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The drop-in audio chat app “Clubhouse” is conquering the German social media world. Why we planners should also pay attention to the app.

The drop-in audio chat app “Clubhouse” has been conquering the German social media world for two weeks now. You can only join the social network by personal invitation. However, the new hype app is not reserved solely for pseudo-hip media makers, influencers or politicians like Bodo Ramelow who talk out of the closet. Why we planners should also pay attention to the app.

The “Clubhouse” app has been trending in Apple’s App Store for two weeks. It is a social media app that the Clubhouse founders themselves describe as a “drop-in audio chat”. Thuringia’s Minister President Bodo Ramelow, in particular, made it famous by referring to Angela Merkel as “the little Merkel” in a Clubhouse chat and admitting to playing “Candy Crush” at the minister presidents’ conferences. But that’s another story and he has probably since apologized personally to the Chancellor.

Clubhouse is currently only available in the Apple App Store, but will soon also be available for Android, as n-tv reported last Sunday. Anyone who has received a personal invitation can use the app. “Maximum elitism” is what some might think, and yes, that’s true. At the same time, the artificial thresholds are a central part of the hype. According to the developers, the app is still in a test phase.

Clubhouse went online in the USA in spring 2020 and, according to information from CNBC, was valued at almost 100 million US dollars in mid-May following an investment of 12 million US dollars by a venture capital company. With only around 1,500 users. In Germany, the app went through the roof after the two podcast hosts Philipp Klöckner and Philipp Gloeckler called for mutual invitations via a Telegram group – in order to make the app available to a wider public. According to t3n, Clubhouse now has almost one million users in Germany.

Okay, the thresholds for getting “in” to Clubhouse are high, but once you are “in”, the app is characterized by maximum low-threshold user-friendliness. Clubhouse is very easy to use and is self-explanatory. The activity is based on a social network that is set up in a similar way to Facebook or Instagram, as well as areas of interest that users can select specifically – such as “Architecture” (and yes, the entire app is in English). Based on the network and areas of interest, users are suggested so-called “rooms” that they can enter and listen to the conversations in. The talks are moderated by individual users themselves. You can simply listen or digitally “raise your hand” to actively participate in the discussion. Like a participatory story podcast, somehow.

The downsides of Clubhouse

So much for the pure functionality of the app. Is Clubhouse just cool now? Well, everything has its downsides. Many voices define data protection as inadequate. This includes the Rhineland-Palatinate data protection officer Dieter Kugelmann. According to him, Clubhouse is very likely in breach of the European General Data Protection Regulation, reports dpa. Among other things, there is a lack of transparency regarding which data the app stores permanently. Users have no way of tracking what exactly happens to their data. A problem that is not entirely new to us in the wake of the new terms of use for the WhatsApp messaging service. By now, however, everyone will have realized that the messenger service “Signal” is probably a good alternative – after all, Elon Musk and Edward Snowden did a great job of promoting the alternative messenger service on Twitter.

More downsides? The Clubhouse moderators have not yet been able to prevent acoustic hate comments when users are “loud”. Users can be reported for misconduct, but this requires the Clubhouse conversation to be saved, which is difficult from a data point of view.

A call to Joko Winterscheidt

So Clubhouse is elitist, yes. The app has data protection problems and enables so-called “hate speech” to be noted. At the same time, it’s also a lot of fun. But why is it and why could Clubhouse also be of increased interest to us planners in the future? Because it’s incredibly easy to get into conversation with each other. The discussions have something intimate, natural and friendly about them. It’s not for nothing that Bodo was so forthcoming.

A Clubhouse talk feels like a phone call, you talk to friends or people from your own network, but you also meet strangers with whom you feel a connection over a topic or even people with a higher profile such as Joko Winterscheidt, who now has 90,000 followers on Clubhouse. And you can participate according to your mood, there is no compulsion. You don’t have to expose yourself as you would in a panel discussion, for example.

Clubhouse talks offer exchange and inspiration. And of course, this is exactly what the current lockdown is inhibiting, at least for those who don’t have any major problems at the moment. Here, too, it is probably a first-world problem. In an analysis on spiegel.de, Markus Böhm and Max Hoppenstedt even discussed who will still be going to the Clubhouse when the pandemic is over.

Us planners in the Clubhouse? Oh yes.

