermann, Director General of the Dresden State Art Collections, and Hermann Parzinger, President of the Prussian Cultural Heritage Foundation, will talk about this with Eckart Köhne, President of the German Museums Association. Ackermann and Parzinger are two people directly affected by security breaches, as there have been major thefts in Dresden and Berlin in recent times: A gold coin weighing one hundred kilos was stolen from the Bodemuseum in Berlin in 2017, and numerous sets of jewels were stolen from the Historic Green Vault in Dresden at the beginning of the year.

The talk will be followed by a review of “Museum burglaries through the ages”. The Museumsbund was able to secure Carsten Pfohl from the Berlin State Office of Criminal Investigation as a speaker. Pfohl is head of the “Qualified Property Crime” department. Stefan Simon, Director of the Rathgen Research Laboratory, will speak about risk management in various museums.

Security has always been an issue in museums. But how secure is your own museum? Every museum employee can check this question for themselves using a security guide. The questionnaires in the guide were created by a team of three museum specialists for the Conference of National Cultural Institutions. Project manager Alke Dohrmann presents the guidelines. The final presentation will be given by Björn Kupfer from the German Insurance Association.

Q&A sessions with security experts from the “Facility Management and Security” working group at the German Museums Association are also planned. There will be digital options for sending questions to the experts.

Register at www.museumsbund.de.

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La Caserne Quebec

Building design
La Caserne Quebec: A converted fire station in the historic center of Quebec City that serves as a theater for young audiences, bringing together architecture, history, and sustainable transformation.
La Caserne Quebec: A converted fire station in the historic center of Quebec City that serves as a theater for young audiences, bringing together architecture, history, and sustainable transformation.

La Caserne Québec is a cultural project taking shape in the heart of Québec City’s UNESCO-protected Old Town, blending history, contemporary architecture, and sustainable transformation. Designed by SBTA inc. and Delort et Brochu architectes, a former fire station dating from 1912 has been transformed into a vibrant theater for young audiences.

The project brings together several architectural layers: the historic fire station, an extension from the 1990s, and a new contemporary addition. Together, they form a cultural ensemble deeply rooted in the identity of Old Quebec.

Architecture in Dialogue with History and the City

La Caserne Quebec is not conceived as an isolated new building, but rather as an architectural dialogue between the past and the present. The clean, geometric extension respects the historic structure of the former fire station and, in particular, highlights its striking tower as an urban landmark.

In the immediate vicinity of the Musée de la Civilisation, a complex is taking shape that sensitively combines materials and urban space, thereby strengthening the cultural axis along the St. Lawrence River.

A theater as a public gathering space

The new use by the youth theater “Les Gros Becs” requires a flexible spatial layout. At the heart of the expansion is a 350-seat theater auditorium and a multifunctional event hall.

Central to this is an open spatial concept that unfolds across multiple levels:

  • The foyer as the connecting heart
  • an open staircase as the spatial axis
  • Reading room in the former fire station
  • multifunctional spaces for education and performances

The result is a building that is deliberately geared toward a young audience while also promoting cultural participation.

Urban Planning and Public Spaces

At the intersection of Dalhousie Street and Barricade Street, a small piazzetta is being created that connects the building to the public space. It opens up a view of the Parc des Canotiers and the St. Lawrence River, transforming the theater into an urban hub.

A strategic opening through the building connects the two entrances and creates a clear, intuitive visitor flow between the city, the school, and the theater.

Materiality as Narrative Architecture

The interiors of La Caserne Quebec feature a precisely coordinated interplay of materials and colors:

  • Stone and combines these components with high-performance glass facades and energy-efficient details.

    The result is a sustainable architectural concept that conserves resources and preserves historic structures.

    La Caserne Quebec by SBTA Inc. and Delort et Brochu Architectes demonstrates how historic buildings can be transformed into contemporary cultural venues.

    By combining historic preservation, sustainable architecture, and social inclusivity, the result is a theater that not only provides a space for performances but also becomes an integral part of Québec City’s cultural landscape.

Advent sweets – 3

Building design

Baumeister Advent calendar: December 4 Is this art or can you eat it? This question is probably asked by every viewer of these sweet temptations – and so welcome to Dinara Kasko’s architectural bakery! Inspired by the sculptures of Venezuelan artist José Margulis, the Ukrainian patisserie owner began translating geometric shapes into something edible. We show in […]

Baumeister Advent calendar: December 4

Is this art or can you eat it? This question is probably asked by every viewer of these sweet temptations – and so welcome to Dinara Kasko‘s architectural bakery!

Inspired by the sculptures of Venezuelan artist José Margulis, the Ukrainian patisserie owner began translating geometric shapes into something edible. In this year’s Baumeister Christmas calendar, we are showing one of the architect’s creations every day:

Dinara Kasko is also a photographer and has been baking all her life. By combining architecture and baking, she has turned her hobby into a profession: “I experimented a lot and tried to transform José Margulis’ three-dimensional compositions into sweets. I used simple techniques and ingredients, 3D-printed silicone molds were used for modeling,” says the artist. The result is delicious cakes that follow architectural rather than artisanal baking principles.

Food design is becoming more and more popular every year, including among architects and designers: Royal College of Art student Kia Utzon-Frank recently designed a series of cakes with a stone look, while Italian architect Salvatore Spataro created miniature-sized chocolate tools. Baking – another discipline that the all-rounder architects have tapped into. We can’t wait to see what other delicious things will be coming out of the architects’ kitchen in the near future.

Photos: Dinara Kasko