Yesterday’s Clubhouse talk “Berliners or pancakes – on the identity of a city”, put on by Tagesspiegel journalists Anne-Kathrin Hipp, Anke Myrrhe and Lorenz Maroldt, illustrated why we planners should also be out and about at Clubhouse in future – pandemic or not. One of the questions they posed in this Clubhouse talk was how to ensure that Berlin remains Berlin in the future despite urban development interventions and “growing pains”.

While one Clubhouse user responded charmingly with “Gemeinsam anders – dit is Berlin”, Florian Schmidt (B’90/Die Grünen), city councillor for construction in Friedrichshain-Kreuzberg, proposed an IBA of the districts, i.e. an International Building Exhibition of the Berlin districts. According to him, however, the idea then hung in a vacuum and was not discussed any further. This is where it would have been exciting to continue the discussion, to pick up the other users on what an IBA actually is, should be, where its limits lie, but also its potential – and hardly any other profession can do this as well as the planning discipline.

An opportunity that we should seize

The topics discussed at Clubhouse are close to people, close to the reality of our lives. Topics such as urban development. Over the past ten years, urban development as a social task has moved to the center of public debate. It affects us all. And let’s be honest: it’s a really great topic, full of possibilities and visions. But – and I know I’m repeating myself here – our profession has been and remains very quiet in this societal discourse so far, making very little noise. Clubhouse offers us planners, but also us specialist journalists, the opportunity to get into conversation with each other in a very low-threshold way – and that’s somehow just cool.

How many planners often regret after public participation processes that the same people usually come to the relevant events and that there is a lack of diversity and youth, especially in public exchange. How many planner events do we always attend with the same noses? Nice noses, but just the same ones. The people who click through the Clubhouse rooms here, we could open up completely new discussion groups with them. We should take advantage of that, shouldn’t we?

POTREBBE INTERESSARTI ANCHE

“Tsuyoshi Tane: The Garden House” at the Vitra Design Museum

Building design
The exhibition "Tsuyoshi Tane: The Garden House" explains the construction and history of this special building on the Vitra Campus. Vitra / ATTA, Photo: Julien Lanoo

The exhibition "Tsuyoshi Tane: The Garden House" explains the construction and history of this special building on the Vitra Campus. Vitra / ATTA, Photo: Julien Lanoo

On November 18, 2023, the exhibition “Tsuyoshi Tane: The Garden House” will open in the Vitra Design Museum Gallery. It is dedicated to the recently built Tane Garden House on the Vitra Campus.

On November 18, 2023, the exhibition “Tsuyoshi Tane: The Garden House” will open in the Vitra Design Museum Gallery. It is dedicated to the recently built Tane Garden House on the Vitra Campus.

The Garden House by Japanese architect Tsuyoshi Tane is the latest building on the Vitra Campus and the first to be designed with the climate crisis in mind. The impetus for its construction came from Rolf Fehlbaum, Chairman Emeritus of Vitra, in 2020. In a letter to Tane, he explained that the Tane Garden House, together with the surrounding Oudolf Garden, should be the “first manifestation of a greater awareness of sustainability” on the Vitra Campus. It is important that the materials, working methods and usage methods used meet high ecological standards.

The Tane Garden House has a relatively small footprint of just 15 square meters and serves both as a lounge for the gardeners on the site and as a viewing platform for visitors to the campus. The platform offers an elevated view of the surrounding Oudolf Garden. The facility was developed in a trial-and-error process in which many different options were explored in search of the essence of the site.

The garden house is a typical example of Tsuyoshi Tane’s way of working. His projects are always preceded by intensive research into the local conditions. The exhibition in the Vitra Design Museum Gallery shows how the new building emerged from such research.

Like an archaeologist, Tane embarks on a kind of journey of discovery and searches for the essence of each place – he even describes this process as archaeology, the “archaeology of the future”. In doing so, he primarily explores the use of traditional materials and the regional craftsmanship in dealing with them. Tane also uses the term “above ground” to describe renewable products such as reeds or wood. This contrasts with “underground materials”, which are heavily overused raw materials. Although Tane was inspired by the historical buildings in the Swiss open-air museum Ballenberg to use the materials that make up the garden house, his own structure was built using regional production techniques and in collaboration with local craftsmen. The aim was to generate the smallest possible CO2 footprint overall.

The exhibition in the Vitra Design Museum Gallery presents, among other things, precisely these materials as components of the building: from the traditional thatched roof and the well trough made of logs to the binding and knotting techniques of ropes used for the staircase balustrade. Visitors will also find architectural models as well as models of individual building elements, drawings of the building and evidence of collaboration with local craftsmen. The entire development of the building can be traced on the basis of over a hundred models and mock-ups that have gone through several experimental stages. The exhibits show Tane’s intensive engagement with the typology of the building and his playful approach. The Tane Garden House is a building that represents an experimental study in contemporary and ecological construction. The exhibition consists exclusively of the materials used in the development process.

The exhibition is accompanied by the publication “Tane Garden House”. It conveys Tane’s unique architectural approach, his discussions and exchanges with craftsmen, builders and others involved in the process using statements and drawings, prototypes and sketches, models and materials.

The exhibition will open on November 18, 2023 and will run until April 21, 2024, inviting anyone interested to come and see for themselves.

Until recently, another interesting exhibition was on show at the Vitra Design Museum: Everything about “Garden Futures” here.

250 Things a Landscape Architect Should Know – Book Review

Building design
B. Cannon Ivers

B. Cannon Ivers

“250 Things a Landscape Architect Should Know”: Does the author succeed in answering the question of what landscape architects need to know?

What knowledge is essential for landscape architects? The book “250 Things a Landscape Architect Should Know” poses this basic question and finds very different, often surprising or even humorous answers. Inspired by the book “250 things an architect should know” by the recently deceased architect and architecture critic Michael Sorkin, his former student B. Cannon Ivers continues his idea and reinterprets it. Read here how he succeeds.

Statements by 50 authors from practice and teaching, from Europe, North and South America, Asia and Australia and from new studios as well as internationally established offices. These include AW Faus (SINAI), Leonard Grosch (LOIDL), Andreas Kipar (LAND), Martin Rein-Cano (TOPOTEK), Peter Latz and Günther Vogt – to name just the German-speaking countries. It is an exciting and certainly challenging curation for publisher B. Cannon Ivers, but one that has definitely paid off. After all, the diverse statements not only make the individual attitudes tangible, the global positioning of the book “250 Things a Landscape Architect Should Know” also offers exciting insights into different geographical conditions as well as social and political circumstances.

The book itself does not have a blurb. Listed are “only” the 50 landscape architects who make the book what it is with their statements. It was probably rightly assumed that the explanatory title in combination with all the excellent names would fulfill a big enough promise to the buyers or readers.

250 Things a Landscape Architect Should Know: Best statement

“Superman is Boring. The model of a singular heroic lead designer (think:Superman) no longer fits in an increasingly connected and multicultural world.”

You can brag about this knowledge from the book

For the first time, it’s not the knowledge in the book that you can brag about. It’s the book itself that reminds you of everything you already knew. Fields of research and disciplines that you have touched on at university but not studied in depth. Former views and ideals that may have become a blind spot through work practice. Much is recalled, much is brought back into the spotlight. After reading the book, you are left with a pleasant feeling of pride in your own profession and perhaps you can show off a little. And if that’s not enough, perhaps the statements from other countries and continents will open up completely new perspectives.

More trend or classic

A soon-to-be classic. Even after reading it for the first time, you wonder whether you will have time to leaf through the book again in the next four or six months. But definitely on your next vacation.

A short sentence about the book “250 Things a Landscape Architect Should Know”

A title, a text, a picture, a caption, a number and a name – it is this calm, yet successful graphic concept by Lisa Petersen (Bureau Est) that emphasizes the impact of the statements. It is clearly about the views and ideas – about inspiration and thought-provoking impulses. And yes, it’s also about the writing styles, which are as different as they are engaging. Landscape architects can still claim that they can draw better than they can write. This book proves that they can do both. It is definitely a pleasure to read.

Here you can get the book “250 Things a Landscape Architect Should Know” (Verlag Brikhäuser, 2021, hardcover, ISBN 9783035623352).

Also interesting in this context: the review of the dissertation “Unbestimmte Räume in Städten:The value of residual space“. Here, Dorothee Rummel poses the question of what value undefined spaces have for the city.